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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FE7A8 it is the complementary color #C01857. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FE7A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FE7A8 shade: #44E7A3, #55F9B6, #66FFC9, #77FFDC and #88FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FE7A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FE7A8 shade: #3FE7A8, #2ED595, #1DC382, #0CB16F and #009F5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FE7A8 shade: #40E7A8, #40E77B, #40E74E, #5FE740 and #8CE740

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FE7A8 shade: #40E7A8, #40E7D5, #40CBE7, #409EE7 and #4071E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FE7A8 shade matches the following richer shades: #40E7A8 and #2FF8AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FE7A8 shade: #40E7A8, #51D6A4, #63C4A0, #74B39B and #85A297

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FE7A8 shade: #40E74E, #40E77A, #40E7A7, #40E7D3 and #40CEE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FE7A8 shade: #17BD7F, #1BE298, #40E7A8, #65EBB9 and #89F0C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FE7A8 shade: #3FE7A8, #405EE7 and #E76440

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FE7A8 shade: #3FE7A8, #A740E7 and #E7A740

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FE7A8 shade: #3FE7A8, #405EE7, #E74080 and #E7C840

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FE7A8 shade: #3FE7A8, #5340E7, #E74080 and #D3E740

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 27 / 9

HEX #3FE7A8

RGB 63 231 168

HSL 157.5, 0.78%, 0.58%

LAB 82.4, -56.78, 18.67

 

Complementary color

CMYK 0 / 88 / 55 / 25

HEX #C01857

RGB 192 24 87

HSL 337.5, 0.78%, 0.42%

LAB 42.07, 64.77, 9.34

 

CMYK 71 / 0 / 29 / 9

HEX #44E7A3

RGB 68 231 163

HSL 154.97, 0.77%, 0.59%

LAB 82.39, -57.15, 21.28

 

CMYK 66 / 0 / 27 / 2

HEX #55F9B6

RGB 85 249 182

HSL 155.49, 0.93%, 0.65%

LAB 88.48, -57.58, 19.96

 

CMYK 60 / 0 / 21 / 0

HEX #66FFC9

RGB 102 255 201

HSL 158.82, 1%, 0.7%

LAB 91.04, -52.99, 13.85

 

CMYK 53 / 0 / 14 / 0

HEX #77FFDC

RGB 119 255 220

HSL 164.56, 1%, 0.73%

LAB 91.96, -45.46, 5.44

 

CMYK 47 / 0 / 6 / 0

HEX #88FFEF

RGB 136 255 239

HSL 171.93, 1%, 0.77%

LAB 93.01, -37.42, -2.79

 

CMYK 73 / 0 / 27 / 9

HEX #3FE7A8

RGB 63 231 168

HSL 157.5, 0.78%, 0.58%

LAB 82.4, -56.78, 18.67

 

CMYK 78 / 0 / 30 / 16

HEX #2ED595

RGB 46 213 149

HSL 157.01, 0.67%, 0.51%

LAB 76.28, -56.01, 20.1

 

CMYK 85 / 0 / 33 / 24

HEX #1DC382

RGB 29 195 130

HSL 156.51, 0.74%, 0.44%

LAB 70.11, -54.9, 21.66

 

CMYK 93 / 0 / 37 / 31

HEX #0CB16F

RGB 12 177 111

HSL 156, 0.87%, 0.37%

LAB 63.89, -53.34, 23.38

 

CMYK 100 / 0 / 42 / 38

HEX #009F5C

RGB 0 159 92

HSL 154.72, 1%, 0.31%

LAB 57.63, -51.24, 25.27

 

CMYK 72 / 0 / 27 / 9

HEX #40E7A8

RGB 64 231 168

HSL 157.37, 0.78%, 0.58%

LAB 82.42, -56.65, 18.7

 

CMYK 72 / 0 / 47 / 9

HEX #40E77B

RGB 64 231 123

HSL 141.2, 0.78%, 0.58%

LAB 81.66, -65.09, 40.52

 

CMYK 72 / 0 / 66 / 9

HEX #40E74E

RGB 64 231 78

HSL 125.03, 0.78%, 0.58%

LAB 81.18, -70.79, 60.14

 

CMYK 59 / 0 / 72 / 9

HEX #5FE740

RGB 95 231 64

HSL 108.86, 0.78%, 0.58%

LAB 81.81, -65.91, 66.23

 

CMYK 39 / 0 / 72 / 9

HEX #8CE740

RGB 140 231 64

HSL 92.69, 0.78%, 0.58%

LAB 83.49, -53.17, 68.47

 

CMYK 72 / 0 / 27 / 9

HEX #40E7A8

RGB 64 231 168

HSL 157.37, 0.78%, 0.58%

LAB 82.42, -56.65, 18.7

 

CMYK 72 / 0 / 8 / 9

HEX #40E7D5

RGB 64 231 213

HSL 173.53, 0.78%, 0.58%

LAB 83.47, -45.79, -3.45

 

CMYK 72 / 12 / 0 / 9

HEX #40CBE7

RGB 64 203 231

HSL 190.06, 0.78%, 0.58%

LAB 75.81, -27.71, -24.54

 

CMYK 72 / 32 / 0 / 9

HEX #409EE7

RGB 64 158 231

HSL 206.23, 0.78%, 0.58%

LAB 62.77, -3.84, -44.76

 

CMYK 72 / 51 / 0 / 9

HEX #4071E7

RGB 64 113 231

HSL 222.4, 0.78%, 0.58%

LAB 50.3, 23.27, -64.66

 

CMYK 72 / 0 / 27 / 9

HEX #40E7A8

RGB 64 231 168

HSL 157.37, 0.78%, 0.58%

LAB 82.42, -56.65, 18.7

 

CMYK 81 / 0 / 30 / 3

HEX #2FF8AD

RGB 47 248 173

HSL 157.61, 0.93%, 0.58%

LAB 87.37, -63.86, 22.93

 

CMYK 72 / 0 / 27 / 9

HEX #40E7A8

RGB 64 231 168

HSL 157.37, 0.78%, 0.58%

LAB 82.42, -56.65, 18.7

 

CMYK 62 / 0 / 23 / 16

HEX #51D6A4

RGB 81 214 164

HSL 157.44, 0.62%, 0.58%

LAB 77.59, -47.99, 14.11

 

CMYK 49 / 0 / 18 / 23

HEX #63C4A0

RGB 99 196 160

HSL 157.73, 0.45%, 0.58%

LAB 72.67, -37.19, 9.37

 

CMYK 35 / 0 / 13 / 30

HEX #74B39B

RGB 116 179 155

HSL 157.14, 0.29%, 0.58%

LAB 68.26, -25.64, 5.87

 

CMYK 18 / 0 / 7 / 36

HEX #85A297

RGB 133 162 151

HSL 157.24, 0.13%, 0.58%

LAB 64.21, -12.34, 2.38

 

CMYK 72 / 0 / 66 / 9

HEX #40E74E

RGB 64 231 78

HSL 125.03, 0.78%, 0.58%

LAB 81.18, -70.79, 60.14

 

CMYK 72 / 0 / 47 / 9

HEX #40E77A

RGB 64 231 122

HSL 140.84, 0.78%, 0.58%

LAB 81.65, -65.25, 40.99

 

CMYK 72 / 0 / 28 / 9

HEX #40E7A7

RGB 64 231 167

HSL 157.01, 0.78%, 0.58%

LAB 82.4, -56.86, 19.19

 

CMYK 72 / 0 / 9 / 9

HEX #40E7D3

RGB 64 231 211

HSL 172.81, 0.78%, 0.58%

LAB 83.41, -46.32, -2.47

 

CMYK 72 / 11 / 0 / 9

HEX #40CEE7

RGB 64 206 231

HSL 188.98, 0.78%, 0.58%

LAB 76.68, -29.18, -23.21

 

CMYK 88 / 0 / 33 / 26

HEX #17BD7F

RGB 23 189 127

HSL 157.59, 0.78%, 0.42%

LAB 68.1, -53.75, 20.52

 

CMYK 88 / 0 / 33 / 11

HEX #1BE298

RGB 27 226 152

HSL 157.69, 0.79%, 0.5%

LAB 80.12, -61.77, 23.77

 

CMYK 72 / 0 / 27 / 9

HEX #40E7A8

RGB 64 231 168

HSL 157.37, 0.78%, 0.58%

LAB 82.42, -56.65, 18.7

 

CMYK 57 / 0 / 21 / 8

HEX #65EBB9

RGB 101 235 185

HSL 157.61, 0.77%, 0.66%

LAB 84.84, -48.34, 13.36

 

CMYK 43 / 0 / 16 / 6

HEX #89F0C9

RGB 137 240 201

HSL 157.28, 0.77%, 0.74%

LAB 87.9, -38.85, 9.55

 

CMYK 73 / 0 / 27 / 9

HEX #3FE7A8

RGB 63 231 168

HSL 157.5, 0.78%, 0.58%

LAB 82.4, -56.78, 18.67

 

CMYK 72 / 59 / 0 / 9

HEX #405EE7

RGB 64 94 231

HSL 229.22, 0.78%, 0.58%

LAB 45.45, 35.19, -72.54

 

CMYK 0 / 57 / 72 / 9

HEX #E76440

RGB 231 100 64

HSL 12.93, 0.78%, 0.58%

LAB 58.48, 48.7, 44.88

 

CMYK 73 / 0 / 27 / 9

HEX #3FE7A8

RGB 63 231 168

HSL 157.5, 0.78%, 0.58%

LAB 82.4, -56.78, 18.67

 

CMYK 28 / 72 / 0 / 9

HEX #A740E7

RGB 167 64 231

HSL 277.01, 0.78%, 0.58%

LAB 49.07, 68.06, -66.23

 

CMYK 0 / 28 / 72 / 9

HEX #E7A740

RGB 231 167 64

HSL 37.01, 0.78%, 0.58%

LAB 72.89, 14.19, 60.05

 

CMYK 73 / 0 / 27 / 9

HEX #3FE7A8

RGB 63 231 168

HSL 157.5, 0.78%, 0.58%

LAB 82.4, -56.78, 18.67

 

CMYK 72 / 59 / 0 / 9

HEX #405EE7

RGB 64 94 231

HSL 229.22, 0.78%, 0.58%

LAB 45.45, 35.19, -72.54

 

CMYK 0 / 72 / 45 / 9

HEX #E74080

RGB 231 64 128

HSL 337.01, 0.78%, 0.58%

LAB 54.25, 67.72, 2.59

 

CMYK 0 / 13 / 72 / 9

HEX #E7C840

RGB 231 200 64

HSL 48.86, 0.78%, 0.58%

LAB 81.11, -3.09, 68.19

 

CMYK 73 / 0 / 27 / 9

HEX #3FE7A8

RGB 63 231 168

HSL 157.5, 0.78%, 0.58%

LAB 82.4, -56.78, 18.67

 

CMYK 64 / 72 / 0 / 9

HEX #5340E7

RGB 83 64 231

HSL 246.83, 0.78%, 0.58%

LAB 40.04, 54.97, -81.36

 

CMYK 0 / 72 / 45 / 9

HEX #E74080

RGB 231 64 128

HSL 337.01, 0.78%, 0.58%

LAB 54.25, 67.72, 2.59

 

CMYK 9 / 0 / 72 / 9

HEX #D3E740

RGB 211 231 64

HSL 67.19, 0.78%, 0.58%

LAB 87.66, -26.76, 73.96

 

Description

Color code: HEX #3FE7A8 | qconv.com Color code: HEX #3FE7A8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 231 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 231 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 27 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 27% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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