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Color name
HEX #4052DF

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4052DF it is the complementary color #BFAD20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4052DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4052DF shade: #4552DA, #5664ED, #6776FF, #7888FF and #899AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4052DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4052DF shade: #4052DF, #2F40CC, #1E2EB9, #0D1CA6 and #000A93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4052DF shade: #3F51DE, #583FDE, #833FDE, #AE3FDE and #D93FDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4052DF shade: #3F51DE and #3F3FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4052DF shade matches the following richer shades: #3F51DE and #2D43F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4052DF shade: #3F51DE, #515FCC, #636DBA, #767BA8 and #888996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4052DF shade: #3FA7DE, #3F7CDE, #3F52DE, #573FDE and #823FDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4052DF shade: #1D2EAE, #2337D1, #3F51DE, #6271E4 and #8691EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4052DF shade: #4052DF, #DE3FD1 and #91DE3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4052DF shade: #4052DF, #DE3F52 and #52DE3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4052DF shade: #4052DF, #DE3FD1, #DECC3F and #3FDE4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4052DF shade: #4052DF, #DE3FA1, #DECC3F and #3FDE7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 63 / 0 / 13

HEX #4052DF

RGB 64 82 223

HSL 233.21, 0.71%, 0.56%

LAB 41.93, 39.83, -73.76

 

Complementary color

CMYK 0 / 9 / 83 / 25

HEX #BFAD20

RGB 191 173 32

HSL 53.21, 0.71%, 0.44%

LAB 70.22, -7.59, 67.19

 

CMYK 68 / 62 / 0 / 15

HEX #4552DA

RGB 69 82 218

HSL 234.77, 0.67%, 0.56%

LAB 41.79, 38.73, -71.12

 

CMYK 64 / 58 / 0 / 7

HEX #5664ED

RGB 86 100 237

HSL 234.44, 0.81%, 0.63%

LAB 48.52, 36.52, -70.86

 

CMYK 60 / 54 / 0 / 0

HEX #6776FF

RGB 103 118 255

HSL 234.08, 1%, 0.7%

LAB 55.13, 34.28, -70.11

 

CMYK 53 / 47 / 0 / 0

HEX #7888FF

RGB 120 136 255

HSL 232.89, 1%, 0.74%

LAB 60.62, 26.74, -61.22

 

CMYK 46 / 40 / 0 / 0

HEX #899AFF

RGB 137 154 255

HSL 231.36, 1%, 0.77%

LAB 66.25, 19.92, -52.19

 

CMYK 71 / 63 / 0 / 13

HEX #4052DF

RGB 64 82 223

HSL 233.21, 0.71%, 0.56%

LAB 41.93, 39.83, -73.76

 

CMYK 77 / 69 / 0 / 20

HEX #2F40CC

RGB 47 64 204

HSL 233.5, 0.63%, 0.49%

LAB 35.26, 42.5, -73.8

 

CMYK 84 / 75 / 0 / 27

HEX #1E2EB9

RGB 30 46 185

HSL 233.81, 0.72%, 0.42%

LAB 28.73, 45.35, -73.46

 

CMYK 92 / 83 / 0 / 35

HEX #0D1CA6

RGB 13 28 166

HSL 234.12, 0.85%, 0.35%

LAB 22.55, 47.97, -72.34

 

CMYK 100 / 93 / 0 / 42

HEX #000A93

RGB 0 10 147

HSL 235.92, 1%, 0.29%

LAB 17.1, 49.24, -69.76

 

CMYK 72 / 64 / 0 / 13

HEX #3F51DE

RGB 63 81 222

HSL 233.21, 0.71%, 0.56%

LAB 41.56, 39.98, -73.79

 

CMYK 60 / 72 / 0 / 13

HEX #583FDE

RGB 88 63 222

HSL 249.43, 0.71%, 0.56%

LAB 39.42, 53.42, -77.24

 

CMYK 41 / 72 / 0 / 13

HEX #833FDE

RGB 131 63 222

HSL 265.66, 0.71%, 0.56%

LAB 43.73, 59.97, -70

 

CMYK 22 / 72 / 0 / 13

HEX #AE3FDE

RGB 174 63 222

HSL 281.89, 0.71%, 0.56%

LAB 49.29, 67.94, -60.74

 

CMYK 2 / 72 / 0 / 13

HEX #D93FDE

RGB 217 63 222

HSL 298.11, 0.71%, 0.56%

LAB 55.67, 76.64, -50.17

 

CMYK 72 / 64 / 0 / 13

HEX #3F51DE

RGB 63 81 222

HSL 233.21, 0.71%, 0.56%

LAB 41.56, 39.98, -73.79

 

CMYK 72 / 72 / 0 / 13

HEX #3F3FDE

RGB 63 63 222

HSL 240, 0.71%, 0.56%

LAB 37.64, 50.59, -80.23

 

CMYK 72 / 64 / 0 / 13

HEX #3F51DE

RGB 63 81 222

HSL 233.21, 0.71%, 0.56%

LAB 41.56, 39.98, -73.79

 

CMYK 81 / 72 / 0 / 5

HEX #2D43F1

RGB 45 67 241

HSL 233.27, 0.88%, 0.56%

LAB 39.45, 53.17, -88.06

 

CMYK 72 / 64 / 0 / 13

HEX #3F51DE

RGB 63 81 222

HSL 233.21, 0.71%, 0.56%

LAB 41.56, 39.98, -73.79

 

CMYK 60 / 53 / 0 / 20

HEX #515FCC

RGB 81 95 204

HSL 233.17, 0.55%, 0.56%

LAB 44.65, 27.74, -58.41

 

CMYK 47 / 41 / 0 / 27

HEX #636DBA

RGB 99 109 186

HSL 233.1, 0.39%, 0.56%

LAB 48.43, 17.07, -41.9

 

CMYK 30 / 27 / 0 / 34

HEX #767BA8

RGB 118 123 168

HSL 234, 0.22%, 0.56%

LAB 52.78, 8.77, -24.57

 

CMYK 9 / 9 / 0 / 41

HEX #888996

RGB 136 137 150

HSL 235.71, 0.06%, 0.56%

LAB 57.39, 2.31, -7.05

 

CMYK 72 / 25 / 0 / 13

HEX #3FA7DE

RGB 63 167 222

HSL 200.75, 0.71%, 0.56%

LAB 64.94, -12.05, -36.4

 

CMYK 72 / 44 / 0 / 13

HEX #3F7CDE

RGB 63 124 222

HSL 216.98, 0.71%, 0.56%

LAB 52.67, 13.05, -55.79

 

CMYK 72 / 63 / 0 / 13

HEX #3F52DE

RGB 63 82 222

HSL 232.83, 0.71%, 0.56%

LAB 41.79, 39.37, -73.41

 

CMYK 61 / 72 / 0 / 13

HEX #573FDE

RGB 87 63 222

HSL 249.06, 0.71%, 0.56%

LAB 39.34, 53.29, -77.38

 

CMYK 41 / 72 / 0 / 13

HEX #823FDE

RGB 130 63 222

HSL 265.28, 0.71%, 0.56%

LAB 43.62, 59.8, -70.2

 

CMYK 83 / 74 / 0 / 32

HEX #1D2EAE

RGB 29 46 174

HSL 232.97, 0.71%, 0.4%

LAB 27.49, 41.46, -68.94

 

CMYK 83 / 74 / 0 / 18

HEX #2337D1

RGB 35 55 209

HSL 233.1, 0.71%, 0.48%

LAB 33.34, 48.66, -79.9

 

CMYK 72 / 64 / 0 / 13

HEX #3F51DE

RGB 63 81 222

HSL 233.21, 0.71%, 0.56%

LAB 41.56, 39.98, -73.79

 

CMYK 57 / 50 / 0 / 11

HEX #6271E4

RGB 98 113 228

HSL 233.08, 0.71%, 0.64%

LAB 51.85, 27.68, -60.39

 

CMYK 43 / 38 / 0 / 8

HEX #8691EA

RGB 134 145 234

HSL 233.4, 0.7%, 0.72%

LAB 62.73, 18.39, -46.26

 

CMYK 71 / 63 / 0 / 13

HEX #4052DF

RGB 64 82 223

HSL 233.21, 0.71%, 0.56%

LAB 41.93, 39.83, -73.76

 

CMYK 0 / 72 / 6 / 13

HEX #DE3FD1

RGB 222 63 209

HSL 304.91, 0.71%, 0.56%

LAB 55.77, 75.68, -42.56

 

CMYK 35 / 0 / 72 / 13

HEX #91DE3F

RGB 145 222 63

HSL 89.06, 0.71%, 0.56%

LAB 81.08, -47.88, 66.49

 

CMYK 71 / 63 / 0 / 13

HEX #4052DF

RGB 64 82 223

HSL 233.21, 0.71%, 0.56%

LAB 41.93, 39.83, -73.76

 

CMYK 0 / 72 / 63 / 13

HEX #DE3F52

RGB 222 63 82

HSL 352.83, 0.71%, 0.56%

LAB 51.49, 62.02, 26.06

 

CMYK 63 / 0 / 72 / 13

HEX #52DE3F

RGB 82 222 63

HSL 112.83, 0.71%, 0.56%

LAB 78.69, -65.85, 63.3

 

CMYK 71 / 63 / 0 / 13

HEX #4052DF

RGB 64 82 223

HSL 233.21, 0.71%, 0.56%

LAB 41.93, 39.83, -73.76

 

CMYK 0 / 72 / 6 / 13

HEX #DE3FD1

RGB 222 63 209

HSL 304.91, 0.71%, 0.56%

LAB 55.77, 75.68, -42.56

 

CMYK 0 / 8 / 72 / 13

HEX #DECC3F

RGB 222 204 63

HSL 53.21, 0.71%, 0.56%

LAB 81.33, -8.99, 68.5

 

CMYK 72 / 0 / 66 / 13

HEX #3FDE4C

RGB 63 222 76

HSL 124.91, 0.71%, 0.56%

LAB 78.36, -68.28, 57.87

 

CMYK 71 / 63 / 0 / 13

HEX #4052DF

RGB 64 82 223

HSL 233.21, 0.71%, 0.56%

LAB 41.93, 39.83, -73.76

 

CMYK 0 / 72 / 27 / 13

HEX #DE3FA1

RGB 222 63 161

HSL 323.02, 0.71%, 0.56%

LAB 53.66, 69.15, -18.03

 

CMYK 0 / 8 / 72 / 13

HEX #DECC3F

RGB 222 204 63

HSL 53.21, 0.71%, 0.56%

LAB 81.33, -8.99, 68.5

 

CMYK 72 / 0 / 44 / 13

HEX #3FDE7C

RGB 63 222 124

HSL 143.02, 0.71%, 0.56%

LAB 78.9, -61.91, 36.5

 

Description

Color code: HEX #4052DF | qconv.com Color code: HEX #4052DF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 82 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 82 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 63 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 63% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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