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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #403AE4CE it is the complementary color #BFC51BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #403AE4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #403AE4CE shade: #453ADFCE, #564CF2CE, #675EFFCE, #7870FFCE and #8982FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #403AE4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #403AE4CE shade: #403AE4CE, #2F28D1CE, #1E16BECE, #0D04ABCE and #000098CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #403AE4CE shade: #403AE4, #6E3AE4, #9C3AE4, #CA3AE4 and #E43AD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #403AE4CE shade: #403AE4 and #3A3AE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #403AE4CE shade matches the following richer shades: #403AE4 and #2F27F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #403AE4CE shade: #403AE4, #504CD2, #615EC0, #7270AE and #83829B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #403AE4CE shade: #3A8FE4, #3A61E4, #3F3AE4, #6D3AE4 and #9A3AE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #403AE4CE shade: #1E18B3, #241DD7, #403AE4, #635EE9 and #8682EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #403AE4CE shade: #403AE4, #E43ABC and #78E43A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #403AE4CE shade: #403AE4, #E43F3A and #3AE43F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #403AE4CE shade: #403AE4, #E43ABC, #DEE43A and #3AE461

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #403AE4CE shade: #403AE4, #E43A89, #DEE43A and #3AE494

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 60 / 0 / 9

HEX #403AE4CE

RGBA 64 58 228 0.81

HSLA 242.12, 0.76%, 0.56%, 0.81

LABA 37.33, 55.28, -84.16, 0.81

 

Complementary color

CMYK 2 / 0 / 70 / 18

HEX #BFC51BCE

RGBA 191 197 27 0.81

HSLA 62.12, 0.76%, 0.44%, 0.81

LABA 76.73, -19.93, 73.73, 0.81

 

CMYK 56 / 60 / 0 / 10

HEX #453ADFCE

RGBA 69 58 223 0.81

HSLA 244, 0.72%, 0.55%, 0.81

LABA 37.15, 54.19, -81.6, 0.81

 

CMYK 52 / 56 / 0 / 4

HEX #564CF2CE

RGBA 86 76 242 0.81

HSLA 243.61, 0.86%, 0.62%, 0.81

LABA 43.59, 52.21, -81.73, 0.81

 

CMYK 48 / 51 / 0 / 0

HEX #675EFFCE

RGBA 103 94 255 0.81

HSLA 243.35, 1%, 0.68%, 0.81

LABA 49.63, 48.41, -79.06, 0.81

 

CMYK 43 / 45 / 0 / 0

HEX #7870FFCE

RGBA 120 112 255 0.81

HSLA 243.36, 1%, 0.72%, 0.81

LABA 54.87, 40.88, -70.48, 0.81

 

CMYK 37 / 40 / 0 / 0

HEX #8982FFCE

RGBA 137 130 255 0.81

HSLA 243.36, 1%, 0.75%, 0.81

LABA 60.34, 33.87, -61.61, 0.81

 

CMYK 58 / 60 / 0 / 9

HEX #403AE4CE

RGBA 64 58 228 0.81

HSLA 242.12, 0.76%, 0.56%, 0.81

LABA 37.33, 55.28, -84.16, 0.81

 

CMYK 63 / 65 / 0 / 15

HEX #2F28D1CE

RGBA 47 40 209 0.81

HSLA 242.49, 0.68%, 0.49%, 0.81

LABA 31.17, 57.15, -83.46, 0.81

 

CMYK 68 / 72 / 0 / 21

HEX #1E16BECE

RGBA 30 22 190 0.81

HSLA 242.86, 0.79%, 0.42%, 0.81

LABA 25.47, 58.23, -81.84, 0.81

 

CMYK 75 / 79 / 0 / 27

HEX #0D04ABCE

RGBA 13 4 171 0.81

HSLA 243.23, 0.95%, 0.34%, 0.81

LABA 20.49, 57.75, -78.79, 0.81

 

CMYK 81 / 81 / 0 / 33

HEX #000098CE

RGBA 0 0 152 0.81

HSLA 240, 1%, 0.3%, 0.81

LABA 16.83, 53.83, -73.31, 0.81

 

CMYK 72 / 75 / 0 / 11

HEX #403AE4

RGB 64 58 228

HSL 242.12, 0.76%, 0.56%

LAB 37.33, 55.28, -84.16

 

CMYK 52 / 75 / 0 / 11

HEX #6E3AE4

RGB 110 58 228

HSL 258.35, 0.76%, 0.56%

LAB 41.12, 60.52, -77.78

 

CMYK 32 / 75 / 0 / 11

HEX #9C3AE4

RGB 156 58 228

HSL 274.59, 0.76%, 0.56%

LAB 46.57, 67.77, -68.66

 

CMYK 11 / 75 / 0 / 11

HEX #CA3AE4

RGB 202 58 228

HSL 290.82, 0.76%, 0.56%

LAB 53.15, 76.24, -57.71

 

CMYK 0 / 75 / 8 / 11

HEX #E43AD1

RGB 228 58 209

HSL 306.71, 0.76%, 0.56%

LAB 56.21, 78.49, -41.81

 

CMYK 72 / 75 / 0 / 11

HEX #403AE4

RGB 64 58 228

HSL 242.12, 0.76%, 0.56%

LAB 37.33, 55.28, -84.16

 

CMYK 75 / 75 / 0 / 11

HEX #3A3AE4

RGB 58 58 228

HSL 240, 0.76%, 0.56%

LAB 36.98, 54.79, -84.76

 

CMYK 72 / 75 / 0 / 11

HEX #403AE4

RGB 64 58 228

HSL 242.12, 0.76%, 0.56%

LAB 37.33, 55.28, -84.16

 

CMYK 81 / 84 / 0 / 4

HEX #2F27F6

RGB 47 39 246

HSL 242.32, 0.92%, 0.56%

LAB 35.42, 68.3, -97.57

 

CMYK 72 / 75 / 0 / 11

HEX #403AE4

RGB 64 58 228

HSL 242.12, 0.76%, 0.56%

LAB 37.33, 55.28, -84.16

 

CMYK 62 / 64 / 0 / 18

HEX #504CD2

RGB 80 76 210

HSL 241.79, 0.6%, 0.56%

LAB 40.46, 41.25, -68.68

 

CMYK 49 / 51 / 0 / 25

HEX #615EC0

RGB 97 94 192

HSL 241.84, 0.44%, 0.56%

LAB 44.73, 27.7, -51.28

 

CMYK 34 / 36 / 0 / 32

HEX #7270AE

RGB 114 112 174

HSL 241.94, 0.28%, 0.56%

LAB 49.76, 15.77, -32.76

 

CMYK 15 / 16 / 0 / 39

HEX #83829B

RGB 131 130 155

HSL 242.4, 0.11%, 0.56%

LAB 55.23, 5.7, -13.21

 

CMYK 75 / 37 / 0 / 11

HEX #3A8FE4

RGB 58 143 228

HSL 210, 0.76%, 0.56%

LAB 58.18, 3.06, -50.37

 

CMYK 75 / 57 / 0 / 11

HEX #3A61E4

RGB 58 97 228

HSL 226.24, 0.76%, 0.56%

LAB 45.7, 31.55, -70.44

 

CMYK 72 / 75 / 0 / 11

HEX #3F3AE4

RGB 63 58 228

HSL 241.76, 0.76%, 0.56%

LAB 37.27, 55.2, -84.27

 

CMYK 52 / 75 / 0 / 11

HEX #6D3AE4

RGB 109 58 228

HSL 258, 0.76%, 0.56%

LAB 41.02, 60.38, -77.95

 

CMYK 32 / 75 / 0 / 11

HEX #9A3AE4

RGB 154 58 228

HSL 273.88, 0.76%, 0.56%

LAB 46.31, 67.43, -69.1

 

CMYK 83 / 87 / 0 / 30

HEX #1E18B3

RGB 30 24 179

HSL 242.32, 0.76%, 0.4%

LAB 24.27, 54.31, -77.28

 

CMYK 83 / 87 / 0 / 16

HEX #241DD7

RGB 36 29 215

HSL 242.26, 0.76%, 0.48%

LAB 29.81, 62.97, -89.22

 

CMYK 72 / 75 / 0 / 11

HEX #403AE4

RGB 64 58 228

HSL 242.12, 0.76%, 0.56%

LAB 37.33, 55.28, -84.16

 

CMYK 58 / 60 / 0 / 9

HEX #635EE9

RGB 99 94 233

HSL 242.16, 0.76%, 0.64%

LAB 47.68, 40.93, -69.95

 

CMYK 44 / 45 / 0 / 7

HEX #8682EE

RGB 134 130 238

HSL 242.22, 0.76%, 0.72%

LAB 59.17, 28.31, -54.12

 

CMYK 72 / 75 / 0 / 11

HEX #403AE4

RGB 64 58 228

HSL 242.12, 0.76%, 0.56%

LAB 37.33, 55.28, -84.16

 

CMYK 0 / 75 / 18 / 11

HEX #E43ABC

RGB 228 58 188

HSL 314.12, 0.76%, 0.56%

LAB 55.23, 75.58, -31.29

 

CMYK 47 / 0 / 75 / 11

HEX #78E43A

RGB 120 228 58

HSL 98.12, 0.76%, 0.56%

LAB 81.72, -58.6, 68.43

 

CMYK 72 / 75 / 0 / 11

HEX #403AE4

RGB 64 58 228

HSL 242.12, 0.76%, 0.56%

LAB 37.33, 55.28, -84.16

 

CMYK 0 / 72 / 75 / 11

HEX #E43F3A

RGB 228 63 58

HSL 1.76, 0.76%, 0.56%

LAB 52.24, 62.67, 41.07

 

CMYK 75 / 0 / 72 / 11

HEX #3AE43F

RGB 58 228 63

HSL 121.76, 0.76%, 0.56%

LAB 80.04, -72.06, 64.5

 

CMYK 72 / 75 / 0 / 11

HEX #403AE4

RGB 64 58 228

HSL 242.12, 0.76%, 0.56%

LAB 37.33, 55.28, -84.16

 

CMYK 0 / 75 / 18 / 11

HEX #E43ABC

RGB 228 58 188

HSL 314.12, 0.76%, 0.56%

LAB 55.23, 75.58, -31.29

 

CMYK 3 / 0 / 75 / 11

HEX #DEE43A

RGB 222 228 58

HSL 62.12, 0.76%, 0.56%

LAB 87.64, -21.1, 76.14

 

CMYK 75 / 0 / 57 / 11

HEX #3AE461

RGB 58 228 97

HSL 133.76, 0.76%, 0.56%

LAB 80.32, -68.62, 51.08

 

CMYK 72 / 75 / 0 / 11

HEX #403AE4

RGB 64 58 228

HSL 242.12, 0.76%, 0.56%

LAB 37.33, 55.28, -84.16

 

CMYK 0 / 75 / 40 / 11

HEX #E43A89

RGB 228 58 137

HSL 332.12, 0.76%, 0.56%

LAB 53.3, 69.69, -4.24

 

CMYK 3 / 0 / 75 / 11

HEX #DEE43A

RGB 222 228 58

HSL 62.12, 0.76%, 0.56%

LAB 87.64, -21.1, 76.14

 

CMYK 75 / 0 / 35 / 11

HEX #3AE494

RGB 58 228 148

HSL 151.76, 0.76%, 0.56%

LAB 81.03, -60.42, 27.13

 

Description

Color code: HEX #403AE4CE | qconv.com Color code: HEX #403AE4CE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 58 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 58 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 60 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 60% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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