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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FDBB5 it is the complementary color #C0244A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FDBB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FDBB5 shade: #44DBB0, #55EDC3, #66FFD6, #77FFE9 and #88FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FDBB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FDBB5 shade: #3FDBB5, #2EC9A2, #1DB78F, #0CA57C and #009369

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FDBB5 shade: #3EDAB4, #3EDA8A, #3EDA60, #46DA3E and #71DA3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FDBB5 shade: #3EDAB4, #3ED6DA, #3EACDA, #3E82DA and #3E58DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FDBB5 shade matches the following richer shades: #3EDAB4 and #2CEDBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FDBB5 shade: #3EDAB4, #51C8AB, #63B5A1, #76A398 and #88908E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FDBB5 shade: #3EDA60, #3EDA8A, #3EDAB3, #3ED8DA and #3EAEDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FDBB5 shade: #20A686, #26C9A1, #3EDAB4, #61E1C2 and #84E7CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FDBB5 shade: #3FDBB5, #3E46DA and #DA753E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FDBB5 shade: #3FDBB5, #B33EDA and #DAB33E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FDBB5 shade: #3FDBB5, #3E46DA, #DA3E65 and #DAD23E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FDBB5 shade: #3FDBB5, #653EDA, #DA3E65 and #B3DA3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 17 / 14

HEX #3FDBB5

RGB 63 219 181

HSL 165.38, 0.68%, 0.55%

LAB 79.07, -48.97, 7.13

 

Complementary color

CMYK 0 / 81 / 61 / 25

HEX #C0244A

RGB 192 36 74

HSL 345.38, 0.68%, 0.45%

LAB 42.71, 61.24, 18.38

 

CMYK 69 / 0 / 20 / 14

HEX #44DBB0

RGB 68 219 176

HSL 162.91, 0.68%, 0.56%

LAB 79.06, -49.47, 9.77

 

CMYK 64 / 0 / 18 / 7

HEX #55EDC3

RGB 85 237 195

HSL 163.42, 0.81%, 0.63%

LAB 85.22, -49.85, 8.62

 

CMYK 60 / 0 / 16 / 0

HEX #66FFD6

RGB 102 255 214

HSL 163.92, 1%, 0.7%

LAB 91.32, -50.09, 7.56

 

CMYK 53 / 0 / 9 / 0

HEX #77FFE9

RGB 119 255 233

HSL 170.29, 1%, 0.73%

LAB 92.28, -42.42, -0.82

 

CMYK 47 / 0 / 1 / 0

HEX #88FFFC

RGB 136 255 252

HSL 178.49, 1%, 0.77%

LAB 93.36, -34.3, -9

 

CMYK 71 / 0 / 17 / 14

HEX #3FDBB5

RGB 63 219 181

HSL 165.38, 0.68%, 0.55%

LAB 79.07, -48.97, 7.13

 

CMYK 77 / 0 / 19 / 21

HEX #2EC9A2

RGB 46 201 162

HSL 164.9, 0.63%, 0.48%

LAB 72.87, -48.25, 8.38

 

CMYK 84 / 0 / 22 / 28

HEX #1DB78F

RGB 29 183 143

HSL 164.42, 0.73%, 0.42%

LAB 66.6, -47.22, 9.76

 

CMYK 93 / 0 / 25 / 35

HEX #0CA57C

RGB 12 165 124

HSL 163.92, 0.86%, 0.35%

LAB 60.29, -45.77, 11.31

 

CMYK 100 / 0 / 29 / 42

HEX #009369

RGB 0 147 105

HSL 162.86, 1%, 0.29%

LAB 53.91, -43.82, 13.04

 

CMYK 72 / 0 / 17 / 15

HEX #3EDAB4

RGB 62 218 180

HSL 165.38, 0.68%, 0.55%

LAB 78.73, -48.93, 7.17

 

CMYK 72 / 0 / 37 / 15

HEX #3EDA8A

RGB 62 218 138

HSL 149.23, 0.68%, 0.55%

LAB 77.88, -58.09, 28.05

 

CMYK 72 / 0 / 56 / 15

HEX #3EDA60

RGB 62 218 96

HSL 133.08, 0.68%, 0.55%

LAB 77.29, -64.84, 47.98

 

CMYK 68 / 0 / 72 / 15

HEX #46DA3E

RGB 70 218 62

HSL 116.92, 0.68%, 0.55%

LAB 77.16, -67.01, 62

 

CMYK 48 / 0 / 72 / 15

HEX #71DA3E

RGB 113 218 62

HSL 100.38, 0.68%, 0.55%

LAB 78.46, -56.63, 63.75

 

CMYK 72 / 0 / 17 / 15

HEX #3EDAB4

RGB 62 218 180

HSL 165.38, 0.68%, 0.55%

LAB 78.73, -48.93, 7.17

 

CMYK 72 / 2 / 0 / 15

HEX #3ED6DA

RGB 62 214 218

HSL 181.54, 0.68%, 0.55%

LAB 78.57, -37.06, -13.39

 

CMYK 72 / 21 / 0 / 15

HEX #3EACDA

RGB 62 172 218

HSL 197.69, 0.68%, 0.55%

LAB 66.21, -16.21, -32.22

 

CMYK 72 / 40 / 0 / 15

HEX #3E82DA

RGB 62 130 218

HSL 213.85, 0.68%, 0.55%

LAB 54.08, 7.8, -51.28

 

CMYK 72 / 60 / 0 / 15

HEX #3E58DA

RGB 62 88 218

HSL 230, 0.68%, 0.55%

LAB 42.86, 34.11, -69.38

 

CMYK 72 / 0 / 17 / 15

HEX #3EDAB4

RGB 62 218 180

HSL 165.38, 0.68%, 0.55%

LAB 78.73, -48.93, 7.17

 

CMYK 81 / 0 / 20 / 7

HEX #2CEDBE

RGB 44 237 190

HSL 165.39, 0.84%, 0.55%

LAB 84.39, -56.11, 9.96

 

CMYK 72 / 0 / 17 / 15

HEX #3EDAB4

RGB 62 218 180

HSL 165.38, 0.68%, 0.55%

LAB 78.73, -48.93, 7.17

 

CMYK 60 / 0 / 15 / 22

HEX #51C8AB

RGB 81 200 171

HSL 165.38, 0.52%, 0.55%

LAB 73.54, -40.33, 4.59

 

CMYK 45 / 0 / 11 / 29

HEX #63B5A1

RGB 99 181 161

HSL 165.37, 0.36%, 0.55%

LAB 68.22, -29.93, 2.42

 

CMYK 28 / 0 / 7 / 36

HEX #76A398

RGB 118 163 152

HSL 165.33, 0.2%, 0.55%

LAB 63.6, -17.55, 0.82

 

CMYK 6 / 0 / 1 / 44

HEX #88908E

RGB 136 144 142

HSL 165, 0.03%, 0.55%

LAB 59.1, -3.3, 0.05

 

CMYK 72 / 0 / 56 / 15

HEX #3EDA60

RGB 62 218 96

HSL 133.08, 0.68%, 0.55%

LAB 77.29, -64.84, 47.98

 

CMYK 72 / 0 / 37 / 15

HEX #3EDA8A

RGB 62 218 138

HSL 149.23, 0.68%, 0.55%

LAB 77.88, -58.09, 28.05

 

CMYK 72 / 0 / 18 / 15

HEX #3EDAB3

RGB 62 218 179

HSL 165, 0.68%, 0.55%

LAB 78.71, -49.17, 7.66

 

CMYK 72 / 1 / 0 / 15

HEX #3ED8DA

RGB 62 216 218

HSL 180.77, 0.68%, 0.55%

LAB 79.16, -37.98, -12.5

 

CMYK 72 / 20 / 0 / 15

HEX #3EAEDA

RGB 62 174 218

HSL 196.92, 0.68%, 0.55%

LAB 66.79, -17.28, -31.32

 

CMYK 81 / 0 / 19 / 35

HEX #20A686

RGB 32 166 134

HSL 165.67, 0.68%, 0.39%

LAB 61.05, -42.15, 6.83

 

CMYK 81 / 0 / 20 / 21

HEX #26C9A1

RGB 38 201 161

HSL 165.28, 0.68%, 0.47%

LAB 72.73, -49.3, 8.71

 

CMYK 72 / 0 / 17 / 15

HEX #3EDAB4

RGB 62 218 180

HSL 165.38, 0.68%, 0.55%

LAB 78.73, -48.93, 7.17

 

CMYK 57 / 0 / 14 / 12

HEX #61E1C2

RGB 97 225 194

HSL 165.47, 0.68%, 0.63%

LAB 81.99, -42.78, 4.55

 

CMYK 43 / 0 / 10 / 9

HEX #84E7CF

RGB 132 231 207

HSL 165.45, 0.67%, 0.71%

LAB 85.28, -34.68, 2.61

 

CMYK 71 / 0 / 17 / 14

HEX #3FDBB5

RGB 63 219 181

HSL 165.38, 0.68%, 0.55%

LAB 79.07, -48.97, 7.13

 

CMYK 72 / 68 / 0 / 15

HEX #3E46DA

RGB 62 70 218

HSL 236.92, 0.68%, 0.55%

LAB 38.67, 45.15, -76.25

 

CMYK 0 / 46 / 72 / 15

HEX #DA753E

RGB 218 117 62

HSL 21.15, 0.68%, 0.55%

LAB 59.87, 35.23, 46.86

 

CMYK 71 / 0 / 17 / 14

HEX #3FDBB5

RGB 63 219 181

HSL 165.38, 0.68%, 0.55%

LAB 79.07, -48.97, 7.13

 

CMYK 18 / 72 / 0 / 15

HEX #B33EDA

RGB 179 62 218

HSL 285, 0.68%, 0.55%

LAB 49.61, 68.52, -57.91

 

CMYK 0 / 18 / 72 / 15

HEX #DAB33E

RGB 218 179 62

HSL 45, 0.68%, 0.55%

LAB 74.5, 2.18, 62.04

 

CMYK 71 / 0 / 17 / 14

HEX #3FDBB5

RGB 63 219 181

HSL 165.38, 0.68%, 0.55%

LAB 79.07, -48.97, 7.13

 

CMYK 72 / 68 / 0 / 15

HEX #3E46DA

RGB 62 70 218

HSL 236.92, 0.68%, 0.55%

LAB 38.67, 45.15, -76.25

 

CMYK 0 / 72 / 54 / 15

HEX #DA3E65

RGB 218 62 101

HSL 345, 0.68%, 0.55%

LAB 51.03, 62.47, 13.91

 

CMYK 0 / 4 / 72 / 15

HEX #DAD23E

RGB 218 210 62

HSL 56.92, 0.68%, 0.55%

LAB 82.56, -13.75, 69.93

 

CMYK 71 / 0 / 17 / 14

HEX #3FDBB5

RGB 63 219 181

HSL 165.38, 0.68%, 0.55%

LAB 79.07, -48.97, 7.13

 

CMYK 54 / 72 / 0 / 15

HEX #653EDA

RGB 101 62 218

HSL 255, 0.68%, 0.55%

LAB 40.04, 54.58, -73.89

 

CMYK 0 / 72 / 54 / 15

HEX #DA3E65

RGB 218 62 101

HSL 345, 0.68%, 0.55%

LAB 51.03, 62.47, 13.91

 

CMYK 18 / 0 / 72 / 15

HEX #B3DA3E

RGB 179 218 62

HSL 75, 0.68%, 0.55%

LAB 81.88, -33.55, 68.28

 

Description

Color code: HEX #3FDBB5 | qconv.com Color code: HEX #3FDBB5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 219 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 219 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 17 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 17% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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