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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #402E71 it is the complementary color #BFD18E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #402E71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #402E71 shade: #452E6C, #56407F, #675292, #7864A5 and #8976B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #402E71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #402E71 shade: #402E71, #2F1C5E, #1E0A4B, #0D0038 and #000025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #402E71 shade: #402E70, #522E70, #642E70, #702E6B and #702E59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #402E71 shade: #402E70 and #2E2E70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #402E71 shade matches the following richer shades: #402E70, #3A217D, #34148A and #2E0797

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #402E71 shade: #402E70, #463B63, #4C4757, #51544A and #57613D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #402E71 shade: #2E4070, #2E2E70, #402E70, #512E70 and #632E70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #402E71 shade: #1E1636, #2F2253, #402E70, #503A8E and #6146AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #402E71 shade: #402E71, #702E51 and #37702E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #402E71 shade: #402E71, #70402E and #2E7040

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #402E71 shade: #402E71, #702E51, #5F702E and #2E704D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #402E71 shade: #402E71, #702E3D, #5F702E and #2E7061

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 59 / 0 / 56

HEX #402E71

RGB 64 46 113

HSL 256.12, 0.42%, 0.31%

LAB 24.44, 25.58, -36.08

 

Complementary color

CMYK 9 / 0 / 32 / 18

HEX #BFD18E

RGB 191 209 142

HSL 76.12, 0.42%, 0.69%

LAB 81.09, -17.1, 31.29

 

CMYK 36 / 57 / 0 / 58

HEX #452E6C

RGB 69 46 108

HSL 262.26, 0.4%, 0.3%

LAB 24.65, 25.41, -32.51

 

CMYK 32 / 50 / 0 / 50

HEX #56407F

RGB 86 64 127

HSL 260.95, 0.33%, 0.37%

LAB 32.21, 24.26, -32.37

 

CMYK 29 / 44 / 0 / 43

HEX #675292

RGB 103 82 146

HSL 259.69, 0.28%, 0.45%

LAB 39.57, 23.27, -32.26

 

CMYK 27 / 39 / 0 / 35

HEX #7864A5

RGB 120 100 165

HSL 258.46, 0.27%, 0.52%

LAB 46.74, 22.39, -32.19

 

CMYK 26 / 36 / 0 / 28

HEX #8976B8

RGB 137 118 184

HSL 257.27, 0.32%, 0.59%

LAB 53.75, 21.63, -32.18

 

CMYK 43 / 59 / 0 / 56

HEX #402E71

RGB 64 46 113

HSL 256.12, 0.42%, 0.31%

LAB 24.44, 25.58, -36.08

 

CMYK 50 / 70 / 0 / 63

HEX #2F1C5E

RGB 47 28 94

HSL 257.27, 0.54%, 0.24%

LAB 16.71, 27.03, -36.27

 

CMYK 60 / 87 / 0 / 71

HEX #1E0A4B

RGB 30 10 75

HSL 258.46, 0.76%, 0.17%

LAB 9, 28.27, -36.05

 

CMYK 77 / 100 / 0 / 78

HEX #0D0038

RGB 13 0 56

HSL 253.93, 1%, 0.11%

LAB 3.35, 21.57, -31.8

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 43 / 59 / 0 / 56

HEX #402E70

RGB 64 46 112

HSL 256.36, 0.42%, 0.31%

LAB 24.37, 25.27, -35.56

 

CMYK 27 / 59 / 0 / 56

HEX #522E70

RGB 82 46 112

HSL 272.73, 0.42%, 0.31%

LAB 26.5, 30.14, -32.02

 

CMYK 11 / 59 / 0 / 56

HEX #642E70

RGB 100 46 112

HSL 289.09, 0.42%, 0.31%

LAB 28.99, 35.3, -27.91

 

CMYK 0 / 59 / 4 / 56

HEX #702E6B

RGB 112 46 107

HSL 304.55, 0.42%, 0.31%

LAB 30.55, 37.85, -22.15

 

CMYK 0 / 59 / 21 / 56

HEX #702E59

RGB 112 46 89

HSL 320.91, 0.42%, 0.31%

LAB 29.71, 34.69, -11.82

 

CMYK 43 / 59 / 0 / 56

HEX #402E70

RGB 64 46 112

HSL 256.36, 0.42%, 0.31%

LAB 24.37, 25.27, -35.56

 

CMYK 59 / 59 / 0 / 56

HEX #2E2E70

RGB 46 46 112

HSL 240, 0.42%, 0.31%

LAB 22.67, 21.02, -38.38

 

CMYK 43 / 59 / 0 / 56

HEX #402E70

RGB 64 46 112

HSL 256.36, 0.42%, 0.31%

LAB 24.37, 25.27, -35.56

 

CMYK 54 / 74 / 0 / 51

HEX #3A217D

RGB 58 33 125

HSL 256.3, 0.58%, 0.31%

LAB 21.83, 35.93, -48

 

CMYK 62 / 86 / 0 / 46

HEX #34148A

RGB 52 20 138

HSL 256.27, 0.75%, 0.31%

LAB 20.3, 45.37, -58.73

 

CMYK 70 / 95 / 0 / 41

HEX #2E0797

RGB 46 7 151

HSL 256.25, 0.91%, 0.31%

LAB 19.91, 52.66, -67.49

 

CMYK 43 / 59 / 0 / 56

HEX #402E70

RGB 64 46 112

HSL 256.36, 0.42%, 0.31%

LAB 24.37, 25.27, -35.56

 

CMYK 29 / 40 / 0 / 61

HEX #463B63

RGB 70 59 99

HSL 256.5, 0.25%, 0.31%

LAB 27.66, 14.62, -21.93

 

CMYK 13 / 18 / 0 / 66

HEX #4C4757

RGB 76 71 87

HSL 258.75, 0.1%, 0.31%

LAB 31.19, 5.73, -8.73

 

CMYK 4 / 0 / 12 / 67

HEX #51544A

RGB 81 84 74

HSL 78, 0.06%, 0.31%

LAB 35.17, -3.29, 5.43

 

CMYK 10 / 0 / 37 / 62

HEX #57613D

RGB 87 97 61

HSL 76.67, 0.23%, 0.31%

LAB 39.43, -10.64, 19.28

 

CMYK 59 / 43 / 0 / 56

HEX #2E4070

RGB 46 64 112

HSL 223.64, 0.42%, 0.31%

LAB 27.89, 8.61, -30.01

 

CMYK 59 / 59 / 0 / 56

HEX #2E2E70

RGB 46 46 112

HSL 240, 0.42%, 0.31%

LAB 22.67, 21.02, -38.38

 

CMYK 43 / 59 / 0 / 56

HEX #402E70

RGB 64 46 112

HSL 256.36, 0.42%, 0.31%

LAB 24.37, 25.27, -35.56

 

CMYK 28 / 59 / 0 / 56

HEX #512E70

RGB 81 46 112

HSL 271.82, 0.42%, 0.31%

LAB 26.37, 29.86, -32.23

 

CMYK 12 / 59 / 0 / 56

HEX #632E70

RGB 99 46 112

HSL 288.18, 0.42%, 0.31%

LAB 28.84, 35.01, -28.16

 

CMYK 44 / 59 / 0 / 79

HEX #1E1636

RGB 30 22 54

HSL 255, 0.42%, 0.15%

LAB 9.92, 13.34, -19.66

 

CMYK 43 / 59 / 0 / 67

HEX #2F2253

RGB 47 34 83

HSL 255.92, 0.42%, 0.23%

LAB 17.33, 19.53, -27.9

 

CMYK 43 / 59 / 0 / 56

HEX #402E70

RGB 64 46 112

HSL 256.36, 0.42%, 0.31%

LAB 24.37, 25.27, -35.56

 

CMYK 44 / 59 / 0 / 44

HEX #503A8E

RGB 80 58 142

HSL 255.71, 0.42%, 0.39%

LAB 31.08, 30.77, -43.5

 

CMYK 43 / 59 / 0 / 33

HEX #6146AB

RGB 97 70 171

HSL 256.04, 0.42%, 0.47%

LAB 37.59, 35.98, -50.44

 

CMYK 43 / 59 / 0 / 56

HEX #402E71

RGB 64 46 113

HSL 256.12, 0.42%, 0.31%

LAB 24.44, 25.58, -36.08

 

CMYK 0 / 59 / 28 / 56

HEX #702E51

RGB 112 46 81

HSL 328.18, 0.42%, 0.31%

LAB 29.39, 33.44, -7.07

 

CMYK 51 / 0 / 59 / 56

HEX #37702E

RGB 55 112 46

HSL 111.82, 0.42%, 0.31%

LAB 42.15, -32.79, 30.59

 

CMYK 43 / 59 / 0 / 56

HEX #402E71

RGB 64 46 113

HSL 256.12, 0.42%, 0.31%

LAB 24.44, 25.58, -36.08

 

CMYK 0 / 43 / 59 / 56

HEX #70402E

RGB 112 64 46

HSL 16.36, 0.42%, 0.31%

LAB 32.5, 18.92, 19.9

 

CMYK 59 / 0 / 43 / 56

HEX #2E7040

RGB 46 112 64

HSL 136.36, 0.42%, 0.31%

LAB 42.06, -32.55, 20.53

 

CMYK 43 / 59 / 0 / 56

HEX #402E71

RGB 64 46 113

HSL 256.12, 0.42%, 0.31%

LAB 24.44, 25.58, -36.08

 

CMYK 0 / 59 / 28 / 56

HEX #702E51

RGB 112 46 81

HSL 328.18, 0.42%, 0.31%

LAB 29.39, 33.44, -7.07

 

CMYK 15 / 0 / 59 / 56

HEX #5F702E

RGB 95 112 46

HSL 75.45, 0.42%, 0.31%

LAB 44.54, -17.26, 33.99

 

CMYK 59 / 0 / 31 / 56

HEX #2E704D

RGB 46 112 77

HSL 148.18, 0.42%, 0.31%

LAB 42.32, -29.88, 13.3

 

CMYK 43 / 59 / 0 / 56

HEX #402E71

RGB 64 46 113

HSL 256.12, 0.42%, 0.31%

LAB 24.44, 25.58, -36.08

 

CMYK 0 / 59 / 46 / 56

HEX #702E3D

RGB 112 46 61

HSL 346.36, 0.42%, 0.31%

LAB 28.74, 30.78, 5.16

 

CMYK 15 / 0 / 59 / 56

HEX #5F702E

RGB 95 112 46

HSL 75.45, 0.42%, 0.31%

LAB 44.54, -17.26, 33.99

 

CMYK 59 / 0 / 13 / 56

HEX #2E7061

RGB 46 112 97

HSL 166.36, 0.42%, 0.31%

LAB 42.81, -24.94, 2.05

 

Description

Color code: HEX #402E71 | qconv.com Color code: HEX #402E71 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 46 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 46 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 59 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 59% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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