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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FE5BE it is the complementary color #C01A41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FE5BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FE5BE shade: #44E5B9, #55F7CC, #66FFDF, #77FFF2 and #88FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FE5BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FE5BE shade: #3FE5BE, #2ED3AB, #1DC198, #0CAF85 and #009D72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FE5BE shade: #3EE5BE, #3EE591, #3EE564, #45E53E and #72E53E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FE5BE shade: #3EE5BE, #3EDFE5, #3EB2E5, #3E85E5 and #3E58E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FE5BE shade matches the following richer shades: #3EE5BE and #2CF6C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FE5BE shade: #3EE5BE, #50D3B4, #61C1AB, #73AFA1 and #859E98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FE5BE shade: #3EE562, #3EE58F, #3EE5BB, #3EE2E5 and #3EB5E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FE5BE shade: #19B792, #1EDCAF, #3EE5BE, #62EACA and #87EFD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FE5BE shade: #3FE5BE, #3E46E5 and #E5783E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FE5BE shade: #3FE5BE, #BB3EE5 and #E5BB3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FE5BE shade: #3FE5BE, #3E46E5, #E53E68 and #E5DC3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FE5BE shade: #3FE5BE, #683EE5, #E53E68 and #BBE53E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 17 / 10

HEX #3FE5BE

RGB 63 229 190

HSL 165.9, 0.76%, 0.57%

LAB 82.28, -50.92, 6.97

 

Complementary color

CMYK 0 / 86 / 66 / 25

HEX #C01A41

RGB 192 26 65

HSL 345.9, 0.76%, 0.43%

LAB 41.73, 63.02, 22.74

 

CMYK 70 / 0 / 19 / 10

HEX #44E5B9

RGB 68 229 185

HSL 163.6, 0.76%, 0.58%

LAB 82.26, -51.46, 9.58

 

CMYK 66 / 0 / 17 / 3

HEX #55F7CC

RGB 85 247 204

HSL 164.07, 0.91%, 0.65%

LAB 88.36, -51.91, 8.43

 

CMYK 60 / 0 / 13 / 0

HEX #66FFDF

RGB 102 255 223

HSL 167.45, 1%, 0.7%

LAB 91.54, -47.99, 3.22

 

CMYK 53 / 0 / 5 / 0

HEX #77FFF2

RGB 119 255 242

HSL 174.26, 1%, 0.73%

LAB 92.51, -40.24, -5.14

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 72 / 0 / 17 / 10

HEX #3FE5BE

RGB 63 229 190

HSL 165.9, 0.76%, 0.57%

LAB 82.28, -50.92, 6.97

 

CMYK 78 / 0 / 19 / 17

HEX #2ED3AB

RGB 46 211 171

HSL 165.45, 0.65%, 0.5%

LAB 76.14, -50.13, 8.22

 

CMYK 85 / 0 / 21 / 24

HEX #1DC198

RGB 29 193 152

HSL 165, 0.74%, 0.44%

LAB 69.94, -49.04, 9.59

 

CMYK 93 / 0 / 24 / 31

HEX #0CAF85

RGB 12 175 133

HSL 164.54, 0.87%, 0.37%

LAB 63.7, -47.55, 11.13

 

CMYK 100 / 0 / 27 / 38

HEX #009D72

RGB 0 157 114

HSL 163.57, 1%, 0.31%

LAB 57.39, -45.59, 12.83

 

CMYK 73 / 0 / 17 / 10

HEX #3EE5BE

RGB 62 229 190

HSL 165.99, 0.76%, 0.57%

LAB 82.26, -51.04, 6.94

 

CMYK 73 / 0 / 37 / 10

HEX #3EE591

RGB 62 229 145

HSL 149.82, 0.76%, 0.57%

LAB 81.35, -60.83, 29.11

 

CMYK 73 / 0 / 56 / 10

HEX #3EE564

RGB 62 229 100

HSL 133.65, 0.76%, 0.57%

LAB 80.73, -68, 50.23

 

CMYK 70 / 0 / 73 / 10

HEX #45E53E

RGB 69 229 62

HSL 117.49, 0.76%, 0.57%

LAB 80.54, -70.7, 65.43

 

CMYK 50 / 0 / 73 / 10

HEX #72E53E

RGB 114 229 62

HSL 101.32, 0.76%, 0.57%

LAB 81.82, -60.44, 67.13

 

CMYK 73 / 0 / 17 / 10

HEX #3EE5BE

RGB 62 229 190

HSL 165.99, 0.76%, 0.57%

LAB 82.26, -51.04, 6.94

 

CMYK 73 / 3 / 0 / 10

HEX #3EDFE5

RGB 62 223 229

HSL 182.16, 0.76%, 0.57%

LAB 81.54, -38.04, -14.79

 

CMYK 73 / 22 / 0 / 10

HEX #3EB2E5

RGB 62 178 229

HSL 198.32, 0.76%, 0.57%

LAB 68.4, -15.79, -34.85

 

CMYK 73 / 42 / 0 / 10

HEX #3E85E5

RGB 62 133 229

HSL 214.49, 0.76%, 0.57%

LAB 55.54, 9.92, -55.12

 

CMYK 73 / 62 / 0 / 10

HEX #3E58E5

RGB 62 88 229

HSL 230.66, 0.76%, 0.57%

LAB 43.74, 37.99, -74.2

 

CMYK 73 / 0 / 17 / 10

HEX #3EE5BE

RGB 62 229 190

HSL 165.99, 0.76%, 0.57%

LAB 82.26, -51.04, 6.94

 

CMYK 82 / 0 / 19 / 4

HEX #2CF6C7

RGB 44 246 199

HSL 166.04, 0.92%, 0.57%

LAB 87.28, -57.48, 9.38

 

CMYK 73 / 0 / 17 / 10

HEX #3EE5BE

RGB 62 229 190

HSL 165.99, 0.76%, 0.57%

LAB 82.26, -51.04, 6.94

 

CMYK 62 / 0 / 15 / 17

HEX #50D3B4

RGB 80 211 180

HSL 165.8, 0.6%, 0.57%

LAB 77.03, -43.17, 4.78

 

CMYK 50 / 0 / 11 / 24

HEX #61C1AB

RGB 97 193 171

HSL 166.25, 0.44%, 0.57%

LAB 71.97, -33.74, 2.38

 

CMYK 34 / 0 / 8 / 31

HEX #73AFA1

RGB 115 175 161

HSL 166, 0.27%, 0.57%

LAB 67.19, -22.6, 1

 

CMYK 16 / 0 / 4 / 38

HEX #859E98

RGB 133 158 152

HSL 165.6, 0.11%, 0.57%

LAB 63.1, -9.98, 0.2

 

CMYK 73 / 0 / 57 / 10

HEX #3EE562

RGB 62 229 98

HSL 132.93, 0.76%, 0.57%

LAB 80.71, -68.25, 51.11

 

CMYK 73 / 0 / 38 / 10

HEX #3EE58F

RGB 62 229 143

HSL 149.1, 0.76%, 0.57%

LAB 81.32, -61.21, 30.08

 

CMYK 73 / 0 / 18 / 10

HEX #3EE5BB

RGB 62 229 187

HSL 164.91, 0.76%, 0.57%

LAB 82.19, -51.77, 8.42

 

CMYK 73 / 1 / 0 / 10

HEX #3EE2E5

RGB 62 226 229

HSL 181.08, 0.76%, 0.57%

LAB 82.42, -39.41, -13.48

 

CMYK 73 / 21 / 0 / 10

HEX #3EB5E5

RGB 62 181 229

HSL 197.25, 0.76%, 0.57%

LAB 69.28, -17.38, -33.5

 

CMYK 86 / 0 / 20 / 28

HEX #19B792

RGB 25 183 146

HSL 165.95, 0.76%, 0.41%

LAB 66.63, -46.77, 8.15

 

CMYK 86 / 0 / 20 / 14

HEX #1EDCAF

RGB 30 220 175

HSL 165.79, 0.76%, 0.49%

LAB 78.79, -54.09, 9.84

 

CMYK 73 / 0 / 17 / 10

HEX #3EE5BE

RGB 62 229 190

HSL 165.99, 0.76%, 0.57%

LAB 82.26, -51.04, 6.94

 

CMYK 58 / 0 / 14 / 8

HEX #62EACA

RGB 98 234 202

HSL 165.88, 0.76%, 0.65%

LAB 84.85, -44.64, 4.46

 

CMYK 44 / 0 / 10 / 6

HEX #87EFD6

RGB 135 239 214

HSL 165.58, 0.76%, 0.73%

LAB 87.84, -36.07, 2.67

 

CMYK 72 / 0 / 17 / 10

HEX #3FE5BE

RGB 63 229 190

HSL 165.9, 0.76%, 0.57%

LAB 82.28, -50.92, 6.97

 

CMYK 73 / 69 / 0 / 10

HEX #3E46E5

RGB 62 70 229

HSL 237.13, 0.76%, 0.57%

LAB 39.68, 48.8, -80.86

 

CMYK 0 / 48 / 73 / 10

HEX #E5783E

RGB 229 120 62

HSL 20.84, 0.76%, 0.57%

LAB 62.03, 38.04, 49.63

 

CMYK 72 / 0 / 17 / 10

HEX #3FE5BE

RGB 63 229 190

HSL 165.9, 0.76%, 0.57%

LAB 82.28, -50.92, 6.97

 

CMYK 18 / 73 / 0 / 10

HEX #BB3EE5

RGB 187 62 229

HSL 284.91, 0.76%, 0.57%

LAB 51.46, 72.19, -61.11

 

CMYK 0 / 18 / 73 / 10

HEX #E5BB3E

RGB 229 187 62

HSL 44.91, 0.76%, 0.57%

LAB 77.61, 2.7, 65.46

 

CMYK 72 / 0 / 17 / 10

HEX #3FE5BE

RGB 63 229 190

HSL 165.9, 0.76%, 0.57%

LAB 82.28, -50.92, 6.97

 

CMYK 73 / 69 / 0 / 10

HEX #3E46E5

RGB 62 70 229

HSL 237.13, 0.76%, 0.57%

LAB 39.68, 48.8, -80.86

 

CMYK 0 / 73 / 55 / 10

HEX #E53E68

RGB 229 62 104

HSL 344.91, 0.76%, 0.57%

LAB 53.06, 65.86, 15.22

 

CMYK 0 / 4 / 73 / 10

HEX #E5DC3E

RGB 229 220 62

HSL 56.77, 0.76%, 0.57%

LAB 86.1, -14.12, 73.62

 

CMYK 72 / 0 / 17 / 10

HEX #3FE5BE

RGB 63 229 190

HSL 165.9, 0.76%, 0.57%

LAB 82.28, -50.92, 6.97

 

CMYK 55 / 73 / 0 / 10

HEX #683EE5

RGB 104 62 229

HSL 255.09, 0.76%, 0.57%

LAB 41.29, 58.07, -78.11

 

CMYK 0 / 73 / 55 / 10

HEX #E53E68

RGB 229 62 104

HSL 344.91, 0.76%, 0.57%

LAB 53.06, 65.86, 15.22

 

CMYK 18 / 0 / 73 / 10

HEX #BBE53E

RGB 187 229 62

HSL 75.09, 0.76%, 0.57%

LAB 85.48, -35.45, 71.95

 

Description

Color code: HEX #3FE5BE | qconv.com Color code: HEX #3FE5BE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 229 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 229 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 17 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 17% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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