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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FF1B9 it is the complementary color #C00E46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FF1B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FF1B9 shade: #44F1B4, #55FFC7, #66FFDA, #77FFED and #88FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FF1B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FF1B9 shade: #3FF1B9, #2EDFA6, #1DCD93, #0CBB80 and #00A96D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FF1B9 shade: #41F1BA, #41F18A, #41F15B, #57F141 and #86F141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FF1B9 shade: #41F1BA, #41F1E9, #41C9F1, #419AF1 and #416BF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FF1B9 shade matches the following richer shades: #41F1BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FF1B9 shade: #41F1BA, #52E0B3, #62D0AD, #73BFA7 and #83AFA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FF1B9 shade: #41F15C, #41F18A, #41F1B9, #41F1E8 and #41CBF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FF1B9 shade: #10D093, #1BEEAB, #41F1BA, #68F4C8 and #8EF6D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FF1B9 shade: #3FF1B9, #4156F1 and #F17341

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FF1B9 shade: #3FF1B9, #B941F1 and #F1B941

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FF1B9 shade: #3FF1B9, #4156F1, #F14179 and #F1DC41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FF1B9 shade: #3FF1B9, #6141F1, #F14179 and #D1F141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 23 / 5

HEX #3FF1B9

RGB 63 241 185

HSL 161.12, 0.86%, 0.6%

LAB 85.74, -56.91, 14.51

 

Complementary color

CMYK 0 / 93 / 64 / 25

HEX #C00E46

RGB 192 14 70

HSL 341.12, 0.86%, 0.4%

LAB 41.16, 65.22, 18.84

 

CMYK 72 / 0 / 25 / 5

HEX #44F1B4

RGB 68 241 180

HSL 158.84, 0.86%, 0.61%

LAB 85.72, -57.39, 17.1

 

CMYK 67 / 0 / 22 / 0

HEX #55FFC7

RGB 85 255 199

HSL 160.24, 1%, 0.67%

LAB 90.59, -56.29, 14.18

 

CMYK 60 / 0 / 15 / 0

HEX #66FFDA

RGB 102 255 218

HSL 165.49, 1%, 0.7%

LAB 91.42, -49.16, 5.63

 

CMYK 53 / 0 / 7 / 0

HEX #77FFED

RGB 119 255 237

HSL 172.06, 1%, 0.73%

LAB 92.38, -41.46, -2.74

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 74 / 0 / 23 / 5

HEX #3FF1B9

RGB 63 241 185

HSL 161.12, 0.86%, 0.6%

LAB 85.74, -56.91, 14.51

 

CMYK 79 / 0 / 26 / 13

HEX #2EDFA6

RGB 46 223 166

HSL 160.68, 0.73%, 0.53%

LAB 79.68, -56.08, 15.88

 

CMYK 86 / 0 / 28 / 20

HEX #1DCD93

RGB 29 205 147

HSL 160.23, 0.75%, 0.46%

LAB 73.57, -54.94, 17.38

 

CMYK 94 / 0 / 32 / 27

HEX #0CBB80

RGB 12 187 128

HSL 159.77, 0.88%, 0.39%

LAB 67.41, -53.38, 19.02

 

CMYK 100 / 0 / 36 / 34

HEX #00A96D

RGB 0 169 109

HSL 158.7, 1%, 0.33%

LAB 61.2, -51.34, 20.83

 

CMYK 73 / 0 / 23 / 5

HEX #41F1BA

RGB 65 241 186

HSL 161.25, 0.86%, 0.6%

LAB 85.8, -56.44, 14.08

 

CMYK 73 / 0 / 43 / 5

HEX #41F18A

RGB 65 241 138

HSL 144.89, 0.86%, 0.6%

LAB 84.93, -65.98, 37.35

 

CMYK 73 / 0 / 62 / 5

HEX #41F15B

RGB 65 241 91

HSL 128.86, 0.86%, 0.6%

LAB 84.38, -72.49, 58.37

 

CMYK 64 / 0 / 73 / 5

HEX #57F141

RGB 87 241 65

HSL 112.5, 0.86%, 0.6%

LAB 84.65, -70.93, 68.67

 

CMYK 44 / 0 / 73 / 5

HEX #86F141

RGB 134 241 65

HSL 96.48, 0.86%, 0.6%

LAB 86.19, -58.89, 70.71

 

CMYK 73 / 0 / 23 / 5

HEX #41F1BA

RGB 65 241 186

HSL 161.25, 0.86%, 0.6%

LAB 85.8, -56.44, 14.08

 

CMYK 73 / 0 / 3 / 5

HEX #41F1E9

RGB 65 241 233

HSL 177.27, 0.86%, 0.6%

LAB 86.96, -44.66, -8.81

 

CMYK 73 / 17 / 0 / 5

HEX #41C9F1

RGB 65 201 241

HSL 193.64, 0.86%, 0.6%

LAB 75.61, -23.48, -30.22

 

CMYK 73 / 36 / 0 / 5

HEX #419AF1

RGB 65 154 241

HSL 209.66, 0.86%, 0.6%

LAB 62.16, 2.08, -51.23

 

CMYK 73 / 56 / 0 / 5

HEX #416BF1

RGB 65 107 241

HSL 225.68, 0.86%, 0.6%

LAB 49.48, 30.73, -71.58

 

CMYK 73 / 0 / 23 / 5

HEX #41F1BA

RGB 65 241 186

HSL 161.25, 0.86%, 0.6%

LAB 85.8, -56.44, 14.08

 

CMYK 73 / 0 / 23 / 5

HEX #41F1BA

RGB 65 241 186

HSL 161.25, 0.86%, 0.6%

LAB 85.8, -56.44, 14.08

 

CMYK 63 / 0 / 20 / 12

HEX #52E0B3

RGB 82 224 179

HSL 160.99, 0.7%, 0.6%

LAB 80.94, -48.62, 10.91

 

CMYK 53 / 0 / 17 / 18

HEX #62D0AD

RGB 98 208 173

HSL 160.91, 0.54%, 0.6%

LAB 76.51, -39.92, 7.85

 

CMYK 40 / 0 / 13 / 25

HEX #73BFA7

RGB 115 191 167

HSL 161.05, 0.37%, 0.6%

LAB 72.03, -29.15, 4.72

 

CMYK 25 / 0 / 8 / 31

HEX #83AFA1

RGB 131 175 161

HSL 160.91, 0.22%, 0.6%

LAB 68.06, -17.71, 2.39

 

CMYK 73 / 0 / 62 / 5

HEX #41F15C

RGB 65 241 92

HSL 129.2, 0.86%, 0.6%

LAB 84.38, -72.38, 57.97

 

CMYK 73 / 0 / 43 / 5

HEX #41F18A

RGB 65 241 138

HSL 144.89, 0.86%, 0.6%

LAB 84.93, -65.98, 37.35

 

CMYK 73 / 0 / 23 / 5

HEX #41F1B9

RGB 65 241 185

HSL 160.91, 0.86%, 0.6%

LAB 85.77, -56.66, 14.57

 

CMYK 73 / 0 / 4 / 5

HEX #41F1E8

RGB 65 241 232

HSL 176.93, 0.86%, 0.6%

LAB 86.93, -44.93, -8.33

 

CMYK 73 / 16 / 0 / 5

HEX #41CBF1

RGB 65 203 241

HSL 192.95, 0.86%, 0.6%

LAB 76.18, -24.49, -29.33

 

CMYK 92 / 0 / 29 / 18

HEX #10D093

RGB 16 208 147

HSL 160.94, 0.86%, 0.44%

LAB 74.4, -56.82, 18.52

 

CMYK 89 / 0 / 28 / 7

HEX #1BEEAB

RGB 27 238 171

HSL 160.95, 0.86%, 0.52%

LAB 84.13, -62.05, 19.46

 

CMYK 73 / 0 / 23 / 5

HEX #41F1BA

RGB 65 241 186

HSL 161.25, 0.86%, 0.6%

LAB 85.8, -56.44, 14.08

 

CMYK 57 / 0 / 18 / 4

HEX #68F4C8

RGB 104 244 200

HSL 161.14, 0.86%, 0.68%

LAB 87.88, -48.25, 9.88

 

CMYK 42 / 0 / 13 / 4

HEX #8EF6D6

RGB 142 246 214

HSL 161.54, 0.85%, 0.76%

LAB 90.1, -37.54, 5.97

 

CMYK 74 / 0 / 23 / 5

HEX #3FF1B9

RGB 63 241 185

HSL 161.12, 0.86%, 0.6%

LAB 85.74, -56.91, 14.51

 

CMYK 73 / 64 / 0 / 5

HEX #4156F1

RGB 65 86 241

HSL 232.84, 0.86%, 0.6%

LAB 44.42, 43.68, -79.85

 

CMYK 0 / 52 / 73 / 5

HEX #F17341

RGB 241 115 65

HSL 17.05, 0.86%, 0.6%

LAB 62.8, 45.26, 49.5

 

CMYK 74 / 0 / 23 / 5

HEX #3FF1B9

RGB 63 241 185

HSL 161.12, 0.86%, 0.6%

LAB 85.74, -56.91, 14.51

 

CMYK 23 / 73 / 0 / 5

HEX #B941F1

RGB 185 65 241

HSL 280.91, 0.86%, 0.6%

LAB 52.34, 73.06, -66.46

 

CMYK 0 / 23 / 73 / 5

HEX #F1B941

RGB 241 185 65

HSL 40.91, 0.86%, 0.6%

LAB 78.33, 8.98, 65.43

 

CMYK 74 / 0 / 23 / 5

HEX #3FF1B9

RGB 63 241 185

HSL 161.12, 0.86%, 0.6%

LAB 85.74, -56.91, 14.51

 

CMYK 73 / 64 / 0 / 5

HEX #4156F1

RGB 65 86 241

HSL 232.84, 0.86%, 0.6%

LAB 44.42, 43.68, -79.85

 

CMYK 0 / 73 / 50 / 5

HEX #F14179

RGB 241 65 121

HSL 340.91, 0.86%, 0.6%

LAB 55.95, 69.55, 9.42

 

CMYK 0 / 9 / 73 / 5

HEX #F1DC41

RGB 241 220 65

HSL 52.84, 0.86%, 0.6%

LAB 87.13, -8.98, 73.94

 

CMYK 74 / 0 / 23 / 5

HEX #3FF1B9

RGB 63 241 185

HSL 161.12, 0.86%, 0.6%

LAB 85.74, -56.91, 14.51

 

CMYK 60 / 73 / 0 / 5

HEX #6141F1

RGB 97 65 241

HSL 250.91, 0.86%, 0.6%

LAB 42.27, 59.06, -83.31

 

CMYK 0 / 73 / 50 / 5

HEX #F14179

RGB 241 65 121

HSL 340.91, 0.86%, 0.6%

LAB 55.95, 69.55, 9.42

 

CMYK 13 / 0 / 73 / 5

HEX #D1F141

RGB 209 241 65

HSL 70.91, 0.86%, 0.6%

LAB 90.25, -32.17, 76.05

 

Description

Color code: HEX #3FF1B9 | qconv.com Color code: HEX #3FF1B9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 241 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 241 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 23 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 23% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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