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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FDF2B it is the complementary color #C020D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FDF2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FDF2B shade: #44DF26, #55F139, #66FF4C, #77FF5F and #88FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FDF2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FDF2B shade: #3FDF2B, #2ECD18, #1DBB05, #0CA900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FDF2B shade: #3EDF2A, #6FDF2A, #A0DF2A, #D1DF2A and #DFBD2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FDF2B shade: #3EDF2A, #2ADF47, #2ADF78, #2ADFA8 and #2ADFD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FDF2B shade matches the following richer shades: #3EDF2A and #2FF316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FDF2B shade: #3EDF2A, #4ECB3E, #5DB852, #6CA465 and #7C9079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FDF2B shade: #A0DF2A, #6FDF2A, #3FDF2A, #2ADF45 and #2ADF76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FDF2B shade: #279F18, #30C31D, #3EDF2A, #5FE54E and #7FEA72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FDF2B shade: #3FDF2B, #2AD0DF and #DF2A88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FDF2B shade: #3FDF2B, #2A3FDF and #DF2A3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FDF2B shade: #3FDF2B, #2AD0DF, #CA2ADF and #DF392A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FDF2B shade: #3FDF2B, #2A9ADF, #CA2ADF and #DF6F2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 81 / 13

HEX #3FDF2B

RGB 63 223 43

HSL 113.33, 0.74%, 0.52%

LAB 78.47, -71.06, 69.2

 

Complementary color

CMYK 9 / 85 / 0 / 17

HEX #C020D4

RGB 192 32 212

HSL 293.33, 0.74%, 0.48%

LAB 48.25, 78.47, -56.55

 

CMYK 70 / 0 / 83 / 13

HEX #44DF26

RGB 68 223 38

HSL 110.27, 0.74%, 0.51%

LAB 78.55, -70.45, 70.57

 

CMYK 65 / 0 / 76 / 5

HEX #55F139

RGB 85 241 57

HSL 110.87, 0.87%, 0.58%

LAB 84.55, -71.86, 71.12

 

CMYK 60 / 0 / 70 / 0

HEX #66FF4C

RGB 102 255 76

HSL 111.28, 1%, 0.65%

LAB 89.33, -71.54, 69.75

 

CMYK 53 / 0 / 63 / 0

HEX #77FF5F

RGB 119 255 95

HSL 111, 1%, 0.69%

LAB 89.98, -65.88, 63.36

 

CMYK 47 / 0 / 55 / 0

HEX #88FF72

RGB 136 255 114

HSL 110.64, 1%, 0.72%

LAB 90.77, -59.41, 56.31

 

CMYK 72 / 0 / 81 / 13

HEX #3FDF2B

RGB 63 223 43

HSL 113.33, 0.74%, 0.52%

LAB 78.47, -71.06, 69.2

 

CMYK 78 / 0 / 88 / 20

HEX #2ECD18

RGB 46 205 24

HSL 112.71, 0.79%, 0.45%

LAB 72.43, -69.05, 68.02

 

CMYK 84 / 0 / 97 / 27

HEX #1DBB05

RGB 29 187 5

HSL 112.09, 0.95%, 0.38%

LAB 66.38, -66.33, 65.54

 

CMYK 93 / 0 / 100 / 34

HEX #0CA900

RGB 12 169 0

HSL 115.74, 1%, 0.33%

LAB 60.3, -62.69, 61.21

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 72 / 0 / 81 / 13

HEX #3EDF2A

RGB 62 223 42

HSL 113.37, 0.74%, 0.52%

LAB 78.44, -71.28, 69.43

 

CMYK 50 / 0 / 81 / 13

HEX #6FDF2A

RGB 111 223 42

HSL 97.13, 0.74%, 0.52%

LAB 79.8, -60.22, 71.17

 

CMYK 28 / 0 / 81 / 13

HEX #A0DF2A

RGB 160 223 42

HSL 80.88, 0.74%, 0.52%

LAB 82.06, -43.97, 74.06

 

CMYK 6 / 0 / 81 / 13

HEX #D1DF2A

RGB 209 223 42

HSL 64.64, 0.74%, 0.52%

LAB 85.25, -24.62, 78.08

 

CMYK 0 / 15 / 81 / 13

HEX #DFBD2A

RGB 223 189 42

HSL 48.73, 0.74%, 0.52%

LAB 77.43, -1.67, 71.79

 

CMYK 72 / 0 / 81 / 13

HEX #3EDF2A

RGB 62 223 42

HSL 113.37, 0.74%, 0.52%

LAB 78.44, -71.28, 69.43

 

CMYK 81 / 0 / 68 / 13

HEX #2ADF47

RGB 42 223 71

HSL 129.61, 0.74%, 0.52%

LAB 78.3, -71.88, 59.68

 

CMYK 81 / 0 / 46 / 13

HEX #2ADF78

RGB 42 223 120

HSL 145.86, 0.74%, 0.52%

LAB 78.82, -65.54, 38.32

 

CMYK 81 / 0 / 25 / 13

HEX #2ADFA8

RGB 42 223 168

HSL 161.77, 0.74%, 0.52%

LAB 79.67, -56, 14.81

 

CMYK 81 / 0 / 3 / 13

HEX #2ADFD9

RGB 42 223 217

HSL 178.01, 0.74%, 0.52%

LAB 80.89, -43.36, -9.41

 

CMYK 72 / 0 / 81 / 13

HEX #3EDF2A

RGB 62 223 42

HSL 113.37, 0.74%, 0.52%

LAB 78.44, -71.28, 69.43

 

CMYK 81 / 0 / 91 / 5

HEX #2FF316

RGB 47 243 22

HSL 113.21, 0.9%, 0.52%

LAB 84.36, -79.87, 78.5

 

CMYK 72 / 0 / 81 / 13

HEX #3EDF2A

RGB 62 223 42

HSL 113.37, 0.74%, 0.52%

LAB 78.44, -71.28, 69.43

 

CMYK 62 / 0 / 69 / 20

HEX #4ECB3E

RGB 78 203 62

HSL 113.19, 0.58%, 0.52%

LAB 72.68, -60.32, 57.42

 

CMYK 49 / 0 / 55 / 28

HEX #5DB852

RGB 93 184 82

HSL 113.53, 0.42%, 0.52%

LAB 67.44, -47.28, 43.05

 

CMYK 34 / 0 / 38 / 36

HEX #6CA465

RGB 108 164 101

HSL 113.33, 0.26%, 0.52%

LAB 62.24, -31.12, 27.02

 

CMYK 14 / 0 / 16 / 44

HEX #7C9079

RGB 124 144 121

HSL 112.17, 0.09%, 0.52%

LAB 57.67, -11.77, 9.85

 

CMYK 28 / 0 / 81 / 13

HEX #A0DF2A

RGB 160 223 42

HSL 80.88, 0.74%, 0.52%

LAB 82.06, -43.97, 74.06

 

CMYK 50 / 0 / 81 / 13

HEX #6FDF2A

RGB 111 223 42

HSL 97.13, 0.74%, 0.52%

LAB 79.8, -60.22, 71.17

 

CMYK 72 / 0 / 81 / 13

HEX #3FDF2A

RGB 63 223 42

HSL 113.04, 0.74%, 0.52%

LAB 78.46, -71.11, 69.46

 

CMYK 81 / 0 / 69 / 13

HEX #2ADF45

RGB 42 223 69

HSL 128.95, 0.74%, 0.52%

LAB 78.28, -72.07, 60.43

 

CMYK 81 / 0 / 47 / 13

HEX #2ADF76

RGB 42 223 118

HSL 145.19, 0.74%, 0.52%

LAB 78.8, -65.87, 39.27

 

CMYK 75 / 0 / 85 / 38

HEX #279F18

RGB 39 159 24

HSL 113.33, 0.74%, 0.36%

LAB 57.36, -55.98, 54.67

 

CMYK 75 / 0 / 85 / 24

HEX #30C31D

RGB 48 195 29

HSL 113.13, 0.74%, 0.44%

LAB 69.29, -65.57, 64.24

 

CMYK 72 / 0 / 81 / 13

HEX #3EDF2A

RGB 62 223 42

HSL 113.37, 0.74%, 0.52%

LAB 78.44, -71.28, 69.43

 

CMYK 59 / 0 / 66 / 10

HEX #5FE54E

RGB 95 229 78

HSL 113.25, 0.74%, 0.6%

LAB 81.3, -64.08, 60.49

 

CMYK 46 / 0 / 51 / 8

HEX #7FEA72

RGB 127 234 114

HSL 113.5, 0.74%, 0.68%

LAB 84.26, -53.73, 48.45

 

CMYK 72 / 0 / 81 / 13

HEX #3FDF2B

RGB 63 223 43

HSL 113.33, 0.74%, 0.52%

LAB 78.47, -71.06, 69.2

 

CMYK 81 / 7 / 0 / 13

HEX #2AD0DF

RGB 42 208 223

HSL 184.97, 0.74%, 0.52%

LAB 76.64, -34.78, -19.01

 

CMYK 0 / 81 / 39 / 13

HEX #DF2A88

RGB 223 42 136

HSL 328.84, 0.74%, 0.52%

LAB 50.83, 72.71, -7.41

 

CMYK 72 / 0 / 81 / 13

HEX #3FDF2B

RGB 63 223 43

HSL 113.33, 0.74%, 0.52%

LAB 78.47, -71.06, 69.2

 

CMYK 81 / 72 / 0 / 13

HEX #2A3FDF

RGB 42 63 223

HSL 233.04, 0.74%, 0.52%

LAB 36.7, 49.23, -82.39

 

CMYK 0 / 81 / 72 / 13

HEX #DF2A3F

RGB 223 42 63

HSL 353.04, 0.74%, 0.52%

LAB 49.13, 67.65, 34.44

 

CMYK 72 / 0 / 81 / 13

HEX #3FDF2B

RGB 63 223 43

HSL 113.33, 0.74%, 0.52%

LAB 78.47, -71.06, 69.2

 

CMYK 81 / 7 / 0 / 13

HEX #2AD0DF

RGB 42 208 223

HSL 184.97, 0.74%, 0.52%

LAB 76.64, -34.78, -19.01

 

CMYK 9 / 81 / 0 / 13

HEX #CA2ADF

RGB 202 42 223

HSL 293.04, 0.74%, 0.52%

LAB 51.31, 79.82, -57.82

 

CMYK 0 / 74 / 81 / 13

HEX #DF392A

RGB 223 57 42

HSL 4.97, 0.74%, 0.52%

LAB 50.43, 62.63, 47.43

 

CMYK 72 / 0 / 81 / 13

HEX #3FDF2B

RGB 63 223 43

HSL 113.33, 0.74%, 0.52%

LAB 78.47, -71.06, 69.2

 

CMYK 81 / 31 / 0 / 13

HEX #2A9ADF

RGB 42 154 223

HSL 202.87, 0.74%, 0.52%

LAB 60.72, -6.83, -43.59

 

CMYK 9 / 81 / 0 / 13

HEX #CA2ADF

RGB 202 42 223

HSL 293.04, 0.74%, 0.52%

LAB 51.31, 79.82, -57.82

 

CMYK 0 / 50 / 81 / 13

HEX #DF6F2A

RGB 223 111 42

HSL 22.87, 0.74%, 0.52%

LAB 59.18, 39.49, 55.6

 

Description

Color code: HEX #3FDF2B | qconv.com Color code: HEX #3FDF2B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 223 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 223 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 81 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 81% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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