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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40313C it is the complementary color #BFCEC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40313C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40313C shade: #453137, #56434A, #67555D, #786770 and #897983

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40313C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40313C shade: #40313C, #2F1F29, #1E0D16, #0D0003 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40313C shade: #3F313C, #3F3138, #3F3134 and #3F3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40313C shade: #3F313C, #3F313F, #3B313F, #37313F and #34313F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40313C shade matches the following richer shades: #3F313C, #482840, #521F44, #5B1648 and #640C4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40313C shade: #3F313C, #363A37, #2D4333, #244C2F and #1B552B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40313C shade: #3C313F, #3F313F, #3F313C, #3F3138 and #3F3134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40313C shade: #110D10, #281F26, #3F313C, #574351 and #6E5567

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40313C shade: #40313C, #3F3831 and #313F3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40313C shade: #40313C, #3C3F31 and #313C3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40313C shade: #40313C, #3F3831, #313F35 and #31393F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40313C shade: #40313C, #3F3C31, #313F35 and #31343F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 6 / 75

HEX #40313C

RGB 64 49 60

HSL 316, 0.13%, 0.22%

LAB 22.35, 9.03, -4.34

 

Complementary color

CMYK 7 / 0 / 5 / 19

HEX #BFCEC3

RGB 191 206 195

HSL 136, 0.13%, 0.78%

LAB 81.38, -7.14, 3.71

 

CMYK 0 / 29 / 20 / 73

HEX #453137

RGB 69 49 55

HSL 342, 0.17%, 0.23%

LAB 22.78, 10.18, -0.23

 

CMYK 0 / 22 / 14 / 66

HEX #56434A

RGB 86 67 74

HSL 337.89, 0.12%, 0.3%

LAB 30.61, 9.48, -1.1

 

CMYK 0 / 17 / 10 / 60

HEX #67555D

RGB 103 85 93

HSL 333.33, 0.1%, 0.37%

LAB 38.15, 8.92, -1.86

 

CMYK 0 / 14 / 7 / 53

HEX #786770

RGB 120 103 112

HSL 328.24, 0.08%, 0.44%

LAB 45.45, 8.44, -2.55

 

CMYK 0 / 12 / 4 / 46

HEX #897983

RGB 137 121 131

HSL 322.5, 0.06%, 0.51%

LAB 52.54, 8.02, -3.19

 

CMYK 0 / 23 / 6 / 75

HEX #40313C

RGB 64 49 60

HSL 316, 0.13%, 0.22%

LAB 22.35, 9.03, -4.34

 

CMYK 0 / 34 / 13 / 82

HEX #2F1F29

RGB 47 31 41

HSL 322.5, 0.21%, 0.15%

LAB 14.08, 9.79, -3.62

 

CMYK 0 / 57 / 27 / 88

HEX #1E0D16

RGB 30 13 22

HSL 328.24, 0.4%, 0.08%

LAB 5.62, 9.55, -2.27

 

CMYK 0 / 100 / 77 / 95

HEX #0D0003

RGB 13 0 3

HSL 346.15, 1%, 0.03%

LAB 0.83, 3.88, 0.09

 

CMYK 0 / 22 / 5 / 75

HEX #3F313C

RGB 63 49 60

HSL 312.86, 0.13%, 0.22%

LAB 22.23, 8.61, -4.53

 

CMYK 0 / 22 / 11 / 75

HEX #3F3138

RGB 63 49 56

HSL 330, 0.13%, 0.22%

LAB 22.08, 7.74, -2.03

 

CMYK 0 / 22 / 17 / 75

HEX #3F3134

RGB 63 49 52

HSL 347.14, 0.13%, 0.22%

LAB 21.95, 6.91, 0.5

 

CMYK 0 / 22 / 22 / 75

HEX #3F3131

RGB 63 49 49

HSL 0, 0.13%, 0.22%

LAB 21.85, 6.33, 2.4

 

CMYK 0 / 22 / 5 / 75

HEX #3F313C

RGB 63 49 60

HSL 312.86, 0.13%, 0.22%

LAB 22.23, 8.61, -4.53

 

CMYK 0 / 22 / 0 / 75

HEX #3F313F

RGB 63 49 63

HSL 300, 0.13%, 0.22%

LAB 22.35, 9.29, -6.39

 

CMYK 6 / 22 / 0 / 75

HEX #3B313F

RGB 59 49 63

HSL 282.86, 0.13%, 0.22%

LAB 21.89, 7.63, -7.12

 

CMYK 13 / 22 / 0 / 75

HEX #37313F

RGB 55 49 63

HSL 265.71, 0.13%, 0.22%

LAB 21.46, 6, -7.81

 

CMYK 17 / 22 / 0 / 75

HEX #34313F

RGB 52 49 63

HSL 252.86, 0.13%, 0.22%

LAB 21.15, 4.79, -8.3

 

CMYK 0 / 22 / 5 / 75

HEX #3F313C

RGB 63 49 60

HSL 312.86, 0.13%, 0.22%

LAB 22.23, 8.61, -4.53

 

CMYK 0 / 44 / 11 / 72

HEX #482840

RGB 72 40 64

HSL 315, 0.29%, 0.22%

LAB 21.08, 19.13, -8.87

 

CMYK 0 / 62 / 17 / 68

HEX #521F44

RGB 82 31 68

HSL 316.47, 0.45%, 0.22%

LAB 20.79, 28.92, -11.9

 

CMYK 0 / 76 / 21 / 64

HEX #5B1648

RGB 91 22 72

HSL 316.52, 0.61%, 0.22%

LAB 21.08, 36.7, -14.06

 

CMYK 0 / 88 / 24 / 61

HEX #640C4C

RGB 100 12 76

HSL 316.36, 0.79%, 0.22%

LAB 21.92, 43, -15.34

 

CMYK 0 / 22 / 5 / 75

HEX #3F313C

RGB 63 49 60

HSL 312.86, 0.13%, 0.22%

LAB 22.23, 8.61, -4.53

 

CMYK 7 / 0 / 5 / 77

HEX #363A37

RGB 54 58 55

HSL 135, 0.04%, 0.22%

LAB 23.95, -2.4, 1.27

 

CMYK 33 / 0 / 24 / 74

HEX #2D4333

RGB 45 67 51

HSL 136.36, 0.2%, 0.22%

LAB 26.19, -12.6, 7

 

CMYK 53 / 0 / 38 / 70

HEX #244C2F

RGB 36 76 47

HSL 136.5, 0.36%, 0.22%

LAB 28.77, -21.63, 13.01

 

CMYK 68 / 0 / 49 / 67

HEX #1B552B

RGB 27 85 43

HSL 136.55, 0.52%, 0.22%

LAB 31.59, -29.25, 19.07

 

CMYK 5 / 22 / 0 / 75

HEX #3C313F

RGB 60 49 63

HSL 287.14, 0.13%, 0.22%

LAB 22, 8.04, -6.94

 

CMYK 0 / 22 / 0 / 75

HEX #3F313F

RGB 63 49 63

HSL 300, 0.13%, 0.22%

LAB 22.35, 9.29, -6.39

 

CMYK 0 / 22 / 5 / 75

HEX #3F313C

RGB 63 49 60

HSL 312.86, 0.13%, 0.22%

LAB 22.23, 8.61, -4.53

 

CMYK 0 / 22 / 11 / 75

HEX #3F3138

RGB 63 49 56

HSL 330, 0.13%, 0.22%

LAB 22.08, 7.74, -2.03

 

CMYK 0 / 22 / 17 / 75

HEX #3F3134

RGB 63 49 52

HSL 347.14, 0.13%, 0.22%

LAB 21.95, 6.91, 0.5

 

CMYK 0 / 24 / 6 / 93

HEX #110D10

RGB 17 13 16

HSL 315, 0.13%, 0.06%

LAB 4.01, 1.89, -0.96

 

CMYK 0 / 23 / 5 / 84

HEX #281F26

RGB 40 31 38

HSL 313.33, 0.13%, 0.14%

LAB 13.05, 5.91, -3.09

 

CMYK 0 / 22 / 5 / 75

HEX #3F313C

RGB 63 49 60

HSL 312.86, 0.13%, 0.22%

LAB 22.23, 8.61, -4.53

 

CMYK 0 / 23 / 7 / 66

HEX #574351

RGB 87 67 81

HSL 318, 0.13%, 0.3%

LAB 30.96, 11.31, -5.09

 

CMYK 0 / 23 / 6 / 57

HEX #6E5567

RGB 110 85 103

HSL 316.8, 0.13%, 0.38%

LAB 39.23, 13.67, -6.39

 

CMYK 0 / 23 / 6 / 75

HEX #40313C

RGB 64 49 60

HSL 316, 0.13%, 0.22%

LAB 22.35, 9.03, -4.34

 

CMYK 0 / 11 / 22 / 75

HEX #3F3831

RGB 63 56 49

HSL 30, 0.13%, 0.22%

LAB 24.02, 1.68, 5.49

 

CMYK 22 / 0 / 3 / 75

HEX #313F3D

RGB 49 63 61

HSL 171.43, 0.13%, 0.22%

LAB 25.4, -6.18, -0.66

 

CMYK 0 / 23 / 6 / 75

HEX #40313C

RGB 64 49 60

HSL 316, 0.13%, 0.22%

LAB 22.35, 9.03, -4.34

 

CMYK 5 / 0 / 22 / 75

HEX #3C3F31

RGB 60 63 49

HSL 72.86, 0.13%, 0.22%

LAB 25.97, -4.21, 8.18

 

CMYK 22 / 5 / 0 / 75

HEX #313C3F

RGB 49 60 63

HSL 192.86, 0.13%, 0.22%

LAB 24.46, -3.74, -3.37

 

CMYK 0 / 23 / 6 / 75

HEX #40313C

RGB 64 49 60

HSL 316, 0.13%, 0.22%

LAB 22.35, 9.03, -4.34

 

CMYK 0 / 11 / 22 / 75

HEX #3F3831

RGB 63 56 49

HSL 30, 0.13%, 0.22%

LAB 24.02, 1.68, 5.49

 

CMYK 22 / 0 / 16 / 75

HEX #313F35

RGB 49 63 53

HSL 137.14, 0.13%, 0.22%

LAB 25.15, -8.13, 4.27

 

CMYK 22 / 10 / 0 / 75

HEX #31393F

RGB 49 57 63

HSL 205.71, 0.13%, 0.22%

LAB 23.47, -1.78, -4.85

 

CMYK 0 / 23 / 6 / 75

HEX #40313C

RGB 64 49 60

HSL 316, 0.13%, 0.22%

LAB 22.35, 9.03, -4.34

 

CMYK 0 / 5 / 22 / 75

HEX #3F3C31

RGB 63 60 49

HSL 47.14, 0.13%, 0.22%

LAB 25.29, -0.93, 7.28

 

CMYK 22 / 0 / 16 / 75

HEX #313F35

RGB 49 63 53

HSL 137.14, 0.13%, 0.22%

LAB 25.15, -8.13, 4.27

 

CMYK 22 / 17 / 0 / 75

HEX #31343F

RGB 49 52 63

HSL 227.14, 0.13%, 0.22%

LAB 21.83, 1.56, -7.31

 

Description

Color code: HEX #40313C | qconv.com Color code: HEX #40313C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 49 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 49 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 6 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 6% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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