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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40489ACE it is the complementary color #BFB765CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40489ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40489ACE shade: #454895CE, #565AA8CE, #676CBBCE, #787ECECE and #8990E1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40489ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40489ACE shade: #40489ACE, #2F3687CE, #1E2474CE, #0D1261CE and #00004ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40489ACE shade: #41499B, #51419B, #69419B, #81419B and #9A419B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40489ACE shade: #41499B and #41419B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40489ACE shade matches the following richer shades: #41499B, #2F3AAC, #1D2CBE and #0B1DD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40489ACE shade: #41499B, #525789, #646677, #767465 and #888354

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40489ACE shade: #417A9B, #41629B, #414A9B, #50419B and #68419B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40489ACE shade: #282D60, #353B7E, #41499B, #4F58B5 and #6C74C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40489ACE shade: #40489A, #9B4192 and #6E9B41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40489ACE shade: #40489A, #9B414A and #4A9B41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40489ACE shade: #40489A, #9B4192, #9B9241 and #419B4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40489ACE shade: #40489A, #9B4177, #9B9241 and #419B65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 43 / 0 / 32

HEX #40489ACE

RGBA 64 72 154 0.81

HSLA 234.67, 0.41%, 0.43%, 0.81

LABA 34.1, 22.14, -46.01, 0.81

 

Complementary color

CMYK 0 / 3 / 38 / 20

HEX #BFB765CE

RGBA 191 183 101 0.81

HSLA 54.67, 0.41%, 0.57%, 0.81

LABA 73.47, -8.57, 42.46, 0.81

 

CMYK 43 / 42 / 0 / 34

HEX #454895CE

RGBA 69 72 149 0.81

HSLA 237.75, 0.37%, 0.43%, 0.81

LABA 34.13, 21.51, -42.92, 0.81

 

CMYK 40 / 38 / 0 / 28

HEX #565AA8CE

RGBA 86 90 168 0.81

HSLA 237.07, 0.32%, 0.5%, 0.81

LABA 41.4, 20.12, -42.6, 0.81

 

CMYK 36 / 34 / 0 / 22

HEX #676CBBCE

RGBA 103 108 187 0.81

HSLA 236.43, 0.38%, 0.57%, 0.81

LABA 48.51, 18.98, -42.34, 0.81

 

CMYK 34 / 31 / 0 / 16

HEX #787ECECE

RGBA 120 126 206 0.81

HSLA 235.81, 0.47%, 0.64%, 0.81

LABA 55.45, 18.03, -42.14, 0.81

 

CMYK 32 / 29 / 0 / 10

HEX #8990E1CE

RGBA 137 144 225 0.81

HSLA 235.23, 0.59%, 0.71%, 0.81

LABA 62.25, 17.22, -42, 0.81

 

CMYK 47 / 43 / 0 / 32

HEX #40489ACE

RGBA 64 72 154 0.81

HSLA 234.67, 0.41%, 0.43%, 0.81

LABA 34.1, 22.14, -46.01, 0.81

 

CMYK 53 / 49 / 0 / 38

HEX #2F3687CE

RGBA 47 54 135 0.81

HSLA 235.23, 0.48%, 0.36%, 0.81

LABA 26.71, 24.12, -46.37, 0.81

 

CMYK 60 / 56 / 0 / 44

HEX #1E2474CE

RGBA 30 36 116 0.81

HSLA 235.81, 0.59%, 0.29%, 0.81

LABA 19.22, 26.61, -46.62, 0.81

 

CMYK 70 / 66 / 0 / 50

HEX #0D1261CE

RGBA 13 18 97 0.81

HSLA 236.43, 0.76%, 0.22%, 0.81

LABA 11.83, 29.52, -46.39, 0.81

 

CMYK 81 / 81 / 0 / 56

HEX #00004ECE

RGBA 0 0 78 0.81

HSLA 240, 1%, 0.15%, 0.81

LABA 4.97, 31.45, -44.88, 0.81

 

CMYK 58 / 53 / 0 / 39

HEX #41499B

RGB 65 73 155

HSL 234.67, 0.41%, 0.43%

LAB 34.51, 22.04, -45.96

 

CMYK 48 / 58 / 0 / 39

HEX #51419B

RGB 81 65 155

HSL 250.67, 0.41%, 0.43%

LAB 33.77, 30.62, -47.09

 

CMYK 32 / 58 / 0 / 39

HEX #69419B

RGB 105 65 155

HSL 266.67, 0.41%, 0.43%

LAB 36.27, 36.42, -42.93

 

CMYK 17 / 58 / 0 / 39

HEX #81419B

RGB 129 65 155

HSL 282.67, 0.41%, 0.43%

LAB 39.27, 42.72, -37.97

 

CMYK 1 / 58 / 0 / 39

HEX #9A419B

RGB 154 65 155

HSL 299.33, 0.41%, 0.43%

LAB 42.79, 49.51, -32.18

 

CMYK 58 / 53 / 0 / 39

HEX #41499B

RGB 65 73 155

HSL 234.67, 0.41%, 0.43%

LAB 34.51, 22.04, -45.96

 

CMYK 58 / 58 / 0 / 39

HEX #41419B

RGB 65 65 155

HSL 240, 0.41%, 0.43%

LAB 32.42, 27.25, -49.34

 

CMYK 58 / 53 / 0 / 39

HEX #41499B

RGB 65 73 155

HSL 234.67, 0.41%, 0.43%

LAB 34.51, 22.04, -45.96

 

CMYK 73 / 66 / 0 / 33

HEX #2F3AAC

RGB 47 58 172

HSL 234.72, 0.57%, 0.43%

LAB 30.9, 34.92, -62.1

 

CMYK 85 / 77 / 0 / 25

HEX #1D2CBE

RGB 29 44 190

HSL 234.41, 0.74%, 0.43%

LAB 28.85, 48.11, -76.21

 

CMYK 95 / 86 / 0 / 18

HEX #0B1DD0

RGB 11 29 208

HSL 234.52, 0.9%, 0.43%

LAB 28.12, 60.38, -87.99

 

CMYK 58 / 53 / 0 / 39

HEX #41499B

RGB 65 73 155

HSL 234.67, 0.41%, 0.43%

LAB 34.51, 22.04, -45.96

 

CMYK 40 / 36 / 0 / 46

HEX #525789

RGB 82 87 137

HSL 234.55, 0.25%, 0.43%

LAB 38.58, 11.35, -28.49

 

CMYK 16 / 14 / 0 / 53

HEX #646677

RGB 100 102 119

HSL 233.68, 0.09%, 0.43%

LAB 43.57, 3.05, -9.76

 

CMYK 0 / 2 / 14 / 54

HEX #767465

RGB 118 116 101

HSL 52.94, 0.08%, 0.43%

LAB 48.61, -2.05, 8.57

 

CMYK 0 / 4 / 38 / 47

HEX #888354

RGB 136 131 84

HSL 54.23, 0.24%, 0.43%

LAB 54.14, -5.58, 26.1

 

CMYK 58 / 21 / 0 / 39

HEX #417A9B

RGB 65 122 155

HSL 202, 0.41%, 0.43%

LAB 48.77, -8.65, -23.45

 

CMYK 58 / 37 / 0 / 39

HEX #41629B

RGB 65 98 155

HSL 218, 0.41%, 0.43%

LAB 41.57, 5.87, -34.69

 

CMYK 58 / 52 / 0 / 39

HEX #414A9B

RGB 65 74 155

HSL 234, 0.41%, 0.43%

LAB 34.78, 21.39, -45.53

 

CMYK 48 / 58 / 0 / 39

HEX #50419B

RGB 80 65 155

HSL 250, 0.41%, 0.43%

LAB 33.67, 30.4, -47.24

 

CMYK 33 / 58 / 0 / 39

HEX #68419B

RGB 104 65 155

HSL 266, 0.41%, 0.43%

LAB 36.16, 36.16, -43.12

 

CMYK 58 / 53 / 0 / 62

HEX #282D60

RGB 40 45 96

HSL 234.64, 0.41%, 0.27%

LAB 20.72, 14.54, -31.15

 

CMYK 58 / 53 / 0 / 51

HEX #353B7E

RGB 53 59 126

HSL 235.07, 0.41%, 0.35%

LAB 27.82, 18.66, -38.93

 

CMYK 58 / 53 / 0 / 39

HEX #41499B

RGB 65 73 155

HSL 234.67, 0.41%, 0.43%

LAB 34.51, 22.04, -45.96

 

CMYK 56 / 51 / 0 / 29

HEX #4F58B5

RGB 79 88 181

HSL 234.71, 0.41%, 0.51%

LAB 41.18, 24.06, -50.65

 

CMYK 44 / 40 / 0 / 24

HEX #6C74C2

RGB 108 116 194

HSL 234.42, 0.41%, 0.59%

LAB 51.35, 17.46, -41.84

 

CMYK 58 / 53 / 0 / 40

HEX #40489A

RGB 64 72 154

HSL 234.67, 0.41%, 0.43%

LAB 34.1, 22.14, -46.01

 

CMYK 0 / 58 / 6 / 39

HEX #9B4192

RGB 155 65 146

HSL 306, 0.41%, 0.43%

LAB 42.5, 48.18, -27.2

 

CMYK 29 / 0 / 58 / 39

HEX #6E9B41

RGB 110 155 65

HSL 90, 0.41%, 0.43%

LAB 59.1, -30.82, 41.62

 

CMYK 58 / 53 / 0 / 40

HEX #40489A

RGB 64 72 154

HSL 234.67, 0.41%, 0.43%

LAB 34.1, 22.14, -46.01

 

CMYK 0 / 58 / 52 / 39

HEX #9B414A

RGB 155 65 74

HSL 354, 0.41%, 0.43%

LAB 39.99, 38.41, 13.57

 

CMYK 52 / 0 / 58 / 39

HEX #4A9B41

RGB 74 155 65

HSL 114, 0.41%, 0.43%

LAB 57.35, -42.98, 39.13

 

CMYK 58 / 53 / 0 / 40

HEX #40489A

RGB 64 72 154

HSL 234.67, 0.41%, 0.43%

LAB 34.1, 22.14, -46.01

 

CMYK 0 / 58 / 6 / 39

HEX #9B4192

RGB 155 65 146

HSL 306, 0.41%, 0.43%

LAB 42.5, 48.18, -27.2

 

CMYK 0 / 6 / 58 / 39

HEX #9B9241

RGB 155 146 65

HSL 54, 0.41%, 0.43%

LAB 59.81, -7.46, 43.31

 

CMYK 58 / 0 / 52 / 39

HEX #419B4A

RGB 65 155 74

HSL 126, 0.41%, 0.43%

LAB 57.13, -44.21, 34.33

 

CMYK 58 / 53 / 0 / 40

HEX #40489A

RGB 64 72 154

HSL 234.67, 0.41%, 0.43%

LAB 34.1, 22.14, -46.01

 

CMYK 0 / 58 / 23 / 39

HEX #9B4177

RGB 155 65 119

HSL 324, 0.41%, 0.43%

LAB 41.34, 43.83, -12.49

 

CMYK 0 / 6 / 58 / 39

HEX #9B9241

RGB 155 146 65

HSL 54, 0.41%, 0.43%

LAB 59.81, -7.46, 43.31

 

CMYK 58 / 0 / 35 / 39

HEX #419B65

RGB 65 155 101

HSL 144, 0.41%, 0.43%

LAB 57.57, -39.58, 20.47

 

Description

Color code: HEX #40489ACE | qconv.com Color code: HEX #40489ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 72 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 72 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 43 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 43% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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