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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #403367 it is the complementary color #BFCC98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #403367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #403367 shade: #453362, #564575, #675788, #78699B and #897BAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #403367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #403367 shade: #403367, #2F2154, #1E0F41, #0D002E and #00001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #403367 shade: #3F3267, #4E3267, #5C3267, #673263 and #673255

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #403367 shade: #3F3267 and #323267

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #403367 shade matches the following richer shades: #3F3267, #392673, #331A7F, #2D0D8C and #270198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #403367 shade: #3F3267, #463F5A, #4C4B4E, #525841 and #586435

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #403367 shade: #324167, #323367, #3F3267, #4D3267 and #5B3267

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #403367 shade: #1D172F, #2E254B, #3F3267, #514082 and #624E9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #403367 shade: #403367, #67324F and #3A6732

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #403367 shade: #403367, #673F32 and #32673F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #403367 shade: #403367, #67324F, #5A6732 and #32674A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #403367 shade: #403367, #67323F, #5A6732 and #32675A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 50 / 0 / 60

HEX #403367

RGB 64 51 103

HSL 255, 0.34%, 0.3%

LAB 25.07, 19.23, -28.64

 

Complementary color

CMYK 6 / 0 / 25 / 20

HEX #BFCC98

RGB 191 204 152

HSL 75, 0.34%, 0.7%

LAB 79.91, -13.2, 24.5

 

CMYK 30 / 48 / 0 / 62

HEX #453362

RGB 69 51 98

HSL 262.98, 0.32%, 0.29%

LAB 25.3, 19.29, -24.99

 

CMYK 26 / 41 / 0 / 54

HEX #564575

RGB 86 69 117

HSL 261.25, 0.26%, 0.36%

LAB 32.96, 18.34, -24.94

 

CMYK 24 / 36 / 0 / 47

HEX #675788

RGB 103 87 136

HSL 259.59, 0.22%, 0.44%

LAB 40.37, 17.54, -24.94

 

CMYK 23 / 32 / 0 / 39

HEX #78699B

RGB 120 105 155

HSL 258, 0.2%, 0.51%

LAB 47.58, 16.84, -25

 

CMYK 21 / 29 / 0 / 32

HEX #897BAE

RGB 137 123 174

HSL 256.47, 0.24%, 0.58%

LAB 54.6, 16.24, -25.1

 

CMYK 38 / 50 / 0 / 60

HEX #403367

RGB 64 51 103

HSL 255, 0.34%, 0.3%

LAB 25.07, 19.23, -28.64

 

CMYK 44 / 61 / 0 / 67

HEX #2F2154

RGB 47 33 84

HSL 256.47, 0.44%, 0.23%

LAB 17.14, 20.53, -28.88

 

CMYK 54 / 77 / 0 / 75

HEX #1E0F41

RGB 30 15 65

HSL 258, 0.63%, 0.16%

LAB 8.99, 22.04, -29.05

 

CMYK 72 / 100 / 0 / 82

HEX #0D002E

RGB 13 0 46

HSL 256.96, 1%, 0.09%

LAB 2.55, 15.99, -25.64

 

CMYK 100 / 100 / 0 / 89

HEX #00001B

RGB 0 0 27

HSL 240, 1%, 0.05%

LAB 0.71, 5.02, -13.64

 

CMYK 39 / 51 / 0 / 60

HEX #3F3267

RGB 63 50 103

HSL 254.72, 0.35%, 0.3%

LAB 24.69, 19.6, -29.24

 

CMYK 24 / 51 / 0 / 60

HEX #4E3267

RGB 78 50 103

HSL 271.7, 0.35%, 0.3%

LAB 26.39, 24.14, -26.44

 

CMYK 11 / 51 / 0 / 60

HEX #5C3267

RGB 92 50 103

HSL 287.55, 0.35%, 0.3%

LAB 28.21, 28.59, -23.45

 

CMYK 0 / 51 / 4 / 60

HEX #673263

RGB 103 50 99

HSL 304.53, 0.35%, 0.3%

LAB 29.58, 31.33, -18.63

 

CMYK 0 / 51 / 17 / 60

HEX #673255

RGB 103 50 85

HSL 320.38, 0.35%, 0.3%

LAB 28.96, 28.71, -10.5

 

CMYK 39 / 51 / 0 / 60

HEX #3F3267

RGB 63 50 103

HSL 254.72, 0.35%, 0.3%

LAB 24.69, 19.6, -29.24

 

CMYK 51 / 51 / 0 / 60

HEX #323267

RGB 50 50 103

HSL 240, 0.35%, 0.3%

LAB 23.47, 16.02, -31.27

 

CMYK 39 / 51 / 0 / 60

HEX #3F3267

RGB 63 50 103

HSL 254.72, 0.35%, 0.3%

LAB 24.69, 19.6, -29.24

 

CMYK 50 / 67 / 0 / 55

HEX #392673

RGB 57 38 115

HSL 254.81, 0.5%, 0.3%

LAB 21.92, 29.64, -41.47

 

CMYK 60 / 80 / 0 / 50

HEX #331A7F

RGB 51 26 127

HSL 254.85, 0.66%, 0.3%

LAB 19.94, 39.23, -52.4

 

CMYK 68 / 91 / 0 / 45

HEX #2D0D8C

RGB 45 13 140

HSL 255.12, 0.83%, 0.3%

LAB 18.97, 47.92, -62.22

 

CMYK 74 / 99 / 0 / 40

HEX #270198

RGB 39 1 152

HSL 255.1, 0.99%, 0.3%

LAB 18.89, 54.26, -69.83

 

CMYK 39 / 51 / 0 / 60

HEX #3F3267

RGB 63 50 103

HSL 254.72, 0.35%, 0.3%

LAB 24.69, 19.6, -29.24

 

CMYK 22 / 30 / 0 / 65

HEX #463F5A

RGB 70 63 90

HSL 255.56, 0.18%, 0.3%

LAB 28.37, 9.48, -15.01

 

CMYK 3 / 4 / 0 / 69

HEX #4C4B4E

RGB 76 75 78

HSL 260, 0.02%, 0.3%

LAB 32.08, 1.07, -1.64

 

CMYK 7 / 0 / 26 / 65

HEX #525841

RGB 82 88 65

HSL 75.65, 0.15%, 0.3%

LAB 36.28, -6.93, 12.58

 

CMYK 12 / 0 / 47 / 61

HEX #586435

RGB 88 100 53

HSL 75.32, 0.31%, 0.3%

LAB 40.32, -12.99, 25.05

 

CMYK 51 / 37 / 0 / 60

HEX #324167

RGB 50 65 103

HSL 223.02, 0.35%, 0.3%

LAB 27.95, 5.75, -24.16

 

CMYK 51 / 50 / 0 / 60

HEX #323367

RGB 50 51 103

HSL 238.87, 0.35%, 0.3%

LAB 23.75, 15.33, -30.81

 

CMYK 39 / 51 / 0 / 60

HEX #3F3267

RGB 63 50 103

HSL 254.72, 0.35%, 0.3%

LAB 24.69, 19.6, -29.24

 

CMYK 25 / 51 / 0 / 60

HEX #4D3267

RGB 77 50 103

HSL 270.57, 0.35%, 0.3%

LAB 26.27, 23.83, -26.64

 

CMYK 12 / 51 / 0 / 60

HEX #5B3267

RGB 91 50 103

HSL 286.42, 0.35%, 0.3%

LAB 28.07, 28.26, -23.68

 

CMYK 38 / 51 / 0 / 82

HEX #1D172F

RGB 29 23 47

HSL 255, 0.34%, 0.14%

LAB 9.63, 9.88, -15.03

 

CMYK 39 / 51 / 0 / 71

HEX #2E254B

RGB 46 37 75

HSL 254.21, 0.34%, 0.22%

LAB 17.52, 14.57, -22.19

 

CMYK 39 / 51 / 0 / 60

HEX #3F3267

RGB 63 50 103

HSL 254.72, 0.35%, 0.3%

LAB 24.69, 19.6, -29.24

 

CMYK 38 / 51 / 0 / 49

HEX #514082

RGB 81 64 130

HSL 255.45, 0.34%, 0.38%

LAB 31.87, 23.7, -34.8

 

CMYK 38 / 51 / 0 / 38

HEX #624E9E

RGB 98 78 158

HSL 255, 0.34%, 0.46%

LAB 38.75, 27.65, -40.81

 

CMYK 38 / 50 / 0 / 60

HEX #403367

RGB 64 51 103

HSL 255, 0.34%, 0.3%

LAB 25.07, 19.23, -28.64

 

CMYK 0 / 51 / 23 / 60

HEX #67324F

RGB 103 50 79

HSL 327.17, 0.35%, 0.3%

LAB 28.72, 27.69, -6.92

 

CMYK 44 / 0 / 51 / 60

HEX #3A6732

RGB 58 103 50

HSL 110.94, 0.35%, 0.3%

LAB 39.29, -27.06, 25.03

 

CMYK 38 / 50 / 0 / 60

HEX #403367

RGB 64 51 103

HSL 255, 0.34%, 0.3%

LAB 25.07, 19.23, -28.64

 

CMYK 0 / 39 / 51 / 60

HEX #673F32

RGB 103 63 50

HSL 14.72, 0.35%, 0.3%

LAB 31.04, 15.87, 15.26

 

CMYK 51 / 0 / 39 / 60

HEX #32673F

RGB 50 103 63

HSL 134.72, 0.35%, 0.3%

LAB 39.13, -27.44, 17.29

 

CMYK 38 / 50 / 0 / 60

HEX #403367

RGB 64 51 103

HSL 255, 0.34%, 0.3%

LAB 25.07, 19.23, -28.64

 

CMYK 0 / 51 / 23 / 60

HEX #67324F

RGB 103 50 79

HSL 327.17, 0.35%, 0.3%

LAB 28.72, 27.69, -6.92

 

CMYK 13 / 0 / 51 / 60

HEX #5A6732

RGB 90 103 50

HSL 74.72, 0.35%, 0.3%

LAB 41.38, -14.14, 28.06

 

CMYK 51 / 0 / 28 / 60

HEX #32674A

RGB 50 103 74

HSL 147.17, 0.35%, 0.3%

LAB 39.37, -25.13, 11.04

 

CMYK 38 / 50 / 0 / 60

HEX #403367

RGB 64 51 103

HSL 255, 0.34%, 0.3%

LAB 25.07, 19.23, -28.64

 

CMYK 0 / 51 / 39 / 60

HEX #67323F

RGB 103 50 63

HSL 345.28, 0.35%, 0.3%

LAB 28.18, 25.28, 2.84

 

CMYK 13 / 0 / 51 / 60

HEX #5A6732

RGB 90 103 50

HSL 74.72, 0.35%, 0.3%

LAB 41.38, -14.14, 28.06

 

CMYK 51 / 0 / 13 / 60

HEX #32675A

RGB 50 103 90

HSL 165.28, 0.35%, 0.3%

LAB 39.78, -21.19, 1.91

 

Description

Color code: HEX #403367 | qconv.com Color code: HEX #403367 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 51 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 51 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 50 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 50% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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