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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FE5B8 it is the complementary color #C01A47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FE5B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FE5B8 shade: #44E5B3, #55F7C6, #66FFD9, #77FFEC and #88FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FE5B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FE5B8 shade: #3FE5B8, #2ED3A5, #1DC192, #0CAF7F and #009D6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FE5B8 shade: #3EE5B7, #3EE58B, #3EE55E, #4BE53E and #78E53E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FE5B8 shade: #3EE5B7, #3EE5E4, #3EB8E5, #3E8BE5 and #3E5EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FE5B8 shade matches the following richer shades: #3EE5B7 and #2CF6C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FE5B8 shade: #3EE5B7, #50D3AF, #61C1A7, #73AF9F and #859E97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FE5B8 shade: #3EE55D, #3EE589, #3EE5B5, #3EE5E2 and #3EBBE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FE5B8 shade: #19B78C, #1EDCA8, #3EE5B7, #62EAC5 and #87EFD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FE5B8 shade: #3FE5B8, #3E4CE5 and #E5733E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FE5B8 shade: #3FE5B8, #B53EE5 and #E5B53E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FE5B8 shade: #3FE5B8, #3E4CE5, #E53E6D and #E5D73E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FE5B8 shade: #3FE5B8, #623EE5, #E53E6D and #C1E53E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 20 / 10

HEX #3FE5B8

RGB 63 229 184

HSL 163.73, 0.76%, 0.57%

LAB 82.14, -52.36, 9.93

 

Complementary color

CMYK 0 / 86 / 63 / 25

HEX #C01A47

RGB 192 26 71

HSL 343.73, 0.76%, 0.43%

LAB 41.85, 63.35, 19.12

 

CMYK 70 / 0 / 22 / 10

HEX #44E5B3

RGB 68 229 179

HSL 161.37, 0.76%, 0.58%

LAB 82.12, -52.86, 12.55

 

CMYK 66 / 0 / 20 / 3

HEX #55F7C6

RGB 85 247 198

HSL 161.85, 0.91%, 0.65%

LAB 88.22, -53.29, 11.35

 

CMYK 60 / 0 / 15 / 0

HEX #66FFD9

RGB 102 255 217

HSL 165.1, 1%, 0.7%

LAB 91.39, -49.4, 6.11

 

CMYK 53 / 0 / 7 / 0

HEX #77FFEC

RGB 119 255 236

HSL 171.62, 1%, 0.73%

LAB 92.35, -41.71, -2.26

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 72 / 0 / 20 / 10

HEX #3FE5B8

RGB 63 229 184

HSL 163.73, 0.76%, 0.57%

LAB 82.14, -52.36, 9.93

 

CMYK 78 / 0 / 22 / 17

HEX #2ED3A5

RGB 46 211 165

HSL 163.27, 0.65%, 0.5%

LAB 76, -51.59, 11.23

 

CMYK 85 / 0 / 24 / 24

HEX #1DC192

RGB 29 193 146

HSL 162.8, 0.74%, 0.44%

LAB 69.81, -50.51, 12.66

 

CMYK 93 / 0 / 27 / 31

HEX #0CAF7F

RGB 12 175 127

HSL 162.33, 0.87%, 0.37%

LAB 63.57, -49.01, 14.24

 

CMYK 100 / 0 / 31 / 38

HEX #009D6C

RGB 0 157 108

HSL 161.27, 1%, 0.31%

LAB 57.27, -47.03, 16

 

CMYK 73 / 0 / 20 / 10

HEX #3EE5B7

RGB 62 229 183

HSL 163.47, 0.76%, 0.57%

LAB 82.1, -52.72, 10.4

 

CMYK 73 / 0 / 39 / 10

HEX #3EE58B

RGB 62 229 139

HSL 147.66, 0.76%, 0.57%

LAB 81.25, -61.95, 32.02

 

CMYK 73 / 0 / 59 / 10

HEX #3EE55E

RGB 62 229 94

HSL 131.5, 0.76%, 0.57%

LAB 80.67, -68.74, 52.84

 

CMYK 67 / 0 / 73 / 10

HEX #4BE53E

RGB 75 229 62

HSL 115.33, 0.76%, 0.57%

LAB 80.67, -69.62, 65.6

 

CMYK 48 / 0 / 73 / 10

HEX #78E53E

RGB 120 229 62

HSL 99.16, 0.76%, 0.57%

LAB 82.04, -58.73, 67.43

 

CMYK 73 / 0 / 20 / 10

HEX #3EE5B7

RGB 62 229 183

HSL 163.47, 0.76%, 0.57%

LAB 82.1, -52.72, 10.4

 

CMYK 73 / 0 / 0 / 10

HEX #3EE5E4

RGB 62 229 228

HSL 179.64, 0.76%, 0.57%

LAB 83.27, -41.05, -11.68

 

CMYK 73 / 20 / 0 / 10

HEX #3EB8E5

RGB 62 184 229

HSL 196.17, 0.76%, 0.57%

LAB 70.15, -18.96, -32.15

 

CMYK 73 / 39 / 0 / 10

HEX #3E8BE5

RGB 62 139 229

HSL 212.34, 0.76%, 0.57%

LAB 57.22, 6.3, -52.44

 

CMYK 73 / 59 / 0 / 10

HEX #3E5EE5

RGB 62 94 229

HSL 228.5, 0.76%, 0.57%

LAB 45.2, 34.25, -71.81

 

CMYK 73 / 0 / 20 / 10

HEX #3EE5B7

RGB 62 229 183

HSL 163.47, 0.76%, 0.57%

LAB 82.1, -52.72, 10.4

 

CMYK 82 / 0 / 22 / 4

HEX #2CF6C0

RGB 44 246 192

HSL 163.96, 0.92%, 0.57%

LAB 87.12, -59.14, 12.8

 

CMYK 73 / 0 / 20 / 10

HEX #3EE5B7

RGB 62 229 183

HSL 163.47, 0.76%, 0.57%

LAB 82.1, -52.72, 10.4

 

CMYK 62 / 0 / 17 / 17

HEX #50D3AF

RGB 80 211 175

HSL 163.51, 0.6%, 0.57%

LAB 76.91, -44.38, 7.28

 

CMYK 50 / 0 / 13 / 24

HEX #61C1A7

RGB 97 193 167

HSL 163.75, 0.44%, 0.57%

LAB 71.87, -34.69, 4.41

 

CMYK 34 / 0 / 9 / 31

HEX #73AF9F

RGB 115 175 159

HSL 164, 0.27%, 0.57%

LAB 67.13, -23.05, 2.03

 

CMYK 16 / 0 / 4 / 38

HEX #859E97

RGB 133 158 151

HSL 163.2, 0.11%, 0.57%

LAB 63.07, -10.19, 0.72

 

CMYK 73 / 0 / 59 / 10

HEX #3EE55D

RGB 62 229 93

HSL 131.14, 0.76%, 0.57%

LAB 80.66, -68.86, 53.27

 

CMYK 73 / 0 / 40 / 10

HEX #3EE589

RGB 62 229 137

HSL 146.95, 0.76%, 0.57%

LAB 81.22, -62.31, 32.99

 

CMYK 73 / 0 / 21 / 10

HEX #3EE5B5

RGB 62 229 181

HSL 162.75, 0.76%, 0.57%

LAB 82.05, -53.19, 11.38

 

CMYK 73 / 0 / 1 / 10

HEX #3EE5E2

RGB 62 229 226

HSL 178.92, 0.76%, 0.57%

LAB 83.21, -41.61, -10.71

 

CMYK 73 / 18 / 0 / 10

HEX #3EBBE5

RGB 62 187 229

HSL 195.09, 0.76%, 0.57%

LAB 71.02, -20.51, -30.8

 

CMYK 86 / 0 / 23 / 28

HEX #19B78C

RGB 25 183 140

HSL 163.67, 0.76%, 0.41%

LAB 66.49, -48.27, 11.24

 

CMYK 86 / 0 / 24 / 14

HEX #1EDCA8

RGB 30 220 168

HSL 163.58, 0.76%, 0.49%

LAB 78.63, -55.77, 13.33

 

CMYK 73 / 0 / 20 / 10

HEX #3EE5B7

RGB 62 229 183

HSL 163.47, 0.76%, 0.57%

LAB 82.1, -52.72, 10.4

 

CMYK 58 / 0 / 16 / 8

HEX #62EAC5

RGB 98 234 197

HSL 163.68, 0.76%, 0.65%

LAB 84.73, -45.81, 6.91

 

CMYK 44 / 0 / 12 / 6

HEX #87EFD2

RGB 135 239 210

HSL 163.27, 0.76%, 0.73%

LAB 87.75, -36.96, 4.62

 

CMYK 72 / 0 / 20 / 10

HEX #3FE5B8

RGB 63 229 184

HSL 163.73, 0.76%, 0.57%

LAB 82.14, -52.36, 9.93

 

CMYK 73 / 67 / 0 / 10

HEX #3E4CE5

RGB 62 76 229

HSL 234.97, 0.76%, 0.57%

LAB 40.98, 45.29, -78.73

 

CMYK 0 / 50 / 73 / 10

HEX #E5733E

RGB 229 115 62

HSL 19.04, 0.76%, 0.57%

LAB 61.02, 40.57, 48.55

 

CMYK 72 / 0 / 20 / 10

HEX #3FE5B8

RGB 63 229 184

HSL 163.73, 0.76%, 0.57%

LAB 82.14, -52.36, 9.93

 

CMYK 21 / 73 / 0 / 10

HEX #B53EE5

RGB 181 62 229

HSL 282.75, 0.76%, 0.57%

LAB 50.6, 71.04, -62.54

 

CMYK 0 / 21 / 73 / 10

HEX #E5B53E

RGB 229 181 62

HSL 42.75, 0.76%, 0.57%

LAB 76.1, 5.84, 63.99

 

CMYK 72 / 0 / 20 / 10

HEX #3FE5B8

RGB 63 229 184

HSL 163.73, 0.76%, 0.57%

LAB 82.14, -52.36, 9.93

 

CMYK 73 / 67 / 0 / 10

HEX #3E4CE5

RGB 62 76 229

HSL 234.97, 0.76%, 0.57%

LAB 40.98, 45.29, -78.73

 

CMYK 0 / 73 / 52 / 10

HEX #E53E6D

RGB 229 62 109

HSL 343.11, 0.76%, 0.57%

LAB 53.18, 66.24, 12.38

 

CMYK 0 / 6 / 73 / 10

HEX #E5D73E

RGB 229 215 62

HSL 54.97, 0.76%, 0.57%

LAB 84.8, -11.63, 72.38

 

CMYK 72 / 0 / 20 / 10

HEX #3FE5B8

RGB 63 229 184

HSL 163.73, 0.76%, 0.57%

LAB 82.14, -52.36, 9.93

 

CMYK 57 / 73 / 0 / 10

HEX #623EE5

RGB 98 62 229

HSL 252.93, 0.76%, 0.57%

LAB 40.73, 57.26, -79.04

 

CMYK 0 / 73 / 52 / 10

HEX #E53E6D

RGB 229 62 109

HSL 343.11, 0.76%, 0.57%

LAB 53.18, 66.24, 12.38

 

CMYK 16 / 0 / 73 / 10

HEX #C1E53E

RGB 193 229 62

HSL 72.93, 0.76%, 0.57%

LAB 85.87, -33.1, 72.46

 

Description

Color code: HEX #3FE5B8 | qconv.com Color code: HEX #3FE5B8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 229 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 229 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 20 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 20% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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