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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FDC36 it is the complementary color #C023C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FDC36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FDC36 shade: #44DC31, #55EE44, #66FF57, #77FF6A and #88FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FDC36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FDC36 shade: #3FDC36, #2ECA23, #1DB810, #0CA600 and #009400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FDC36 shade: #40DC38, #6DDC38, #99DC38, #C5DC38 and #DCC638

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FDC36 shade: #40DC38, #38DC5B, #38DC87, #38DCB4 and #38D8DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FDC36 shade matches the following richer shades: #40DC38 and #30EF25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FDC36 shade: #40DC38, #51C94B, #62B65E, #73A371 and #849084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FDC36 shade: #9ADC38, #6EDC38, #43DC38, #38DC58 and #38DC84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FDC36 shade: #24A41D, #2CC723, #40DC38, #62E25B and #83E87E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FDC36 shade: #3FDC36, #38C6DC and #DC3884

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FDC36 shade: #3FDC36, #3843DC and #DC3843

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FDC36 shade: #3FDC36, #38C6DC, #D138DC and #DC4D38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FDC36 shade: #3FDC36, #3895DC, #D138DC and #DC7F38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 75 / 14

HEX #3FDC36

RGB 63 220 54

HSL 116.75, 0.7%, 0.54%

LAB 77.58, -69.47, 65.11

 

Complementary color

CMYK 4 / 83 / 0 / 21

HEX #C023C9

RGB 192 35 201

HSL 296.75, 0.7%, 0.46%

LAB 47.78, 76.07, -50.96

 

CMYK 69 / 0 / 78 / 14

HEX #44DC31

RGB 68 220 49

HSL 113.33, 0.71%, 0.53%

LAB 77.66, -68.92, 66.78

 

CMYK 64 / 0 / 71 / 7

HEX #55EE44

RGB 85 238 68

HSL 114, 0.83%, 0.6%

LAB 83.7, -70.14, 66.67

 

CMYK 60 / 0 / 66 / 0

HEX #66FF57

RGB 102 255 87

HSL 114.64, 1%, 0.67%

LAB 89.41, -70.63, 65.75

 

CMYK 53 / 0 / 58 / 0

HEX #77FF6A

RGB 119 255 106

HSL 114.77, 1%, 0.71%

LAB 90.08, -64.78, 58.86

 

CMYK 47 / 0 / 51 / 0

HEX #88FF7D

RGB 136 255 125

HSL 114.92, 1%, 0.75%

LAB 90.89, -58.13, 51.47

 

CMYK 71 / 0 / 75 / 14

HEX #3FDC36

RGB 63 220 54

HSL 116.75, 0.7%, 0.54%

LAB 77.58, -69.47, 65.11

 

CMYK 77 / 0 / 83 / 21

HEX #2ECA23

RGB 46 202 35

HSL 116.05, 0.7%, 0.46%

LAB 71.52, -67.69, 64.78

 

CMYK 84 / 0 / 91 / 28

HEX #1DB810

RGB 29 184 16

HSL 115.36, 0.84%, 0.39%

LAB 65.42, -65.2, 63.31

 

CMYK 93 / 0 / 100 / 35

HEX #0CA600

RGB 12 166 0

HSL 115.66, 1%, 0.33%

LAB 59.3, -61.84, 60.41

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 71 / 0 / 75 / 14

HEX #40DC38

RGB 64 220 56

HSL 117.07, 0.7%, 0.54%

LAB 77.62, -69.16, 64.49

 

CMYK 50 / 0 / 75 / 14

HEX #6DDC38

RGB 109 220 56

HSL 100.61, 0.7%, 0.54%

LAB 78.88, -58.93, 66.17

 

CMYK 30 / 0 / 75 / 14

HEX #99DC38

RGB 153 220 56

HSL 84.51, 0.7%, 0.54%

LAB 80.87, -44.61, 68.78

 

CMYK 10 / 0 / 75 / 14

HEX #C5DC38

RGB 197 220 56

HSL 68.41, 0.7%, 0.54%

LAB 83.62, -27.58, 72.36

 

CMYK 0 / 10 / 75 / 14

HEX #DCC638

RGB 220 198 56

HSL 51.95, 0.7%, 0.54%

LAB 79.55, -7.09, 69.2

 

CMYK 71 / 0 / 75 / 14

HEX #40DC38

RGB 64 220 56

HSL 117.07, 0.7%, 0.54%

LAB 77.62, -69.16, 64.49

 

CMYK 75 / 0 / 59 / 14

HEX #38DC5B

RGB 56 220 91

HSL 132.8, 0.7%, 0.54%

LAB 77.75, -67.04, 50.76

 

CMYK 75 / 0 / 39 / 14

HEX #38DC87

RGB 56 220 135

HSL 148.9, 0.7%, 0.54%

LAB 78.33, -60.23, 30.17

 

CMYK 75 / 0 / 18 / 14

HEX #38DCB4

RGB 56 220 180

HSL 165.37, 0.7%, 0.54%

LAB 79.23, -50.51, 7.86

 

CMYK 75 / 2 / 0 / 14

HEX #38D8DC

RGB 56 216 220

HSL 181.46, 0.7%, 0.54%

LAB 79.11, -38.08, -13.65

 

CMYK 71 / 0 / 75 / 14

HEX #40DC38

RGB 64 220 56

HSL 117.07, 0.7%, 0.54%

LAB 77.62, -69.16, 64.49

 

CMYK 80 / 0 / 85 / 6

HEX #30EF25

RGB 48 239 37

HSL 116.73, 0.86%, 0.54%

LAB 83.18, -78.13, 74.83

 

CMYK 71 / 0 / 75 / 14

HEX #40DC38

RGB 64 220 56

HSL 117.07, 0.7%, 0.54%

LAB 77.62, -69.16, 64.49

 

CMYK 60 / 0 / 63 / 21

HEX #51C94B

RGB 81 201 75

HSL 117.14, 0.54%, 0.54%

LAB 72.25, -57.69, 51.67

 

CMYK 46 / 0 / 48 / 29

HEX #62B65E

RGB 98 182 94

HSL 117.27, 0.38%, 0.54%

LAB 67.17, -43.42, 36.88

 

CMYK 29 / 0 / 31 / 36

HEX #73A371

RGB 115 163 113

HSL 117.6, 0.21%, 0.54%

LAB 62.53, -26.26, 20.98

 

CMYK 8 / 0 / 8 / 44

HEX #849084

RGB 132 144 132

HSL 120, 0.05%, 0.54%

LAB 58.53, -6.73, 4.89

 

CMYK 30 / 0 / 75 / 14

HEX #9ADC38

RGB 154 220 56

HSL 84.15, 0.7%, 0.54%

LAB 80.93, -44.25, 68.85

 

CMYK 50 / 0 / 75 / 14

HEX #6EDC38

RGB 110 220 56

HSL 100.24, 0.7%, 0.54%

LAB 78.92, -58.64, 66.21

 

CMYK 70 / 0 / 75 / 14

HEX #43DC38

RGB 67 220 56

HSL 115.98, 0.7%, 0.54%

LAB 77.68, -68.64, 64.57

 

CMYK 75 / 0 / 60 / 14

HEX #38DC58

RGB 56 220 88

HSL 131.71, 0.7%, 0.54%

LAB 77.72, -67.4, 52.05

 

CMYK 75 / 0 / 40 / 14

HEX #38DC84

RGB 56 220 132

HSL 147.8, 0.7%, 0.54%

LAB 78.28, -60.78, 31.64

 

CMYK 78 / 0 / 82 / 36

HEX #24A41D

RGB 36 164 29

HSL 116.89, 0.7%, 0.38%

LAB 58.99, -57.76, 54.79

 

CMYK 78 / 0 / 82 / 22

HEX #2CC723

RGB 44 199 35

HSL 116.71, 0.7%, 0.46%

LAB 70.53, -67.06, 63.86

 

CMYK 71 / 0 / 75 / 14

HEX #40DC38

RGB 64 220 56

HSL 117.07, 0.7%, 0.54%

LAB 77.62, -69.16, 64.49

 

CMYK 57 / 0 / 60 / 11

HEX #62E25B

RGB 98 226 91

HSL 116.89, 0.7%, 0.62%

LAB 80.6, -61.01, 54.31

 

CMYK 44 / 0 / 46 / 9

HEX #83E87E

RGB 131 232 126

HSL 117.17, 0.7%, 0.7%

LAB 83.99, -50.2, 42.42

 

CMYK 71 / 0 / 75 / 14

HEX #3FDC36

RGB 63 220 54

HSL 116.75, 0.7%, 0.54%

LAB 77.58, -69.47, 65.11

 

CMYK 75 / 10 / 0 / 14

HEX #38C6DC

RGB 56 198 220

HSL 188.05, 0.7%, 0.54%

LAB 73.8, -29.57, -21.67

 

CMYK 0 / 75 / 40 / 14

HEX #DC3884

RGB 220 56 132

HSL 332.2, 0.7%, 0.54%

LAB 51.51, 67.72, -4.06

 

CMYK 71 / 0 / 75 / 14

HEX #3FDC36

RGB 63 220 54

HSL 116.75, 0.7%, 0.54%

LAB 77.58, -69.47, 65.11

 

CMYK 75 / 70 / 0 / 14

HEX #3843DC

RGB 56 67 220

HSL 235.98, 0.7%, 0.54%

LAB 37.88, 46.99, -78.7

 

CMYK 0 / 75 / 70 / 14

HEX #DC3843

RGB 220 56 67

HSL 355.98, 0.7%, 0.54%

LAB 50.04, 62.99, 33.03

 

CMYK 71 / 0 / 75 / 14

HEX #3FDC36

RGB 63 220 54

HSL 116.75, 0.7%, 0.54%

LAB 77.58, -69.47, 65.11

 

CMYK 75 / 10 / 0 / 14

HEX #38C6DC

RGB 56 198 220

HSL 188.05, 0.7%, 0.54%

LAB 73.8, -29.57, -21.67

 

CMYK 5 / 75 / 0 / 14

HEX #D138DC

RGB 209 56 220

HSL 295.98, 0.7%, 0.54%

LAB 53.55, 76.87, -52.48

 

CMYK 0 / 65 / 75 / 14

HEX #DC4D38

RGB 220 77 56

HSL 7.68, 0.7%, 0.54%

LAB 52.74, 54.71, 42.3

 

CMYK 71 / 0 / 75 / 14

HEX #3FDC36

RGB 63 220 54

HSL 116.75, 0.7%, 0.54%

LAB 77.58, -69.47, 65.11

 

CMYK 75 / 32 / 0 / 14

HEX #3895DC

RGB 56 149 220

HSL 205.98, 0.7%, 0.54%

LAB 59.44, -3.54, -43.92

 

CMYK 5 / 75 / 0 / 14

HEX #D138DC

RGB 209 56 220

HSL 295.98, 0.7%, 0.54%

LAB 53.55, 76.87, -52.48

 

CMYK 0 / 42 / 75 / 14

HEX #DC7F38

RGB 220 127 56

HSL 25.98, 0.7%, 0.54%

LAB 62.24, 30.53, 52.29

 

Description

Color code: HEX #3FDC36 | qconv.com Color code: HEX #3FDC36 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 220 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 220 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 75 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 75% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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