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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #40145C it is the complementary color #BFEBA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #40145C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #40145C shade: #451457, #56266A, #67387D, #784A90 and #895CA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #40145C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #40145C shade: #40145C, #2F0249, #1E0036, #0D0023 and #000010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #40145C shade: #40145C, #53145C, #5C1451, #5C143E and #5C142A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #40145C shade: #40145C, #2D145C, #19145C and #14145C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #40145C shade matches the following richer shades: #40145C, #420B65 and #44026E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #40145C shade: #40145C, #3E1D53, #3C264A, #3A2F41 and #383938

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #40145C shade: #19145C, #2C145C, #3F145C, #52145C and #5C1452

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #40145C shade: #110518, #290D3A, #40145C, #581C7E and #6F23A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #40145C shade: #40145C, #5C1423 and #145C23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #40145C shade: #40145C, #5C3F14 and #145C3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #40145C shade: #40145C, #5C1423, #315C14 and #145C4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #40145C shade: #40145C, #5C1B14, #315C14 and #14555C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 78 / 0 / 64

HEX #40145C

RGB 64 20 92

HSL 276.67, 0.64%, 0.22%

LAB 17.29, 34.63, -33.9

 

Complementary color

CMYK 19 / 0 / 31 / 8

HEX #BFEBA3

RGB 191 235 163

HSL 96.67, 0.64%, 0.78%

LAB 88.51, -26.87, 30.43

 

CMYK 21 / 77 / 0 / 66

HEX #451457

RGB 69 20 87

HSL 283.88, 0.63%, 0.21%

LAB 17.71, 34.58, -29.83

 

CMYK 19 / 64 / 0 / 58

HEX #56266A

RGB 86 38 106

HSL 282.35, 0.47%, 0.28%

LAB 24.97, 34.31, -30.57

 

CMYK 18 / 55 / 0 / 51

HEX #67387D

RGB 103 56 125

HSL 280.87, 0.38%, 0.35%

LAB 32.24, 33.56, -30.94

 

CMYK 17 / 49 / 0 / 44

HEX #784A90

RGB 120 74 144

HSL 279.43, 0.32%, 0.43%

LAB 39.42, 32.69, -31.16

 

CMYK 16 / 44 / 0 / 36

HEX #895CA3

RGB 137 92 163

HSL 278.03, 0.28%, 0.5%

LAB 46.47, 31.83, -31.32

 

CMYK 30 / 78 / 0 / 64

HEX #40145C

RGB 64 20 92

HSL 276.67, 0.64%, 0.22%

LAB 17.29, 34.63, -33.9

 

CMYK 36 / 97 / 0 / 71

HEX #2F0249

RGB 47 2 73

HSL 278.03, 0.95%, 0.15%

LAB 10.02, 34.46, -32.88

 

CMYK 44 / 100 / 0 / 79

HEX #1E0036

RGB 30 0 54

HSL 273.33, 1%, 0.11%

LAB 4.9, 26.39, -27.75

 

CMYK 63 / 100 / 0 / 86

HEX #0D0023

RGB 13 0 35

HSL 262.29, 1%, 0.07%

LAB 1.87, 11.17, -18.23

 

CMYK 100 / 100 / 0 / 94

HEX #000010

RGB 0 0 16

HSL 240, 1%, 0.03%

LAB 0.34, 2.37, -6.46

 

CMYK 30 / 78 / 0 / 64

HEX #40145C

RGB 64 20 92

HSL 276.67, 0.64%, 0.22%

LAB 17.29, 34.63, -33.9

 

CMYK 10 / 78 / 0 / 64

HEX #53145C

RGB 83 20 92

HSL 292.5, 0.64%, 0.22%

LAB 20.49, 39, -28.58

 

CMYK 0 / 78 / 12 / 64

HEX #5C1451

RGB 92 20 81

HSL 309.17, 0.64%, 0.22%

LAB 21.47, 39.22, -19.55

 

CMYK 0 / 78 / 33 / 64

HEX #5C143E

RGB 92 20 62

HSL 325, 0.64%, 0.22%

LAB 20.53, 36.32, -8

 

CMYK 0 / 78 / 54 / 64

HEX #5C142A

RGB 92 20 42

HSL 341.67, 0.64%, 0.22%

LAB 19.81, 33.99, 4.97

 

CMYK 30 / 78 / 0 / 64

HEX #40145C

RGB 64 20 92

HSL 276.67, 0.64%, 0.22%

LAB 17.29, 34.63, -33.9

 

CMYK 51 / 78 / 0 / 64

HEX #2D145C

RGB 45 20 92

HSL 260.83, 0.64%, 0.22%

LAB 14.57, 30.74, -38.44

 

CMYK 73 / 78 / 0 / 64

HEX #19145C

RGB 25 20 92

HSL 244.17, 0.64%, 0.22%

LAB 12.48, 27.57, -41.95

 

CMYK 78 / 78 / 0 / 64

HEX #14145C

RGB 20 20 92

HSL 240, 0.64%, 0.22%

LAB 12.1, 26.98, -42.59

 

CMYK 30 / 78 / 0 / 64

HEX #40145C

RGB 64 20 92

HSL 276.67, 0.64%, 0.22%

LAB 17.29, 34.63, -33.9

 

CMYK 35 / 89 / 0 / 60

HEX #420B65

RGB 66 11 101

HSL 276.67, 0.8%, 0.22%

LAB 17.17, 40.77, -40.06

 

CMYK 38 / 98 / 0 / 57

HEX #44026E

RGB 68 2 110

HSL 276.67, 0.96%, 0.22%

LAB 17.45, 45.87, -45.48

 

CMYK 30 / 78 / 0 / 64

HEX #40145C

RGB 64 20 92

HSL 276.67, 0.64%, 0.22%

LAB 17.29, 34.63, -33.9

 

CMYK 25 / 65 / 0 / 67

HEX #3E1D53

RGB 62 29 83

HSL 276.67, 0.48%, 0.22%

LAB 18.04, 27, -26.65

 

CMYK 19 / 49 / 0 / 71

HEX #3C264A

RGB 60 38 74

HSL 276.67, 0.32%, 0.22%

LAB 19.4, 18.29, -18.43

 

CMYK 11 / 28 / 0 / 75

HEX #3A2F41

RGB 58 47 65

HSL 276.67, 0.16%, 0.22%

LAB 21.26, 9.09, -9.44

 

CMYK 2 / 0 / 2 / 78

HEX #383938

RGB 56 57 56

HSL 120, 0.01%, 0.22%

LAB 23.84, -0.66, 0.47

 

CMYK 73 / 78 / 0 / 64

HEX #19145C

RGB 25 20 92

HSL 244.17, 0.64%, 0.22%

LAB 12.48, 27.57, -41.95

 

CMYK 52 / 78 / 0 / 64

HEX #2C145C

RGB 44 20 92

HSL 260, 0.64%, 0.22%

LAB 14.45, 30.55, -38.65

 

CMYK 32 / 78 / 0 / 64

HEX #3F145C

RGB 63 20 92

HSL 275.83, 0.64%, 0.22%

LAB 17.13, 34.41, -34.16

 

CMYK 11 / 78 / 0 / 64

HEX #52145C

RGB 82 20 92

HSL 291.67, 0.64%, 0.22%

LAB 20.31, 38.76, -28.87

 

CMYK 0 / 78 / 11 / 64

HEX #5C1452

RGB 92 20 82

HSL 308.33, 0.64%, 0.22%

LAB 21.52, 39.39, -20.14

 

CMYK 29 / 79 / 0 / 91

HEX #110518

RGB 17 5 24

HSL 277.89, 0.66%, 0.06%

LAB 2.65, 7.01, -8.26

 

CMYK 29 / 78 / 0 / 77

HEX #290D3A

RGB 41 13 58

HSL 277.33, 0.63%, 0.14%

LAB 9.52, 23.82, -23.1

 

CMYK 30 / 78 / 0 / 64

HEX #40145C

RGB 64 20 92

HSL 276.67, 0.64%, 0.22%

LAB 17.29, 34.63, -33.9

 

CMYK 30 / 78 / 0 / 51

HEX #581C7E

RGB 88 28 126

HSL 276.73, 0.64%, 0.3%

LAB 24.99, 44.31, -43.32

 

CMYK 31 / 78 / 0 / 37

HEX #6F23A0

RGB 111 35 160

HSL 276.48, 0.64%, 0.38%

LAB 32.08, 53.66, -52.69

 

CMYK 30 / 78 / 0 / 64

HEX #40145C

RGB 64 20 92

HSL 276.67, 0.64%, 0.22%

LAB 17.29, 34.63, -33.9

 

CMYK 0 / 78 / 62 / 64

HEX #5C1423

RGB 92 20 35

HSL 347.5, 0.64%, 0.22%

LAB 19.63, 33.37, 9.66

 

CMYK 78 / 0 / 62 / 64

HEX #145C23

RGB 20 92 35

HSL 132.5, 0.64%, 0.22%

LAB 33.82, -34.97, 26.27

 

CMYK 30 / 78 / 0 / 64

HEX #40145C

RGB 64 20 92

HSL 276.67, 0.64%, 0.22%

LAB 17.29, 34.63, -33.9

 

CMYK 0 / 32 / 78 / 64

HEX #5C3F14

RGB 92 63 20

HSL 35.83, 0.64%, 0.22%

LAB 29.11, 8.1, 30.22

 

CMYK 78 / 0 / 32 / 64

HEX #145C3F

RGB 20 92 63

HSL 155.83, 0.64%, 0.22%

LAB 34.32, -29.38, 10.59

 

CMYK 30 / 78 / 0 / 64

HEX #40145C

RGB 64 20 92

HSL 276.67, 0.64%, 0.22%

LAB 17.29, 34.63, -33.9

 

CMYK 0 / 78 / 62 / 64

HEX #5C1423

RGB 92 20 35

HSL 347.5, 0.64%, 0.22%

LAB 19.63, 33.37, 9.66

 

CMYK 47 / 0 / 78 / 64

HEX #315C14

RGB 49 92 20

HSL 95.83, 0.64%, 0.22%

LAB 34.72, -28.55, 34.67

 

CMYK 78 / 0 / 15 / 64

HEX #145C4E

RGB 20 92 78

HSL 168.33, 0.64%, 0.22%

LAB 34.71, -25.28, 1.85

 

CMYK 30 / 78 / 0 / 64

HEX #40145C

RGB 64 20 92

HSL 276.67, 0.64%, 0.22%

LAB 17.29, 34.63, -33.9

 

CMYK 0 / 71 / 78 / 64

HEX #5C1B14

RGB 92 27 20

HSL 5.83, 0.64%, 0.22%

LAB 20.48, 29.26, 20.98

 

CMYK 47 / 0 / 78 / 64

HEX #315C14

RGB 49 92 20

HSL 95.83, 0.64%, 0.22%

LAB 34.72, -28.55, 34.67

 

CMYK 78 / 8 / 0 / 64

HEX #14555C

RGB 20 85 92

HSL 185.83, 0.64%, 0.22%

LAB 32.74, -17.06, -9.86

 

Description

Color code: HEX #40145C | qconv.com Color code: HEX #40145C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 20 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 20 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 78 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 78% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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