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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FD87D it is the complementary color #C02782. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FD87D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FD87D shade: #44D878, #55EA8B, #66FC9E, #77FFB1 and #88FFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FD87D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FD87D shade: #3FD87D, #2EC66A, #1DB457, #0CA244 and #009031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FD87D shade: #41D87E, #41D855, #55D841, #7ED841 and #A7D841

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FD87D shade: #41D87E, #41D8A7, #41D8D0, #41B8D8 and #418FD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FD87D shade matches the following richer shades: #41D87E, #2EEB7A and #1BFD77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FD87D shade: #41D87E, #53C581, #66B385, #78A088 and #8B8E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FD87D shade: #55D841, #41D855, #41D87D, #41D8A5 and #41D8CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FD87D shade: #22A457, #29C769, #41D87E, #63DF95 and #85E6AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FD87D shade: #3FD87D, #417DD8 and #D84141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FD87D shade: #3FD87D, #7D41D8 and #D87D41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FD87D shade: #3FD87D, #417DD8, #D8419B and #D89B41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FD87D shade: #3FD87D, #4150D8, #D8419B and #D8C941

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 42 / 15

HEX #3FD87D

RGB 63 216 125

HSL 144.31, 0.66%, 0.55%

LAB 77.07, -59.57, 33.63

 

Complementary color

CMYK 0 / 80 / 32 / 25

HEX #C02782

RGB 192 39 130

HSL 324.31, 0.66%, 0.45%

LAB 44.62, 65.34, -13.69

 

CMYK 69 / 0 / 44 / 15

HEX #44D878

RGB 68 216 120

HSL 141.08, 0.65%, 0.56%

LAB 77.1, -59.61, 36.2

 

CMYK 64 / 0 / 41 / 8

HEX #55EA8B

RGB 85 234 139

HSL 141.74, 0.78%, 0.63%

LAB 83.25, -60.03, 34.75

 

CMYK 60 / 0 / 37 / 1

HEX #66FC9E

RGB 102 252 158

HSL 142.4, 0.96%, 0.69%

LAB 89.35, -60.24, 33.38

 

CMYK 53 / 0 / 31 / 0

HEX #77FFB1

RGB 119 255 177

HSL 145.59, 1%, 0.73%

LAB 91.06, -54.36, 26.21

 

CMYK 47 / 0 / 23 / 0

HEX #88FFC4

RGB 136 255 196

HSL 150.25, 1%, 0.77%

LAB 92.02, -46.73, 17.95

 

CMYK 71 / 0 / 42 / 15

HEX #3FD87D

RGB 63 216 125

HSL 144.31, 0.66%, 0.55%

LAB 77.07, -59.57, 33.63

 

CMYK 77 / 0 / 46 / 22

HEX #2EC66A

RGB 46 198 106

HSL 143.68, 0.62%, 0.48%

LAB 70.88, -58.78, 35.19

 

CMYK 84 / 0 / 52 / 29

HEX #1DB457

RGB 29 180 87

HSL 143.05, 0.72%, 0.41%

LAB 64.64, -57.56, 36.84

 

CMYK 93 / 0 / 58 / 36

HEX #0CA244

RGB 12 162 68

HSL 142.4, 0.86%, 0.34%

LAB 58.35, -55.71, 38.54

 

CMYK 100 / 0 / 66 / 44

HEX #009031

RGB 0 144 49

HSL 140.42, 1%, 0.28%

LAB 52.03, -53.1, 40.16

 

CMYK 70 / 0 / 42 / 15

HEX #41D87E

RGB 65 216 126

HSL 144.24, 0.66%, 0.55%

LAB 77.13, -59.09, 33.2

 

CMYK 70 / 0 / 61 / 15

HEX #41D855

RGB 65 216 85

HSL 127.95, 0.66%, 0.55%

LAB 76.61, -65.02, 52.15

 

CMYK 61 / 0 / 70 / 15

HEX #55D841

RGB 85 216 65

HSL 112.05, 0.66%, 0.55%

LAB 76.94, -62.99, 60.79

 

CMYK 42 / 0 / 70 / 15

HEX #7ED841

RGB 126 216 65

HSL 95.76, 0.66%, 0.55%

LAB 78.42, -51.65, 62.79

 

CMYK 23 / 0 / 70 / 15

HEX #A7D841

RGB 167 216 65

HSL 79.47, 0.66%, 0.55%

LAB 80.58, -37.12, 65.67

 

CMYK 70 / 0 / 42 / 15

HEX #41D87E

RGB 65 216 126

HSL 144.24, 0.66%, 0.55%

LAB 77.13, -59.09, 33.2

 

CMYK 70 / 0 / 23 / 15

HEX #41D8A7

RGB 65 216 167

HSL 160.53, 0.66%, 0.55%

LAB 77.89, -50.77, 12.88

 

CMYK 70 / 0 / 4 / 15

HEX #41D8D0

RGB 65 216 208

HSL 176.82, 0.66%, 0.55%

LAB 78.92, -40.4, -7.5

 

CMYK 70 / 15 / 0 / 15

HEX #41B8D8

RGB 65 184 216

HSL 192.72, 0.66%, 0.55%

LAB 69.73, -22.71, -25.7

 

CMYK 70 / 34 / 0 / 15

HEX #418FD8

RGB 65 143 216

HSL 209.01, 0.66%, 0.55%

LAB 57.78, -0.24, -44.29

 

CMYK 70 / 0 / 42 / 15

HEX #41D87E

RGB 65 216 126

HSL 144.24, 0.66%, 0.55%

LAB 77.13, -59.09, 33.2

 

CMYK 80 / 0 / 48 / 8

HEX #2EEB7A

RGB 46 235 122

HSL 144.13, 0.83%, 0.55%

LAB 82.59, -68.83, 42.12

 

CMYK 89 / 0 / 53 / 1

HEX #1BFD77

RGB 27 253 119

HSL 144.42, 0.98%, 0.55%

LAB 87.88, -76.51, 50.03

 

CMYK 70 / 0 / 42 / 15

HEX #41D87E

RGB 65 216 126

HSL 144.24, 0.66%, 0.55%

LAB 77.13, -59.09, 33.2

 

CMYK 58 / 0 / 35 / 23

HEX #53C581

RGB 83 197 129

HSL 144.21, 0.5%, 0.55%

LAB 71.8, -47.75, 24.66

 

CMYK 43 / 0 / 26 / 30

HEX #66B385

RGB 102 179 133

HSL 144.16, 0.34%, 0.55%

LAB 67.1, -34.29, 16.2

 

CMYK 25 / 0 / 15 / 37

HEX #78A088

RGB 120 160 136

HSL 144, 0.17%, 0.55%

LAB 62.43, -18.74, 8.12

 

CMYK 2 / 0 / 1 / 44

HEX #8B8E8C

RGB 139 142 140

HSL 140, 0.01%, 0.55%

LAB 58.72, -1.49, 0.67

 

CMYK 61 / 0 / 70 / 15

HEX #55D841

RGB 85 216 65

HSL 112.05, 0.66%, 0.55%

LAB 76.94, -62.99, 60.79

 

CMYK 70 / 0 / 61 / 15

HEX #41D855

RGB 65 216 85

HSL 127.95, 0.66%, 0.55%

LAB 76.61, -65.02, 52.15

 

CMYK 70 / 0 / 42 / 15

HEX #41D87D

RGB 65 216 125

HSL 143.84, 0.66%, 0.55%

LAB 77.11, -59.26, 33.69

 

CMYK 70 / 0 / 24 / 15

HEX #41D8A5

RGB 65 216 165

HSL 159.74, 0.66%, 0.55%

LAB 77.85, -51.23, 13.88

 

CMYK 70 / 0 / 5 / 15

HEX #41D8CE

RGB 65 216 206

HSL 176.03, 0.66%, 0.55%

LAB 78.86, -40.95, -6.51

 

CMYK 79 / 0 / 47 / 36

HEX #22A457

RGB 34 164 87

HSL 144.46, 0.66%, 0.39%

LAB 59.51, -51.38, 30.42

 

CMYK 79 / 0 / 47 / 22

HEX #29C769

RGB 41 199 105

HSL 144.3, 0.66%, 0.47%

LAB 71.1, -59.91, 35.97

 

CMYK 70 / 0 / 42 / 15

HEX #41D87E

RGB 65 216 126

HSL 144.24, 0.66%, 0.55%

LAB 77.13, -59.09, 33.2

 

CMYK 56 / 0 / 33 / 13

HEX #63DF95

RGB 99 223 149

HSL 144.19, 0.66%, 0.63%

LAB 80.51, -51.07, 26.08

 

CMYK 42 / 0 / 25 / 10

HEX #85E6AC

RGB 133 230 172

HSL 144.12, 0.66%, 0.71%

LAB 84.26, -41.24, 19.49

 

CMYK 71 / 0 / 42 / 15

HEX #3FD87D

RGB 63 216 125

HSL 144.31, 0.66%, 0.55%

LAB 77.07, -59.57, 33.63

 

CMYK 70 / 42 / 0 / 15

HEX #417DD8

RGB 65 125 216

HSL 216.16, 0.66%, 0.55%

LAB 52.67, 10.56, -52.4

 

CMYK 0 / 70 / 70 / 15

HEX #D84141

RGB 216 65 65

HSL 0, 0.66%, 0.55%

LAB 50.41, 58.54, 34.45

 

CMYK 71 / 0 / 42 / 15

HEX #3FD87D

RGB 63 216 125

HSL 144.31, 0.66%, 0.55%

LAB 77.07, -59.57, 33.63

 

CMYK 42 / 70 / 0 / 15

HEX #7D41D8

RGB 125 65 216

HSL 263.84, 0.66%, 0.55%

LAB 42.91, 56.48, -67.94

 

CMYK 0 / 42 / 70 / 15

HEX #D87D41

RGB 216 125 65

HSL 23.84, 0.66%, 0.55%

LAB 61.35, 30.38, 46.91

 

CMYK 71 / 0 / 42 / 15

HEX #3FD87D

RGB 63 216 125

HSL 144.31, 0.66%, 0.55%

LAB 77.07, -59.57, 33.63

 

CMYK 70 / 42 / 0 / 15

HEX #417DD8

RGB 65 125 216

HSL 216.16, 0.66%, 0.55%

LAB 52.67, 10.56, -52.4

 

CMYK 0 / 70 / 28 / 15

HEX #D8419B

RGB 216 65 155

HSL 324.24, 0.66%, 0.55%

LAB 52.67, 66.19, -16.1

 

CMYK 0 / 28 / 70 / 15

HEX #D89B41

RGB 216 155 65

HSL 35.76, 0.66%, 0.55%

LAB 68.33, 14.28, 54.4

 

CMYK 71 / 0 / 42 / 15

HEX #3FD87D

RGB 63 216 125

HSL 144.31, 0.66%, 0.55%

LAB 77.07, -59.57, 33.63

 

CMYK 70 / 63 / 0 / 15

HEX #4150D8

RGB 65 80 216

HSL 234.04, 0.66%, 0.55%

LAB 40.93, 38.77, -71.39

 

CMYK 0 / 70 / 28 / 15

HEX #D8419B

RGB 216 65 155

HSL 324.24, 0.66%, 0.55%

LAB 52.67, 66.19, -16.1

 

CMYK 0 / 7 / 70 / 15

HEX #D8C941

RGB 216 201 65

HSL 54.04, 0.66%, 0.55%

LAB 80.04, -9.91, 66.32

 

Description

Color code: HEX #3FD87D | qconv.com Color code: HEX #3FD87D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 216 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 216 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 42 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 42% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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