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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FEA5B it is the complementary color #C015A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FEA5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FEA5B shade: #44EA56, #55FC69, #66FF7C, #77FF8F and #88FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FEA5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FEA5B shade: #3FEA5B, #2ED848, #1DC635, #0CB422 and #00A20F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FEA5B shade: #3EEA5A, #50EA3E, #7FEA3E, #ADEA3E and #DBEA3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FEA5B shade: #3EEA5A, #3EEA88, #3EEAB7, #3EEAE5 and #3EC0EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FEA5B shade matches the following richer shades: #3EEA5A and #2DFB4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FEA5B shade: #3EEA5A, #50D866, #61C772, #72B67D and #84A489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FEA5B shade: #80EA3E, #52EA3E, #3EEA58, #3EEA86 and #3EEAB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FEA5B shade: #15C031, #19E53B, #3EEA5A, #63EE7A and #88F29A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FEA5B shade: #3FEA5B, #3EAEEA and #EA3E69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FEA5B shade: #3FEA5B, #583EEA and #EA583E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FEA5B shade: #3FEA5B, #3EAEEA, #EA3ED0 and #EA7A3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FEA5B shade: #3FEA5B, #3E7AEA, #EA3ED0 and #EAAE3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 61 / 8

HEX #3FEA5B

RGB 63 234 91

HSL 129.82, 0.8%, 0.58%

LAB 82.19, -70.55, 55.9

 

Complementary color

CMYK 0 / 89 / 15 / 25

HEX #C015A4

RGB 192 21 164

HSL 309.82, 0.8%, 0.42%

LAB 44.83, 73.26, -33.91

 

CMYK 71 / 0 / 63 / 8

HEX #44EA56

RGB 68 234 86

HSL 126.51, 0.8%, 0.59%

LAB 82.24, -70.32, 58.08

 

CMYK 66 / 0 / 58 / 1

HEX #55FC69

RGB 85 252 105

HSL 127.19, 0.97%, 0.66%

LAB 88.24, -71.21, 56.93

 

CMYK 60 / 0 / 51 / 0

HEX #66FF7C

RGB 102 255 124

HSL 128.63, 1%, 0.7%

LAB 89.77, -66.55, 50.31

 

CMYK 53 / 0 / 44 / 0

HEX #77FF8F

RGB 119 255 143

HSL 130.59, 1%, 0.73%

LAB 90.52, -60.05, 42.37

 

CMYK 47 / 0 / 36 / 0

HEX #88FFA2

RGB 136 255 162

HSL 133.11, 1%, 0.77%

LAB 91.4, -52.85, 34.3

 

CMYK 73 / 0 / 61 / 8

HEX #3FEA5B

RGB 63 234 91

HSL 129.82, 0.8%, 0.58%

LAB 82.19, -70.55, 55.9

 

CMYK 79 / 0 / 67 / 15

HEX #2ED848

RGB 46 216 72

HSL 129.18, 0.69%, 0.51%

LAB 76.17, -69.19, 57.02

 

CMYK 85 / 0 / 73 / 22

HEX #1DC635

RGB 29 198 53

HSL 128.52, 0.74%, 0.45%

LAB 70.11, -67.26, 57.81

 

CMYK 93 / 0 / 81 / 29

HEX #0CB422

RGB 12 180 34

HSL 127.86, 0.88%, 0.38%

LAB 64.03, -64.56, 57.98

 

CMYK 100 / 0 / 91 / 36

HEX #00A20F

RGB 0 162 15

HSL 125.56, 1%, 0.32%

LAB 57.92, -60.96, 56.99

 

CMYK 74 / 0 / 62 / 8

HEX #3EEA5A

RGB 62 234 90

HSL 129.77, 0.8%, 0.58%

LAB 82.17, -70.81, 56.29

 

CMYK 66 / 0 / 74 / 8

HEX #50EA3E

RGB 80 234 62

HSL 113.72, 0.8%, 0.58%

LAB 82.32, -70.27, 67.3

 

CMYK 46 / 0 / 74 / 8

HEX #7FEA3E

RGB 127 234 62

HSL 97.33, 0.8%, 0.58%

LAB 83.81, -58.54, 69.27

 

CMYK 26 / 0 / 74 / 8

HEX #ADEA3E

RGB 173 234 62

HSL 81.28, 0.8%, 0.58%

LAB 86.05, -42.99, 72.21

 

CMYK 6 / 0 / 74 / 8

HEX #DBEA3E

RGB 219 234 62

HSL 65.23, 0.8%, 0.58%

LAB 89.04, -25.03, 76.11

 

CMYK 74 / 0 / 62 / 8

HEX #3EEA5A

RGB 62 234 90

HSL 129.77, 0.8%, 0.58%

LAB 82.17, -70.81, 56.29

 

CMYK 74 / 0 / 42 / 8

HEX #3EEA88

RGB 62 234 136

HSL 145.81, 0.8%, 0.58%

LAB 82.73, -64.27, 35.46

 

CMYK 74 / 0 / 22 / 8

HEX #3EEAB7

RGB 62 234 183

HSL 162.21, 0.8%, 0.58%

LAB 83.59, -54.73, 12.52

 

CMYK 74 / 0 / 2 / 8

HEX #3EEAE5

RGB 62 234 229

HSL 178.26, 0.8%, 0.58%

LAB 84.75, -43, -9.99

 

CMYK 74 / 18 / 0 / 8

HEX #3EC0EA

RGB 62 192 234

HSL 194.65, 0.8%, 0.58%

LAB 72.67, -21.48, -30.97

 

CMYK 74 / 0 / 62 / 8

HEX #3EEA5A

RGB 62 234 90

HSL 129.77, 0.8%, 0.58%

LAB 82.17, -70.81, 56.29

 

CMYK 82 / 0 / 69 / 2

HEX #2DFB4F

RGB 45 251 79

HSL 129.9, 0.96%, 0.58%

LAB 87.05, -79.15, 65.95

 

CMYK 74 / 0 / 62 / 8

HEX #3EEA5A

RGB 62 234 90

HSL 129.77, 0.8%, 0.58%

LAB 82.17, -70.81, 56.29

 

CMYK 63 / 0 / 53 / 15

HEX #50D866

RGB 80 216 102

HSL 129.71, 0.64%, 0.58%

LAB 77.15, -60.07, 45.1

 

CMYK 51 / 0 / 43 / 22

HEX #61C772

RGB 97 199 114

HSL 130, 0.48%, 0.58%

LAB 72.63, -47.79, 33.64

 

CMYK 37 / 0 / 31 / 29

HEX #72B67D

RGB 114 182 125

HSL 129.71, 0.32%, 0.58%

LAB 68.4, -33.61, 22.41

 

CMYK 20 / 0 / 16 / 36

HEX #84A489

RGB 132 164 137

HSL 129.38, 0.15%, 0.58%

LAB 64.37, -16.51, 10.42

 

CMYK 45 / 0 / 74 / 8

HEX #80EA3E

RGB 128 234 62

HSL 96.98, 0.8%, 0.58%

LAB 83.85, -58.24, 69.32

 

CMYK 65 / 0 / 74 / 8

HEX #52EA3E

RGB 82 234 62

HSL 113.02, 0.8%, 0.58%

LAB 82.37, -69.88, 67.36

 

CMYK 74 / 0 / 62 / 8

HEX #3EEA58

RGB 62 234 88

HSL 129.07, 0.8%, 0.58%

LAB 82.15, -71.03, 57.12

 

CMYK 74 / 0 / 43 / 8

HEX #3EEA86

RGB 62 234 134

HSL 145.12, 0.8%, 0.58%

LAB 82.7, -64.61, 36.42

 

CMYK 74 / 0 / 24 / 8

HEX #3EEAB3

RGB 62 234 179

HSL 160.81, 0.8%, 0.58%

LAB 83.51, -55.64, 14.49

 

CMYK 89 / 0 / 74 / 25

HEX #15C031

RGB 21 192 49

HSL 129.82, 0.8%, 0.42%

LAB 68.08, -66.45, 57.15

 

CMYK 89 / 0 / 74 / 10

HEX #19E53B

RGB 25 229 59

HSL 130, 0.8%, 0.5%

LAB 79.93, -76.08, 65.63

 

CMYK 74 / 0 / 62 / 8

HEX #3EEA5A

RGB 62 234 90

HSL 129.77, 0.8%, 0.58%

LAB 82.17, -70.81, 56.29

 

CMYK 58 / 0 / 49 / 7

HEX #63EE7A

RGB 99 238 122

HSL 129.93, 0.8%, 0.66%

LAB 84.59, -61.29, 44.85

 

CMYK 44 / 0 / 36 / 5

HEX #88F29A

RGB 136 242 154

HSL 130.19, 0.8%, 0.74%

LAB 87.52, -48.76, 33.16

 

CMYK 73 / 0 / 61 / 8

HEX #3FEA5B

RGB 63 234 91

HSL 129.82, 0.8%, 0.58%

LAB 82.19, -70.55, 55.9

 

CMYK 74 / 26 / 0 / 8

HEX #3EAEEA

RGB 62 174 234

HSL 200.93, 0.8%, 0.58%

LAB 67.45, -11.98, -39.06

 

CMYK 0 / 74 / 55 / 8

HEX #EA3E69

RGB 234 62 105

HSL 345, 0.8%, 0.58%

LAB 53.98, 67.35, 16.03

 

CMYK 73 / 0 / 61 / 8

HEX #3FEA5B

RGB 63 234 91

HSL 129.82, 0.8%, 0.58%

LAB 82.19, -70.55, 55.9

 

CMYK 62 / 74 / 0 / 8

HEX #583EEA

RGB 88 62 234

HSL 249.07, 0.8%, 0.58%

LAB 40.35, 57.46, -82.54

 

CMYK 0 / 62 / 74 / 8

HEX #EA583E

RGB 234 88 62

HSL 9.07, 0.8%, 0.58%

LAB 56.9, 55.06, 44.33

 

CMYK 73 / 0 / 61 / 8

HEX #3FEA5B

RGB 63 234 91

HSL 129.82, 0.8%, 0.58%

LAB 82.19, -70.55, 55.9

 

CMYK 74 / 26 / 0 / 8

HEX #3EAEEA

RGB 62 174 234

HSL 200.93, 0.8%, 0.58%

LAB 67.45, -11.98, -39.06

 

CMYK 0 / 74 / 11 / 8

HEX #EA3ED0

RGB 234 62 208

HSL 309.07, 0.8%, 0.58%

LAB 57.55, 78.47, -39.06

 

CMYK 0 / 48 / 74 / 8

HEX #EA7A3E

RGB 234 122 62

HSL 20.93, 0.8%, 0.58%

LAB 63.14, 38.98, 51.02

 

CMYK 73 / 0 / 61 / 8

HEX #3FEA5B

RGB 63 234 91

HSL 129.82, 0.8%, 0.58%

LAB 82.19, -70.55, 55.9

 

CMYK 74 / 48 / 0 / 8

HEX #3E7AEA

RGB 62 122 234

HSL 219.07, 0.8%, 0.58%

LAB 52.82, 18.49, -62.28

 

CMYK 0 / 74 / 11 / 8

HEX #EA3ED0

RGB 234 62 208

HSL 309.07, 0.8%, 0.58%

LAB 57.55, 78.47, -39.06

 

CMYK 0 / 26 / 74 / 8

HEX #EAAE3E

RGB 234 174 62

HSL 39.07, 0.8%, 0.58%

LAB 74.9, 11.67, 62.97

 

Description

Color code: HEX #3FEA5B | qconv.com Color code: HEX #3FEA5B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 234 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 234 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 61 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 61% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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