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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #403742 it is the complementary color #BFC8BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #403742. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #403742 shade: #45373D, #564950, #675B63, #786D76 and #897F89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #403742. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #403742 shade: #403742, #2F252F, #1E131C, #0D0109 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #403742 shade: #413843, #433842, #43383F, #43383C and #433839

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #403742 shade: #413843, #3E3843, #3B3843 and #383843

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #403742 shade matches the following richer shades: #413843, #472E4D, #4D2457, #541A60 and #5A106A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #403742 shade: #413843, #3A4239, #344B2F, #2E5525 and #285F1B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #403742 shade: #3B3843, #3E3843, #413843, #433842 and #43383F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #403742 shade: #151216, #2B252C, #413843, #574A59 and #6C5D70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #403742 shade: #403742, #433838 and #38433C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #403742 shade: #403742, #434138 and #384341

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #403742 shade: #403742, #433838, #3A4338 and #384343

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #403742 shade: #403742, #433B38, #3A4338 and #383F43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 17 / 0 / 74

HEX #403742

RGB 64 55 66

HSL 289.09, 0.09%, 0.24%

LAB 24.37, 6.38, -5.35

 

Complementary color

CMYK 5 / 0 / 5 / 22

HEX #BFC8BD

RGB 191 200 189

HSL 109.09, 0.09%, 0.76%

LAB 79.65, -5.11, 4.42

 

CMYK 0 / 20 / 12 / 73

HEX #45373D

RGB 69 55 61

HSL 334.29, 0.11%, 0.24%

LAB 24.75, 7.4, -1.39

 

CMYK 0 / 15 / 7 / 66

HEX #564950

RGB 86 73 80

HSL 327.69, 0.08%, 0.31%

LAB 32.53, 6.87, -2.13

 

CMYK 0 / 12 / 4 / 60

HEX #675B63

RGB 103 91 99

HSL 320, 0.06%, 0.38%

LAB 40.03, 6.43, -2.81

 

CMYK 0 / 9 / 2 / 53

HEX #786D76

RGB 120 109 118

HSL 310.91, 0.05%, 0.45%

LAB 47.29, 6.05, -3.44

 

CMYK 0 / 7 / 0 / 46

HEX #897F89

RGB 137 127 137

HSL 300, 0.04%, 0.52%

LAB 54.35, 5.72, -4.04

 

CMYK 3 / 17 / 0 / 74

HEX #403742

RGB 64 55 66

HSL 289.09, 0.09%, 0.24%

LAB 24.37, 6.38, -5.35

 

CMYK 0 / 21 / 0 / 82

HEX #2F252F

RGB 47 37 47

HSL 300, 0.12%, 0.16%

LAB 16.17, 6.94, -4.79

 

CMYK 0 / 37 / 7 / 88

HEX #1E131C

RGB 30 19 28

HSL 310.91, 0.22%, 0.1%

LAB 7.46, 7.64, -4.14

 

CMYK 0 / 92 / 31 / 95

HEX #0D0109

RGB 13 1 9

HSL 320, 0.86%, 0.03%

LAB 1.15, 4.32, -1.9

 

CMYK 3 / 16 / 0 / 74

HEX #413843

RGB 65 56 67

HSL 289.09, 0.09%, 0.24%

LAB 24.82, 6.36, -5.34

 

CMYK 0 / 16 / 1 / 74

HEX #433842

RGB 67 56 66

HSL 305.45, 0.09%, 0.24%

LAB 25, 6.96, -4.38

 

CMYK 0 / 16 / 6 / 74

HEX #43383F

RGB 67 56 63

HSL 321.82, 0.09%, 0.24%

LAB 24.89, 6.3, -2.54

 

CMYK 0 / 16 / 10 / 74

HEX #43383C

RGB 67 56 60

HSL 338.18, 0.09%, 0.24%

LAB 24.79, 5.66, -0.69

 

CMYK 0 / 16 / 15 / 74

HEX #433839

RGB 67 56 57

HSL 354.55, 0.09%, 0.24%

LAB 24.69, 5.04, 1.17

 

CMYK 3 / 16 / 0 / 74

HEX #413843

RGB 65 56 67

HSL 289.09, 0.09%, 0.24%

LAB 24.82, 6.36, -5.34

 

CMYK 7 / 16 / 0 / 74

HEX #3E3843

RGB 62 56 67

HSL 272.73, 0.09%, 0.24%

LAB 24.51, 5.13, -5.84

 

CMYK 12 / 16 / 0 / 74

HEX #3B3843

RGB 59 56 67

HSL 256.36, 0.09%, 0.24%

LAB 24.2, 3.91, -6.32

 

CMYK 16 / 16 / 0 / 74

HEX #383843

RGB 56 56 67

HSL 240, 0.09%, 0.24%

LAB 23.92, 2.71, -6.79

 

CMYK 3 / 16 / 0 / 74

HEX #413843

RGB 65 56 67

HSL 289.09, 0.09%, 0.24%

LAB 24.82, 6.36, -5.34

 

CMYK 8 / 40 / 0 / 70

HEX #472E4D

RGB 71 46 77

HSL 288.39, 0.25%, 0.24%

LAB 23.1, 17.75, -14.58

 

CMYK 11 / 59 / 0 / 66

HEX #4D2457

RGB 77 36 87

HSL 288.24, 0.41%, 0.24%

LAB 22.04, 28.37, -22.84

 

CMYK 13 / 73 / 0 / 62

HEX #541A60

RGB 84 26 96

HSL 289.71, 0.57%, 0.24%

LAB 21.83, 37.53, -29.08

 

CMYK 15 / 85 / 0 / 58

HEX #5A106A

RGB 90 16 106

HSL 289.33, 0.74%, 0.24%

LAB 22.25, 44.75, -34.9

 

CMYK 3 / 16 / 0 / 74

HEX #413843

RGB 65 56 67

HSL 289.09, 0.09%, 0.24%

LAB 24.82, 6.36, -5.34

 

CMYK 12 / 0 / 14 / 74

HEX #3A4239

RGB 58 66 57

HSL 113.33, 0.07%, 0.24%

LAB 26.99, -5.36, 4.37

 

CMYK 31 / 0 / 37 / 71

HEX #344B2F

RGB 52 75 47

HSL 109.29, 0.23%, 0.24%

LAB 29.33, -15.24, 13.92

 

CMYK 46 / 0 / 56 / 67

HEX #2E5525

RGB 46 85 37

HSL 108.75, 0.39%, 0.24%

LAB 32.28, -24.48, 23.56

 

CMYK 58 / 0 / 72 / 63

HEX #285F1B

RGB 40 95 27

HSL 108.53, 0.56%, 0.24%

LAB 35.43, -32.29, 32.23

 

CMYK 12 / 16 / 0 / 74

HEX #3B3843

RGB 59 56 67

HSL 256.36, 0.09%, 0.24%

LAB 24.2, 3.91, -6.32

 

CMYK 7 / 16 / 0 / 74

HEX #3E3843

RGB 62 56 67

HSL 272.73, 0.09%, 0.24%

LAB 24.51, 5.13, -5.84

 

CMYK 3 / 16 / 0 / 74

HEX #413843

RGB 65 56 67

HSL 289.09, 0.09%, 0.24%

LAB 24.82, 6.36, -5.34

 

CMYK 0 / 16 / 1 / 74

HEX #433842

RGB 67 56 66

HSL 305.45, 0.09%, 0.24%

LAB 25, 6.96, -4.38

 

CMYK 0 / 16 / 6 / 74

HEX #43383F

RGB 67 56 63

HSL 321.82, 0.09%, 0.24%

LAB 24.89, 6.3, -2.54

 

CMYK 5 / 18 / 0 / 91

HEX #151216

RGB 21 18 22

HSL 285, 0.1%, 0.08%

LAB 5.87, 2.16, -2.02

 

CMYK 2 / 16 / 0 / 83

HEX #2B252C

RGB 43 37 44

HSL 291.43, 0.09%, 0.16%

LAB 15.58, 4.44, -3.58

 

CMYK 3 / 16 / 0 / 74

HEX #413843

RGB 65 56 67

HSL 289.09, 0.09%, 0.24%

LAB 24.82, 6.36, -5.34

 

CMYK 2 / 17 / 0 / 65

HEX #574A59

RGB 87 74 89

HSL 292, 0.09%, 0.32%

LAB 33.23, 8.57, -6.82

 

CMYK 4 / 17 / 0 / 56

HEX #6C5D70

RGB 108 93 112

HSL 287.37, 0.09%, 0.4%

LAB 41.51, 9.88, -8.53

 

CMYK 3 / 17 / 0 / 74

HEX #403742

RGB 64 55 66

HSL 289.09, 0.09%, 0.24%

LAB 24.37, 6.38, -5.35

 

CMYK 0 / 16 / 16 / 74

HEX #433838

RGB 67 56 56

HSL 0, 0.09%, 0.24%

LAB 24.66, 4.84, 1.8

 

CMYK 16 / 0 / 10 / 74

HEX #38433C

RGB 56 67 60

HSL 141.82, 0.09%, 0.24%

LAB 27.25, -6.14, 2.75

 

CMYK 3 / 17 / 0 / 74

HEX #403742

RGB 64 55 66

HSL 289.09, 0.09%, 0.24%

LAB 24.37, 6.38, -5.35

 

CMYK 0 / 3 / 16 / 74

HEX #434138

RGB 67 65 56

HSL 49.09, 0.09%, 0.24%

LAB 27.46, -1.01, 5.8

 

CMYK 16 / 0 / 3 / 74

HEX #384341

RGB 56 67 65

HSL 169.09, 0.09%, 0.24%

LAB 27.4, -4.96, -0.3

 

CMYK 3 / 17 / 0 / 74

HEX #403742

RGB 64 55 66

HSL 289.09, 0.09%, 0.24%

LAB 24.37, 6.38, -5.35

 

CMYK 0 / 16 / 16 / 74

HEX #433838

RGB 67 56 56

HSL 0, 0.09%, 0.24%

LAB 24.66, 4.84, 1.8

 

CMYK 13 / 0 / 16 / 74

HEX #3A4338

RGB 58 67 56

HSL 109.09, 0.09%, 0.24%

LAB 27.3, -6.19, 5.45

 

CMYK 16 / 0 / 0 / 74

HEX #384343

RGB 56 67 67

HSL 180, 0.09%, 0.24%

LAB 27.46, -4.46, -1.51

 

CMYK 3 / 17 / 0 / 74

HEX #403742

RGB 64 55 66

HSL 289.09, 0.09%, 0.24%

LAB 24.37, 6.38, -5.35

 

CMYK 0 / 12 / 16 / 74

HEX #433B38

RGB 67 59 56

HSL 16.36, 0.09%, 0.24%

LAB 25.58, 2.87, 3.12

 

CMYK 13 / 0 / 16 / 74

HEX #3A4338

RGB 58 67 56

HSL 109.09, 0.09%, 0.24%

LAB 27.3, -6.19, 5.45

 

CMYK 16 / 6 / 0 / 74

HEX #383F43

RGB 56 63 67

HSL 201.82, 0.09%, 0.24%

LAB 26.16, -1.9, -3.43

 

Description

Color code: HEX #403742 | qconv.com Color code: HEX #403742 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 55 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 55 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 17 magenta, none yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 17% 0% 74% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - :: JYP corp. ::
Link: http://www.jype.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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