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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #403F083F it is the complementary color #BFC0F73F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #403F083F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #403F083F shade: #453F033F, #5651163F, #6763293F, #78753C3F and #89874F3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #403F083F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #403F083F shade: #403F083F, #2F2D003F, #1E1B003F, #0D09003F and #0000003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #403F083F shade: #403F08, #403008, #402108, #401108 and #400808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #403F083F shade: #403F08, #324008, #234008, #134008 and #08400B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #403F083F shade matches the following richer shades: #403F08 and #454402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #403F083F shade: #403F08, #3A390E, #343313, #2E2E19 and #28281F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #403F083F shade: #402008, #402F08, #403E08, #334008 and #244008

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #403F083F shade: #000000, #1B1A03, #403F08, #64630C and #898711

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #403F083F shade: #403F08, #084011 and #270840

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #403F083F shade: #403F08, #08403E and #3E0840

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #403F083F shade: #403F08, #084011, #080A40 and #400836

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #403F083F shade: #403F08, #084022, #080A40 and #400826

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 22 / 19

HEX #403F083F

RGBA 64 63 8 0.25

HSLA 58.93, 0.78%, 0.14%, 0.25

LABA 25.75, -6.98, 31.21, 0.25

 

Complementary color

CMYK 6 / 6 / 0 / 1

HEX #BFC0F73F

RGBA 191 192 247 0.25

HSLA 238.93, 0.78%, 0.86%, 0.25

LABA 79.32, 11.08, -27.23, 0.25

 

CMYK 0 / 2 / 24 / 18

HEX #453F033F

RGBA 69 63 3 0.25

HSLA 54.55, 0.92%, 0.14%, 0.25

LABA 26.24, -4.61, 33.88, 0.25

 

CMYK 0 / 1 / 19 / 17

HEX #5651163F

RGBA 86 81 22 0.25

HSLA 55.31, 0.59%, 0.21%, 0.25

LABA 33.82, -5.9, 33.81, 0.25

 

CMYK 0 / 1 / 15 / 15

HEX #6763293F

RGBA 103 99 41 0.25

HSLA 56.13, 0.43%, 0.28%, 0.25

LABA 41.16, -6.82, 32.88, 0.25

 

CMYK 0 / 1 / 13 / 13

HEX #78753C3F

RGBA 120 117 60 0.25

HSLA 57, 0.33%, 0.35%, 0.25

LABA 48.31, -7.47, 31.62, 0.25

 

CMYK 0 / 0 / 11 / 12

HEX #89874F3F

RGBA 137 135 79 0.25

HSLA 57.93, 0.27%, 0.42%, 0.25

LABA 55.29, -7.95, 30.32, 0.25

 

CMYK 0 / 0 / 22 / 19

HEX #403F083F

RGBA 64 63 8 0.25

HSLA 58.93, 0.78%, 0.14%, 0.25

LABA 25.75, -6.98, 31.21, 0.25

 

CMYK 0 / 1 / 25 / 20

HEX #2F2D003F

RGBA 47 45 0 0.25

HSLA 57.45, 1%, 0.09%, 0.25

LABA 17.83, -5.29, 25.49, 0.25

 

CMYK 0 / 3 / 25 / 22

HEX #1E1B003F

RGBA 30 27 0 0.25

HSLA 54, 1%, 0.06%, 0.25

LABA 9.48, -2.99, 14.12, 0.25

 

CMYK 0 / 8 / 25 / 24

HEX #0D09003F

RGBA 13 9 0 0.25

HSLA 41.54, 1%, 0.03%, 0.25

LABA 2.54, -0.14, 3.8, 0.25

 

CMYK 0 / 0 / 0 / 100

HEX #0000003F

RGBA 0 0 0 0.25

HSLA 0, 0%, 0%, 0.25

LABA 0, 0, 0, 0.25

 

CMYK 0 / 2 / 88 / 75

HEX #403F08

RGB 64 63 8

HSL 58.93, 0.78%, 0.14%

LAB 25.75, -6.98, 31.21

 

CMYK 0 / 25 / 88 / 75

HEX #403008

RGB 64 48 8

HSL 42.86, 0.78%, 0.14%

LAB 20.91, 2.61, 26.3

 

CMYK 0 / 48 / 88 / 75

HEX #402108

RGB 64 33 8

HSL 26.79, 0.78%, 0.14%

LAB 16.48, 12.6, 21.1

 

CMYK 0 / 73 / 88 / 75

HEX #401108

RGB 64 17 8

HSL 9.64, 0.78%, 0.14%

LAB 12.66, 22.3, 16.16

 

CMYK 0 / 88 / 88 / 75

HEX #400808

RGB 64 8 8

HSL 0, 0.78%, 0.14%

LAB 11.14, 26.46, 14.08

 

CMYK 0 / 2 / 88 / 75

HEX #403F08

RGB 64 63 8

HSL 58.93, 0.78%, 0.14%

LAB 25.75, -6.98, 31.21

 

CMYK 22 / 0 / 88 / 75

HEX #324008

RGB 50 64 8

HSL 75, 0.78%, 0.14%

LAB 24.84, -14.69, 29.9

 

CMYK 45 / 0 / 88 / 75

HEX #234008

RGB 35 64 8

HSL 91.07, 0.78%, 0.14%

LAB 23.81, -21.51, 28.54

 

CMYK 70 / 0 / 88 / 75

HEX #134008

RGB 19 64 8

HSL 108.21, 0.78%, 0.14%

LAB 23.08, -27.12, 27.57

 

CMYK 88 / 0 / 83 / 75

HEX #08400B

RGB 8 64 11

HSL 123.21, 0.78%, 0.14%

LAB 22.8, -29.35, 25.95

 

CMYK 0 / 2 / 88 / 75

HEX #403F08

RGB 64 63 8

HSL 58.93, 0.78%, 0.14%

LAB 25.75, -6.98, 31.21

 

CMYK 0 / 1 / 97 / 73

HEX #454402

RGB 69 68 2

HSL 59.1, 0.94%, 0.14%

LAB 27.86, -7.72, 35.7

 

CMYK 0 / 2 / 88 / 75

HEX #403F08

RGB 64 63 8

HSL 58.93, 0.78%, 0.14%

LAB 25.75, -6.98, 31.21

 

CMYK 0 / 2 / 76 / 77

HEX #3A390E

RGB 58 57 14

HSL 58.64, 0.61%, 0.14%

LAB 23.19, -6.04, 25.88

 

CMYK 0 / 2 / 63 / 80

HEX #343313

RGB 52 51 19

HSL 58.18, 0.46%, 0.14%

LAB 20.61, -4.93, 20.16

 

CMYK 0 / 0 / 46 / 82

HEX #2E2E19

RGB 46 46 25

HSL 60, 0.3%, 0.14%

LAB 18.39, -4.04, 13.55

 

CMYK 0 / 0 / 23 / 84

HEX #28281F

RGB 40 40 31

HSL 60, 0.13%, 0.14%

LAB 15.84, -1.98, 5.94

 

CMYK 0 / 50 / 88 / 75

HEX #402008

RGB 64 32 8

HSL 25.71, 0.78%, 0.14%

LAB 16.21, 13.26, 20.77

 

CMYK 0 / 27 / 88 / 75

HEX #402F08

RGB 64 47 8

HSL 41.79, 0.78%, 0.14%

LAB 20.6, 3.27, 25.95

 

CMYK 0 / 3 / 88 / 75

HEX #403E08

RGB 64 62 8

HSL 57.86, 0.78%, 0.14%

LAB 25.42, -6.36, 30.9

 

CMYK 20 / 0 / 88 / 75

HEX #334008

RGB 51 64 8

HSL 73.93, 0.78%, 0.14%

LAB 24.92, -14.2, 30

 

CMYK 44 / 0 / 88 / 75

HEX #244008

RGB 36 64 8

HSL 90, 0.78%, 0.14%

LAB 23.87, -21.09, 28.62

 

CMYK 0 / 4 / 89 / 89

HEX #1B1A03

RGB 27 26 3

HSL 57.5, 0.8%, 0.06%

LAB 8.81, -3.65, 11.89

 

CMYK 0 / 2 / 88 / 75

HEX #403F08

RGB 64 63 8

HSL 58.93, 0.78%, 0.14%

LAB 25.75, -6.98, 31.21

 

CMYK 0 / 1 / 88 / 61

HEX #64630C

RGB 100 99 12

HSL 59.32, 0.79%, 0.22%

LAB 40.67, -9.94, 44.22

 

CMYK 0 / 1 / 88 / 46

HEX #898711

RGB 137 135 17

HSL 59, 0.78%, 0.3%

LAB 54.75, -12.18, 56.03

 

CMYK 0 / 2 / 88 / 75

HEX #403F08

RGB 64 63 8

HSL 58.93, 0.78%, 0.14%

LAB 25.75, -6.98, 31.21

 

CMYK 88 / 0 / 73 / 75

HEX #084011

RGB 8 64 17

HSL 129.64, 0.78%, 0.14%

LAB 22.86, -28.66, 23.13

 

CMYK 39 / 88 / 0 / 75

HEX #270840

RGB 39 8 64

HSL 273.21, 0.78%, 0.14%

LAB 8.78, 27.65, -28.61

 

CMYK 0 / 2 / 88 / 75

HEX #403F08

RGB 64 63 8

HSL 58.93, 0.78%, 0.14%

LAB 25.75, -6.98, 31.21

 

CMYK 88 / 0 / 3 / 75

HEX #08403E

RGB 8 64 62

HSL 177.86, 0.78%, 0.14%

LAB 23.89, -17.46, -3.76

 

CMYK 3 / 88 / 0 / 75

HEX #3E0840

RGB 62 8 64

HSL 297.86, 0.78%, 0.14%

LAB 13.03, 32.85, -21.54

 

CMYK 0 / 2 / 88 / 75

HEX #403F08

RGB 64 63 8

HSL 58.93, 0.78%, 0.14%

LAB 25.75, -6.98, 31.21

 

CMYK 88 / 0 / 73 / 75

HEX #084011

RGB 8 64 17

HSL 129.64, 0.78%, 0.14%

LAB 22.86, -28.66, 23.13

 

CMYK 88 / 84 / 0 / 75

HEX #080A40

RGB 8 10 64

HSL 237.86, 0.78%, 0.14%

LAB 5.77, 20.41, -33.67

 

CMYK 0 / 88 / 16 / 75

HEX #400836

RGB 64 8 54

HSL 310.71, 0.78%, 0.14%

LAB 12.8, 31.52, -14.74

 

CMYK 0 / 2 / 88 / 75

HEX #403F08

RGB 64 63 8

HSL 58.93, 0.78%, 0.14%

LAB 25.75, -6.98, 31.21

 

CMYK 88 / 0 / 47 / 75

HEX #084022

RGB 8 64 34

HSL 147.86, 0.78%, 0.14%

LAB 23.11, -25.62, 13.5

 

CMYK 88 / 84 / 0 / 75

HEX #080A40

RGB 8 10 64

HSL 237.86, 0.78%, 0.14%

LAB 5.77, 20.41, -33.67

 

CMYK 0 / 88 / 41 / 75

HEX #400826

RGB 64 8 38

HSL 327.86, 0.78%, 0.14%

LAB 11.98, 29.09, -4.26

 

Description

Color code: HEX #403F083F | qconv.com Color code: HEX #403F083F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 63 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 63 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 22 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 22% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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