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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FFCCB it is the complementary color #C00334. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FFCCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FFCCB shade: #44FCC6, #55FFD9, #66FFEC, #77FFFF and #88FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FFCCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FFCCB shade: #3FFCCB, #2EEAB8, #1DD8A5, #0CC692 and #00B47F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FFCCB shade: #40FCCB, #40FC99, #40FC66, #4DFC40 and #80FC40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FFCCB shade: #40FCCB, #40FAFC, #40C7FC, #4095FC and #4062FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FFCCB shade matches the following richer shades: #40FCCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FFCCB shade: #40FCCB, #50ECC4, #5FDDBC, #6FCDB5 and #7FBDAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FFCCB shade: #40FC66, #40FC98, #40FCCA, #40FCFC and #40CAFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FFCCB shade: #04E6AB, #17FBC0, #40FCCB, #69FDD6 and #91FDE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FFCCB shade: #3FFCCB, #404DFC and #FC7F40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FFCCB shade: #3FFCCB, #CA40FC and #FCCA40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FFCCB shade: #3FFCCB, #404DFC, #FC4072 and #FCF040

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FFCCB shade: #3FFCCB, #6C40FC, #FC4072 and #D0FC40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 19 / 1

HEX #3FFCCB

RGB 63 252 203

HSL 164.44, 0.97%, 0.62%

LAB 89.39, -57.08, 10.36

 

Complementary color

CMYK 0 / 98 / 73 / 25

HEX #C00334

RGB 192 3 52

HSL 344.44, 0.97%, 0.38%

LAB 40.44, 65.52, 29.25

 

CMYK 73 / 0 / 21 / 1

HEX #44FCC6

RGB 68 252 198

HSL 162.39, 0.97%, 0.63%

LAB 89.36, -57.66, 12.91

 

CMYK 67 / 0 / 15 / 0

HEX #55FFD9

RGB 85 255 217

HSL 166.59, 1%, 0.67%

LAB 90.99, -52.14, 5.47

 

CMYK 60 / 0 / 7 / 0

HEX #66FFEC

RGB 102 255 236

HSL 172.55, 1%, 0.7%

LAB 91.86, -44.82, -3.04

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 75 / 0 / 19 / 1

HEX #3FFCCB

RGB 63 252 203

HSL 164.44, 0.97%, 0.62%

LAB 89.39, -57.08, 10.36

 

CMYK 80 / 0 / 21 / 8

HEX #2EEAB8

RGB 46 234 184

HSL 164.04, 0.82%, 0.55%

LAB 83.38, -56.19, 11.66

 

CMYK 87 / 0 / 24 / 15

HEX #1DD8A5

RGB 29 216 165

HSL 163.64, 0.76%, 0.48%

LAB 77.33, -55, 13.09

 

CMYK 94 / 0 / 26 / 22

HEX #0CC692

RGB 12 198 146

HSL 163.23, 0.89%, 0.41%

LAB 71.24, -53.42, 14.65

 

CMYK 100 / 0 / 29 / 29

HEX #00B47F

RGB 0 180 127

HSL 162.33, 1%, 0.35%

LAB 65.1, -51.43, 16.37

 

CMYK 75 / 0 / 19 / 1

HEX #40FCCB

RGB 64 252 203

HSL 164.36, 0.97%, 0.62%

LAB 89.4, -56.97, 10.39

 

CMYK 75 / 0 / 39 / 1

HEX #40FC99

RGB 64 252 153

HSL 148.4, 0.97%, 0.62%

LAB 88.45, -67.36, 34.53

 

CMYK 75 / 0 / 60 / 1

HEX #40FC66

RGB 64 252 102

HSL 132.13, 0.97%, 0.62%

LAB 87.81, -74.89, 57.62

 

CMYK 69 / 0 / 75 / 1

HEX #4DFC40

RGB 77 252 64

HSL 115.85, 0.97%, 0.62%

LAB 87.76, -76.35, 72.01

 

CMYK 49 / 0 / 75 / 1

HEX #80FC40

RGB 128 252 64

HSL 99.57, 0.97%, 0.62%

LAB 89.2, -64.78, 73.9

 

CMYK 75 / 0 / 19 / 1

HEX #40FCCB

RGB 64 252 203

HSL 164.36, 0.97%, 0.62%

LAB 89.4, -56.97, 10.39

 

CMYK 75 / 1 / 0 / 1

HEX #40FAFC

RGB 64 250 252

HSL 180.64, 0.97%, 0.62%

LAB 90.09, -43.48, -14.07

 

CMYK 75 / 21 / 0 / 1

HEX #40C7FC

RGB 64 199 252

HSL 196.91, 0.97%, 0.62%

LAB 75.43, -19.06, -36.4

 

CMYK 75 / 41 / 0 / 1

HEX #4095FC

RGB 64 149 252

HSL 212.87, 0.97%, 0.62%

LAB 61.32, 8.79, -58.61

 

CMYK 75 / 61 / 0 / 1

HEX #4062FC

RGB 64 98 252

HSL 229.15, 0.97%, 0.62%

LAB 48.08, 40.08, -80.02

 

CMYK 75 / 0 / 19 / 1

HEX #40FCCB

RGB 64 252 203

HSL 164.36, 0.97%, 0.62%

LAB 89.4, -56.97, 10.39

 

CMYK 75 / 0 / 19 / 1

HEX #40FCCB

RGB 64 252 203

HSL 164.36, 0.97%, 0.62%

LAB 89.4, -56.97, 10.39

 

CMYK 66 / 0 / 17 / 7

HEX #50ECC4

RGB 80 236 196

HSL 164.62, 0.8%, 0.62%

LAB 84.83, -50, 7.53

 

CMYK 57 / 0 / 15 / 13

HEX #5FDDBC

RGB 95 221 188

HSL 164.29, 0.65%, 0.62%

LAB 80.61, -42.83, 5.73

 

CMYK 46 / 0 / 12 / 20

HEX #6FCDB5

RGB 111 205 181

HSL 164.68, 0.48%, 0.62%

LAB 76.3, -33.67, 3.31

 

CMYK 33 / 0 / 8 / 26

HEX #7FBDAD

RGB 127 189 173

HSL 164.52, 0.32%, 0.62%

LAB 72.18, -23.43, 1.75

 

CMYK 75 / 0 / 60 / 1

HEX #40FC66

RGB 64 252 102

HSL 132.13, 0.97%, 0.62%

LAB 87.81, -74.89, 57.62

 

CMYK 75 / 0 / 40 / 1

HEX #40FC98

RGB 64 252 152

HSL 148.09, 0.97%, 0.62%

LAB 88.44, -67.54, 35

 

CMYK 75 / 0 / 20 / 1

HEX #40FCCA

RGB 64 252 202

HSL 164.04, 0.97%, 0.62%

LAB 89.38, -57.21, 10.87

 

CMYK 75 / 0 / 0 / 1

HEX #40FCFC

RGB 64 252 252

HSL 180, 0.97%, 0.62%

LAB 90.66, -44.37, -13.21

 

CMYK 75 / 20 / 0 / 1

HEX #40CAFC

RGB 64 202 252

HSL 195.96, 0.97%, 0.62%

LAB 76.29, -20.61, -35.07

 

CMYK 98 / 0 / 26 / 10

HEX #04E6AB

RGB 4 230 171

HSL 164.34, 0.97%, 0.46%

LAB 81.6, -59.93, 15.91

 

CMYK 91 / 0 / 24 / 2

HEX #17FBC0

RGB 23 251 192

HSL 164.47, 0.97%, 0.54%

LAB 88.44, -62.31, 14.64

 

CMYK 75 / 0 / 19 / 1

HEX #40FCCB

RGB 64 252 203

HSL 164.36, 0.97%, 0.62%

LAB 89.4, -56.97, 10.39

 

CMYK 58 / 0 / 15 / 1

HEX #69FDD6

RGB 105 253 214

HSL 164.19, 0.97%, 0.7%

LAB 90.83, -48.7, 6.86

 

CMYK 43 / 0 / 11 / 1

HEX #91FDE1

RGB 145 253 225

HSL 164.44, 0.96%, 0.78%

LAB 92.45, -37.58, 3.67

 

CMYK 75 / 0 / 19 / 1

HEX #3FFCCB

RGB 63 252 203

HSL 164.44, 0.97%, 0.62%

LAB 89.39, -57.08, 10.36

 

CMYK 75 / 69 / 0 / 1

HEX #404DFC

RGB 64 77 252

HSL 235.85, 0.97%, 0.62%

LAB 43.4, 52.54, -87.69

 

CMYK 0 / 50 / 75 / 1

HEX #FC7F40

RGB 252 127 64

HSL 20.11, 0.97%, 0.62%

LAB 66.71, 43.5, 54.58

 

CMYK 75 / 0 / 19 / 1

HEX #3FFCCB

RGB 63 252 203

HSL 164.44, 0.97%, 0.62%

LAB 89.39, -57.08, 10.36

 

CMYK 20 / 75 / 0 / 1

HEX #CA40FC

RGB 202 64 252

HSL 284.04, 0.97%, 0.62%

LAB 55.33, 78.63, -67.64

 

CMYK 0 / 20 / 75 / 1

HEX #FCCA40

RGB 252 202 64

HSL 44.04, 0.97%, 0.62%

LAB 83.6, 4.75, 71.29

 

CMYK 75 / 0 / 19 / 1

HEX #3FFCCB

RGB 63 252 203

HSL 164.44, 0.97%, 0.62%

LAB 89.39, -57.08, 10.36

 

CMYK 75 / 69 / 0 / 1

HEX #404DFC

RGB 64 77 252

HSL 235.85, 0.97%, 0.62%

LAB 43.4, 52.54, -87.69

 

CMYK 0 / 75 / 55 / 1

HEX #FC4072

RGB 252 64 114

HSL 344.04, 0.97%, 0.62%

LAB 57.63, 72.36, 16.21

 

CMYK 0 / 5 / 75 / 1

HEX #FCF040

RGB 252 240 64

HSL 56.17, 0.97%, 0.62%

LAB 93.18, -14.34, 80.26

 

CMYK 75 / 0 / 19 / 1

HEX #3FFCCB

RGB 63 252 203

HSL 164.44, 0.97%, 0.62%

LAB 89.39, -57.08, 10.36

 

CMYK 57 / 75 / 0 / 1

HEX #6C40FC

RGB 108 64 252

HSL 254.04, 0.97%, 0.62%

LAB 44.06, 63.95, -86.49

 

CMYK 0 / 75 / 55 / 1

HEX #FC4072

RGB 252 64 114

HSL 344.04, 0.97%, 0.62%

LAB 57.63, 72.36, 16.21

 

CMYK 17 / 0 / 75 / 1

HEX #D0FC40

RGB 208 252 64

HSL 74.04, 0.97%, 0.62%

LAB 93.19, -37.6, 79.12

 

Description

Color code: HEX #3FFCCB | qconv.com Color code: HEX #3FFCCB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 252 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 252 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 19 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 19% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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