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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #403AB4CE it is the complementary color #BFC54BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #403AB4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #403AB4CE shade: #453AAFCE, #564CC2CE, #675ED5CE, #7870E8CE and #8982FBCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #403AB4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #403AB4CE shade: #403AB4CE, #2F28A1CE, #1E168ECE, #0D047BCE and #000068CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #403AB4CE shade: #413BB5, #623BB5, #833BB5, #A43BB5 and #B53BA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #403AB4CE shade: #413BB5 and #3B3BB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #403AB4CE shade matches the following richer shades: #413BB5, #2F27C8, #1E14DC and #0C01EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #403AB4CE shade: #413BB5, #524EA2, #64628E, #75757B and #878867

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #403AB4CE shade: #3B78B5, #3B57B5, #3F3BB5, #5F3BB5 and #803BB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #403AB4CE shade: #2A2777, #363196, #413BB5, #5852C7 and #7671D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #403AB4CE shade: #403AB4, #B53B98 and #68B53B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #403AB4CE shade: #403AB4, #B53F3B and #3BB53F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #403AB4CE shade: #403AB4, #B53B98, #B1B53B and #3BB557

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #403AB4CE shade: #403AB4, #B53B74, #B1B53B and #3BB57C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 55 / 0 / 24

HEX #403AB4CE

RGBA 64 58 180 0.81

HSLA 242.95, 0.51%, 0.47%, 0.81

LABA 32.73, 39.87, -63.84, 0.81

 

Complementary color

CMYK 2 / 0 / 50 / 18

HEX #BFC54BCE

RGBA 191 197 75 0.81

HSLA 62.95, 0.51%, 0.53%, 0.81

LABA 76.99, -17.82, 58.55, 0.81

 

CMYK 49 / 54 / 0 / 25

HEX #453AAFCE

RGBA 69 58 175 0.81

HSLA 245.64, 0.5%, 0.46%, 0.81

LABA 32.67, 38.97, -60.94, 0.81

 

CMYK 45 / 49 / 0 / 19

HEX #564CC2CE

RGBA 86 76 194 0.81

HSLA 245.08, 0.49%, 0.53%, 0.81

LABA 39.65, 37.12, -60.7, 0.81

 

CMYK 42 / 45 / 0 / 13

HEX #675ED5CE

RGBA 103 94 213 0.81

HSLA 244.54, 0.59%, 0.6%, 0.81

LABA 46.57, 35.46, -60.39, 0.81

 

CMYK 39 / 42 / 0 / 7

HEX #7870E8CE

RGBA 120 112 232 0.81

HSLA 244, 0.72%, 0.67%, 0.81

LABA 53.39, 34, -60.07, 0.81

 

CMYK 37 / 39 / 0 / 1

HEX #8982FBCE

RGBA 137 130 251 0.81

HSLA 243.47, 0.94%, 0.75%, 0.81

LABA 60.11, 32.72, -59.77, 0.81

 

CMYK 52 / 55 / 0 / 24

HEX #403AB4CE

RGBA 64 58 180 0.81

HSLA 242.95, 0.51%, 0.47%, 0.81

LABA 32.73, 39.87, -63.84, 0.81

 

CMYK 57 / 61 / 0 / 30

HEX #2F28A1CE

RGBA 47 40 161 0.81

HSLA 243.47, 0.6%, 0.39%, 0.81

LABA 25.85, 42.02, -63.78, 0.81

 

CMYK 64 / 68 / 0 / 36

HEX #1E168ECE

RGBA 30 22 142 0.81

HSLA 244, 0.73%, 0.32%, 0.81

LABA 19.24, 43.89, -63.06, 0.81

 

CMYK 72 / 78 / 0 / 42

HEX #0D047BCE

RGBA 13 4 123 0.81

HSLA 244.54, 0.94%, 0.25%, 0.81

LABA 13.25, 44.68, -61.04, 0.81

 

CMYK 81 / 81 / 0 / 48

HEX #000068CE

RGBA 0 0 104 0.81

HSLA 240, 1%, 0.2%, 0.81

LABA 8.99, 40.97, -55.8, 0.81

 

CMYK 64 / 67 / 0 / 29

HEX #413BB5

RGB 65 59 181

HSL 242.95, 0.51%, 0.47%

LAB 33.11, 39.74, -63.8

 

CMYK 46 / 67 / 0 / 29

HEX #623BB5

RGB 98 59 181

HSL 259.18, 0.51%, 0.47%

LAB 36.1, 45.28, -58.79

 

CMYK 28 / 67 / 0 / 29

HEX #833BB5

RGB 131 59 181

HSL 275.41, 0.51%, 0.47%

LAB 40.06, 52.05, -52.18

 

CMYK 9 / 67 / 0 / 29

HEX #A43BB5

RGB 164 59 181

HSL 291.64, 0.51%, 0.47%

LAB 44.74, 59.46, -44.43

 

CMYK 0 / 67 / 9 / 29

HEX #B53BA5

RGB 181 59 165

HSL 307.87, 0.51%, 0.47%

LAB 46.54, 60.79, -31.97

 

CMYK 64 / 67 / 0 / 29

HEX #413BB5

RGB 65 59 181

HSL 242.95, 0.51%, 0.47%

LAB 33.11, 39.74, -63.8

 

CMYK 67 / 67 / 0 / 29

HEX #3B3BB5

RGB 59 59 181

HSL 240, 0.51%, 0.47%

LAB 32.69, 38.92, -64.51

 

CMYK 64 / 67 / 0 / 29

HEX #413BB5

RGB 65 59 181

HSL 242.95, 0.51%, 0.47%

LAB 33.11, 39.74, -63.8

 

CMYK 77 / 81 / 0 / 22

HEX #2F27C8

RGB 47 39 200

HSL 242.98, 0.67%, 0.47%

LAB 29.97, 54.9, -80.2

 

CMYK 86 / 91 / 0 / 14

HEX #1E14DC

RGB 30 20 220

HSL 243, 0.83%, 0.47%

LAB 29.27, 67.05, -93.02

 

CMYK 95 / 100 / 0 / 6

HEX #0C01EF

RGB 12 1 239

HSL 242.77, 0.99%, 0.47%

LAB 30.23, 75.3, -102.29

 

CMYK 64 / 67 / 0 / 29

HEX #413BB5

RGB 65 59 181

HSL 242.95, 0.51%, 0.47%

LAB 33.11, 39.74, -63.8

 

CMYK 49 / 52 / 0 / 36

HEX #524EA2

RGB 82 78 162

HSL 242.86, 0.35%, 0.47%

LAB 37.57, 24.87, -45.17

 

CMYK 30 / 31 / 0 / 44

HEX #64628E

RGB 100 98 142

HSL 242.73, 0.18%, 0.47%

LAB 43.36, 11.35, -23.95

 

CMYK 5 / 5 / 0 / 52

HEX #75757B

RGB 117 117 123

HSL 240, 0.03%, 0.47%

LAB 49.42, 1.24, -3.3

 

CMYK 1 / 0 / 24 / 47

HEX #878867

RGB 135 136 103

HSL 61.82, 0.14%, 0.47%

LAB 55.83, -6.15, 17.65

 

CMYK 67 / 34 / 0 / 29

HEX #3B78B5

RGB 59 120 181

HSL 210, 0.51%, 0.47%

LAB 49.13, 0.21, -38.04

 

CMYK 67 / 52 / 0 / 29

HEX #3B57B5

RGB 59 87 181

HSL 226.23, 0.51%, 0.47%

LAB 39.72, 21.05, -53.06

 

CMYK 65 / 67 / 0 / 29

HEX #3F3BB5

RGB 63 59 181

HSL 241.97, 0.51%, 0.47%

LAB 32.96, 39.46, -64.04

 

CMYK 48 / 67 / 0 / 29

HEX #5F3BB5

RGB 95 59 181

HSL 257.7, 0.51%, 0.47%

LAB 35.79, 44.71, -59.32

 

CMYK 29 / 67 / 0 / 29

HEX #803BB5

RGB 128 59 181

HSL 273.93, 0.51%, 0.47%

LAB 39.67, 51.4, -52.84

 

CMYK 65 / 67 / 0 / 53

HEX #2A2777

RGB 42 39 119

HSL 242.25, 0.51%, 0.31%

LAB 21.11, 27.5, -45.41

 

CMYK 64 / 67 / 0 / 41

HEX #363196

RGB 54 49 150

HSL 242.97, 0.51%, 0.39%

LAB 27.25, 33.83, -54.74

 

CMYK 64 / 67 / 0 / 29

HEX #413BB5

RGB 65 59 181

HSL 242.95, 0.51%, 0.47%

LAB 33.11, 39.74, -63.8

 

CMYK 56 / 59 / 0 / 22

HEX #5852C7

RGB 88 82 199

HSL 243.08, 0.51%, 0.55%

LAB 41.58, 35.43, -60.46

 

CMYK 44 / 46 / 0 / 18

HEX #7671D1

RGB 118 113 209

HSL 243.13, 0.51%, 0.63%

LAB 52.14, 26.18, -49.11

 

CMYK 64 / 68 / 0 / 29

HEX #403AB4

RGB 64 58 180

HSL 242.95, 0.51%, 0.47%

LAB 32.73, 39.87, -63.84

 

CMYK 0 / 67 / 16 / 29

HEX #B53B98

RGB 181 59 152

HSL 314.26, 0.51%, 0.47%

LAB 45.93, 58.82, -25.16

 

CMYK 43 / 0 / 67 / 29

HEX #68B53B

RGB 104 181 59

HSL 97.87, 0.51%, 0.47%

LAB 66.75, -45.02, 52.65

 

CMYK 64 / 68 / 0 / 29

HEX #403AB4

RGB 64 58 180

HSL 242.95, 0.51%, 0.47%

LAB 32.73, 39.87, -63.84

 

CMYK 0 / 65 / 67 / 29

HEX #B53F3B

RGB 181 63 59

HSL 1.97, 0.51%, 0.47%

LAB 43.79, 47.51, 28.53

 

CMYK 67 / 0 / 65 / 29

HEX #3BB53F

RGB 59 181 63

HSL 121.97, 0.51%, 0.47%

LAB 65.23, -56.62, 48.87

 

CMYK 64 / 68 / 0 / 29

HEX #403AB4

RGB 64 58 180

HSL 242.95, 0.51%, 0.47%

LAB 32.73, 39.87, -63.84

 

CMYK 0 / 67 / 16 / 29

HEX #B53B98

RGB 181 59 152

HSL 314.26, 0.51%, 0.47%

LAB 45.93, 58.82, -25.16

 

CMYK 2 / 0 / 67 / 29

HEX #B1B53B

RGB 177 181 59

HSL 61.97, 0.51%, 0.47%

LAB 71.36, -16.65, 58.86

 

CMYK 67 / 0 / 52 / 29

HEX #3BB557

RGB 59 181 87

HSL 133.77, 0.51%, 0.47%

LAB 65.49, -53.61, 38.01

 

CMYK 64 / 68 / 0 / 29

HEX #403AB4

RGB 64 58 180

HSL 242.95, 0.51%, 0.47%

LAB 32.73, 39.87, -63.84

 

CMYK 0 / 67 / 36 / 29

HEX #B53B74

RGB 181 59 116

HSL 331.97, 0.51%, 0.47%

LAB 44.54, 54.09, -5.42

 

CMYK 2 / 0 / 67 / 29

HEX #B1B53B

RGB 177 181 59

HSL 61.97, 0.51%, 0.47%

LAB 71.36, -16.65, 58.86

 

CMYK 67 / 0 / 31 / 29

HEX #3BB57C

RGB 59 181 124

HSL 151.97, 0.51%, 0.47%

LAB 66.08, -46.98, 19.47

 

Description

Color code: HEX #403AB4CE | qconv.com Color code: HEX #403AB4CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 58 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 58 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 55 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 55% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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