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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FEDE3 it is the complementary color #C0121C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FEDE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FEDE3 shade: #44EDDE, #55FFF1, #66FFFF, #77FFFF and #88FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FEDE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FEDE3 shade: #3FEDE3, #2EDBD0, #1DC9BD, #0CB7AA and #00A597

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FEDE3 shade: #40EDE3, #40EDB4, #40ED86, #40ED57 and #57ED40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FEDE3 shade: #40EDE3, #40C8ED, #409AED, #406BED and #4040ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FEDE3 shade matches the following richer shades: #40EDE3 and #2FFEF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FEDE3 shade: #40EDE3, #51DCD4, #62CBC5, #72BAB6 and #83AAA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FEDE3 shade: #40ED85, #40EDB3, #40EDE2, #40CBED and #409CED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FEDE3 shade: #13C8BD, #1AEADE, #40EDE3, #65F1E9 and #8BF4EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FEDE3 shade: #3FEDE3, #5740ED and #ED9C40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FEDE3 shade: #3FEDE3, #E240ED and #EDE240

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FEDE3 shade: #3FEDE3, #5740ED, #ED404B and #D6ED40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FEDE3 shade: #3FEDE3, #8B40ED, #ED404B and #A2ED40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 4 / 7

HEX #3FEDE3

RGB 63 237 227

HSL 176.55, 0.83%, 0.59%

LAB 85.59, -44.76, -7.69

 

Complementary color

CMYK 0 / 91 / 85 / 25

HEX #C0121C

RGB 192 18 28

HSL 356.55, 0.83%, 0.41%

LAB 40.77, 63.05, 43.47

 

CMYK 71 / 0 / 6 / 7

HEX #44EDDE

RGB 68 237 222

HSL 174.67, 0.82%, 0.6%

LAB 85.54, -45.53, -5.13

 

CMYK 67 / 0 / 5 / 0

HEX #55FFF1

RGB 85 255 241

HSL 175.06, 1%, 0.67%

LAB 91.6, -46.15, -6.07

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 73 / 0 / 4 / 7

HEX #3FEDE3

RGB 63 237 227

HSL 176.55, 0.83%, 0.59%

LAB 85.59, -44.76, -7.69

 

CMYK 79 / 0 / 5 / 14

HEX #2EDBD0

RGB 46 219 208

HSL 176.18, 0.71%, 0.52%

LAB 79.5, -43.8, -6.68

 

CMYK 86 / 0 / 6 / 21

HEX #1DC9BD

RGB 29 201 189

HSL 175.81, 0.75%, 0.45%

LAB 73.36, -42.55, -5.56

 

CMYK 93 / 0 / 7 / 28

HEX #0CB7AA

RGB 12 183 170

HSL 175.44, 0.88%, 0.38%

LAB 67.16, -40.94, -4.32

 

CMYK 100 / 0 / 8 / 35

HEX #00A597

RGB 0 165 151

HSL 174.91, 1%, 0.32%

LAB 60.91, -38.94, -2.95

 

CMYK 73 / 0 / 4 / 7

HEX #40EDE3

RGB 64 237 227

HSL 176.53, 0.83%, 0.59%

LAB 85.61, -44.65, -7.67

 

CMYK 73 / 0 / 24 / 7

HEX #40EDB4

RGB 64 237 180

HSL 160.23, 0.83%, 0.59%

LAB 84.46, -56.34, 15.31

 

CMYK 73 / 0 / 43 / 7

HEX #40ED86

RGB 64 237 134

HSL 144.28, 0.83%, 0.59%

LAB 83.64, -65.39, 37.65

 

CMYK 73 / 0 / 63 / 7

HEX #40ED57

RGB 64 237 87

HSL 127.98, 0.83%, 0.59%

LAB 83.1, -71.79, 58.6

 

CMYK 63 / 0 / 73 / 7

HEX #57ED40

RGB 87 237 64

HSL 112.02, 0.83%, 0.59%

LAB 83.42, -69.69, 67.78

 

CMYK 73 / 0 / 4 / 7

HEX #40EDE3

RGB 64 237 227

HSL 176.53, 0.83%, 0.59%

LAB 85.61, -44.65, -7.67

 

CMYK 73 / 16 / 0 / 7

HEX #40C8ED

RGB 64 200 237

HSL 192.83, 0.83%, 0.59%

LAB 75.15, -24.36, -28.78

 

CMYK 73 / 35 / 0 / 7

HEX #409AED

RGB 64 154 237

HSL 208.79, 0.83%, 0.59%

LAB 61.93, 0.55, -49.4

 

CMYK 73 / 55 / 0 / 7

HEX #406BED

RGB 64 107 237

HSL 225.09, 0.83%, 0.59%

LAB 49.15, 29.19, -69.88

 

CMYK 73 / 73 / 0 / 7

HEX #4040ED

RGB 64 64 237

HSL 240, 0.83%, 0.59%

LAB 39.36, 54.92, -85.92

 

CMYK 73 / 0 / 4 / 7

HEX #40EDE3

RGB 64 237 227

HSL 176.53, 0.83%, 0.59%

LAB 85.61, -44.65, -7.67

 

CMYK 81 / 0 / 5 / 0

HEX #2FFEF2

RGB 47 254 242

HSL 176.52, 0.99%, 0.59%

LAB 90.73, -49.45, -7.93

 

CMYK 73 / 0 / 4 / 7

HEX #40EDE3

RGB 64 237 227

HSL 176.53, 0.83%, 0.59%

LAB 85.61, -44.65, -7.67

 

CMYK 63 / 0 / 4 / 14

HEX #51DCD4

RGB 81 220 212

HSL 176.55, 0.67%, 0.59%

LAB 80.57, -38.84, -7.16

 

CMYK 52 / 0 / 3 / 20

HEX #62CBC5

RGB 98 203 197

HSL 176.57, 0.5%, 0.59%

LAB 75.66, -31.76, -6.32

 

CMYK 39 / 0 / 2 / 27

HEX #72BAB6

RGB 114 186 182

HSL 176.67, 0.34%, 0.59%

LAB 70.92, -23.44, -5.09

 

CMYK 23 / 0 / 2 / 33

HEX #83AAA7

RGB 131 170 167

HSL 175.38, 0.19%, 0.59%

LAB 66.8, -13.79, -2.79

 

CMYK 73 / 0 / 44 / 7

HEX #40ED85

RGB 64 237 133

HSL 143.93, 0.83%, 0.59%

LAB 83.63, -65.56, 38.13

 

CMYK 73 / 0 / 24 / 7

HEX #40EDB3

RGB 64 237 179

HSL 159.88, 0.83%, 0.59%

LAB 84.44, -56.57, 15.8

 

CMYK 73 / 0 / 5 / 7

HEX #40EDE2

RGB 64 237 226

HSL 176.18, 0.83%, 0.59%

LAB 85.58, -44.92, -7.18

 

CMYK 73 / 14 / 0 / 7

HEX #40CBED

RGB 64 203 237

HSL 191.79, 0.83%, 0.59%

LAB 76.02, -25.86, -27.44

 

CMYK 73 / 34 / 0 / 7

HEX #409CED

RGB 64 156 237

HSL 208.09, 0.83%, 0.59%

LAB 62.49, -0.61, -48.5

 

CMYK 91 / 0 / 5 / 22

HEX #13C8BD

RGB 19 200 189

HSL 176.35, 0.83%, 0.43%

LAB 72.97, -42.66, -6.14

 

CMYK 89 / 0 / 5 / 8

HEX #1AEADE

RGB 26 234 222

HSL 176.54, 0.83%, 0.51%

LAB 84.14, -47.71, -7.25

 

CMYK 73 / 0 / 4 / 7

HEX #40EDE3

RGB 64 237 227

HSL 176.53, 0.83%, 0.59%

LAB 85.61, -44.65, -7.67

 

CMYK 58 / 0 / 3 / 5

HEX #65F1E9

RGB 101 241 233

HSL 176.57, 0.83%, 0.67%

LAB 87.76, -39.52, -7.54

 

CMYK 43 / 0 / 2 / 4

HEX #8BF4EE

RGB 139 244 238

HSL 176.57, 0.83%, 0.75%

LAB 90.03, -31.87, -6.65

 

CMYK 73 / 0 / 4 / 7

HEX #3FEDE3

RGB 63 237 227

HSL 176.55, 0.83%, 0.59%

LAB 85.59, -44.76, -7.69

 

CMYK 63 / 73 / 0 / 7

HEX #5740ED

RGB 87 64 237

HSL 247.98, 0.83%, 0.59%

LAB 40.91, 57.22, -83.32

 

CMYK 0 / 34 / 73 / 7

HEX #ED9C40

RGB 237 156 64

HSL 31.91, 0.83%, 0.59%

LAB 70.98, 22.56, 58.33

 

CMYK 73 / 0 / 4 / 7

HEX #3FEDE3

RGB 63 237 227

HSL 176.55, 0.83%, 0.59%

LAB 85.59, -44.76, -7.69

 

CMYK 5 / 73 / 0 / 7

HEX #E240ED

RGB 226 64 237

HSL 296.18, 0.83%, 0.59%

LAB 57.99, 80.58, -54.82

 

CMYK 0 / 5 / 73 / 7

HEX #EDE240

RGB 237 226 64

HSL 56.18, 0.83%, 0.59%

LAB 88.34, -13.67, 75.3

 

CMYK 73 / 0 / 4 / 7

HEX #3FEDE3

RGB 63 237 227

HSL 176.55, 0.83%, 0.59%

LAB 85.59, -44.76, -7.69

 

CMYK 63 / 73 / 0 / 7

HEX #5740ED

RGB 87 64 237

HSL 247.98, 0.83%, 0.59%

LAB 40.91, 57.22, -83.32

 

CMYK 0 / 73 / 68 / 7

HEX #ED404B

RGB 237 64 75

HSL 356.18, 0.83%, 0.59%

LAB 54.22, 65.78, 34.16

 

CMYK 10 / 0 / 73 / 7

HEX #D6ED40

RGB 214 237 64

HSL 67.98, 0.83%, 0.59%

LAB 89.5, -28.37, 75.78

 

CMYK 73 / 0 / 4 / 7

HEX #3FEDE3

RGB 63 237 227

HSL 176.55, 0.83%, 0.59%

LAB 85.59, -44.76, -7.69

 

CMYK 41 / 73 / 0 / 7

HEX #8B40ED

RGB 139 64 237

HSL 266.01, 0.83%, 0.59%

LAB 46, 64.52, -74.77

 

CMYK 0 / 73 / 68 / 7

HEX #ED404B

RGB 237 64 75

HSL 356.18, 0.83%, 0.59%

LAB 54.22, 65.78, 34.16

 

CMYK 32 / 0 / 73 / 7

HEX #A2ED40

RGB 162 237 64

HSL 86.01, 0.83%, 0.59%

LAB 86.32, -48.14, 71.61

 

Description

Color code: HEX #3FEDE3 | qconv.com Color code: HEX #3FEDE3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 237 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 237 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 4 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 4% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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