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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #404F13 it is the complementary color #BFB0EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #404F13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #404F13 shade: #454F0E, #566121, #677334, #788547 and #89975A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #404F13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #404F13 shade: #404F13, #2F3D00, #1E2B00, #0D1900 and #000700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #404F13 shade: #3F4E13, #4E4D13, #4E3D13, #4E2D13 and #4E1D13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #404F13 shade: #3F4E13, #2F4E13, #1F4E13, #134E16 and #134E26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #404F13 shade matches the following richer shades: #3F4E13, #43560B and #475E03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #404F13 shade: #3F4E13, #3B461B, #373E23, #33362A and #302F32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #404F13 shade: #4E3D13, #4E4D13, #3F4E13, #2F4E13 and #204E13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #404F13 shade: #090C03, #242D0B, #3F4E13, #5A6F1B and #759023

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #404F13 shade: #404F13, #134E2D and #45134E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #404F13 shade: #404F13, #133F4E and #4E133F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #404F13 shade: #404F13, #134E2D, #22134E and #4E1333

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #404F13 shade: #404F13, #134E3F, #22134E and #4E1322

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 76 / 69

HEX #404F13

RGB 64 79 19

HSL 75, 0.61%, 0.19%

LAB 31.18, -15.67, 31.86

 

Complementary color

CMYK 19 / 25 / 0 / 7

HEX #BFB0EC

RGB 191 176 236

HSL 255, 0.61%, 0.81%

LAB 74.94, 17.35, -28.01

 

CMYK 13 / 0 / 82 / 69

HEX #454F0E

RGB 69 79 14

HSL 69.23, 0.7%, 0.18%

LAB 31.55, -13.59, 34.43

 

CMYK 11 / 0 / 66 / 62

HEX #566121

RGB 86 97 33

HSL 70.31, 0.49%, 0.25%

LAB 38.96, -14.31, 34.02

 

CMYK 10 / 0 / 55 / 55

HEX #677334

RGB 103 115 52

HSL 71.43, 0.38%, 0.33%

LAB 46.17, -14.76, 32.94

 

CMYK 10 / 0 / 47 / 48

HEX #788547

RGB 120 133 71

HSL 72.58, 0.3%, 0.4%

LAB 53.19, -15.04, 31.7

 

CMYK 9 / 0 / 40 / 41

HEX #89975A

RGB 137 151 90

HSL 73.77, 0.25%, 0.47%

LAB 60.06, -15.24, 30.46

 

CMYK 19 / 0 / 76 / 69

HEX #404F13

RGB 64 79 19

HSL 75, 0.61%, 0.19%

LAB 31.18, -15.67, 31.86

 

CMYK 23 / 0 / 100 / 76

HEX #2F3D00

RGB 47 61 0

HSL 73.77, 1%, 0.12%

LAB 23.48, -14.99, 31.74

 

CMYK 30 / 0 / 100 / 83

HEX #1E2B00

RGB 30 43 0

HSL 78.14, 1%, 0.08%

LAB 15.51, -13.26, 22.26

 

CMYK 48 / 0 / 100 / 90

HEX #0D1900

RGB 13 25 0

HSL 88.8, 1%, 0.05%

LAB 7.05, -9.36, 10.39

 

CMYK 100 / 0 / 100 / 97

HEX #000700

RGB 0 7 0

HSL 120, 1%, 0.01%

LAB 1.37, -2.8, 2

 

CMYK 19 / 0 / 76 / 69

HEX #3F4E13

RGB 63 78 19

HSL 75.25, 0.61%, 0.19%

LAB 30.77, -15.59, 31.41

 

CMYK 0 / 1 / 76 / 69

HEX #4E4D13

RGB 78 77 19

HSL 58.98, 0.61%, 0.19%

LAB 31.75, -7.69, 32.83

 

CMYK 0 / 22 / 76 / 69

HEX #4E3D13

RGB 78 61 19

HSL 42.71, 0.61%, 0.19%

LAB 26.75, 2.19, 27.73

 

CMYK 0 / 42 / 76 / 69

HEX #4E2D13

RGB 78 45 19

HSL 26.44, 0.61%, 0.19%

LAB 22.1, 12.51, 22.74

 

CMYK 0 / 63 / 76 / 69

HEX #4E1D13

RGB 78 29 19

HSL 10.17, 0.61%, 0.19%

LAB 18.12, 22.36, 18.19

 

CMYK 19 / 0 / 76 / 69

HEX #3F4E13

RGB 63 78 19

HSL 75.25, 0.61%, 0.19%

LAB 30.77, -15.59, 31.41

 

CMYK 40 / 0 / 76 / 69

HEX #2F4E13

RGB 47 78 19

HSL 91.53, 0.61%, 0.19%

LAB 29.66, -22.7, 29.93

 

CMYK 60 / 0 / 76 / 69

HEX #1F4E13

RGB 31 78 19

HSL 107.8, 0.61%, 0.19%

LAB 28.87, -28.54, 28.85

 

CMYK 76 / 0 / 72 / 69

HEX #134E16

RGB 19 78 22

HSL 123.05, 0.61%, 0.19%

LAB 28.5, -31.41, 26.9

 

CMYK 76 / 0 / 51 / 69

HEX #134E26

RGB 19 78 38

HSL 139.32, 0.61%, 0.19%

LAB 28.71, -28.91, 18.32

 

CMYK 19 / 0 / 76 / 69

HEX #3F4E13

RGB 63 78 19

HSL 75.25, 0.61%, 0.19%

LAB 30.77, -15.59, 31.41

 

CMYK 22 / 0 / 87 / 66

HEX #43560B

RGB 67 86 11

HSL 75.2, 0.77%, 0.19%

LAB 33.72, -18.55, 37.4

 

CMYK 24 / 0 / 97 / 63

HEX #475E03

RGB 71 94 3

HSL 75.16, 0.94%, 0.19%

LAB 36.65, -21.25, 42.39

 

CMYK 19 / 0 / 76 / 69

HEX #3F4E13

RGB 63 78 19

HSL 75.25, 0.61%, 0.19%

LAB 30.77, -15.59, 31.41

 

CMYK 16 / 0 / 61 / 73

HEX #3B461B

RGB 59 70 27

HSL 75.35, 0.44%, 0.19%

LAB 27.82, -12.21, 24.07

 

CMYK 11 / 0 / 44 / 76

HEX #373E23

RGB 55 62 35

HSL 75.56, 0.28%, 0.19%

LAB 24.89, -8.29, 15.65

 

CMYK 6 / 0 / 22 / 79

HEX #33362A

RGB 51 54 42

HSL 75, 0.13%, 0.19%

LAB 21.98, -3.91, 7.13

 

CMYK 4 / 6 / 0 / 80

HEX #302F32

RGB 48 47 50

HSL 260, 0.03%, 0.19%

LAB 19.6, 1.16, -1.76

 

CMYK 0 / 22 / 76 / 69

HEX #4E3D13

RGB 78 61 19

HSL 42.71, 0.61%, 0.19%

LAB 26.75, 2.19, 27.73

 

CMYK 0 / 1 / 76 / 69

HEX #4E4D13

RGB 78 77 19

HSL 58.98, 0.61%, 0.19%

LAB 31.75, -7.69, 32.83

 

CMYK 19 / 0 / 76 / 69

HEX #3F4E13

RGB 63 78 19

HSL 75.25, 0.61%, 0.19%

LAB 30.77, -15.59, 31.41

 

CMYK 40 / 0 / 76 / 69

HEX #2F4E13

RGB 47 78 19

HSL 91.53, 0.61%, 0.19%

LAB 29.66, -22.7, 29.93

 

CMYK 59 / 0 / 76 / 69

HEX #204E13

RGB 32 78 19

HSL 106.78, 0.61%, 0.19%

LAB 28.91, -28.22, 28.91

 

CMYK 25 / 0 / 75 / 95

HEX #090C03

RGB 9 12 3

HSL 80, 0.6%, 0.03%

LAB 2.96, -2.08, 3.16

 

CMYK 20 / 0 / 76 / 82

HEX #242D0B

RGB 36 45 11

HSL 75.88, 0.61%, 0.11%

LAB 16.87, -10.27, 19.58

 

CMYK 19 / 0 / 76 / 69

HEX #3F4E13

RGB 63 78 19

HSL 75.25, 0.61%, 0.19%

LAB 30.77, -15.59, 31.41

 

CMYK 19 / 0 / 76 / 56

HEX #5A6F1B

RGB 90 111 27

HSL 75, 0.61%, 0.27%

LAB 43.69, -20.45, 41.61

 

CMYK 19 / 0 / 76 / 44

HEX #759023

RGB 117 144 35

HSL 74.86, 0.61%, 0.35%

LAB 55.94, -25.02, 51.16

 

CMYK 19 / 0 / 76 / 69

HEX #404F13

RGB 64 79 19

HSL 75, 0.61%, 0.19%

LAB 31.18, -15.67, 31.86

 

CMYK 76 / 0 / 42 / 69

HEX #134E2D

RGB 19 78 45

HSL 146.44, 0.61%, 0.19%

LAB 28.84, -27.47, 14.24

 

CMYK 12 / 76 / 0 / 69

HEX #45134E

RGB 69 19 78

HSL 290.85, 0.61%, 0.19%

LAB 16.9, 33.01, -25.02

 

CMYK 19 / 0 / 76 / 69

HEX #404F13

RGB 64 79 19

HSL 75, 0.61%, 0.19%

LAB 31.18, -15.67, 31.86

 

CMYK 76 / 19 / 0 / 69

HEX #133F4E

RGB 19 63 78

HSL 195.25, 0.61%, 0.19%

LAB 24.46, -9.31, -13.47

 

CMYK 0 / 76 / 19 / 69

HEX #4E133F

RGB 78 19 63

HSL 315.25, 0.61%, 0.19%

LAB 17.66, 32.67, -13.33

 

CMYK 19 / 0 / 76 / 69

HEX #404F13

RGB 64 79 19

HSL 75, 0.61%, 0.19%

LAB 31.18, -15.67, 31.86

 

CMYK 76 / 0 / 42 / 69

HEX #134E2D

RGB 19 78 45

HSL 146.44, 0.61%, 0.19%

LAB 28.84, -27.47, 14.24

 

CMYK 56 / 76 / 0 / 69

HEX #22134E

RGB 34 19 78

HSL 255.25, 0.61%, 0.19%

LAB 11.66, 24.71, -33.74

 

CMYK 0 / 76 / 35 / 69

HEX #4E1333

RGB 78 19 51

HSL 327.46, 0.61%, 0.19%

LAB 17.11, 30.82, -5.72

 

CMYK 19 / 0 / 76 / 69

HEX #404F13

RGB 64 79 19

HSL 75, 0.61%, 0.19%

LAB 31.18, -15.67, 31.86

 

CMYK 76 / 0 / 19 / 69

HEX #134E3F

RGB 19 78 63

HSL 164.75, 0.61%, 0.19%

LAB 29.28, -22.84, 3.49

 

CMYK 56 / 76 / 0 / 69

HEX #22134E

RGB 34 19 78

HSL 255.25, 0.61%, 0.19%

LAB 11.66, 24.71, -33.74

 

CMYK 0 / 76 / 56 / 69

HEX #4E1322

RGB 78 19 34

HSL 344.75, 0.61%, 0.19%

LAB 16.51, 28.78, 5.62

 

Description

Color code: HEX #404F13 | qconv.com Color code: HEX #404F13 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 79 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 79 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 76 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 76% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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