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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #403A68 it is the complementary color #BFC597. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #403A68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #403A68 shade: #453A63, #564C76, #675E89, #78709C and #8982AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #403A68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #403A68 shade: #403A68, #2F2855, #1E1642, #0D042F and #00001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #403A68 shade: #413B68, #4D3B68, #593B68, #663B68 and #683B5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #403A68 shade: #413B68 and #3B3B68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #403A68 shade matches the following richer shades: #413B68, #372E76, #2D2083, #231390 and #1A069D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #403A68 shade: #413B68, #4A485B, #54554E, #5E6241 and #687034

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #403A68 shade: #3B4E68, #3B4268, #403B68, #4C3B68 and #583B68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #403A68 shade: #201D34, #302C4E, #413B68, #514A83 and #61589D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #403A68 shade: #403A68, #683B5A and #48683B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #403A68 shade: #403A68, #68403B and #3B6840

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #403A68 shade: #403A68, #683B5A, #63683B and #3B6849

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #403A68 shade: #403A68, #683B4C, #63683B and #3B6857

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 44 / 0 / 59

HEX #403A68

RGB 64 58 104

HSL 247.83, 0.28%, 0.32%

LAB 27.06, 14.86, -26.12

 

Complementary color

CMYK 3 / 0 / 23 / 23

HEX #BFC597

RGB 191 197 151

HSL 67.83, 0.28%, 0.68%

LAB 78.02, -9.76, 22.44

 

CMYK 30 / 41 / 0 / 61

HEX #453A63

RGB 69 58 99

HSL 256.1, 0.26%, 0.31%

LAB 27.28, 14.95, -22.54

 

CMYK 27 / 36 / 0 / 54

HEX #564C76

RGB 86 76 118

HSL 254.29, 0.22%, 0.38%

LAB 34.91, 14.14, -22.51

 

CMYK 25 / 31 / 0 / 46

HEX #675E89

RGB 103 94 137

HSL 252.56, 0.19%, 0.45%

LAB 42.3, 13.46, -22.56

 

CMYK 23 / 28 / 0 / 39

HEX #78709C

RGB 120 112 156

HSL 250.91, 0.18%, 0.53%

LAB 49.47, 12.89, -22.66

 

CMYK 22 / 26 / 0 / 31

HEX #8982AF

RGB 137 130 175

HSL 249.33, 0.22%, 0.6%

LAB 56.47, 12.38, -22.8

 

CMYK 38 / 44 / 0 / 59

HEX #403A68

RGB 64 58 104

HSL 247.83, 0.28%, 0.32%

LAB 27.06, 14.86, -26.12

 

CMYK 45 / 53 / 0 / 67

HEX #2F2855

RGB 47 40 85

HSL 249.33, 0.36%, 0.25%

LAB 19.13, 16.03, -26.36

 

CMYK 55 / 67 / 0 / 74

HEX #1E1642

RGB 30 22 66

HSL 250.91, 0.5%, 0.17%

LAB 10.87, 17.59, -26.69

 

CMYK 72 / 91 / 0 / 82

HEX #0D042F

RGB 13 4 47

HSL 252.56, 0.84%, 0.1%

LAB 3.41, 14.89, -25.03

 

CMYK 100 / 100 / 0 / 89

HEX #00001C

RGB 0 0 28

HSL 240, 1%, 0.05%

LAB 0.76, 5.32, -14.39

 

CMYK 38 / 43 / 0 / 59

HEX #413B68

RGB 65 59 104

HSL 248, 0.28%, 0.32%

LAB 27.44, 14.5, -25.52

 

CMYK 26 / 43 / 0 / 59

HEX #4D3B68

RGB 77 59 104

HSL 264, 0.28%, 0.32%

LAB 28.66, 18.32, -23.52

 

CMYK 14 / 43 / 0 / 59

HEX #593B68

RGB 89 59 104

HSL 280, 0.28%, 0.32%

LAB 30.04, 22.34, -21.26

 

CMYK 2 / 43 / 0 / 59

HEX #663B68

RGB 102 59 104

HSL 297.33, 0.28%, 0.32%

LAB 31.7, 26.79, -18.55

 

CMYK 0 / 43 / 9 / 59

HEX #683B5F

RGB 104 59 95

HSL 312, 0.28%, 0.32%

LAB 31.57, 25.67, -12.97

 

CMYK 38 / 43 / 0 / 59

HEX #413B68

RGB 65 59 104

HSL 248, 0.28%, 0.32%

LAB 27.44, 14.5, -25.52

 

CMYK 43 / 43 / 0 / 59

HEX #3B3B68

RGB 59 59 104

HSL 240, 0.28%, 0.32%

LAB 26.9, 12.69, -26.41

 

CMYK 38 / 43 / 0 / 59

HEX #413B68

RGB 65 59 104

HSL 248, 0.28%, 0.32%

LAB 27.44, 14.5, -25.52

 

CMYK 53 / 61 / 0 / 54

HEX #372E76

RGB 55 46 118

HSL 247.5, 0.44%, 0.32%

LAB 23.92, 25.06, -40.17

 

CMYK 66 / 76 / 0 / 49

HEX #2D2083

RGB 45 32 131

HSL 247.88, 0.61%, 0.32%

LAB 20.94, 36.43, -53.3

 

CMYK 76 / 87 / 0 / 44

HEX #231390

RGB 35 19 144

HSL 247.68, 0.77%, 0.32%

LAB 19.38, 46.15, -64.06

 

CMYK 83 / 96 / 0 / 38

HEX #1A069D

RGB 26 6 157

HSL 247.95, 0.93%, 0.32%

LAB 19.16, 53.73, -72.48

 

CMYK 38 / 43 / 0 / 59

HEX #413B68

RGB 65 59 104

HSL 248, 0.28%, 0.32%

LAB 27.44, 14.5, -25.52

 

CMYK 19 / 21 / 0 / 64

HEX #4A485B

RGB 74 72 91

HSL 246.32, 0.12%, 0.32%

LAB 31.45, 5.34, -10.9

 

CMYK 1 / 0 / 8 / 67

HEX #54554E

RGB 84 85 78

HSL 68.57, 0.04%, 0.32%

LAB 35.85, -1.86, 3.94

 

CMYK 4 / 0 / 34 / 62

HEX #5E6241

RGB 94 98 65

HSL 67.27, 0.2%, 0.32%

LAB 40.4, -7.57, 18.31

 

CMYK 7 / 0 / 54 / 56

HEX #687034

RGB 104 112 52

HSL 68, 0.37%, 0.32%

LAB 45.33, -12.67, 31.98

 

CMYK 43 / 25 / 0 / 59

HEX #3B4E68

RGB 59 78 104

HSL 214.67, 0.28%, 0.32%

LAB 32.65, 0.14, -17.42

 

CMYK 43 / 37 / 0 / 59

HEX #3B4268

RGB 59 66 104

HSL 230.67, 0.28%, 0.32%

LAB 28.97, 7.99, -23.15

 

CMYK 38 / 43 / 0 / 59

HEX #403B68

RGB 64 59 104

HSL 246.67, 0.28%, 0.32%

LAB 27.35, 14.19, -25.68

 

CMYK 27 / 43 / 0 / 59

HEX #4C3B68

RGB 76 59 104

HSL 262.67, 0.28%, 0.32%

LAB 28.55, 17.99, -23.7

 

CMYK 15 / 43 / 0 / 59

HEX #583B68

RGB 88 59 104

HSL 278.67, 0.28%, 0.32%

LAB 29.92, 22, -21.46

 

CMYK 38 / 44 / 0 / 80

HEX #201D34

RGB 32 29 52

HSL 247.83, 0.28%, 0.16%

LAB 12.18, 8.12, -14.63

 

CMYK 38 / 44 / 0 / 69

HEX #302C4E

RGB 48 44 78

HSL 247.06, 0.28%, 0.24%

LAB 19.96, 11.25, -20.34

 

CMYK 38 / 43 / 0 / 59

HEX #413B68

RGB 65 59 104

HSL 248, 0.28%, 0.32%

LAB 27.44, 14.5, -25.52

 

CMYK 38 / 44 / 0 / 49

HEX #514A83

RGB 81 74 131

HSL 247.37, 0.28%, 0.4%

LAB 34.57, 17.58, -31.14

 

CMYK 38 / 44 / 0 / 38

HEX #61589D

RGB 97 88 157

HSL 247.83, 0.28%, 0.48%

LAB 41.14, 20.88, -36.41

 

CMYK 38 / 44 / 0 / 59

HEX #403A68

RGB 64 58 104

HSL 247.83, 0.28%, 0.32%

LAB 27.06, 14.86, -26.12

 

CMYK 0 / 43 / 13 / 59

HEX #683B5A

RGB 104 59 90

HSL 318.67, 0.28%, 0.32%

LAB 31.37, 24.72, -10.06

 

CMYK 31 / 0 / 43 / 59

HEX #48683B

RGB 72 104 59

HSL 102.67, 0.28%, 0.32%

LAB 40.56, -20.99, 21.7

 

CMYK 38 / 44 / 0 / 59

HEX #403A68

RGB 64 58 104

HSL 247.83, 0.28%, 0.32%

LAB 27.06, 14.86, -26.12

 

CMYK 0 / 38 / 43 / 59

HEX #68403B

RGB 104 64 59

HSL 6.67, 0.28%, 0.32%

LAB 31.64, 16.78, 10.34

 

CMYK 43 / 0 / 38 / 59

HEX #3B6840

RGB 59 104 64

HSL 126.67, 0.28%, 0.32%

LAB 39.92, -24.86, 17.81

 

CMYK 38 / 44 / 0 / 59

HEX #403A68

RGB 64 58 104

HSL 247.83, 0.28%, 0.32%

LAB 27.06, 14.86, -26.12

 

CMYK 0 / 43 / 13 / 59

HEX #683B5A

RGB 104 59 90

HSL 318.67, 0.28%, 0.32%

LAB 31.37, 24.72, -10.06

 

CMYK 5 / 0 / 43 / 59

HEX #63683B

RGB 99 104 59

HSL 66.67, 0.28%, 0.32%

LAB 42.57, -9.62, 24.67

 

CMYK 43 / 0 / 30 / 59

HEX #3B6849

RGB 59 104 73

HSL 138.67, 0.28%, 0.32%

LAB 40.1, -23.09, 12.72

 

CMYK 38 / 44 / 0 / 59

HEX #403A68

RGB 64 58 104

HSL 247.83, 0.28%, 0.32%

LAB 27.06, 14.86, -26.12

 

CMYK 0 / 43 / 27 / 59

HEX #683B4C

RGB 104 59 76

HSL 337.33, 0.28%, 0.32%

LAB 30.86, 22.28, -1.76

 

CMYK 5 / 0 / 43 / 59

HEX #63683B

RGB 99 104 59

HSL 66.67, 0.28%, 0.32%

LAB 42.57, -9.62, 24.67

 

CMYK 43 / 0 / 16 / 59

HEX #3B6857

RGB 59 104 87

HSL 157.33, 0.28%, 0.32%

LAB 40.44, -19.91, 4.75

 

Description

Color code: HEX #403A68 | qconv.com Color code: HEX #403A68 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 58 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 58 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 44 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 44% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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