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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FF62A it is the complementary color #C009D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FF62A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FF62A shade: #44F625, #55FF38, #66FF4B, #77FF5E and #88FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FF62A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FF62A shade: #3FF62A, #2EE417, #1DD204, #0CC000 and #00AE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FF62A shade: #3DF628, #75F628, #ACF628, #E4F628 and #F6D128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FF62A shade: #3DF628, #28F64A, #28F682, #28F6B9 and #28F6F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FF62A shade matches the following richer shades: #3DF628

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FF62A shade: #3DF628, #4BE43A, #5AD24C, #68C05E and #76AD70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FF62A shade: #AEF628, #77F628, #40F628, #28F647 and #28F67E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FF62A shade: #1BC308, #21EB0A, #3DF628, #61F84F and #84F977

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FF62A shade: #3FF62A, #28E5F6 and #F62892

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FF62A shade: #3FF62A, #2840F6 and #F62840

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FF62A shade: #3FF62A, #28E5F6, #DE28F6 and #F63928

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FF62A shade: #3FF62A, #28A7F6, #DE28F6 and #F67728

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 83 / 4

HEX #3FF62A

RGB 63 246 42

HSL 113.82, 0.92%, 0.56%

LAB 85.57, -77.99, 75.94

 

Complementary color

CMYK 10 / 96 / 0 / 16

HEX #C009D5

RGB 192 9 213

HSL 293.82, 0.92%, 0.44%

LAB 47.24, 81.8, -58.75

 

CMYK 72 / 0 / 85 / 4

HEX #44F625

RGB 68 246 37

HSL 111.1, 0.92%, 0.55%

LAB 85.64, -77.45, 77.13

 

CMYK 67 / 0 / 78 / 0

HEX #55FF38

RGB 85 255 56

HSL 111.26, 1%, 0.61%

LAB 88.8, -76.33, 75.47

 

CMYK 60 / 0 / 71 / 0

HEX #66FF4B

RGB 102 255 75

HSL 111, 1%, 0.65%

LAB 89.32, -71.61, 70.1

 

CMYK 53 / 0 / 63 / 0

HEX #77FF5E

RGB 119 255 94

HSL 110.68, 1%, 0.68%

LAB 89.98, -65.98, 63.75

 

CMYK 47 / 0 / 56 / 0

HEX #88FF71

RGB 136 255 113

HSL 110.28, 1%, 0.72%

LAB 90.76, -59.52, 56.74

 

CMYK 74 / 0 / 83 / 4

HEX #3FF62A

RGB 63 246 42

HSL 113.82, 0.92%, 0.56%

LAB 85.57, -77.99, 75.94

 

CMYK 80 / 0 / 90 / 11

HEX #2EE417

RGB 46 228 23

HSL 113.27, 0.82%, 0.49%

LAB 79.69, -75.74, 74.4

 

CMYK 86 / 0 / 98 / 18

HEX #1DD204

RGB 29 210 4

HSL 112.72, 0.96%, 0.42%

LAB 73.78, -72.83, 71.66

 

CMYK 94 / 0 / 100 / 25

HEX #0CC000

RGB 12 192 0

HSL 116.25, 1%, 0.38%

LAB 67.86, -69.09, 67.26

 

CMYK 100 / 0 / 100 / 32

HEX #00AE00

RGB 0 174 0

HSL 120, 1%, 0.34%

LAB 61.89, -64.71, 62.45

 

CMYK 75 / 0 / 84 / 4

HEX #3DF628

RGB 61 246 40

HSL 113.88, 0.92%, 0.56%

LAB 85.53, -78.36, 76.34

 

CMYK 52 / 0 / 84 / 4

HEX #75F628

RGB 117 246 40

HSL 97.57, 0.92%, 0.56%

LAB 86.92, -66.84, 78.1

 

CMYK 30 / 0 / 84 / 4

HEX #ACF628

RGB 172 246 40

HSL 81.55, 0.92%, 0.56%

LAB 89.32, -49.38, 81.12

 

CMYK 7 / 0 / 84 / 4

HEX #E4F628

RGB 228 246 40

HSL 65.24, 0.92%, 0.56%

LAB 92.82, -27.79, 85.49

 

CMYK 0 / 15 / 84 / 4

HEX #F6D128

RGB 246 209 40

HSL 49.22, 0.92%, 0.56%

LAB 84.66, -2.15, 79.3

 

CMYK 75 / 0 / 84 / 4

HEX #3DF628

RGB 61 246 40

HSL 113.88, 0.92%, 0.56%

LAB 85.53, -78.36, 76.34

 

CMYK 84 / 0 / 70 / 4

HEX #28F64A

RGB 40 246 74

HSL 129.9, 0.92%, 0.56%

LAB 85.43, -78.6, 66.07

 

CMYK 84 / 0 / 47 / 4

HEX #28F682

RGB 40 246 130

HSL 146.21, 0.92%, 0.56%

LAB 85.99, -71.74, 42.54

 

CMYK 84 / 0 / 25 / 4

HEX #28F6B9

RGB 40 246 185

HSL 162.23, 0.92%, 0.56%

LAB 86.93, -61.06, 16.15

 

CMYK 84 / 0 / 2 / 4

HEX #28F6F1

RGB 40 246 241

HSL 178.54, 0.92%, 0.56%

LAB 88.31, -46.78, -11.02

 

CMYK 75 / 0 / 84 / 4

HEX #3DF628

RGB 61 246 40

HSL 113.88, 0.92%, 0.56%

LAB 85.53, -78.36, 76.34

 

CMYK 75 / 0 / 84 / 4

HEX #3DF628

RGB 61 246 40

HSL 113.88, 0.92%, 0.56%

LAB 85.53, -78.36, 76.34

 

CMYK 67 / 0 / 75 / 11

HEX #4BE43A

RGB 75 228 58

HSL 114, 0.76%, 0.56%

LAB 80.34, -69.58, 66.61

 

CMYK 57 / 0 / 64 / 18

HEX #5AD24C

RGB 90 210 76

HSL 113.73, 0.6%, 0.56%

LAB 75.32, -58.69, 54.73

 

CMYK 46 / 0 / 51 / 25

HEX #68C05E

RGB 104 192 94

HSL 113.88, 0.44%, 0.56%

LAB 70.49, -45.84, 41.03

 

CMYK 32 / 0 / 35 / 32

HEX #76AD70

RGB 118 173 112

HSL 114.1, 0.27%, 0.56%

LAB 65.68, -30.26, 25.76

 

CMYK 29 / 0 / 84 / 4

HEX #AEF628

RGB 174 246 40

HSL 80.97, 0.92%, 0.56%

LAB 89.42, -48.65, 81.25

 

CMYK 52 / 0 / 84 / 4

HEX #77F628

RGB 119 246 40

HSL 96.99, 0.92%, 0.56%

LAB 86.99, -66.3, 78.19

 

CMYK 74 / 0 / 84 / 4

HEX #40F628

RGB 64 246 40

HSL 113.01, 0.92%, 0.56%

LAB 85.58, -77.93, 76.4

 

CMYK 84 / 0 / 71 / 4

HEX #28F647

RGB 40 246 71

HSL 129.03, 0.92%, 0.56%

LAB 85.41, -78.85, 67.12

 

CMYK 84 / 0 / 49 / 4

HEX #28F67E

RGB 40 246 126

HSL 145.05, 0.92%, 0.56%

LAB 85.94, -72.37, 44.39

 

CMYK 86 / 0 / 96 / 24

HEX #1BC308

RGB 27 195 8

HSL 113.9, 0.92%, 0.4%

LAB 68.95, -68.73, 67.29

 

CMYK 86 / 0 / 96 / 8

HEX #21EB0A

RGB 33 235 10

HSL 113.87, 0.92%, 0.48%

LAB 81.71, -79.26, 77.57

 

CMYK 75 / 0 / 84 / 4

HEX #3DF628

RGB 61 246 40

HSL 113.88, 0.92%, 0.56%

LAB 85.53, -78.36, 76.34

 

CMYK 61 / 0 / 68 / 3

HEX #61F84F

RGB 97 248 79

HSL 113.61, 0.92%, 0.64%

LAB 87.11, -70.05, 66.31

 

CMYK 47 / 0 / 52 / 2

HEX #84F977

RGB 132 249 119

HSL 114, 0.92%, 0.72%

LAB 88.92, -57.63, 51.81

 

CMYK 74 / 0 / 83 / 4

HEX #3FF62A

RGB 63 246 42

HSL 113.82, 0.92%, 0.56%

LAB 85.57, -77.99, 75.94

 

CMYK 84 / 7 / 0 / 4

HEX #28E5F6

RGB 40 229 246

HSL 184.95, 0.92%, 0.56%

LAB 83.52, -37.74, -20.84

 

CMYK 0 / 84 / 41 / 4

HEX #F62892

RGB 246 40 146

HSL 329.13, 0.92%, 0.56%

LAB 55.26, 79.48, -6.33

 

CMYK 74 / 0 / 83 / 4

HEX #3FF62A

RGB 63 246 42

HSL 113.82, 0.92%, 0.56%

LAB 85.57, -77.99, 75.94

 

CMYK 84 / 74 / 0 / 4

HEX #2840F6

RGB 40 64 246

HSL 233.01, 0.92%, 0.56%

LAB 39.19, 56.2, -91.31

 

CMYK 0 / 84 / 74 / 4

HEX #F62840

RGB 246 40 64

HSL 353.01, 0.92%, 0.56%

LAB 53.47, 74.28, 40.02

 

CMYK 74 / 0 / 83 / 4

HEX #3FF62A

RGB 63 246 42

HSL 113.82, 0.92%, 0.56%

LAB 85.57, -77.99, 75.94

 

CMYK 84 / 7 / 0 / 4

HEX #28E5F6

RGB 40 229 246

HSL 184.95, 0.92%, 0.56%

LAB 83.52, -37.74, -20.84

 

CMYK 10 / 84 / 0 / 4

HEX #DE28F6

RGB 222 40 246

HSL 293.01, 0.92%, 0.56%

LAB 55.79, 87.41, -63.41

 

CMYK 0 / 77 / 84 / 4

HEX #F63928

RGB 246 57 40

HSL 4.95, 0.92%, 0.56%

LAB 54.73, 69.35, 53.93

 

CMYK 74 / 0 / 83 / 4

HEX #3FF62A

RGB 63 246 42

HSL 113.82, 0.92%, 0.56%

LAB 85.57, -77.99, 75.94

 

CMYK 84 / 32 / 0 / 4

HEX #28A7F6

RGB 40 167 246

HSL 203.01, 0.92%, 0.56%

LAB 65.55, -6.11, -48.64

 

CMYK 10 / 84 / 0 / 4

HEX #DE28F6

RGB 222 40 246

HSL 293.01, 0.92%, 0.56%

LAB 55.79, 87.41, -63.41

 

CMYK 0 / 52 / 84 / 4

HEX #F67728

RGB 246 119 40

HSL 23.01, 0.92%, 0.56%

LAB 64.11, 44.35, 62.04

 

Description

Color code: HEX #3FF62A | qconv.com Color code: HEX #3FF62A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 246 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 246 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 83 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 83% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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