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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #404415 it is the complementary color #BFBBEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #404415. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #404415 shade: #454410, #565623, #676836, #787A49 and #898C5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #404415. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #404415 shade: #404415, #2F3202, #1E2000, #0D0E00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #404415 shade: #3E4214, #423A14, #422D14, #422114 and #421514

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #404415 shade: #3E4214, #324214, #264214, #194214 and #14421C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #404415 shade matches the following richer shades: #3E4214, #44490D and #4A5006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #404415 shade: #3E4214, #393B1B, #333422, #2D2D29 and #272630

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #404415 shade: #422E14, #423A14, #3E4214, #324214 and #264214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #404415 shade: #030301, #21230B, #3E4214, #5C621E and #7A8128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #404415 shade: #404415, #144221 and #341442

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #404415 shade: #404415, #143E42 and #42143E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #404415 shade: #404415, #144221, #181442 and #421435

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #404415 shade: #404415, #14422F, #181442 and #421428

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 69 / 73

HEX #404415

RGB 64 68 21

HSL 65.11, 0.53%, 0.17%

LAB 27.51, -9.17, 27.07

 

Complementary color

CMYK 18 / 20 / 0 / 8

HEX #BFBBEA

RGB 191 187 234

HSL 245.11, 0.53%, 0.83%

LAB 77.61, 10.89, -22.85

 

CMYK 0 / 1 / 77 / 73

HEX #454410

RGB 69 68 16

HSL 58.87, 0.62%, 0.17%

LAB 27.94, -7.01, 30.1

 

CMYK 0 / 0 / 59 / 66

HEX #565623

RGB 86 86 35

HSL 60, 0.42%, 0.24%

LAB 35.51, -7.86, 29.17

 

CMYK 1 / 0 / 48 / 59

HEX #676836

RGB 103 104 54

HSL 61.2, 0.32%, 0.31%

LAB 42.84, -8.42, 27.88

 

CMYK 2 / 0 / 40 / 52

HEX #787A49

RGB 120 122 73

HSL 62.45, 0.25%, 0.38%

LAB 49.97, -8.81, 26.57

 

CMYK 2 / 0 / 34 / 45

HEX #898C5C

RGB 137 140 92

HSL 63.75, 0.21%, 0.45%

LAB 56.93, -9.09, 25.32

 

CMYK 6 / 0 / 69 / 73

HEX #404415

RGB 64 68 21

HSL 65.11, 0.53%, 0.17%

LAB 27.51, -9.17, 27.07

 

CMYK 6 / 0 / 96 / 80

HEX #2F3202

RGB 47 50 2

HSL 63.75, 0.92%, 0.1%

LAB 19.6, -8.32, 26.74

 

CMYK 6 / 0 / 100 / 87

HEX #1E2000

RGB 30 32 0

HSL 63.75, 1%, 0.06%

LAB 11.34, -6.41, 16.73

 

CMYK 7 / 0 / 100 / 95

HEX #0D0E00

RGB 13 14 0

HSL 64.29, 1%, 0.03%

LAB 3.61, -2.33, 5.36

 

CMYK 6 / 0 / 70 / 74

HEX #3E4214

RGB 62 66 20

HSL 65.22, 0.53%, 0.17%

LAB 26.65, -9.05, 26.6

 

CMYK 0 / 12 / 70 / 74

HEX #423A14

RGB 66 58 20

HSL 49.57, 0.53%, 0.17%

LAB 24.43, -2.03, 24.3

 

CMYK 0 / 32 / 70 / 74

HEX #422D14

RGB 66 45 20

HSL 32.61, 0.53%, 0.17%

LAB 20.38, 6.48, 19.72

 

CMYK 0 / 50 / 70 / 74

HEX #422114

RGB 66 33 20

HSL 16.96, 0.53%, 0.17%

LAB 16.97, 14.42, 15.65

 

CMYK 0 / 68 / 70 / 74

HEX #421514

RGB 66 21 20

HSL 1.3, 0.53%, 0.17%

LAB 14.09, 21.76, 12

 

CMYK 6 / 0 / 70 / 74

HEX #3E4214

RGB 62 66 20

HSL 65.22, 0.53%, 0.17%

LAB 26.65, -9.05, 26.6

 

CMYK 24 / 0 / 70 / 74

HEX #324214

RGB 50 66 20

HSL 80.87, 0.53%, 0.17%

LAB 25.64, -14.89, 25.21

 

CMYK 42 / 0 / 70 / 74

HEX #264214

RGB 38 66 20

HSL 96.52, 0.53%, 0.17%

LAB 24.82, -20.2, 24.08

 

CMYK 62 / 0 / 70 / 74

HEX #194214

RGB 25 66 20

HSL 113.48, 0.53%, 0.17%

LAB 24.17, -24.95, 23.17

 

CMYK 70 / 0 / 58 / 74

HEX #14421C

RGB 20 66 28

HSL 130.43, 0.53%, 0.17%

LAB 24.09, -25.19, 18.49

 

CMYK 6 / 0 / 70 / 74

HEX #3E4214

RGB 62 66 20

HSL 65.22, 0.53%, 0.17%

LAB 26.65, -9.05, 26.6

 

CMYK 7 / 0 / 82 / 71

HEX #44490D

RGB 68 73 13

HSL 65, 0.7%, 0.17%

LAB 29.47, -10.68, 32.82

 

CMYK 7 / 0 / 93 / 69

HEX #4A5006

RGB 74 80 6

HSL 64.86, 0.86%, 0.17%

LAB 32.27, -12.07, 37.97

 

CMYK 6 / 0 / 70 / 74

HEX #3E4214

RGB 62 66 20

HSL 65.22, 0.53%, 0.17%

LAB 26.65, -9.05, 26.6

 

CMYK 3 / 0 / 54 / 77

HEX #393B1B

RGB 57 59 27

HSL 63.75, 0.37%, 0.17%

LAB 23.92, -6.55, 19.42

 

CMYK 2 / 0 / 35 / 80

HEX #333422

RGB 51 52 34

HSL 63.33, 0.21%, 0.17%

LAB 21.11, -4.06, 11.28

 

CMYK 0 / 0 / 9 / 82

HEX #2D2D29

RGB 45 45 41

HSL 60, 0.05%, 0.17%

LAB 18.34, -0.91, 2.59

 

CMYK 19 / 21 / 0 / 81

HEX #272630

RGB 39 38 48

HSL 246, 0.12%, 0.17%

LAB 15.65, 3.06, -6.37

 

CMYK 0 / 30 / 70 / 74

HEX #422E14

RGB 66 46 20

HSL 33.91, 0.53%, 0.17%

LAB 20.68, 5.81, 20.07

 

CMYK 0 / 12 / 70 / 74

HEX #423A14

RGB 66 58 20

HSL 49.57, 0.53%, 0.17%

LAB 24.43, -2.03, 24.3

 

CMYK 6 / 0 / 70 / 74

HEX #3E4214

RGB 62 66 20

HSL 65.22, 0.53%, 0.17%

LAB 26.65, -9.05, 26.6

 

CMYK 24 / 0 / 70 / 74

HEX #324214

RGB 50 66 20

HSL 80.87, 0.53%, 0.17%

LAB 25.64, -14.89, 25.21

 

CMYK 42 / 0 / 70 / 74

HEX #264214

RGB 38 66 20

HSL 96.52, 0.53%, 0.17%

LAB 24.82, -20.2, 24.08

 

CMYK 0 / 0 / 67 / 99

HEX #030301

RGB 3 3 1

HSL 60, 0.5%, 0.01%

LAB 0.78, -0.28, 0.76

 

CMYK 6 / 0 / 69 / 86

HEX #21230B

RGB 33 35 11

HSL 65, 0.52%, 0.09%

LAB 12.92, -5.43, 14.44

 

CMYK 6 / 0 / 70 / 74

HEX #3E4214

RGB 62 66 20

HSL 65.22, 0.53%, 0.17%

LAB 26.65, -9.05, 26.6

 

CMYK 6 / 0 / 69 / 62

HEX #5C621E

RGB 92 98 30

HSL 65.29, 0.53%, 0.25%

LAB 39.76, -12.3, 36.43

 

CMYK 5 / 0 / 69 / 49

HEX #7A8128

RGB 122 129 40

HSL 64.72, 0.53%, 0.33%

LAB 51.83, -14.8, 45.28

 

CMYK 6 / 0 / 69 / 73

HEX #404415

RGB 64 68 21

HSL 65.11, 0.53%, 0.17%

LAB 27.51, -9.17, 27.07

 

CMYK 70 / 0 / 50 / 74

HEX #144221

RGB 20 66 33

HSL 136.96, 0.53%, 0.17%

LAB 24.18, -24.26, 15.56

 

CMYK 21 / 70 / 0 / 74

HEX #341442

RGB 52 20 66

HSL 281.74, 0.53%, 0.17%

LAB 13.37, 25, -22.51

 

CMYK 6 / 0 / 69 / 73

HEX #404415

RGB 64 68 21

HSL 65.11, 0.53%, 0.17%

LAB 27.51, -9.17, 27.07

 

CMYK 70 / 6 / 0 / 74

HEX #143E42

RGB 20 62 66

HSL 185.22, 0.53%, 0.17%

LAB 23.63, -12.9, -6.78

 

CMYK 0 / 70 / 6 / 74

HEX #42143E

RGB 66 20 62

HSL 305.22, 0.53%, 0.17%

LAB 15.52, 28.34, -16.15

 

CMYK 6 / 0 / 69 / 73

HEX #404415

RGB 64 68 21

HSL 65.11, 0.53%, 0.17%

LAB 27.51, -9.17, 27.07

 

CMYK 70 / 0 / 50 / 74

HEX #144221

RGB 20 66 33

HSL 136.96, 0.53%, 0.17%

LAB 24.18, -24.26, 15.56

 

CMYK 64 / 70 / 0 / 74

HEX #181442

RGB 24 20 66

HSL 245.22, 0.53%, 0.17%

LAB 9.7, 17.63, -28.61

 

CMYK 0 / 70 / 20 / 74

HEX #421435

RGB 66 20 53

HSL 316.96, 0.53%, 0.17%

LAB 15.04, 26.64, -10.51

 

CMYK 6 / 0 / 69 / 73

HEX #404415

RGB 64 68 21

HSL 65.11, 0.53%, 0.17%

LAB 27.51, -9.17, 27.07

 

CMYK 70 / 0 / 29 / 74

HEX #14422F

RGB 20 66 47

HSL 155.22, 0.53%, 0.17%

LAB 24.48, -21, 7.04

 

CMYK 64 / 70 / 0 / 74

HEX #181442

RGB 24 20 66

HSL 245.22, 0.53%, 0.17%

LAB 9.7, 17.63, -28.61

 

CMYK 0 / 70 / 39 / 74

HEX #421428

RGB 66 20 40

HSL 333.91, 0.53%, 0.17%

LAB 14.47, 24.56, -1.99

 

Description

Color code: HEX #404415 | qconv.com Color code: HEX #404415 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 68 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 68 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 69 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 69% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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