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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #403AB7CE it is the complementary color #BFC548CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #403AB7CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #403AB7CE shade: #453AB2CE, #564CC5CE, #675ED8CE, #7870EBCE and #8982FECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #403AB7CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #403AB7CE shade: #403AB7CE, #2F28A4CE, #1E1691CE, #0D047ECE and #00006BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #403AB7CE shade: #403AB6, #613AB6, #833AB6, #A43AB6 and #B63AA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #403AB7CE shade: #403AB6 and #3A3AB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #403AB7CE shade matches the following richer shades: #403AB6, #2E26CA and #1C13DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #403AB7CE shade: #403AB6, #514DA3, #63608F, #74747C and #868769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #403AB7CE shade: #3A78B6, #3A57B6, #3E3AB6, #5F3AB6 and #803AB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #403AB7CE shade: #2A2677, #353097, #403AB6, #5751C8 and #7570D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #403AB7CE shade: #403AB7, #B63A99 and #67B63A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #403AB7CE shade: #403AB7, #B63E3A and #3AB63E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #403AB7CE shade: #403AB7, #B63A99, #B2B63A and #3AB657

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #403AB7CE shade: #403AB7, #B63A74, #B2B63A and #3AB67C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 55 / 0 / 23

HEX #403AB7CE

RGBA 64 58 183 0.81

HSLA 242.88, 0.52%, 0.47%, 0.81

LABA 33, 40.86, -65.17, 0.81

 

Complementary color

CMYK 2 / 0 / 51 / 18

HEX #BFC548CE

RGBA 191 197 72 0.81

HSLA 62.88, 0.52%, 0.53%, 0.81

LABA 76.97, -18.01, 59.78, 0.81

 

CMYK 50 / 55 / 0 / 24

HEX #453AB2CE

RGBA 69 58 178 0.81

HSLA 245.5, 0.51%, 0.46%, 0.81

LABA 32.93, 39.94, -62.3, 0.81

 

CMYK 46 / 50 / 0 / 18

HEX #564CC5CE

RGBA 86 76 197 0.81

HSLA 244.96, 0.51%, 0.54%, 0.81

LABA 39.88, 38.06, -62.07, 0.81

 

CMYK 42 / 46 / 0 / 12

HEX #675ED8CE

RGBA 103 94 216 0.81

HSLA 244.43, 0.61%, 0.61%, 0.81

LABA 46.77, 36.38, -61.77, 0.81

 

CMYK 40 / 42 / 0 / 6

HEX #7870EBCE

RGBA 120 112 235 0.81

HSLA 243.9, 0.75%, 0.68%, 0.81

LABA 53.58, 34.89, -61.45, 0.81

 

CMYK 37 / 40 / 0 / 0

HEX #8982FECE

RGBA 137 130 254 0.81

HSLA 243.39, 0.98%, 0.75%, 0.81

LABA 60.28, 33.59, -61.15, 0.81

 

CMYK 53 / 55 / 0 / 23

HEX #403AB7CE

RGBA 64 58 183 0.81

HSLA 242.88, 0.52%, 0.47%, 0.81

LABA 33, 40.86, -65.17, 0.81

 

CMYK 58 / 61 / 0 / 29

HEX #2F28A4CE

RGBA 47 40 164 0.81

HSLA 243.39, 0.61%, 0.4%, 0.81

LABA 26.16, 43.01, -65.08, 0.81

 

CMYK 64 / 69 / 0 / 35

HEX #1E1691CE

RGBA 30 22 145 0.81

HSLA 243.9, 0.74%, 0.33%, 0.81

LABA 19.61, 44.83, -64.3, 0.81

 

CMYK 73 / 78 / 0 / 41

HEX #0D047ECE

RGBA 13 4 126 0.81

HSLA 244.43, 0.94%, 0.25%, 0.81

LABA 13.7, 45.53, -62.2, 0.81

 

CMYK 81 / 81 / 0 / 47

HEX #00006BCE

RGBA 0 0 107 0.81

HSLA 240, 1%, 0.21%, 0.81

LABA 9.49, 41.8, -56.93, 0.81

 

CMYK 65 / 68 / 0 / 29

HEX #403AB6

RGB 64 58 182

HSL 242.9, 0.52%, 0.47%

LAB 32.9, 40.53, -64.73

 

CMYK 47 / 68 / 0 / 29

HEX #613AB6

RGB 97 58 182

HSL 258.87, 0.52%, 0.47%

LAB 35.88, 45.91, -59.75

 

CMYK 28 / 68 / 0 / 29

HEX #833AB6

RGB 131 58 182

HSL 275.32, 0.52%, 0.47%

LAB 39.96, 52.75, -52.93

 

CMYK 10 / 68 / 0 / 29

HEX #A43AB6

RGB 164 58 182

HSL 291.29, 0.52%, 0.47%

LAB 44.65, 60.05, -45.15

 

CMYK 0 / 68 / 9 / 29

HEX #B63AA6

RGB 182 58 166

HSL 307.74, 0.52%, 0.47%

LAB 46.61, 61.58, -32.43

 

CMYK 65 / 68 / 0 / 29

HEX #403AB6

RGB 64 58 182

HSL 242.9, 0.52%, 0.47%

LAB 32.9, 40.53, -64.73

 

CMYK 68 / 68 / 0 / 29

HEX #3A3AB6

RGB 58 58 182

HSL 240, 0.52%, 0.47%

LAB 32.49, 39.74, -65.43

 

CMYK 65 / 68 / 0 / 29

HEX #403AB6

RGB 64 58 182

HSL 242.9, 0.52%, 0.47%

LAB 32.9, 40.53, -64.73

 

CMYK 77 / 81 / 0 / 21

HEX #2E26CA

RGB 46 38 202

HSL 242.93, 0.68%, 0.47%

LAB 29.99, 55.91, -81.35

 

CMYK 87 / 91 / 0 / 13

HEX #1C13DD

RGB 28 19 221

HSL 242.67, 0.84%, 0.47%

LAB 29.24, 67.55, -93.64

 

CMYK 65 / 68 / 0 / 29

HEX #403AB6

RGB 64 58 182

HSL 242.9, 0.52%, 0.47%

LAB 32.9, 40.53, -64.73

 

CMYK 50 / 53 / 0 / 36

HEX #514DA3

RGB 81 77 163

HSL 242.79, 0.36%, 0.47%

LAB 37.3, 25.59, -46.21

 

CMYK 31 / 33 / 0 / 44

HEX #63608F

RGB 99 96 143

HSL 243.83, 0.2%, 0.47%

LAB 42.77, 12.55, -25.47

 

CMYK 6 / 6 / 0 / 51

HEX #74747C

RGB 116 116 124

HSL 240, 0.03%, 0.47%

LAB 49.08, 1.67, -4.4

 

CMYK 1 / 0 / 22 / 47

HEX #868769

RGB 134 135 105

HSL 62, 0.13%, 0.47%

LAB 55.5, -5.69, 16.06

 

CMYK 68 / 34 / 0 / 29

HEX #3A78B6

RGB 58 120 182

HSL 210, 0.52%, 0.47%

LAB 49.14, 0.4, -38.6

 

CMYK 68 / 52 / 0 / 29

HEX #3A57B6

RGB 58 87 182

HSL 225.97, 0.52%, 0.47%

LAB 39.74, 21.25, -53.62

 

CMYK 66 / 68 / 0 / 29

HEX #3E3AB6

RGB 62 58 182

HSL 241.94, 0.52%, 0.47%

LAB 32.76, 40.26, -64.97

 

CMYK 48 / 68 / 0 / 29

HEX #5F3AB6

RGB 95 58 182

HSL 257.9, 0.52%, 0.47%

LAB 35.67, 45.54, -60.1

 

CMYK 30 / 68 / 0 / 29

HEX #803AB6

RGB 128 58 182

HSL 273.87, 0.52%, 0.47%

LAB 39.57, 52.11, -53.59

 

CMYK 65 / 68 / 0 / 53

HEX #2A2677

RGB 42 38 119

HSL 242.96, 0.52%, 0.31%

LAB 20.87, 28.16, -45.81

 

CMYK 65 / 68 / 0 / 41

HEX #353097

RGB 53 48 151

HSL 242.91, 0.52%, 0.39%

LAB 27.03, 34.65, -55.71

 

CMYK 65 / 68 / 0 / 29

HEX #403AB6

RGB 64 58 182

HSL 242.9, 0.52%, 0.47%

LAB 32.9, 40.53, -64.73

 

CMYK 57 / 60 / 0 / 22

HEX #5751C8

RGB 87 81 200

HSL 243.03, 0.52%, 0.55%

LAB 41.34, 36.17, -61.43

 

CMYK 44 / 47 / 0 / 18

HEX #7570D2

RGB 117 112 210

HSL 243.06, 0.52%, 0.63%

LAB 51.86, 26.83, -50.12

 

CMYK 65 / 68 / 0 / 28

HEX #403AB7

RGB 64 58 183

HSL 242.88, 0.52%, 0.47%

LAB 33, 40.86, -65.17

 

CMYK 0 / 68 / 16 / 29

HEX #B63A99

RGB 182 58 153

HSL 314.03, 0.52%, 0.47%

LAB 46, 59.61, -25.63

 

CMYK 43 / 0 / 68 / 29

HEX #67B63A

RGB 103 182 58

HSL 98.23, 0.52%, 0.47%

LAB 67.01, -45.84, 53.31

 

CMYK 65 / 68 / 0 / 28

HEX #403AB7

RGB 64 58 183

HSL 242.88, 0.52%, 0.47%

LAB 33, 40.86, -65.17

 

CMYK 0 / 66 / 68 / 29

HEX #B63E3A

RGB 182 62 58

HSL 1.94, 0.52%, 0.47%

LAB 43.79, 48.23, 29.17

 

CMYK 68 / 0 / 66 / 29

HEX #3AB63E

RGB 58 182 62

HSL 121.94, 0.52%, 0.47%

LAB 65.52, -57.27, 49.61

 

CMYK 65 / 68 / 0 / 28

HEX #403AB7

RGB 64 58 183

HSL 242.88, 0.52%, 0.47%

LAB 33, 40.86, -65.17

 

CMYK 0 / 68 / 16 / 29

HEX #B63A99

RGB 182 58 153

HSL 314.03, 0.52%, 0.47%

LAB 46, 59.61, -25.63

 

CMYK 2 / 0 / 68 / 29

HEX #B2B63A

RGB 178 182 58

HSL 61.94, 0.52%, 0.47%

LAB 71.71, -16.79, 59.63

 

CMYK 68 / 0 / 52 / 29

HEX #3AB657

RGB 58 182 87

HSL 134.03, 0.52%, 0.47%

LAB 65.78, -54.16, 38.37

 

CMYK 65 / 68 / 0 / 28

HEX #403AB7

RGB 64 58 183

HSL 242.88, 0.52%, 0.47%

LAB 33, 40.86, -65.17

 

CMYK 0 / 68 / 36 / 29

HEX #B63A74

RGB 182 58 116

HSL 331.94, 0.52%, 0.47%

LAB 44.56, 54.79, -5.36

 

CMYK 2 / 0 / 68 / 29

HEX #B2B63A

RGB 178 182 58

HSL 61.94, 0.52%, 0.47%

LAB 71.71, -16.79, 59.63

 

CMYK 68 / 0 / 32 / 29

HEX #3AB67C

RGB 58 182 124

HSL 151.94, 0.52%, 0.47%

LAB 66.38, -47.55, 19.86

 

Description

Color code: HEX #403AB7CE | qconv.com Color code: HEX #403AB7CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 58 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 58 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 55 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 55% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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