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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #401DF2 it is the complementary color #BFE20D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #401DF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #401DF2 shade: #451DED, #562FFF, #6741FF, #7853FF and #8965FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #401DF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #401DF2 shade: #401DF2, #2F0BDF, #1E00CC, #0D00B9 and #0000A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #401DF2 shade: #401CF2, #791CF2, #B31CF2, #EC1CF2 and #F21CBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #401DF2 shade: #401CF2 and #1C1CF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #401DF2 shade matches the following richer shades: #401CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #401DF2 shade: #401CF2, #4D30DE, #5A43CB, #6757B8 and #746AA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #401DF2 shade: #1C6EF2, #1C35F2, #3C1CF2, #751CF2 and #AE1CF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #401DF2 shade: #260AB1, #2E0DD8, #401CF2, #6043F4 and #816AF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #401DF2 shade: #401DF2, #F21CA7 and #52F21C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #401DF2 shade: #401DF2, #F23C1C and #1CF23C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #401DF2 shade: #401DF2, #F21CA7, #D2F21C and #1CF267

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #401DF2 shade: #401DF2, #F21C67, #D2F21C and #1CF2A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 88 / 0 / 5

HEX #401DF2

RGB 64 29 242

HSL 249.86, 0.89%, 0.53%

LAB 34.76, 71.39, -96.38

 

Complementary color

CMYK 15 / 0 / 94 / 11

HEX #BFE20D

RGB 191 226 13

HSL 69.86, 0.89%, 0.47%

LAB 84.74, -33.97, 82.11

 

CMYK 71 / 88 / 0 / 7

HEX #451DED

RGB 69 29 237

HSL 251.54, 0.85%, 0.52%

LAB 34.52, 70.35, -93.94

 

CMYK 66 / 82 / 0 / 0

HEX #562FFF

RGB 86 47 255

HSL 251.25, 1%, 0.59%

LAB 39.97, 69.91, -95

 

CMYK 60 / 75 / 0 / 0

HEX #6741FF

RGB 103 65 255

HSL 252, 1%, 0.63%

LAB 44.07, 63.72, -88.18

 

CMYK 53 / 67 / 0 / 0

HEX #7853FF

RGB 120 83 255

HSL 252.91, 1%, 0.66%

LAB 48.76, 57.04, -80.42

 

CMYK 46 / 60 / 0 / 0

HEX #8965FF

RGB 137 101 255

HSL 254.03, 1%, 0.7%

LAB 53.86, 50.36, -72.04

 

CMYK 74 / 88 / 0 / 5

HEX #401DF2

RGB 64 29 242

HSL 249.86, 0.89%, 0.53%

LAB 34.76, 71.39, -96.38

 

CMYK 79 / 95 / 0 / 13

HEX #2F0BDF

RGB 47 11 223

HSL 250.19, 0.91%, 0.46%

LAB 29.84, 70.26, -93.77

 

CMYK 85 / 100 / 0 / 20

HEX #1E00CC

RGB 30 0 204

HSL 248.82, 1%, 0.4%

LAB 25.67, 67.22, -89.74

 

CMYK 93 / 100 / 0 / 27

HEX #0D00B9

RGB 13 0 185

HSL 244.22, 1%, 0.36%

LAB 22.26, 62.33, -84.24

 

CMYK 100 / 100 / 0 / 35

HEX #0000A6

RGB 0 0 166

HSL 240, 1%, 0.33%

LAB 19.03, 57.43, -78.22

 

CMYK 74 / 88 / 0 / 5

HEX #401CF2

RGB 64 28 242

HSL 250.09, 0.89%, 0.53%

LAB 34.66, 71.68, -96.54

 

CMYK 50 / 88 / 0 / 5

HEX #791CF2

RGB 121 28 242

HSL 266.07, 0.89%, 0.53%

LAB 40.09, 75.69, -87.38

 

CMYK 26 / 88 / 0 / 5

HEX #B31CF2

RGB 179 28 242

HSL 282.34, 0.89%, 0.53%

LAB 48.04, 82.46, -74.04

 

CMYK 2 / 88 / 0 / 5

HEX #EC1CF2

RGB 236 28 242

HSL 298.32, 0.89%, 0.53%

LAB 57.15, 91.1, -58.87

 

CMYK 0 / 88 / 21 / 5

HEX #F21CBE

RGB 242 28 190

HSL 314.58, 0.89%, 0.53%

LAB 55.51, 85.27, -31.82

 

CMYK 74 / 88 / 0 / 5

HEX #401CF2

RGB 64 28 242

HSL 250.09, 0.89%, 0.53%

LAB 34.66, 71.68, -96.54

 

CMYK 88 / 88 / 0 / 5

HEX #1C1CF2

RGB 28 28 242

HSL 240, 0.89%, 0.53%

LAB 32.89, 70.53, -99.54

 

CMYK 74 / 88 / 0 / 5

HEX #401CF2

RGB 64 28 242

HSL 250.09, 0.89%, 0.53%

LAB 34.66, 71.68, -96.54

 

CMYK 74 / 88 / 0 / 5

HEX #401CF2

RGB 64 28 242

HSL 250.09, 0.89%, 0.53%

LAB 34.66, 71.68, -96.54

 

CMYK 65 / 78 / 0 / 13

HEX #4D30DE

RGB 77 48 222

HSL 250, 0.73%, 0.53%

LAB 35.92, 59.59, -83.04

 

CMYK 56 / 67 / 0 / 20

HEX #5A43CB

RGB 90 67 203

HSL 250.15, 0.57%, 0.53%

LAB 38.72, 45.85, -67.43

 

CMYK 44 / 53 / 0 / 28

HEX #6757B8

RGB 103 87 184

HSL 249.9, 0.41%, 0.53%

LAB 43, 30.95, -49.37

 

CMYK 29 / 35 / 0 / 36

HEX #746AA4

RGB 116 106 164

HSL 250.34, 0.24%, 0.53%

LAB 47.88, 17.3, -29.85

 

CMYK 88 / 55 / 0 / 5

HEX #1C6EF2

RGB 28 110 242

HSL 217.01, 0.89%, 0.53%

LAB 49.26, 26.06, -72.55

 

CMYK 88 / 78 / 0 / 5

HEX #1C35F2

RGB 28 53 242

HSL 232.99, 0.89%, 0.53%

LAB 36.37, 60.2, -93.74

 

CMYK 75 / 88 / 0 / 5

HEX #3C1CF2

RGB 60 28 242

HSL 248.97, 0.89%, 0.53%

LAB 34.4, 71.51, -96.99

 

CMYK 52 / 88 / 0 / 5

HEX #751CF2

RGB 117 28 242

HSL 264.95, 0.89%, 0.53%

LAB 39.62, 75.31, -88.17

 

CMYK 28 / 88 / 0 / 5

HEX #AE1CF2

RGB 174 28 242

HSL 280.93, 0.89%, 0.53%

LAB 47.29, 81.79, -75.29

 

CMYK 79 / 94 / 0 / 31

HEX #260AB1

RGB 38 10 177

HSL 250.06, 0.89%, 0.37%

LAB 23.01, 58.42, -78.17

 

CMYK 79 / 94 / 0 / 15

HEX #2E0DD8

RGB 46 13 216

HSL 249.75, 0.89%, 0.45%

LAB 28.97, 68.1, -91.19

 

CMYK 74 / 88 / 0 / 5

HEX #401CF2

RGB 64 28 242

HSL 250.09, 0.89%, 0.53%

LAB 34.66, 71.68, -96.54

 

CMYK 61 / 73 / 0 / 4

HEX #6043F4

RGB 96 67 244

HSL 249.83, 0.89%, 0.61%

LAB 42.81, 58.8, -84.1

 

CMYK 48 / 57 / 0 / 4

HEX #816AF6

RGB 129 106 246

HSL 249.86, 0.89%, 0.69%

LAB 53.63, 43.45, -67.46

 

CMYK 74 / 88 / 0 / 5

HEX #401DF2

RGB 64 29 242

HSL 249.86, 0.89%, 0.53%

LAB 34.76, 71.39, -96.38

 

CMYK 0 / 88 / 31 / 5

HEX #F21CA7

RGB 242 28 167

HSL 321.03, 0.89%, 0.53%

LAB 54.55, 82.71, -19.89

 

CMYK 66 / 0 / 88 / 5

HEX #52F21C

RGB 82 242 28

HSL 104.86, 0.89%, 0.53%

LAB 84.68, -74.08, 78.1

 

CMYK 74 / 88 / 0 / 5

HEX #401DF2

RGB 64 29 242

HSL 249.86, 0.89%, 0.53%

LAB 34.76, 71.39, -96.38

 

CMYK 0 / 75 / 88 / 5

HEX #F23C1C

RGB 242 60 28

HSL 8.97, 0.89%, 0.53%

LAB 54.23, 67.05, 58.38

 

CMYK 88 / 0 / 75 / 5

HEX #1CF23C

RGB 28 242 60

HSL 128.97, 0.89%, 0.53%

LAB 84.01, -79.47, 69.36

 

CMYK 74 / 88 / 0 / 5

HEX #401DF2

RGB 64 29 242

HSL 249.86, 0.89%, 0.53%

LAB 34.76, 71.39, -96.38

 

CMYK 0 / 88 / 31 / 5

HEX #F21CA7

RGB 242 28 167

HSL 321.03, 0.89%, 0.53%

LAB 54.55, 82.71, -19.89

 

CMYK 13 / 0 / 88 / 5

HEX #D2F21C

RGB 210 242 28

HSL 68.97, 0.89%, 0.53%

LAB 90.45, -33.45, 85.23

 

CMYK 88 / 0 / 57 / 5

HEX #1CF267

RGB 28 242 103

HSL 141.03, 0.89%, 0.53%

LAB 84.34, -75.24, 53.04

 

CMYK 74 / 88 / 0 / 5

HEX #401DF2

RGB 64 29 242

HSL 249.86, 0.89%, 0.53%

LAB 34.76, 71.39, -96.38

 

CMYK 0 / 88 / 57 / 5

HEX #F21C67

RGB 242 28 103

HSL 338.97, 0.89%, 0.53%

LAB 52.61, 77.36, 15.58

 

CMYK 13 / 0 / 88 / 5

HEX #D2F21C

RGB 210 242 28

HSL 68.97, 0.89%, 0.53%

LAB 90.45, -33.45, 85.23

 

CMYK 88 / 0 / 31 / 5

HEX #1CF2A7

RGB 28 242 167

HSL 158.97, 0.89%, 0.53%

LAB 85.27, -64.32, 23.1

 

Description

Color code: HEX #401DF2 | qconv.com Color code: HEX #401DF2 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 29 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 29 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 88 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 88% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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