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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FF864 it is the complementary color #C0079B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FF864. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #3FF864: #44F85F, #55FF72, #66FF85, #77FF98 and #88FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FF864. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #3FF864: #3FF864, #2EE651, #1DD43E, #0CC22B and #00B018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 60 / 3

HEX #3FF864

RGB 63 248 100

HSL 132, 0.93%, 0.61%

LAB 86.56, -73.99, 57.03

 

Complementary color

CMYK 0 / 96 / 19 / 25

HEX #C0079B

RGB 192 7 155

HSL 312, 0.93%, 0.39%

LAB 43.84, 73.71, -30.08

 

CMYK 73 / 0 / 62 / 3

HEX #44F85F

RGB 68 248 95

HSL 129, 0.93%, 0.62%

LAB 86.6, -73.84, 59.22

 

CMYK 67 / 0 / 55 / 0

HEX #55FF72

RGB 85 255 114

HSL 130.24, 1%, 0.67%

LAB 89.24, -71.13, 54.12

 

CMYK 60 / 0 / 48 / 0

HEX #66FF85

RGB 102 255 133

HSL 132.16, 1%, 0.7%

LAB 89.88, -65.31, 46.24

 

CMYK 53 / 0 / 40 / 0

HEX #77FF98

RGB 119 255 152

HSL 134.56, 1%, 0.73%

LAB 90.65, -58.67, 38.15

 

CMYK 47 / 0 / 33 / 0

HEX #88FFAB

RGB 136 255 171

HSL 137.65, 1%, 0.77%

LAB 91.55, -51.34, 30

 

CMYK 75 / 0 / 60 / 3

HEX #3FF864

RGB 63 248 100

HSL 132, 0.93%, 0.61%

LAB 86.56, -73.99, 57.03

 

CMYK 80 / 0 / 65 / 10

HEX #2EE651

RGB 46 230 81

HSL 131.41, 0.79%, 0.54%

LAB 80.61, -72.59, 58.23

 

CMYK 86 / 0 / 71 / 17

HEX #1DD43E

RGB 29 212 62

HSL 130.82, 0.76%, 0.47%

LAB 74.63, -70.64, 59.19

 

CMYK 94 / 0 / 78 / 24

HEX #0CC22B

RGB 12 194 43

HSL 130.22, 0.88%, 0.4%

LAB 68.63, -68, 59.66

 

CMYK 100 / 0 / 86 / 31

HEX #00B018

RGB 0 176 24

HSL 128.18, 1%, 0.35%

LAB 62.61, -64.54, 59.24

 

CMYK 75 / 0 / 60 / 3

HEX #3FF864

RGB 63 248 100

HSL 132, 0.93%, 0.61%

LAB 86.56, -73.99, 57.03

 

CMYK 75 / 0 / 48 / 3

HEX #3FF882

RGB 63 248 130

HSL 141.73, 0.93%, 0.61%

LAB 86.9, -69.95, 43.75

 

CMYK 75 / 0 / 35 / 3

HEX #3FF8A1

RGB 63 248 161

HSL 151.78, 0.93%, 0.61%

LAB 87.37, -64.57, 29.07

 

CMYK 75 / 0 / 23 / 3

HEX #3FF8C0

RGB 63 248 192

HSL 161.84, 0.93%, 0.61%

LAB 87.97, -58.06, 14.03

 

CMYK 75 / 0 / 10 / 3

HEX #3FF8DF

RGB 63 248 223

HSL 171.89, 0.93%, 0.61%

LAB 88.69, -50.53, -1.03

 

CMYK 75 / 0 / 60 / 3

HEX #3FF864

RGB 63 248 100

HSL 132, 0.93%, 0.61%

LAB 86.56, -73.99, 57.03

 

CMYK 75 / 0 / 59 / 83

HEX #0B2C12

RGB 11 44 18

HSL 132.73, 0.6%, 0.11%

LAB 15.04, -19.08, 13.32

 

CMYK 75 / 0 / 60 / 63

HEX #185F26

RGB 24 95 38

HSL 131.83, 0.6%, 0.23%

LAB 35.04, -34.95, 26.13

 

CMYK 75 / 0 / 60 / 43

HEX #25923B

RGB 37 146 59

HSL 132.11, 0.6%, 0.36%

LAB 53.24, -48.8, 36.96

 

CMYK 75 / 0 / 60 / 23

HEX #32C54F

RGB 50 197 79

HSL 131.84, 0.6%, 0.48%

LAB 70.3, -61.79, 47.49

 

CMYK 75 / 0 / 60 / 3

HEX #3FF864

RGB 63 248 100

HSL 132, 0.93%, 0.61%

LAB 86.56, -73.99, 57.03

 

CMYK 75 / 30 / 0 / 3

HEX #3FAEF8

RGB 63 174 248

HSL 204, 0.93%, 0.61%

LAB 68.1, -7.11, -45.68

 

CMYK 0 / 75 / 60 / 3

HEX #F83F64

RGB 248 63 100

HSL 348, 0.93%, 0.61%

LAB 56.52, 70.63, 22.86

 

CMYK 75 / 0 / 60 / 3

HEX #3FF864

RGB 63 248 100

HSL 132, 0.93%, 0.61%

LAB 86.56, -73.99, 57.03

 

CMYK 60 / 75 / 0 / 3

HEX #643FF8

RGB 100 63 248

HSL 252, 0.93%, 0.61%

LAB 42.83, 62.37, -86.32

 

CMYK 0 / 60 / 75 / 3

HEX #F8643F

RGB 248 100 63

HSL 12, 0.93%, 0.61%

LAB 61.16, 54.69, 49.07

 

CMYK 75 / 0 / 60 / 3

HEX #3FF864

RGB 63 248 100

HSL 132, 0.93%, 0.61%

LAB 86.56, -73.99, 57.03

 

CMYK 75 / 30 / 0 / 3

HEX #3FAEF8

RGB 63 174 248

HSL 204, 0.93%, 0.61%

LAB 68.1, -7.11, -45.68

 

CMYK 0 / 75 / 15 / 3

HEX #F83FD3

RGB 248 63 211

HSL 312, 0.93%, 0.61%

LAB 60.08, 81.64, -36.64

 

CMYK 0 / 45 / 75 / 3

HEX #F8893F

RGB 248 137 63

HSL 24, 0.93%, 0.61%

LAB 68.17, 36.89, 56.36

 

CMYK 75 / 0 / 60 / 3

HEX #3FF864

RGB 63 248 100

HSL 132, 0.93%, 0.61%

LAB 86.56, -73.99, 57.03

 

CMYK 75 / 52 / 0 / 3

HEX #3F76F8

RGB 63 118 248

HSL 222.16, 0.93%, 0.61%

LAB 52.72, 26.15, -70.24

 

CMYK 0 / 75 / 15 / 3

HEX #F83FD3

RGB 248 63 211

HSL 312, 0.93%, 0.61%

LAB 60.08, 81.64, -36.64

 

CMYK 0 / 23 / 75 / 3

HEX #F8C03F

RGB 248 192 63

HSL 41.84, 0.93%, 0.61%

LAB 80.75, 8.2, 68.78

 

Description

Color code: HEX #3FF864 | qconv.com Color code: HEX #3FF864 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 248 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 248 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 60 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 60% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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