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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40173E it is the complementary color #BFE8C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40173E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40173E shade: #451739, #56294C, #673B5F, #784D72 and #895F85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40173E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40173E shade: #40173E, #2F052B, #1E0018, #0D0005 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40173E shade: #40173E, #401733, #401728, #40171D and #401717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40173E shade: #40173E, #371740, #2C1740, #211740 and #171740

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40173E shade matches the following richer shades: #40173E, #471044, #4E094A and #550251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40173E shade: #40173E, #391E37, #322531, #2B2C2B and #243324

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40173E shade: #2B1740, #361740, #40173E, #401733 and #401729

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40173E shade: #030103, #210C20, #40173E, #5E225B and #7C2D78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40173E shade: #40173E, #402017 and #174031

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40173E shade: #40173E, #3E4017 and #173E40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40173E shade: #40173E, #402017, #174018 and #173640

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40173E shade: #40173E, #402D17, #174018 and #172A40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 3 / 75

HEX #40173E

RGB 64 23 62

HSL 302.93, 0.47%, 0.17%

LAB 15.75, 26.1, -15.81

 

Complementary color

CMYK 18 / 0 / 17 / 9

HEX #BFE8C1

RGB 191 232 193

HSL 122.93, 0.47%, 0.83%

LAB 88.28, -20.62, 14.63

 

CMYK 0 / 67 / 17 / 73

HEX #451739

RGB 69 23 57

HSL 315.65, 0.5%, 0.18%

LAB 16.37, 26.8, -11.25

 

CMYK 0 / 52 / 12 / 66

HEX #56294C

RGB 86 41 76

HSL 313.33, 0.35%, 0.25%

LAB 23.95, 26.15, -12.41

 

CMYK 0 / 43 / 8 / 60

HEX #673B5F

RGB 103 59 95

HSL 310.91, 0.27%, 0.32%

LAB 31.43, 25.3, -13.19

 

CMYK 0 / 36 / 5 / 53

HEX #784D72

RGB 120 77 114

HSL 308.37, 0.22%, 0.39%

LAB 38.75, 24.47, -13.8

 

CMYK 0 / 31 / 3 / 46

HEX #895F85

RGB 137 95 133

HSL 305.71, 0.18%, 0.45%

LAB 45.9, 23.69, -14.32

 

CMYK 0 / 64 / 3 / 75

HEX #40173E

RGB 64 23 62

HSL 302.93, 0.47%, 0.17%

LAB 15.75, 26.1, -15.81

 

CMYK 0 / 89 / 9 / 82

HEX #2F052B

RGB 47 5 43

HSL 305.71, 0.81%, 0.1%

LAB 8.01, 26.28, -14.43

 

CMYK 0 / 100 / 20 / 88

HEX #1E0018

RGB 30 0 24

HSL 312, 1%, 0.06%

LAB 3.09, 15.37, -7.45

 

CMYK 0 / 100 / 62 / 95

HEX #0D0005

RGB 13 0 5

HSL 336.92, 1%, 0.03%

LAB 0.87, 4.16, -0.67

 

CMYK 0 / 64 / 3 / 75

HEX #40173E

RGB 64 23 62

HSL 302.93, 0.47%, 0.17%

LAB 15.75, 26.1, -15.81

 

CMYK 0 / 64 / 20 / 75

HEX #401733

RGB 64 23 51

HSL 319.02, 0.47%, 0.17%

LAB 15.18, 23.94, -8.9

 

CMYK 0 / 64 / 38 / 75

HEX #401728

RGB 64 23 40

HSL 335.12, 0.47%, 0.17%

LAB 14.71, 22.11, -1.67

 

CMYK 0 / 64 / 55 / 75

HEX #40171D

RGB 64 23 29

HSL 351.22, 0.47%, 0.17%

LAB 14.35, 20.64, 5.83

 

CMYK 0 / 64 / 64 / 75

HEX #401717

RGB 64 23 23

HSL 0, 0.47%, 0.17%

LAB 14.2, 20, 9.97

 

CMYK 0 / 64 / 3 / 75

HEX #40173E

RGB 64 23 62

HSL 302.93, 0.47%, 0.17%

LAB 15.75, 26.1, -15.81

 

CMYK 14 / 64 / 0 / 75

HEX #371740

RGB 55 23 64

HSL 286.83, 0.47%, 0.17%

LAB 14.37, 23.64, -19.49

 

CMYK 31 / 64 / 0 / 75

HEX #2C1740

RGB 44 23 64

HSL 270.73, 0.47%, 0.17%

LAB 12.72, 20.19, -22.21

 

CMYK 48 / 64 / 0 / 75

HEX #211740

RGB 33 23 64

HSL 254.63, 0.47%, 0.17%

LAB 11.32, 16.96, -24.54

 

CMYK 64 / 64 / 0 / 75

HEX #171740

RGB 23 23 64

HSL 240, 0.47%, 0.17%

LAB 10.3, 14.39, -26.24

 

CMYK 0 / 64 / 3 / 75

HEX #40173E

RGB 64 23 62

HSL 302.93, 0.47%, 0.17%

LAB 15.75, 26.1, -15.81

 

CMYK 0 / 77 / 4 / 72

HEX #471044

RGB 71 16 68

HSL 303.27, 0.63%, 0.17%

LAB 16.14, 32.83, -19.3

 

CMYK 0 / 88 / 5 / 69

HEX #4E094A

RGB 78 9 74

HSL 303.48, 0.79%, 0.17%

LAB 17.03, 38.17, -21.96

 

CMYK 0 / 98 / 5 / 67

HEX #550251

RGB 85 2 81

HSL 302.89, 0.95%, 0.17%

LAB 18.23, 42.93, -24.77

 

CMYK 0 / 64 / 3 / 75

HEX #40173E

RGB 64 23 62

HSL 302.93, 0.47%, 0.17%

LAB 15.75, 26.1, -15.81

 

CMYK 0 / 47 / 4 / 78

HEX #391E37

RGB 57 30 55

HSL 304.44, 0.31%, 0.17%

LAB 15.87, 17.8, -10.78

 

CMYK 0 / 26 / 2 / 80

HEX #322531

RGB 50 37 49

HSL 304.62, 0.15%, 0.17%

LAB 16.62, 8.73, -5.49

 

CMYK 2 / 0 / 2 / 83

HEX #2B2C2B

RGB 43 44 43

HSL 120, 0.01%, 0.17%

LAB 17.87, -0.68, 0.49

 

CMYK 29 / 0 / 29 / 80

HEX #243324

RGB 36 51 36

HSL 120, 0.17%, 0.17%

LAB 19.52, -9.95, 7.55

 

CMYK 33 / 64 / 0 / 75

HEX #2B1740

RGB 43 23 64

HSL 269.27, 0.47%, 0.17%

LAB 12.59, 19.88, -22.44

 

CMYK 16 / 64 / 0 / 75

HEX #361740

RGB 54 23 64

HSL 285.37, 0.47%, 0.17%

LAB 14.21, 23.32, -19.75

 

CMYK 0 / 64 / 3 / 75

HEX #40173E

RGB 64 23 62

HSL 302.93, 0.47%, 0.17%

LAB 15.75, 26.1, -15.81

 

CMYK 0 / 64 / 20 / 75

HEX #401733

RGB 64 23 51

HSL 319.02, 0.47%, 0.17%

LAB 15.18, 23.94, -8.9

 

CMYK 0 / 64 / 36 / 75

HEX #401729

RGB 64 23 41

HSL 333.66, 0.47%, 0.17%

LAB 14.75, 22.26, -2.34

 

CMYK 0 / 67 / 0 / 99

HEX #030103

RGB 3 1 3

HSL 300, 0.5%, 0.01%

LAB 0.43, 0.8, -0.57

 

CMYK 0 / 64 / 3 / 87

HEX #210C20

RGB 33 12 32

HSL 302.86, 0.47%, 0.09%

LAB 6.24, 14.41, -9.02

 

CMYK 0 / 64 / 3 / 75

HEX #40173E

RGB 64 23 62

HSL 302.93, 0.47%, 0.17%

LAB 15.75, 26.1, -15.81

 

CMYK 0 / 64 / 3 / 63

HEX #5E225B

RGB 94 34 91

HSL 303, 0.47%, 0.25%

LAB 24.57, 35.46, -21.32

 

CMYK 0 / 64 / 3 / 51

HEX #7C2D78

RGB 124 45 120

HSL 303.04, 0.47%, 0.33%

LAB 32.96, 44.19, -26.47

 

CMYK 0 / 64 / 3 / 75

HEX #40173E

RGB 64 23 62

HSL 302.93, 0.47%, 0.17%

LAB 15.75, 26.1, -15.81

 

CMYK 0 / 50 / 64 / 75

HEX #402017

RGB 64 32 23

HSL 13.17, 0.47%, 0.17%

LAB 16.43, 14.38, 12.87

 

CMYK 64 / 0 / 23 / 75

HEX #174031

RGB 23 64 49

HSL 158.05, 0.47%, 0.17%

LAB 23.9, -18.67, 4.92

 

CMYK 0 / 64 / 3 / 75

HEX #40173E

RGB 64 23 62

HSL 302.93, 0.47%, 0.17%

LAB 15.75, 26.1, -15.81

 

CMYK 3 / 0 / 64 / 75

HEX #3E4017

RGB 62 64 23

HSL 62.93, 0.47%, 0.17%

LAB 26.02, -7.56, 24.3

 

CMYK 64 / 3 / 0 / 75

HEX #173E40

RGB 23 62 64

HSL 182.93, 0.47%, 0.17%

LAB 23.66, -12.92, -5.38

 

CMYK 0 / 64 / 3 / 75

HEX #40173E

RGB 64 23 62

HSL 302.93, 0.47%, 0.17%

LAB 15.75, 26.1, -15.81

 

CMYK 0 / 50 / 64 / 75

HEX #402017

RGB 64 32 23

HSL 13.17, 0.47%, 0.17%

LAB 16.43, 14.38, 12.87

 

CMYK 64 / 0 / 63 / 75

HEX #174018

RGB 23 64 24

HSL 121.46, 0.47%, 0.17%

LAB 23.39, -24.08, 20.01

 

CMYK 64 / 16 / 0 / 75

HEX #173640

RGB 23 54 64

HSL 194.63, 0.47%, 0.17%

LAB 20.79, -7.97, -9.73

 

CMYK 0 / 64 / 3 / 75

HEX #40173E

RGB 64 23 62

HSL 302.93, 0.47%, 0.17%

LAB 15.75, 26.1, -15.81

 

CMYK 0 / 30 / 64 / 75

HEX #402D17

RGB 64 45 23

HSL 32.2, 0.47%, 0.17%

LAB 20.16, 5.72, 17.51

 

CMYK 64 / 0 / 63 / 75

HEX #174018

RGB 23 64 24

HSL 121.46, 0.47%, 0.17%

LAB 23.39, -24.08, 20.01

 

CMYK 64 / 34 / 0 / 75

HEX #172A40

RGB 23 42 64

HSL 212.2, 0.47%, 0.17%

LAB 16.54, 0.17, -16.29

 

Description

Color code: HEX #40173E | qconv.com Color code: HEX #40173E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 23 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 23 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 3 yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 3% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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