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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #403C7E it is the complementary color #BFC381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #403C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #403C7E shade: #453C79, #564E8C, #67609F, #7872B2 and #8984C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #403C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #403C7E shade: #403C7E, #2F2A6B, #1E1858, #0D0645 and #000032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #403C7E shade: #403C7C, #513C7C, #623C7C, #743C7C and #7C3C73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #403C7E shade: #403C7C and #3C3C7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #403C7E shade matches the following richer shades: #403C7C, #332D8B, #251E9A, #180FA8 and #0B00B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #403C7E shade: #403C7C, #4D4B6D, #5A595E, #67684F and #747741

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #403C7E shade: #3C5B7C, #3C4A7C, #3F3C7C, #503C7C and #613C7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #403C7E shade: #232144, #312E60, #403C7C, #4E4998 and #605AB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #403C7E shade: #403C7E, #7C3C6C and #527C3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #403C7E shade: #403C7E, #7C3F3C and #3C7C3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #403C7E shade: #403C7E, #7C3C6C, #797C3C and #3C7C4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #403C7E shade: #403C7E, #7C3C59, #797C3C and #3C7C5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 52 / 0 / 51

HEX #403C7E

RGB 64 60 126

HSL 243.64, 0.35%, 0.36%

LAB 28.97, 20.57, -37.03

 

Complementary color

CMYK 2 / 0 / 34 / 24

HEX #BFC381

RGB 191 195 129

HSL 63.64, 0.35%, 0.64%

LAB 77.1, -11.68, 32.76

 

CMYK 43 / 50 / 0 / 53

HEX #453C79

RGB 69 60 121

HSL 248.85, 0.34%, 0.35%

LAB 29.1, 20.26, -33.66

 

CMYK 39 / 44 / 0 / 45

HEX #564E8C

RGB 86 78 140

HSL 247.74, 0.28%, 0.43%

LAB 36.59, 19.13, -33.42

 

CMYK 35 / 40 / 0 / 38

HEX #67609F

RGB 103 96 159

HSL 246.67, 0.25%, 0.5%

LAB 43.88, 18.19, -33.26

 

CMYK 33 / 36 / 0 / 30

HEX #7872B2

RGB 120 114 178

HSL 245.63, 0.29%, 0.57%

LAB 50.97, 17.4, -33.16

 

CMYK 30 / 33 / 0 / 23

HEX #8984C5

RGB 137 132 197

HSL 244.62, 0.36%, 0.65%

LAB 57.9, 16.71, -33.12

 

CMYK 49 / 52 / 0 / 51

HEX #403C7E

RGB 64 60 126

HSL 243.64, 0.35%, 0.36%

LAB 28.97, 20.57, -37.03

 

CMYK 56 / 61 / 0 / 58

HEX #2F2A6B

RGB 47 42 107

HSL 244.62, 0.44%, 0.29%

LAB 21.29, 22.19, -37.38

 

CMYK 66 / 73 / 0 / 65

HEX #1E1858

RGB 30 24 88

HSL 245.63, 0.57%, 0.22%

LAB 13.43, 24.23, -37.67

 

CMYK 81 / 91 / 0 / 73

HEX #0D0645

RGB 13 6 69

HSL 246.67, 0.84%, 0.15%

LAB 5.83, 25.64, -37.12

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 48 / 52 / 0 / 51

HEX #403C7C

RGB 64 60 124

HSL 243.75, 0.35%, 0.36%

LAB 28.84, 19.91, -35.99

 

CMYK 35 / 52 / 0 / 51

HEX #513C7C

RGB 81 60 124

HSL 259.69, 0.35%, 0.36%

LAB 30.49, 24.5, -33.26

 

CMYK 21 / 52 / 0 / 51

HEX #623C7C

RGB 98 60 124

HSL 275.63, 0.35%, 0.36%

LAB 32.44, 29.5, -30.04

 

CMYK 6 / 52 / 0 / 51

HEX #743C7C

RGB 116 60 124

HSL 292.5, 0.35%, 0.36%

LAB 34.8, 35, -26.16

 

CMYK 0 / 52 / 7 / 51

HEX #7C3C73

RGB 124 60 115

HSL 308.44, 0.35%, 0.36%

LAB 35.51, 35.75, -19.36

 

CMYK 48 / 52 / 0 / 51

HEX #403C7C

RGB 64 60 124

HSL 243.75, 0.35%, 0.36%

LAB 28.84, 19.91, -35.99

 

CMYK 52 / 52 / 0 / 51

HEX #3C3C7C

RGB 60 60 124

HSL 240, 0.35%, 0.36%

LAB 28.51, 18.91, -36.54

 

CMYK 48 / 52 / 0 / 51

HEX #403C7C

RGB 64 60 124

HSL 243.75, 0.35%, 0.36%

LAB 28.84, 19.91, -35.99

 

CMYK 63 / 68 / 0 / 45

HEX #332D8B

RGB 51 45 139

HSL 243.83, 0.51%, 0.36%

LAB 25.09, 32.11, -51.49

 

CMYK 76 / 81 / 0 / 40

HEX #251E9A

RGB 37 30 154

HSL 243.39, 0.67%, 0.36%

LAB 22.5, 44.25, -65.07

 

CMYK 86 / 91 / 0 / 34

HEX #180FA8

RGB 24 15 168

HSL 243.53, 0.84%, 0.36%

LAB 21.44, 54.16, -75.38

 

CMYK 94 / 100 / 0 / 28

HEX #0B00B7

RGB 11 0 183

HSL 243.61, 1%, 0.36%

LAB 21.91, 61.81, -83.63

 

CMYK 48 / 52 / 0 / 51

HEX #403C7C

RGB 64 60 124

HSL 243.75, 0.35%, 0.36%

LAB 28.84, 19.91, -35.99

 

CMYK 29 / 31 / 0 / 57

HEX #4D4B6D

RGB 77 75 109

HSL 243.53, 0.18%, 0.36%

LAB 33.38, 9.31, -19.33

 

CMYK 4 / 5 / 0 / 63

HEX #5A595E

RGB 90 89 94

HSL 252, 0.03%, 0.36%

LAB 38.07, 1.48, -2.74

 

CMYK 1 / 0 / 24 / 59

HEX #67684F

RGB 103 104 79

HSL 62.4, 0.14%, 0.36%

LAB 43.28, -5.01, 14

 

CMYK 3 / 0 / 45 / 53

HEX #747741

RGB 116 119 65

HSL 63.33, 0.29%, 0.36%

LAB 48.62, -9.83, 29.21

 

CMYK 52 / 27 / 0 / 51

HEX #3C5B7C

RGB 60 91 124

HSL 210.94, 0.35%, 0.36%

LAB 37.66, -1.36, -22.1

 

CMYK 52 / 40 / 0 / 51

HEX #3C4A7C

RGB 60 74 124

HSL 226.88, 0.35%, 0.36%

LAB 32.51, 9.57, -30.17

 

CMYK 49 / 52 / 0 / 51

HEX #3F3C7C

RGB 63 60 124

HSL 242.81, 0.35%, 0.36%

LAB 28.76, 19.66, -36.13

 

CMYK 35 / 52 / 0 / 51

HEX #503C7C

RGB 80 60 124

HSL 258.75, 0.35%, 0.36%

LAB 30.38, 24.22, -33.44

 

CMYK 22 / 52 / 0 / 51

HEX #613C7C

RGB 97 60 124

HSL 274.69, 0.35%, 0.36%

LAB 32.32, 29.2, -30.24

 

CMYK 49 / 51 / 0 / 73

HEX #232144

RGB 35 33 68

HSL 243.43, 0.35%, 0.2%

LAB 14.75, 11.68, -21.84

 

CMYK 49 / 52 / 0 / 62

HEX #312E60

RGB 49 46 96

HSL 243.6, 0.35%, 0.28%

LAB 21.77, 16.12, -29.43

 

CMYK 48 / 52 / 0 / 51

HEX #403C7C

RGB 64 60 124

HSL 243.75, 0.35%, 0.36%

LAB 28.84, 19.91, -35.99

 

CMYK 49 / 52 / 0 / 40

HEX #4E4998

RGB 78 73 152

HSL 243.8, 0.35%, 0.44%

LAB 35.31, 23.93, -42.81

 

CMYK 45 / 49 / 0 / 31

HEX #605AB0

RGB 96 90 176

HSL 244.19, 0.35%, 0.52%

LAB 42.66, 25.03, -45.26

 

CMYK 49 / 52 / 0 / 51

HEX #403C7E

RGB 64 60 126

HSL 243.64, 0.35%, 0.36%

LAB 28.97, 20.57, -37.03

 

CMYK 0 / 52 / 13 / 51

HEX #7C3C6C

RGB 124 60 108

HSL 315, 0.35%, 0.36%

LAB 35.2, 34.48, -15.43

 

CMYK 34 / 0 / 52 / 51

HEX #527C3C

RGB 82 124 60

HSL 99.38, 0.35%, 0.36%

LAB 47.67, -27.12, 30.19

 

CMYK 49 / 52 / 0 / 51

HEX #403C7E

RGB 64 60 126

HSL 243.64, 0.35%, 0.36%

LAB 28.97, 20.57, -37.03

 

CMYK 0 / 49 / 52 / 51

HEX #7C3F3C

RGB 124 63 60

HSL 2.81, 0.35%, 0.36%

LAB 34.33, 26.03, 13.85

 

CMYK 52 / 0 / 49 / 51

HEX #3C7C3F

RGB 60 124 63

HSL 122.81, 0.35%, 0.36%

LAB 46.62, -34.14, 27.04

 

CMYK 49 / 52 / 0 / 51

HEX #403C7E

RGB 64 60 126

HSL 243.64, 0.35%, 0.36%

LAB 28.97, 20.57, -37.03

 

CMYK 0 / 52 / 13 / 51

HEX #7C3C6C

RGB 124 60 108

HSL 315, 0.35%, 0.36%

LAB 35.2, 34.48, -15.43

 

CMYK 2 / 0 / 52 / 51

HEX #797C3C

RGB 121 124 60

HSL 62.81, 0.35%, 0.36%

LAB 50.46, -10.92, 34.21

 

CMYK 52 / 0 / 39 / 51

HEX #3C7C4C

RGB 60 124 76

HSL 135, 0.35%, 0.36%

LAB 46.84, -31.9, 20.08

 

CMYK 49 / 52 / 0 / 51

HEX #403C7E

RGB 64 60 126

HSL 243.64, 0.35%, 0.36%

LAB 28.97, 20.57, -37.03

 

CMYK 0 / 52 / 28 / 51

HEX #7C3C59

RGB 124 60 89

HSL 332.81, 0.35%, 0.36%

LAB 34.47, 31.39, -4.47

 

CMYK 2 / 0 / 52 / 51

HEX #797C3C

RGB 121 124 60

HSL 62.81, 0.35%, 0.36%

LAB 50.46, -10.92, 34.21

 

CMYK 52 / 0 / 23 / 51

HEX #3C7C5F

RGB 60 124 95

HSL 152.81, 0.35%, 0.36%

LAB 47.24, -27.91, 9.63

 

Description

Color code: HEX #403C7E | qconv.com Color code: HEX #403C7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 60 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 60 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 52 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 52% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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