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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #402459 it is the complementary color #BFDBA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #402459. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #402459 shade: #452454, #563667, #67487A, #785A8D and #896CA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #402459. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #402459 shade: #402459, #2F1246, #1E0033, #0D0020 and #00000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #402459 shade: #41255B, #50255B, #5B2557, #5B2548 and #5B253A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #402459 shade: #41255B, #33255B and #25255B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #402459 shade matches the following richer shades: #41255B, #421B65, #42106F and #430679

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #402459 shade: #41255B, #412F50, #403A46, #40443C and #3F4E31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #402459 shade: #25265B, #32255B, #41255B, #4F255B and #5B2558

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #402459 shade: #170D20, #2C193D, #41255B, #563178 and #6C3D95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #402459 shade: #402459, #5B2534 and #255B2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #402459 shade: #402459, #5B4125 and #255B41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #402459 shade: #402459, #5B2534, #3F5B25 and #255B4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #402459 shade: #402459, #5B2625, #3F5B25 and #255A5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 60 / 0 / 65

HEX #402459

RGB 64 36 89

HSL 271.7, 0.42%, 0.25%

LAB 20.33, 24.92, -27

 

Complementary color

CMYK 13 / 0 / 24 / 14

HEX #BFDBA6

RGB 191 219 166

HSL 91.7, 0.42%, 0.75%

LAB 84.22, -18.64, 23.06

 

CMYK 18 / 57 / 0 / 67

HEX #452454

RGB 69 36 84

HSL 281.25, 0.4%, 0.24%

LAB 20.7, 25.14, -23.04

 

CMYK 17 / 48 / 0 / 60

HEX #563667

RGB 86 54 103

HSL 279.18, 0.31%, 0.31%

LAB 28.37, 24.21, -23.26

 

CMYK 16 / 41 / 0 / 52

HEX #67487A

RGB 103 72 122

HSL 277.2, 0.26%, 0.38%

LAB 35.84, 23.32, -23.42

 

CMYK 15 / 36 / 0 / 45

HEX #785A8D

RGB 120 90 141

HSL 275.29, 0.22%, 0.45%

LAB 43.11, 22.51, -23.59

 

CMYK 14 / 33 / 0 / 37

HEX #896CA0

RGB 137 108 160

HSL 273.46, 0.21%, 0.53%

LAB 50.19, 21.79, -23.76

 

CMYK 28 / 60 / 0 / 65

HEX #402459

RGB 64 36 89

HSL 271.7, 0.42%, 0.25%

LAB 20.33, 24.92, -27

 

CMYK 33 / 74 / 0 / 73

HEX #2F1246

RGB 47 18 70

HSL 273.46, 0.59%, 0.17%

LAB 12.47, 25.84, -26.79

 

CMYK 41 / 100 / 0 / 80

HEX #1E0033

RGB 30 0 51

HSL 275.29, 1%, 0.1%

LAB 4.65, 25.2, -25.93

 

CMYK 59 / 100 / 0 / 87

HEX #0D0020

RGB 13 0 32

HSL 264.38, 1%, 0.06%

LAB 1.71, 10.09, -16.09

 

CMYK 100 / 100 / 0 / 95

HEX #00000D

RGB 0 0 13

HSL 240, 1%, 0.03%

LAB 0.26, 1.84, -5.02

 

CMYK 29 / 59 / 0 / 64

HEX #41255B

RGB 65 37 91

HSL 271.11, 0.42%, 0.25%

LAB 20.84, 25.13, -27.52

 

CMYK 12 / 59 / 0 / 64

HEX #50255B

RGB 80 37 91

HSL 287.78, 0.42%, 0.25%

LAB 22.94, 29.64, -24.04

 

CMYK 0 / 59 / 4 / 64

HEX #5B2557

RGB 91 37 87

HSL 304.44, 0.42%, 0.25%

LAB 24.43, 32.22, -18.93

 

CMYK 0 / 59 / 21 / 64

HEX #5B2548

RGB 91 37 72

HSL 321.11, 0.42%, 0.25%

LAB 23.72, 29.47, -10.01

 

CMYK 0 / 59 / 36 / 64

HEX #5B253A

RGB 91 37 58

HSL 336.67, 0.42%, 0.25%

LAB 23.18, 27.29, -1.31

 

CMYK 29 / 59 / 0 / 64

HEX #41255B

RGB 65 37 91

HSL 271.11, 0.42%, 0.25%

LAB 20.84, 25.13, -27.52

 

CMYK 44 / 59 / 0 / 64

HEX #33255B

RGB 51 37 91

HSL 255.56, 0.42%, 0.25%

LAB 19.15, 21.17, -30.31

 

CMYK 59 / 59 / 0 / 64

HEX #25255B

RGB 37 37 91

HSL 240, 0.42%, 0.25%

LAB 17.79, 17.68, -32.57

 

CMYK 29 / 59 / 0 / 64

HEX #41255B

RGB 65 37 91

HSL 271.11, 0.42%, 0.25%

LAB 20.84, 25.13, -27.52

 

CMYK 35 / 73 / 0 / 60

HEX #421B65

RGB 66 27 101

HSL 271.62, 0.58%, 0.25%

LAB 19.56, 33.9, -36.16

 

CMYK 41 / 86 / 0 / 56

HEX #42106F

RGB 66 16 111

HSL 271.58, 0.75%, 0.25%

LAB 18.7, 41.47, -44.1

 

CMYK 45 / 95 / 0 / 53

HEX #430679

RGB 67 6 121

HSL 271.83, 0.91%, 0.25%

LAB 18.82, 47.13, -50.35

 

CMYK 29 / 59 / 0 / 64

HEX #41255B

RGB 65 37 91

HSL 271.11, 0.42%, 0.25%

LAB 20.84, 25.13, -27.52

 

CMYK 19 / 41 / 0 / 69

HEX #412F50

RGB 65 47 80

HSL 272.73, 0.26%, 0.25%

LAB 22.78, 15.65, -17.14

 

CMYK 9 / 17 / 0 / 73

HEX #403A46

RGB 64 58 70

HSL 270, 0.09%, 0.25%

LAB 25.44, 5.34, -6.42

 

CMYK 6 / 0 / 12 / 73

HEX #40443C

RGB 64 68 60

HSL 90, 0.06%, 0.25%

LAB 28.25, -3.42, 4.28

 

CMYK 19 / 0 / 37 / 69

HEX #3F4E31

RGB 63 78 49

HSL 91.03, 0.23%, 0.25%

LAB 31.18, -11.99, 15.28

 

CMYK 59 / 58 / 0 / 64

HEX #25265B

RGB 37 38 91

HSL 238.89, 0.42%, 0.25%

LAB 18.08, 16.97, -32.11

 

CMYK 45 / 59 / 0 / 64

HEX #32255B

RGB 50 37 91

HSL 254.44, 0.42%, 0.25%

LAB 19.04, 20.9, -30.49

 

CMYK 29 / 59 / 0 / 64

HEX #41255B

RGB 65 37 91

HSL 271.11, 0.42%, 0.25%

LAB 20.84, 25.13, -27.52

 

CMYK 13 / 59 / 0 / 64

HEX #4F255B

RGB 79 37 91

HSL 286.67, 0.42%, 0.25%

LAB 22.8, 29.34, -24.29

 

CMYK 0 / 59 / 3 / 64

HEX #5B2558

RGB 91 37 88

HSL 303.33, 0.42%, 0.25%

LAB 24.49, 32.42, -19.51

 

CMYK 28 / 59 / 0 / 87

HEX #170D20

RGB 23 13 32

HSL 271.58, 0.42%, 0.09%

LAB 5.19, 8.69, -10.74

 

CMYK 28 / 59 / 0 / 76

HEX #2C193D

RGB 44 25 61

HSL 271.67, 0.42%, 0.17%

LAB 13.03, 17.97, -19.6

 

CMYK 29 / 59 / 0 / 64

HEX #41255B

RGB 65 37 91

HSL 271.11, 0.42%, 0.25%

LAB 20.84, 25.13, -27.52

 

CMYK 28 / 59 / 0 / 53

HEX #563178

RGB 86 49 120

HSL 271.27, 0.42%, 0.33%

LAB 28.2, 31.56, -34.37

 

CMYK 28 / 59 / 0 / 42

HEX #6C3D95

RGB 108 61 149

HSL 272.05, 0.42%, 0.41%

LAB 35.39, 37.92, -40.68

 

CMYK 28 / 60 / 0 / 65

HEX #402459

RGB 64 36 89

HSL 271.7, 0.42%, 0.25%

LAB 20.33, 24.92, -27

 

CMYK 0 / 59 / 43 / 64

HEX #5B2534

RGB 91 37 52

HSL 343.33, 0.42%, 0.25%

LAB 22.98, 26.48, 2.51

 

CMYK 59 / 0 / 53 / 64

HEX #255B2B

RGB 37 91 43

HSL 126.67, 0.42%, 0.25%

LAB 34.09, -29.29, 22.29

 

CMYK 28 / 60 / 0 / 65

HEX #402459

RGB 64 36 89

HSL 271.7, 0.42%, 0.25%

LAB 20.33, 24.92, -27

 

CMYK 0 / 29 / 59 / 64

HEX #5B4125

RGB 91 65 37

HSL 31.11, 0.42%, 0.25%

LAB 29.76, 7.64, 21.37

 

CMYK 59 / 0 / 29 / 64

HEX #255B41

RGB 37 91 65

HSL 151.11, 0.42%, 0.25%

LAB 34.51, -24.82, 9.71

 

CMYK 28 / 60 / 0 / 65

HEX #402459

RGB 64 36 89

HSL 271.7, 0.42%, 0.25%

LAB 20.33, 24.92, -27

 

CMYK 0 / 59 / 43 / 64

HEX #5B2534

RGB 91 37 52

HSL 343.33, 0.42%, 0.25%

LAB 22.98, 26.48, 2.51

 

CMYK 31 / 0 / 59 / 64

HEX #3F5B25

RGB 63 91 37

HSL 91.11, 0.42%, 0.25%

LAB 35.35, -20.86, 27.45

 

CMYK 59 / 0 / 18 / 64

HEX #255B4B

RGB 37 91 75

HSL 162.22, 0.42%, 0.25%

LAB 34.77, -22.28, 3.87

 

CMYK 28 / 60 / 0 / 65

HEX #402459

RGB 64 36 89

HSL 271.7, 0.42%, 0.25%

LAB 20.33, 24.92, -27

 

CMYK 0 / 58 / 59 / 64

HEX #5B2625

RGB 91 38 37

HSL 1.11, 0.42%, 0.25%

LAB 22.81, 24.25, 12.51

 

CMYK 31 / 0 / 59 / 64

HEX #3F5B25

RGB 63 91 37

HSL 91.11, 0.42%, 0.25%

LAB 35.35, -20.86, 27.45

 

CMYK 59 / 1 / 0 / 64

HEX #255A5B

RGB 37 90 91

HSL 181.11, 0.42%, 0.25%

LAB 34.93, -17.07, -5.9

 

Description

Color code: HEX #402459 | qconv.com Color code: HEX #402459 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 36 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 36 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 60 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 60% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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