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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FF77E it is the complementary color #C00881. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FF77E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FF77E shade: #44F779, #55FF8C, #66FF9F, #77FFB2 and #88FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FF77E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FF77E shade: #3FF77E, #2EE56B, #1DD358, #0CC145 and #00AF32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FF77E shade: #40F77F, #40F74D, #64F740, #95F740 and #C7F740

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FF77E shade: #40F77F, #40F7B0, #40F7E1, #40DBF7 and #40AAF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FF77E shade matches the following richer shades: #40F77F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FF77E shade: #40F77F, #50E784, #60D789, #70C78E and #80B793

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FF77E shade: #65F740, #40F74C, #40F77D, #40F7AE and #40F7DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FF77E shade: #09DB51, #18F564, #40F77F, #68F999 and #8FFAB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FF77E shade: #3FF77E, #4095F7 and #F7404C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FF77E shade: #3FF77E, #7D40F7 and #F77D40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FF77E shade: #3FF77E, #4095F7, #F740BA and #F7A240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FF77E shade: #3FF77E, #405FF7, #F740BA and #F7D940

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 49 / 3

HEX #3FF77E

RGB 63 247 126

HSL 140.54, 0.92%, 0.61%

LAB 86.55, -70.22, 45.21

 

Complementary color

CMYK 0 / 96 / 33 / 25

HEX #C00881

RGB 192 8 129

HSL 320.54, 0.92%, 0.39%

LAB 42.71, 70.63, -15.98

 

CMYK 72 / 0 / 51 / 3

HEX #44F779

RGB 68 247 121

HSL 137.77, 0.92%, 0.62%

LAB 86.57, -70.26, 47.62

 

CMYK 67 / 0 / 45 / 0

HEX #55FF8C

RGB 85 255 140

HSL 139.41, 1%, 0.67%

LAB 89.55, -67.48, 42.4

 

CMYK 60 / 0 / 38 / 0

HEX #66FF9F

RGB 102 255 159

HSL 142.35, 1%, 0.7%

LAB 90.25, -61.2, 34.07

 

CMYK 53 / 0 / 30 / 0

HEX #77FFB2

RGB 119 255 178

HSL 146.03, 1%, 0.73%

LAB 91.08, -54.18, 25.73

 

CMYK 47 / 0 / 23 / 0

HEX #88FFC5

RGB 136 255 197

HSL 150.76, 1%, 0.77%

LAB 92.04, -46.53, 17.47

 

CMYK 74 / 0 / 49 / 3

HEX #3FF77E

RGB 63 247 126

HSL 140.54, 0.92%, 0.61%

LAB 86.55, -70.22, 45.21

 

CMYK 80 / 0 / 53 / 10

HEX #2EE56B

RGB 46 229 107

HSL 140, 0.78%, 0.54%

LAB 80.56, -69.1, 46.74

 

CMYK 86 / 0 / 58 / 17

HEX #1DD358

RGB 29 211 88

HSL 139.45, 0.76%, 0.47%

LAB 74.54, -67.53, 48.28

 

CMYK 94 / 0 / 64 / 24

HEX #0CC145

RGB 12 193 69

HSL 138.9, 0.88%, 0.4%

LAB 68.5, -65.35, 49.74

 

CMYK 100 / 0 / 71 / 31

HEX #00AF32

RGB 0 175 50

HSL 137.14, 1%, 0.34%

LAB 62.41, -62.46, 50.94

 

CMYK 74 / 0 / 49 / 3

HEX #40F77F

RGB 64 247 127

HSL 140.66, 0.92%, 0.61%

LAB 86.58, -69.94, 44.78

 

CMYK 74 / 0 / 69 / 3

HEX #40F74D

RGB 64 247 77

HSL 124.26, 0.92%, 0.61%

LAB 86.08, -75.86, 65.75

 

CMYK 60 / 0 / 74 / 3

HEX #64F740

RGB 100 247 64

HSL 108.2, 0.92%, 0.61%

LAB 86.8, -70.16, 71.25

 

CMYK 40 / 0 / 74 / 3

HEX #95F740

RGB 149 247 64

HSL 92.13, 0.92%, 0.61%

LAB 88.58, -56.57, 73.6

 

CMYK 19 / 0 / 74 / 3

HEX #C7F740

RGB 199 247 64

HSL 75.74, 0.92%, 0.61%

LAB 91.25, -38.82, 77.09

 

CMYK 74 / 0 / 49 / 3

HEX #40F77F

RGB 64 247 127

HSL 140.66, 0.92%, 0.61%

LAB 86.58, -69.94, 44.78

 

CMYK 74 / 0 / 29 / 3

HEX #40F7B0

RGB 64 247 176

HSL 156.72, 0.92%, 0.61%

LAB 87.36, -61.06, 21.43

 

CMYK 74 / 0 / 9 / 3

HEX #40F7E1

RGB 64 247 225

HSL 172.79, 0.92%, 0.61%

LAB 88.47, -49.48, -2.4

 

CMYK 74 / 11 / 0 / 3

HEX #40DBF7

RGB 64 219 247

HSL 189.18, 0.92%, 0.61%

LAB 81, -30.62, -25.17

 

CMYK 74 / 31 / 0 / 3

HEX #40AAF7

RGB 64 170 247

HSL 205.25, 0.92%, 0.61%

LAB 66.94, -5.1, -46.96

 

CMYK 74 / 0 / 49 / 3

HEX #40F77F

RGB 64 247 127

HSL 140.66, 0.92%, 0.61%

LAB 86.58, -69.94, 44.78

 

CMYK 74 / 0 / 49 / 3

HEX #40F77F

RGB 64 247 127

HSL 140.66, 0.92%, 0.61%

LAB 86.58, -69.94, 44.78

 

CMYK 65 / 0 / 43 / 9

HEX #50E784

RGB 80 231 132

HSL 140.66, 0.76%, 0.61%

LAB 82.12, -61.01, 36.74

 

CMYK 55 / 0 / 36 / 16

HEX #60D789

RGB 96 215 137

HSL 140.67, 0.6%, 0.61%

LAB 77.81, -50.69, 28.63

 

CMYK 44 / 0 / 29 / 22

HEX #70C78E

RGB 112 199 142

HSL 140.69, 0.44%, 0.61%

LAB 73.7, -38.86, 20.55

 

CMYK 30 / 0 / 20 / 28

HEX #80B793

RGB 128 183 147

HSL 140.73, 0.28%, 0.61%

LAB 69.87, -25.57, 12.64

 

CMYK 59 / 0 / 74 / 3

HEX #65F740

RGB 101 247 64

HSL 107.87, 0.92%, 0.61%

LAB 86.83, -69.94, 71.29

 

CMYK 74 / 0 / 69 / 3

HEX #40F74C

RGB 64 247 76

HSL 123.93, 0.92%, 0.61%

LAB 86.07, -75.94, 66.11

 

CMYK 74 / 0 / 49 / 3

HEX #40F77D

RGB 64 247 125

HSL 140, 0.92%, 0.61%

LAB 86.55, -70.24, 45.69

 

CMYK 74 / 0 / 30 / 3

HEX #40F7AE

RGB 64 247 174

HSL 156.07, 0.92%, 0.61%

LAB 87.32, -61.48, 22.4

 

CMYK 74 / 0 / 10 / 3

HEX #40F7DF

RGB 64 247 223

HSL 172.13, 0.92%, 0.61%

LAB 88.42, -50, -1.43

 

CMYK 96 / 0 / 63 / 14

HEX #09DB51

RGB 9 219 81

HSL 140.57, 0.92%, 0.45%

LAB 76.87, -71.9, 53.99

 

CMYK 90 / 0 / 59 / 4

HEX #18F564

RGB 24 245 100

HSL 140.63, 0.92%, 0.53%

LAB 85.21, -76.75, 55.36

 

CMYK 74 / 0 / 49 / 3

HEX #40F77F

RGB 64 247 127

HSL 140.66, 0.92%, 0.61%

LAB 86.58, -69.94, 44.78

 

CMYK 58 / 0 / 39 / 2

HEX #68F999

RGB 104 249 153

HSL 140.28, 0.92%, 0.69%

LAB 88.45, -59.53, 34.68

 

CMYK 43 / 0 / 28 / 2

HEX #8FFAB4

RGB 143 250 180

HSL 140.75, 0.91%, 0.77%

LAB 90.55, -45.81, 24.14

 

CMYK 74 / 0 / 49 / 3

HEX #3FF77E

RGB 63 247 126

HSL 140.54, 0.92%, 0.61%

LAB 86.55, -70.22, 45.21

 

CMYK 74 / 40 / 0 / 3

HEX #4095F7

RGB 64 149 247

HSL 212.13, 0.92%, 0.61%

LAB 61.05, 7.01, -56.3

 

CMYK 0 / 74 / 69 / 3

HEX #F7404C

RGB 247 64 76

HSL 356.07, 0.92%, 0.61%

LAB 56.05, 68.75, 36.22

 

CMYK 74 / 0 / 49 / 3

HEX #3FF77E

RGB 63 247 126

HSL 140.54, 0.92%, 0.61%

LAB 86.55, -70.22, 45.21

 

CMYK 49 / 74 / 0 / 3

HEX #7D40F7

RGB 125 64 247

HSL 260, 0.92%, 0.61%

LAB 45.28, 64.87, -81.64

 

CMYK 0 / 49 / 74 / 3

HEX #F77D40

RGB 247 125 64

HSL 20, 0.92%, 0.61%

LAB 65.6, 42.58, 53.21

 

CMYK 74 / 0 / 49 / 3

HEX #3FF77E

RGB 63 247 126

HSL 140.54, 0.92%, 0.61%

LAB 86.55, -70.22, 45.21

 

CMYK 74 / 40 / 0 / 3

HEX #4095F7

RGB 64 149 247

HSL 212.13, 0.92%, 0.61%

LAB 61.05, 7.01, -56.3

 

CMYK 0 / 74 / 25 / 3

HEX #F740BA

RGB 247 64 186

HSL 320, 0.92%, 0.61%

LAB 58.96, 77.96, -24.1

 

CMYK 0 / 34 / 74 / 3

HEX #F7A240

RGB 247 162 64

HSL 32.13, 0.92%, 0.61%

LAB 73.54, 23.54, 61.29

 

CMYK 74 / 0 / 49 / 3

HEX #3FF77E

RGB 63 247 126

HSL 140.54, 0.92%, 0.61%

LAB 86.55, -70.22, 45.21

 

CMYK 74 / 62 / 0 / 3

HEX #405FF7

RGB 64 95 247

HSL 229.84, 0.92%, 0.61%

LAB 46.96, 40.17, -79.05

 

CMYK 0 / 74 / 25 / 3

HEX #F740BA

RGB 247 64 186

HSL 320, 0.92%, 0.61%

LAB 58.96, 77.96, -24.1

 

CMYK 0 / 12 / 74 / 3

HEX #F7D940

RGB 247 217 64

HSL 50.16, 0.92%, 0.61%

LAB 86.88, -5, 74.23

 

Description

Color code: HEX #3FF77E | qconv.com Color code: HEX #3FF77E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 247 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 247 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 49 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 49% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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