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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FFBC1 it is the complementary color #C0043E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FFBC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FFBC1 shade: #44FBBC, #55FFCF, #66FFE2, #77FFF5 and #88FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FFBC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FFBC1 shade: #3FFBC1, #2EE9AE, #1DD79B, #0CC588 and #00B375

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FFBC1 shade: #41FBC2, #41FB90, #41FB5D, #57FB41 and #89FB41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FFBC1 shade: #41FBC2, #41FBF4, #41D0FB, #419EFB and #416CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FFBC1 shade matches the following richer shades: #41FBC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FFBC1 shade: #41FBC2, #51EBBC, #60DCB6, #70CCB0 and #80BCAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FFBC1 shade: #41FB5D, #41FB8F, #41FBC0, #41FBF2 and #41D3FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FFBC1 shade: #05E5A0, #19FAB5, #41FBC2, #6AFCCF and #92FDDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FFBC1 shade: #3FFBC1, #4157FB and #FB7641

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FFBC1 shade: #3FFBC1, #C041FB and #FBC041

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FFBC1 shade: #3FFBC1, #4157FB, #FB417C and #FBE541

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FFBC1 shade: #3FFBC1, #6341FB, #FB417C and #D9FB41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 23 / 2

HEX #3FFBC1

RGB 63 251 193

HSL 161.49, 0.96%, 0.62%

LAB 88.88, -59, 14.8

 

Complementary color

CMYK 0 / 98 / 68 / 25

HEX #C0043E

RGB 192 4 62

HSL 341.49, 0.96%, 0.38%

LAB 40.64, 65.86, 23.23

 

CMYK 73 / 0 / 25 / 2

HEX #44FBBC

RGB 68 251 188

HSL 159.34, 0.96%, 0.63%

LAB 88.85, -59.51, 17.35

 

CMYK 67 / 0 / 19 / 0

HEX #55FFCF

RGB 85 255 207

HSL 163.06, 1%, 0.67%

LAB 90.76, -54.49, 10.31

 

CMYK 60 / 0 / 11 / 0

HEX #66FFE2

RGB 102 255 226

HSL 168.63, 1%, 0.7%

LAB 91.61, -47.27, 1.77

 

CMYK 53 / 0 / 4 / 0

HEX #77FFF5

RGB 119 255 245

HSL 175.59, 1%, 0.73%

LAB 92.59, -39.5, -6.57

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 75 / 0 / 23 / 2

HEX #3FFBC1

RGB 63 251 193

HSL 161.49, 0.96%, 0.62%

LAB 88.88, -59, 14.8

 

CMYK 80 / 0 / 25 / 9

HEX #2EE9AE

RGB 46 233 174

HSL 161.07, 0.81%, 0.55%

LAB 82.87, -58.12, 16.16

 

CMYK 87 / 0 / 28 / 16

HEX #1DD79B

RGB 29 215 155

HSL 160.65, 0.76%, 0.48%

LAB 76.82, -56.93, 17.66

 

CMYK 94 / 0 / 31 / 23

HEX #0CC588

RGB 12 197 136

HSL 160.22, 0.89%, 0.41%

LAB 70.72, -55.34, 19.29

 

CMYK 100 / 0 / 35 / 30

HEX #00B375

RGB 0 179 117

HSL 159.22, 1%, 0.35%

LAB 64.58, -53.3, 21.08

 

CMYK 74 / 0 / 23 / 2

HEX #41FBC2

RGB 65 251 194

HSL 161.61, 0.96%, 0.62%

LAB 88.93, -58.54, 14.36

 

CMYK 74 / 0 / 43 / 2

HEX #41FB90

RGB 65 251 144

HSL 145.48, 0.96%, 0.62%

LAB 88.03, -68.45, 38.42

 

CMYK 74 / 0 / 63 / 2

HEX #41FB5D

RGB 65 251 93

HSL 129.03, 0.96%, 0.62%

LAB 87.44, -75.42, 60.98

 

CMYK 65 / 0 / 74 / 2

HEX #57FB41

RGB 87 251 65

HSL 112.9, 0.96%, 0.62%

LAB 87.68, -74.14, 71.69

 

CMYK 45 / 0 / 74 / 2

HEX #89FB41

RGB 137 251 65

HSL 96.77, 0.96%, 0.62%

LAB 89.25, -61.76, 73.76

 

CMYK 74 / 0 / 23 / 2

HEX #41FBC2

RGB 65 251 194

HSL 161.61, 0.96%, 0.62%

LAB 88.93, -58.54, 14.36

 

CMYK 74 / 0 / 3 / 2

HEX #41FBF4

RGB 65 251 244

HSL 177.74, 0.96%, 0.62%

LAB 90.16, -46.03, -9.8

 

CMYK 74 / 17 / 0 / 2

HEX #41D0FB

RGB 65 208 251

HSL 193.87, 0.96%, 0.62%

LAB 77.99, -23.86, -31.9

 

CMYK 74 / 37 / 0 / 2

HEX #419EFB

RGB 65 158 251

HSL 210, 0.96%, 0.62%

LAB 63.79, 3.26, -54.13

 

CMYK 74 / 57 / 0 / 2

HEX #416CFB

RGB 65 108 251

HSL 226.13, 0.96%, 0.62%

LAB 50.47, 33.66, -75.55

 

CMYK 74 / 0 / 23 / 2

HEX #41FBC2

RGB 65 251 194

HSL 161.61, 0.96%, 0.62%

LAB 88.93, -58.54, 14.36

 

CMYK 74 / 0 / 23 / 2

HEX #41FBC2

RGB 65 251 194

HSL 161.61, 0.96%, 0.62%

LAB 88.93, -58.54, 14.36

 

CMYK 66 / 0 / 20 / 8

HEX #51EBBC

RGB 81 235 188

HSL 161.69, 0.79%, 0.62%

LAB 84.38, -51.29, 11.07

 

CMYK 56 / 0 / 17 / 14

HEX #60DCB6

RGB 96 220 182

HSL 161.61, 0.64%, 0.62%

LAB 80.21, -43.59, 8.33

 

CMYK 45 / 0 / 14 / 20

HEX #70CCB0

RGB 112 204 176

HSL 161.74, 0.47%, 0.62%

LAB 75.92, -34.09, 5.46

 

CMYK 32 / 0 / 10 / 26

HEX #80BCAA

RGB 128 188 170

HSL 162, 0.31%, 0.62%

LAB 71.86, -23.3, 2.94

 

CMYK 74 / 0 / 63 / 2

HEX #41FB5D

RGB 65 251 93

HSL 129.03, 0.96%, 0.62%

LAB 87.44, -75.42, 60.98

 

CMYK 74 / 0 / 43 / 2

HEX #41FB8F

RGB 65 251 143

HSL 145.16, 0.96%, 0.62%

LAB 88.02, -68.62, 38.89

 

CMYK 74 / 0 / 24 / 2

HEX #41FBC0

RGB 65 251 192

HSL 160.97, 0.96%, 0.62%

LAB 88.89, -58.99, 15.33

 

CMYK 74 / 0 / 4 / 2

HEX #41FBF2

RGB 65 251 242

HSL 177.1, 0.96%, 0.62%

LAB 90.1, -46.57, -8.84

 

CMYK 74 / 16 / 0 / 2

HEX #41D3FB

RGB 65 211 251

HSL 192.9, 0.96%, 0.62%

LAB 78.86, -25.36, -30.58

 

CMYK 98 / 0 / 30 / 10

HEX #05E5A0

RGB 5 229 160

HSL 161.52, 0.96%, 0.46%

LAB 81.08, -62.02, 20.92

 

CMYK 90 / 0 / 28 / 2

HEX #19FAB5

RGB 25 250 181

HSL 161.6, 0.96%, 0.54%

LAB 87.93, -64.34, 19.58

 

CMYK 74 / 0 / 23 / 2

HEX #41FBC2

RGB 65 251 194

HSL 161.61, 0.96%, 0.62%

LAB 88.93, -58.54, 14.36

 

CMYK 58 / 0 / 18 / 1

HEX #6AFCCF

RGB 106 252 207

HSL 161.51, 0.96%, 0.7%

LAB 90.41, -49.68, 9.88

 

CMYK 42 / 0 / 13 / 1

HEX #92FDDC

RGB 146 253 220

HSL 161.5, 0.96%, 0.78%

LAB 92.37, -38.42, 6.15

 

CMYK 75 / 0 / 23 / 2

HEX #3FFBC1

RGB 63 251 193

HSL 161.49, 0.96%, 0.62%

LAB 88.88, -59, 14.8

 

CMYK 74 / 65 / 0 / 2

HEX #4157FB

RGB 65 87 251

HSL 232.9, 0.96%, 0.62%

LAB 45.5, 46.48, -83.67

 

CMYK 0 / 53 / 74 / 2

HEX #FB7641

RGB 251 118 65

HSL 17.1, 0.96%, 0.62%

LAB 64.84, 47.54, 52.11

 

CMYK 75 / 0 / 23 / 2

HEX #3FFBC1

RGB 63 251 193

HSL 161.49, 0.96%, 0.62%

LAB 88.88, -59, 14.8

 

CMYK 24 / 74 / 0 / 2

HEX #C041FB

RGB 192 65 251

HSL 280.97, 0.96%, 0.62%

LAB 53.98, 76.3, -69.34

 

CMYK 0 / 24 / 74 / 2

HEX #FBC041

RGB 251 192 65

HSL 40.97, 0.96%, 0.62%

LAB 81.07, 9.55, 68.45

 

CMYK 75 / 0 / 23 / 2

HEX #3FFBC1

RGB 63 251 193

HSL 161.49, 0.96%, 0.62%

LAB 88.88, -59, 14.8

 

CMYK 74 / 65 / 0 / 2

HEX #4157FB

RGB 65 87 251

HSL 232.9, 0.96%, 0.62%

LAB 45.5, 46.48, -83.67

 

CMYK 0 / 74 / 51 / 2

HEX #FB417C

RGB 251 65 124

HSL 340.97, 0.96%, 0.62%

LAB 57.79, 72.52, 10.5

 

CMYK 0 / 9 / 74 / 2

HEX #FBE541

RGB 251 229 65

HSL 52.9, 0.96%, 0.62%

LAB 90.29, -9.3, 77.22

 

CMYK 75 / 0 / 23 / 2

HEX #3FFBC1

RGB 63 251 193

HSL 161.49, 0.96%, 0.62%

LAB 88.88, -59, 14.8

 

CMYK 61 / 74 / 0 / 2

HEX #6341FB

RGB 99 65 251

HSL 250.97, 0.96%, 0.62%

LAB 43.36, 62.14, -87.12

 

CMYK 0 / 74 / 51 / 2

HEX #FB417C

RGB 251 65 124

HSL 340.97, 0.96%, 0.62%

LAB 57.79, 72.52, 10.5

 

CMYK 14 / 0 / 74 / 2

HEX #D9FB41

RGB 217 251 65

HSL 70.97, 0.96%, 0.62%

LAB 93.51, -33.61, 79.32

 

Description

Color code: HEX #3FFBC1 | qconv.com Color code: HEX #3FFBC1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 251 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 251 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 23 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 23% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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