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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #405D6D it is the complementary color #BFA292. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #405D6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #405D6D shade: #455D68, #566F7B, #67818E, #7893A1 and #89A5B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #405D6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #405D6D shade: #405D6D, #2F4B5A, #1E3947, #0D2734 and #001521

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #405D6D shade: #405D6D, #40516D, #40456D, #48406D and #54406D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #405D6D shade: #405D6D, #40516D, #40456D and #40406D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #405D6D shade matches the following richer shades: #405D6D, #32617B, #246589, #166997 and #086DA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #405D6D shade: #405D6D, #4E595F, #5C5551, #6A5143 and #784D35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #405D6D shade: #406D65, #40696D, #405D6D, #40516D and #40456D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #405D6D shade: #223139, #314753, #405D6D, #4F7387 and #5F8AA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #405D6D shade: #405D6D, #59406D and #6D6B40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #405D6D shade: #405D6D, #6D405D and #5D6D40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #405D6D shade: #405D6D, #59406D, #6D5040 and #546D40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #405D6D shade: #405D6D, #66406D, #6D5040 and #476D40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 15 / 0 / 57

HEX #405D6D

RGB 64 93 109

HSL 201.33, 0.26%, 0.34%

LAB 37.88, -6.15, -12.5

 

Complementary color

CMYK 0 / 15 / 24 / 25

HEX #BFA292

RGB 191 162 146

HSL 21.33, 0.26%, 0.66%

LAB 68.75, 8.14, 12.27

 

CMYK 34 / 11 / 0 / 59

HEX #455D68

RGB 69 93 104

HSL 198.86, 0.2%, 0.34%

LAB 38.01, -6.03, -9.19

 

CMYK 30 / 10 / 0 / 52

HEX #566F7B

RGB 86 111 123

HSL 199.46, 0.18%, 0.41%

LAB 45.33, -6.09, -9.63

 

CMYK 27 / 9 / 0 / 44

HEX #67818E

RGB 103 129 142

HSL 200, 0.16%, 0.48%

LAB 52.44, -6.14, -10.07

 

CMYK 25 / 9 / 0 / 37

HEX #7893A1

RGB 120 147 161

HSL 200.49, 0.18%, 0.55%

LAB 59.37, -6.19, -10.51

 

CMYK 24 / 8 / 0 / 29

HEX #89A5B4

RGB 137 165 180

HSL 200.93, 0.22%, 0.62%

LAB 66.15, -6.24, -10.94

 

CMYK 41 / 15 / 0 / 57

HEX #405D6D

RGB 64 93 109

HSL 201.33, 0.26%, 0.34%

LAB 37.88, -6.15, -12.5

 

CMYK 48 / 17 / 0 / 65

HEX #2F4B5A

RGB 47 75 90

HSL 200.93, 0.31%, 0.27%

LAB 30.34, -5.95, -12.14

 

CMYK 58 / 20 / 0 / 72

HEX #1E3947

RGB 30 57 71

HSL 200.49, 0.41%, 0.2%

LAB 22.5, -5.6, -11.79

 

CMYK 75 / 25 / 0 / 80

HEX #0D2734

RGB 13 39 52

HSL 200, 0.6%, 0.13%

LAB 14.31, -4.93, -11.41

 

CMYK 100 / 36 / 0 / 87

HEX #001521

RGB 0 21 33

HSL 201.82, 1%, 0.06%

LAB 5.84, -2.93, -10.67

 

CMYK 41 / 15 / 0 / 57

HEX #405D6D

RGB 64 93 109

HSL 201.33, 0.26%, 0.34%

LAB 37.88, -6.15, -12.5

 

CMYK 41 / 26 / 0 / 57

HEX #40516D

RGB 64 81 109

HSL 217.33, 0.26%, 0.34%

LAB 34.15, 1.29, -18.23

 

CMYK 41 / 37 / 0 / 57

HEX #40456D

RGB 64 69 109

HSL 233.33, 0.26%, 0.34%

LAB 30.52, 9.09, -23.87

 

CMYK 34 / 41 / 0 / 57

HEX #48406D

RGB 72 64 109

HSL 250.67, 0.26%, 0.34%

LAB 29.78, 14.86, -24.98

 

CMYK 23 / 41 / 0 / 57

HEX #54406D

RGB 84 64 109

HSL 266.67, 0.26%, 0.34%

LAB 31.01, 18.75, -22.97

 

CMYK 41 / 15 / 0 / 57

HEX #405D6D

RGB 64 93 109

HSL 201.33, 0.26%, 0.34%

LAB 37.88, -6.15, -12.5

 

CMYK 41 / 26 / 0 / 57

HEX #40516D

RGB 64 81 109

HSL 217.33, 0.26%, 0.34%

LAB 34.15, 1.29, -18.23

 

CMYK 41 / 37 / 0 / 57

HEX #40456D

RGB 64 69 109

HSL 233.33, 0.26%, 0.34%

LAB 30.52, 9.09, -23.87

 

CMYK 41 / 41 / 0 / 57

HEX #40406D

RGB 64 64 109

HSL 240, 0.26%, 0.34%

LAB 29.06, 12.41, -26.17

 

CMYK 41 / 15 / 0 / 57

HEX #405D6D

RGB 64 93 109

HSL 201.33, 0.26%, 0.34%

LAB 37.88, -6.15, -12.5

 

CMYK 59 / 21 / 0 / 52

HEX #32617B

RGB 50 97 123

HSL 201.37, 0.42%, 0.34%

LAB 39, -7.78, -19.46

 

CMYK 74 / 26 / 0 / 46

HEX #246589

RGB 36 101 137

HSL 201.39, 0.58%, 0.34%

LAB 40.39, -7.84, -25.83

 

CMYK 85 / 30 / 0 / 41

HEX #166997

RGB 22 105 151

HSL 201.4, 0.75%, 0.34%

LAB 42.01, -6.63, -31.71

 

CMYK 95 / 34 / 0 / 35

HEX #086DA5

RGB 8 109 165

HSL 201.4, 0.91%, 0.34%

LAB 43.81, -4.47, -37.19

 

CMYK 41 / 15 / 0 / 57

HEX #405D6D

RGB 64 93 109

HSL 201.33, 0.26%, 0.34%

LAB 37.88, -6.15, -12.5

 

CMYK 18 / 6 / 0 / 63

HEX #4E595F

RGB 78 89 95

HSL 201.18, 0.1%, 0.34%

LAB 37.1, -2.85, -4.91

 

CMYK 0 / 8 / 12 / 64

HEX #5C5551

RGB 92 85 81

HSL 21.82, 0.06%, 0.34%

LAB 36.68, 2.06, 3.35

 

CMYK 0 / 24 / 37 / 58

HEX #6A5143

RGB 106 81 67

HSL 21.54, 0.23%, 0.34%

LAB 36.66, 8.28, 12.25

HEX #6A5143

CMYK 0 / 36 / 56 / 53

HEX #784D35

RGB 120 77 53

HSL 21.49, 0.39%, 0.34%

LAB 37.04, 15.37, 21.63

HEX #784D35

CMYK 41 / 0 / 7 / 57

HEX #406D65

RGB 64 109 101

HSL 169.33, 0.26%, 0.34%

LAB 42.71, -17.57, -0.41

 

CMYK 41 / 4 / 0 / 57

HEX #40696D

RGB 64 105 109

HSL 185.33, 0.26%, 0.34%

LAB 41.68, -13.18, -6.78

 

CMYK 41 / 15 / 0 / 57

HEX #405D6D

RGB 64 93 109

HSL 201.33, 0.26%, 0.34%

LAB 37.88, -6.15, -12.5

 

CMYK 41 / 26 / 0 / 57

HEX #40516D

RGB 64 81 109

HSL 217.33, 0.26%, 0.34%

LAB 34.15, 1.29, -18.23

 

CMYK 41 / 37 / 0 / 57

HEX #40456D

RGB 64 69 109

HSL 233.33, 0.26%, 0.34%

LAB 30.52, 9.09, -23.87

 

CMYK 40 / 14 / 0 / 78

HEX #223139

RGB 34 49 57

HSL 200.87, 0.25%, 0.18%

LAB 19.36, -3.78, -7.07

 

CMYK 41 / 14 / 0 / 67

HEX #314753

RGB 49 71 83

HSL 201.18, 0.26%, 0.26%

LAB 28.86, -5.01, -9.88

 

CMYK 41 / 15 / 0 / 57

HEX #405D6D

RGB 64 93 109

HSL 201.33, 0.26%, 0.34%

LAB 37.88, -6.15, -12.5

 

CMYK 41 / 15 / 0 / 47

HEX #4F7387

RGB 79 115 135

HSL 201.43, 0.26%, 0.42%

LAB 46.54, -7.24, -15

 

CMYK 41 / 14 / 0 / 37

HEX #5F8AA1

RGB 95 138 161

HSL 200.91, 0.26%, 0.5%

LAB 55.26, -8.57, -16.86

 

CMYK 41 / 15 / 0 / 57

HEX #405D6D

RGB 64 93 109

HSL 201.33, 0.26%, 0.34%

LAB 37.88, -6.15, -12.5

 

CMYK 18 / 41 / 0 / 57

HEX #59406D

RGB 89 64 109

HSL 273.33, 0.26%, 0.34%

LAB 31.57, 20.43, -22.06

 

CMYK 0 / 2 / 41 / 57

HEX #6D6B40

RGB 109 107 64

HSL 57.33, 0.26%, 0.34%

LAB 44.43, -6.27, 24.37

 

CMYK 41 / 15 / 0 / 57

HEX #405D6D

RGB 64 93 109

HSL 201.33, 0.26%, 0.34%

LAB 37.88, -6.15, -12.5

 

CMYK 0 / 41 / 15 / 57

HEX #6D405D

RGB 109 64 93

HSL 321.33, 0.26%, 0.34%

LAB 33.37, 24.16, -8.9

 

CMYK 15 / 0 / 41 / 57

HEX #5D6D40

RGB 93 109 64

HSL 81.33, 0.26%, 0.34%

LAB 43.7, -14.36, 23.17

 

CMYK 41 / 15 / 0 / 57

HEX #405D6D

RGB 64 93 109

HSL 201.33, 0.26%, 0.34%

LAB 37.88, -6.15, -12.5

 

CMYK 18 / 41 / 0 / 57

HEX #59406D

RGB 89 64 109

HSL 273.33, 0.26%, 0.34%

LAB 31.57, 20.43, -22.06

 

CMYK 0 / 27 / 41 / 57

HEX #6D5040

RGB 109 80 64

HSL 21.33, 0.26%, 0.34%

LAB 36.67, 9.82, 14.17

 

CMYK 23 / 0 / 41 / 57

HEX #546D40

RGB 84 109 64

HSL 93.33, 0.26%, 0.34%

LAB 43.05, -18.1, 22.2

 

CMYK 41 / 15 / 0 / 57

HEX #405D6D

RGB 64 93 109

HSL 201.33, 0.26%, 0.34%

LAB 37.88, -6.15, -12.5

 

CMYK 6 / 41 / 0 / 57

HEX #66406D

RGB 102 64 109

HSL 290.67, 0.26%, 0.34%

LAB 33.13, 24.87, -19.51

 

CMYK 0 / 27 / 41 / 57

HEX #6D5040

RGB 109 80 64

HSL 21.33, 0.26%, 0.34%

LAB 36.67, 9.82, 14.17

 

CMYK 35 / 0 / 41 / 57

HEX #476D40

RGB 71 109 64

HSL 110.67, 0.26%, 0.34%

LAB 42.23, -23.14, 20.97

 

Description

Color code: HEX #405D6D | qconv.com Color code: HEX #405D6D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 93 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 93 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 15 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 15% 0% 57% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

59% - Home | Real Estate F...
Link: http://www.refbc.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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