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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FE68C it is the complementary color #C01973. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FE68C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FE68C shade: #44E687, #55F89A, #66FFAD, #77FFC0 and #88FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FE68C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FE68C shade: #3FE68C, #2ED479, #1DC266, #0CB053 and #009E40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FE68C shade: #3DE68B, #3DE65D, #4AE63D, #78E63D and #A5E63D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FE68C shade: #3DE68B, #3DE6B8, #3DE6E6, #3DB8E6 and #3D8BE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FE68C shade matches the following richer shades: #3DE68B and #2BF889

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FE68C shade: #3DE68B, #4FD48C, #60C28E, #72B18F and #849F90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FE68C shade: #4BE63D, #3DE65C, #3DE689, #3DE6B6 and #3DE6E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FE68C shade: #18B862, #1DDD75, #3DE68B, #61EBA1 and #86EFB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FE68C shade: #3FE68C, #3D78E6 and #E6453D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FE68C shade: #3FE68C, #893DE6 and #E6893D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FE68C shade: #3FE68C, #3D78E6, #E63D9A and #E6AB3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FE68C shade: #3FE68C, #3D45E6, #E63D9A and #E6DD3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 39 / 10

HEX #3FE68C

RGB 63 230 140

HSL 147.66, 0.77%, 0.57%

LAB 81.59, -61.99, 31.97

 

Complementary color

CMYK 0 / 87 / 40 / 25

HEX #C01973

RGB 192 25 115

HSL 327.66, 0.77%, 0.43%

LAB 42.97, 66.93, -6.91

 

CMYK 70 / 0 / 41 / 10

HEX #44E687

RGB 68 230 135

HSL 144.81, 0.76%, 0.58%

LAB 81.6, -62.14, 34.52

 

CMYK 66 / 0 / 38 / 3

HEX #55F89A

RGB 85 248 154

HSL 145.4, 0.92%, 0.65%

LAB 87.68, -62.62, 33.08

 

CMYK 60 / 0 / 32 / 0

HEX #66FFAD

RGB 102 255 173

HSL 147.84, 1%, 0.7%

LAB 90.49, -58.68, 27.37

 

CMYK 53 / 0 / 25 / 0

HEX #77FFC0

RGB 119 255 192

HSL 152.21, 1%, 0.73%

LAB 91.35, -51.46, 18.97

 

CMYK 47 / 0 / 17 / 0

HEX #88FFD3

RGB 136 255 211

HSL 157.82, 1%, 0.77%

LAB 92.33, -43.67, 10.7

 

CMYK 73 / 0 / 39 / 10

HEX #3FE68C

RGB 63 230 140

HSL 147.66, 0.77%, 0.57%

LAB 81.59, -61.99, 31.97

 

CMYK 78 / 0 / 43 / 17

HEX #2ED479

RGB 46 212 121

HSL 147.11, 0.66%, 0.51%

LAB 75.48, -61.14, 33.53

 

CMYK 85 / 0 / 47 / 24

HEX #1DC266

RGB 29 194 102

HSL 146.55, 0.74%, 0.44%

LAB 69.33, -59.89, 35.19

 

CMYK 93 / 0 / 53 / 31

HEX #0CB053

RGB 12 176 83

HSL 145.98, 0.87%, 0.37%

LAB 63.14, -58.09, 36.95

 

CMYK 100 / 0 / 59 / 38

HEX #009E40

RGB 0 158 64

HSL 144.3, 1%, 0.31%

LAB 56.9, -55.62, 38.74

 

CMYK 73 / 0 / 40 / 10

HEX #3DE68B

RGB 61 230 139

HSL 147.69, 0.77%, 0.57%

LAB 81.54, -62.45, 32.4

 

CMYK 73 / 0 / 60 / 10

HEX #3DE65D

RGB 61 230 93

HSL 131.36, 0.77%, 0.57%

LAB 80.95, -69.33, 53.6

 

CMYK 68 / 0 / 73 / 10

HEX #4AE63D

RGB 74 230 61

HSL 115.38, 0.77%, 0.57%

LAB 80.95, -70.2, 66.22

 

CMYK 48 / 0 / 73 / 10

HEX #78E63D

RGB 120 230 61

HSL 99.05, 0.77%, 0.57%

LAB 82.34, -59.17, 68.05

 

CMYK 28 / 0 / 73 / 10

HEX #A5E63D

RGB 165 230 61

HSL 83.08, 0.77%, 0.57%

LAB 84.45, -44.26, 70.83

 

CMYK 73 / 0 / 40 / 10

HEX #3DE68B

RGB 61 230 139

HSL 147.69, 0.77%, 0.57%

LAB 81.54, -62.45, 32.4

 

CMYK 73 / 0 / 20 / 10

HEX #3DE6B8

RGB 61 230 184

HSL 163.67, 0.77%, 0.57%

LAB 82.4, -53.01, 10.3

 

CMYK 73 / 0 / 0 / 10

HEX #3DE6E6

RGB 61 230 230

HSL 180, 0.77%, 0.57%

LAB 83.6, -41.05, -12.24

 

CMYK 73 / 20 / 0 / 10

HEX #3DB8E6

RGB 61 184 230

HSL 196.33, 0.77%, 0.57%

LAB 70.17, -18.75, -32.67

 

CMYK 73 / 40 / 0 / 10

HEX #3D8BE6

RGB 61 139 230

HSL 212.31, 0.77%, 0.57%

LAB 57.24, 6.53, -52.97

 

CMYK 73 / 0 / 40 / 10

HEX #3DE68B

RGB 61 230 139

HSL 147.69, 0.77%, 0.57%

LAB 81.54, -62.45, 32.4

 

CMYK 83 / 0 / 45 / 3

HEX #2BF889

RGB 43 248 137

HSL 147.51, 0.94%, 0.57%

LAB 86.73, -71, 40.1

 

CMYK 73 / 0 / 40 / 10

HEX #3DE68B

RGB 61 230 139

HSL 147.69, 0.77%, 0.57%

LAB 81.54, -62.45, 32.4

 

CMYK 63 / 0 / 34 / 17

HEX #4FD48C

RGB 79 212 140

HSL 147.52, 0.61%, 0.57%

LAB 76.46, -52.52, 25.18

 

CMYK 51 / 0 / 27 / 24

HEX #60C28E

RGB 96 194 142

HSL 148.16, 0.45%, 0.57%

LAB 71.57, -40.86, 17.51

 

CMYK 36 / 0 / 19 / 31

HEX #72B18F

RGB 114 177 143

HSL 147.62, 0.29%, 0.57%

LAB 67.28, -27.79, 11.07

 

CMYK 17 / 0 / 9 / 38

HEX #849F90

RGB 132 159 144

HSL 146.67, 0.12%, 0.57%

LAB 63.11, -12.51, 4.7

 

CMYK 67 / 0 / 73 / 10

HEX #4BE63D

RGB 75 230 61

HSL 115.03, 0.77%, 0.57%

LAB 80.98, -70.01, 66.24

 

CMYK 73 / 0 / 60 / 10

HEX #3DE65C

RGB 61 230 92

HSL 131.01, 0.77%, 0.57%

LAB 80.94, -69.45, 54.03

 

CMYK 73 / 0 / 40 / 10

HEX #3DE689

RGB 61 230 137

HSL 146.98, 0.77%, 0.57%

LAB 81.51, -62.81, 33.37

 

CMYK 73 / 0 / 21 / 10

HEX #3DE6B6

RGB 61 230 182

HSL 162.96, 0.77%, 0.57%

LAB 82.36, -53.48, 11.29

 

CMYK 73 / 0 / 1 / 10

HEX #3DE6E3

RGB 61 230 227

HSL 178.93, 0.77%, 0.57%

LAB 83.51, -41.89, -10.79

 

CMYK 87 / 0 / 47 / 28

HEX #18B862

RGB 24 184 98

HSL 147.75, 0.77%, 0.41%

LAB 66.03, -57.55, 33.02

 

CMYK 87 / 0 / 47 / 13

HEX #1DDD75

RGB 29 221 117

HSL 147.5, 0.77%, 0.49%

LAB 78.03, -66.48, 38.76

 

CMYK 73 / 0 / 40 / 10

HEX #3DE68B

RGB 61 230 139

HSL 147.69, 0.77%, 0.57%

LAB 81.54, -62.45, 32.4

 

CMYK 59 / 0 / 31 / 8

HEX #61EBA1

RGB 97 235 161

HSL 147.83, 0.78%, 0.65%

LAB 84.24, -54.07, 24.96

 

CMYK 44 / 0 / 23 / 6

HEX #86EFB7

RGB 134 239 183

HSL 148, 0.77%, 0.73%

LAB 87.1, -42.83, 17.76

 

CMYK 73 / 0 / 39 / 10

HEX #3FE68C

RGB 63 230 140

HSL 147.66, 0.77%, 0.57%

LAB 81.59, -61.99, 31.97

 

CMYK 73 / 48 / 0 / 10

HEX #3D78E6

RGB 61 120 230

HSL 219.05, 0.77%, 0.57%

LAB 51.99, 18.16, -61.37

 

CMYK 0 / 70 / 73 / 10

HEX #E6453D

RGB 230 69 61

HSL 2.84, 0.77%, 0.57%

LAB 53.4, 61.28, 40.81

 

CMYK 73 / 0 / 39 / 10

HEX #3FE68C

RGB 63 230 140

HSL 147.66, 0.77%, 0.57%

LAB 81.59, -61.99, 31.97

 

CMYK 40 / 73 / 0 / 10

HEX #893DE6

RGB 137 61 230

HSL 266.98, 0.77%, 0.57%

LAB 44.76, 63.8, -72.85

 

CMYK 0 / 40 / 73 / 10

HEX #E6893D

RGB 230 137 61

HSL 26.98, 0.77%, 0.57%

LAB 65.79, 29.57, 54.07

 

CMYK 73 / 0 / 39 / 10

HEX #3FE68C

RGB 63 230 140

HSL 147.66, 0.77%, 0.57%

LAB 81.59, -61.99, 31.97

 

CMYK 73 / 48 / 0 / 10

HEX #3D78E6

RGB 61 120 230

HSL 219.05, 0.77%, 0.57%

LAB 51.99, 18.16, -61.37

 

CMYK 0 / 73 / 33 / 10

HEX #E63D9A

RGB 230 61 154

HSL 326.98, 0.77%, 0.57%

LAB 54.55, 71.03, -12.44

 

CMYK 0 / 26 / 73 / 10

HEX #E6AB3D

RGB 230 171 61

HSL 39.05, 0.77%, 0.57%

LAB 73.73, 11.51, 62.08

 

CMYK 73 / 0 / 39 / 10

HEX #3FE68C

RGB 63 230 140

HSL 147.66, 0.77%, 0.57%

LAB 81.59, -61.99, 31.97

 

CMYK 73 / 70 / 0 / 10

HEX #3D45E6

RGB 61 69 230

HSL 237.16, 0.77%, 0.57%

LAB 39.52, 49.61, -81.7

 

CMYK 0 / 73 / 33 / 10

HEX #E63D9A

RGB 230 61 154

HSL 326.98, 0.77%, 0.57%

LAB 54.55, 71.03, -12.44

 

CMYK 0 / 4 / 73 / 10

HEX #E6DD3D

RGB 230 221 61

HSL 56.8, 0.77%, 0.57%

LAB 86.44, -14.24, 74.3

 

Description

Color code: HEX #3FE68C | qconv.com Color code: HEX #3FE68C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 230 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 230 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 39 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 39% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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