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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FE5AC it is the complementary color #C01A53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FE5AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FE5AC shade: #44E5A7, #55F7BA, #66FFCD, #77FFE0 and #88FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FE5AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FE5AC shade: #3FE5AC, #2ED399, #1DC186, #0CAF73 and #009D60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FE5AC shade: #3EE5AB, #3EE57F, #3EE552, #57E53E and #84E53E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FE5AC shade: #3EE5AB, #3EE5D8, #3EC4E5, #3E97E5 and #3E6AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FE5AC shade matches the following richer shades: #3EE5AB and #2CF6B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FE5AC shade: #3EE5AB, #50D3A6, #61C1A0, #73AF9B and #859E95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FE5AC shade: #3EE551, #3EE57E, #3EE5AA, #3EE5D7 and #3EC6E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FE5AC shade: #19B781, #1EDC9A, #3EE5AB, #62EABB and #87EFCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FE5AC shade: #3FE5AC, #3E57E5 and #E5683E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FE5AC shade: #3FE5AC, #AA3EE5 and #E5AA3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FE5AC shade: #3FE5AC, #3E57E5, #E53E78 and #E5CC3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FE5AC shade: #3FE5AC, #573EE5, #E53E78 and #CCE53E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 25 / 10

HEX #3FE5AC

RGB 63 229 172

HSL 159.4, 0.76%, 0.57%

LAB 81.88, -55.12, 15.86

 

Complementary color

CMYK 0 / 86 / 57 / 25

HEX #C01A53

RGB 192 26 83

HSL 339.4, 0.76%, 0.43%

LAB 42.11, 64.11, 11.91

 

CMYK 70 / 0 / 27 / 10

HEX #44E5A7

RGB 68 229 167

HSL 156.89, 0.76%, 0.58%

LAB 81.87, -55.53, 18.47

 

CMYK 66 / 0 / 25 / 3

HEX #55F7BA

RGB 85 247 186

HSL 157.41, 0.91%, 0.65%

LAB 87.97, -55.94, 17.19

 

CMYK 60 / 0 / 20 / 0

HEX #66FFCD

RGB 102 255 205

HSL 160.39, 1%, 0.7%

LAB 91.12, -52.12, 11.91

 

CMYK 53 / 0 / 12 / 0

HEX #77FFE0

RGB 119 255 224

HSL 166.32, 1%, 0.73%

LAB 92.05, -44.54, 3.51

 

CMYK 47 / 0 / 5 / 0

HEX #88FFF3

RGB 136 255 243

HSL 173.95, 1%, 0.77%

LAB 93.11, -36.47, -4.7

 

CMYK 72 / 0 / 25 / 10

HEX #3FE5AC

RGB 63 229 172

HSL 159.4, 0.76%, 0.57%

LAB 81.88, -55.12, 15.86

 

CMYK 78 / 0 / 27 / 17

HEX #2ED399

RGB 46 211 153

HSL 158.91, 0.65%, 0.5%

LAB 75.74, -54.36, 17.25

 

CMYK 85 / 0 / 31 / 24

HEX #1DC186

RGB 29 193 134

HSL 158.41, 0.74%, 0.44%

LAB 69.56, -53.28, 18.77

 

CMYK 93 / 0 / 34 / 31

HEX #0CAF73

RGB 12 175 115

HSL 157.91, 0.87%, 0.37%

LAB 63.32, -51.75, 20.46

 

CMYK 100 / 0 / 39 / 38

HEX #009D60

RGB 0 157 96

HSL 156.69, 1%, 0.31%

LAB 57.03, -49.69, 22.31

 

CMYK 73 / 0 / 25 / 10

HEX #3EE5AB

RGB 62 229 171

HSL 159.16, 0.76%, 0.57%

LAB 81.84, -55.47, 16.33

 

CMYK 73 / 0 / 45 / 10

HEX #3EE57F

RGB 62 229 127

HSL 143.35, 0.76%, 0.57%

LAB 81.07, -64.03, 37.79

 

CMYK 73 / 0 / 64 / 10

HEX #3EE552

RGB 62 229 82

HSL 127.19, 0.76%, 0.57%

LAB 80.56, -70.07, 57.83

 

CMYK 62 / 0 / 73 / 10

HEX #57E53E

RGB 87 229 62

HSL 111.02, 0.76%, 0.57%

LAB 80.97, -67.19, 65.99

 

CMYK 42 / 0 / 73 / 10

HEX #84E53E

RGB 132 229 62

HSL 94.85, 0.76%, 0.57%

LAB 82.54, -55.08, 68.08

 

CMYK 73 / 0 / 25 / 10

HEX #3EE5AB

RGB 62 229 171

HSL 159.16, 0.76%, 0.57%

LAB 81.84, -55.47, 16.33

 

CMYK 73 / 0 / 6 / 10

HEX #3EE5D8

RGB 62 229 216

HSL 175.33, 0.76%, 0.57%

LAB 82.92, -44.35, -5.84

 

CMYK 73 / 14 / 0 / 10

HEX #3EC4E5

RGB 62 196 229

HSL 191.86, 0.76%, 0.57%

LAB 73.65, -25.1, -26.76

 

CMYK 73 / 34 / 0 / 10

HEX #3E97E5

RGB 62 151 229

HSL 208.02, 0.76%, 0.57%

LAB 60.62, -0.77, -47.05

 

CMYK 73 / 54 / 0 / 10

HEX #3E6AE5

RGB 62 106 229

HSL 224.19, 0.76%, 0.57%

LAB 48.25, 26.7, -66.86

 

CMYK 73 / 0 / 25 / 10

HEX #3EE5AB

RGB 62 229 171

HSL 159.16, 0.76%, 0.57%

LAB 81.84, -55.47, 16.33

 

CMYK 82 / 0 / 28 / 4

HEX #2CF6B1

RGB 44 246 177

HSL 159.5, 0.92%, 0.57%

LAB 86.81, -62.52, 20.11

 

CMYK 73 / 0 / 25 / 10

HEX #3EE5AB

RGB 62 229 171

HSL 159.16, 0.76%, 0.57%

LAB 81.84, -55.47, 16.33

 

CMYK 62 / 0 / 21 / 17

HEX #50D3A6

RGB 80 211 166

HSL 159.39, 0.6%, 0.57%

LAB 76.71, -46.47, 11.79

 

CMYK 50 / 0 / 17 / 24

HEX #61C1A0

RGB 97 193 160

HSL 159.38, 0.44%, 0.57%

LAB 71.7, -36.3, 7.97

 

CMYK 34 / 0 / 11 / 31

HEX #73AF9B

RGB 115 175 155

HSL 160, 0.27%, 0.57%

LAB 67.03, -23.94, 4.1

 

CMYK 16 / 0 / 6 / 38

HEX #859E95

RGB 133 158 149

HSL 158.4, 0.11%, 0.57%

LAB 63.02, -10.61, 1.77

 

CMYK 73 / 0 / 65 / 10

HEX #3EE551

RGB 62 229 81

HSL 126.83, 0.76%, 0.57%

LAB 80.55, -70.17, 58.23

 

CMYK 73 / 0 / 45 / 10

HEX #3EE57E

RGB 62 229 126

HSL 142.99, 0.76%, 0.57%

LAB 81.05, -64.2, 38.27

 

CMYK 73 / 0 / 26 / 10

HEX #3EE5AA

RGB 62 229 170

HSL 158.8, 0.76%, 0.57%

LAB 81.82, -55.69, 16.82

 

CMYK 73 / 0 / 6 / 10

HEX #3EE5D7

RGB 62 229 215

HSL 174.97, 0.76%, 0.57%

LAB 82.9, -44.62, -5.35

 

CMYK 73 / 14 / 0 / 10

HEX #3EC6E5

RGB 62 198 229

HSL 191.14, 0.76%, 0.57%

LAB 74.23, -26.1, -25.87

 

CMYK 86 / 0 / 30 / 28

HEX #19B781

RGB 25 183 129

HSL 159.49, 0.76%, 0.41%

LAB 66.26, -50.87, 16.91

 

CMYK 86 / 0 / 30 / 14

HEX #1EDC9A

RGB 30 220 154

HSL 159.16, 0.76%, 0.49%

LAB 78.34, -58.95, 20.3

 

CMYK 73 / 0 / 25 / 10

HEX #3EE5AB

RGB 62 229 171

HSL 159.16, 0.76%, 0.57%

LAB 81.84, -55.47, 16.33

 

CMYK 58 / 0 / 20 / 8

HEX #62EABB

RGB 98 234 187

HSL 159.26, 0.76%, 0.65%

LAB 84.5, -48.08, 11.83

 

CMYK 44 / 0 / 15 / 6

HEX #87EFCB

RGB 135 239 203

HSL 159.23, 0.76%, 0.73%

LAB 87.58, -38.48, 8.03

 

CMYK 72 / 0 / 25 / 10

HEX #3FE5AC

RGB 63 229 172

HSL 159.4, 0.76%, 0.57%

LAB 81.88, -55.12, 15.86

 

CMYK 73 / 62 / 0 / 10

HEX #3E57E5

RGB 62 87 229

HSL 231.02, 0.76%, 0.57%

LAB 43.5, 38.6, -74.59

 

CMYK 0 / 55 / 73 / 10

HEX #E5683E

RGB 229 104 62

HSL 15.09, 0.76%, 0.57%

LAB 58.89, 45.98, 46.26

 

CMYK 72 / 0 / 25 / 10

HEX #3FE5AC

RGB 63 229 172

HSL 159.4, 0.76%, 0.57%

LAB 81.88, -55.12, 15.86

 

CMYK 26 / 73 / 0 / 10

HEX #AA3EE5

RGB 170 62 229

HSL 278.8, 0.76%, 0.57%

LAB 49.07, 68.97, -65.09

 

CMYK 0 / 26 / 73 / 10

HEX #E5AA3E

RGB 229 170 62

HSL 38.8, 0.76%, 0.57%

LAB 73.39, 11.66, 61.3

 

CMYK 72 / 0 / 25 / 10

HEX #3FE5AC

RGB 63 229 172

HSL 159.4, 0.76%, 0.57%

LAB 81.88, -55.12, 15.86

 

CMYK 73 / 62 / 0 / 10

HEX #3E57E5

RGB 62 87 229

HSL 231.02, 0.76%, 0.57%

LAB 43.5, 38.6, -74.59

 

CMYK 0 / 73 / 48 / 10

HEX #E53E78

RGB 229 62 120

HSL 339.16, 0.76%, 0.57%

LAB 53.45, 67.13, 6.17

 

CMYK 0 / 11 / 73 / 10

HEX #E5CC3E

RGB 229 204 62

HSL 51.02, 0.76%, 0.57%

LAB 81.94, -6.08, 69.66

 

CMYK 72 / 0 / 25 / 10

HEX #3FE5AC

RGB 63 229 172

HSL 159.4, 0.76%, 0.57%

LAB 81.88, -55.12, 15.86

 

CMYK 62 / 73 / 0 / 10

HEX #573EE5

RGB 87 62 229

HSL 248.98, 0.76%, 0.57%

LAB 39.8, 55.88, -80.61

 

CMYK 0 / 73 / 48 / 10

HEX #E53E78

RGB 229 62 120

HSL 339.16, 0.76%, 0.57%

LAB 53.45, 67.13, 6.17

 

CMYK 11 / 0 / 73 / 10

HEX #CCE53E

RGB 204 229 62

HSL 68.98, 0.76%, 0.57%

LAB 86.61, -28.73, 73.44

 

Description

Color code: HEX #3FE5AC | qconv.com Color code: HEX #3FE5AC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 229 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 229 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 25 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 25% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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