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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FD603 it is the complementary color #C029FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FD603. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FD603 shade: #44D600, #55E811, #66FA24, #77FF37 and #88FF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FD603. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FD603 shade: #3FD603, #2EC400, #1DB200, #0CA000 and #008E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FD603 shade: #40D803, #79D803, #B3D803, #D8C403 and #D88B03

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FD603 shade: #40D803, #06D803, #03D83A, #03D873 and #03D8AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FD603 shade matches the following richer shades: #40D803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FD603 shade: #40D803, #47C615, #4FB527, #57A339 and #5E914A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FD603 shade: #B5D803, #7CD803, #43D803, #0AD803 and #03D835

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FD603 shade: #288702, #34AF03, #40D803, #4EFB09 and #6BFC32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FD603 shade: #3FD603, #03D8C3 and #D80398

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FD603 shade: #3FD603, #0343D8 and #D80343

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FD603 shade: #3FD603, #03D8C3, #9803D8 and #D80319

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FD603 shade: #3FD603, #03ADD8, #9803D8 and #D82E03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 99 / 16

HEX #3FD603

RGB 63 214 3

HSL 102.94, 0.97%, 0.43%

LAB 75.55, -69.56, 73.39

 

Complementary color

CMYK 24 / 84 / 0 / 1

HEX #C029FC

RGB 192 41 252

HSL 282.94, 0.97%, 0.57%

LAB 51.63, 83.49, -73.7

 

CMYK 68 / 0 / 100 / 16

HEX #44D600

RGB 68 214 0

HSL 100.93, 1%, 0.42%

LAB 75.65, -68.69, 73.81

 

CMYK 63 / 0 / 93 / 9

HEX #55E811

RGB 85 232 17

HSL 101.02, 0.86%, 0.49%

LAB 81.67, -70.61, 77.18

 

CMYK 59 / 0 / 86 / 2

HEX #66FA24

RGB 102 250 36

HSL 101.5, 0.96%, 0.56%

LAB 87.64, -72.09, 79.39

 

CMYK 53 / 0 / 78 / 0

HEX #77FF37

RGB 119 255 55

HSL 100.8, 1%, 0.61%

LAB 89.73, -68.77, 76.95

 

CMYK 47 / 0 / 71 / 0

HEX #88FF4A

RGB 136 255 74

HSL 99.45, 1%, 0.65%

LAB 90.44, -62.97, 71.94

 

CMYK 71 / 0 / 99 / 16

HEX #3FD603

RGB 63 214 3

HSL 102.94, 0.97%, 0.43%

LAB 75.55, -69.56, 73.39

 

CMYK 77 / 0 / 100 / 23

HEX #2EC400

RGB 46 196 0

HSL 105.92, 1%, 0.38%

LAB 69.51, -66.96, 68.74

 

CMYK 84 / 0 / 100 / 30

HEX #1DB200

RGB 29 178 0

HSL 110.22, 1%, 0.35%

LAB 63.43, -63.85, 63.78

 

CMYK 93 / 0 / 100 / 37

HEX #0CA000

RGB 12 160 0

HSL 115.5, 1%, 0.31%

LAB 57.29, -60.13, 58.8

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 70 / 0 / 99 / 15

HEX #40D803

RGB 64 216 3

HSL 102.82, 0.97%, 0.43%

LAB 76.2, -69.99, 73.92

 

CMYK 44 / 0 / 99 / 15

HEX #79D803

RGB 121 216 3

HSL 86.76, 0.97%, 0.43%

LAB 77.98, -55.61, 76.09

 

CMYK 17 / 0 / 99 / 15

HEX #B3D803

RGB 179 216 3

HSL 70.42, 0.97%, 0.43%

LAB 81.13, -34.33, 79.88

 

CMYK 0 / 9 / 99 / 15

HEX #D8C403

RGB 216 196 3

HSL 54.37, 0.97%, 0.43%

LAB 78.51, -9, 79.21

 

CMYK 0 / 36 / 99 / 15

HEX #D88B03

RGB 216 139 3

HSL 38.31, 0.97%, 0.43%

LAB 64.22, 21.17, 69.21

 

CMYK 70 / 0 / 99 / 15

HEX #40D803

RGB 64 216 3

HSL 102.82, 0.97%, 0.43%

LAB 76.2, -69.99, 73.92

 

CMYK 97 / 0 / 99 / 15

HEX #06D803

RGB 6 216 3

HSL 119.15, 0.97%, 0.43%

LAB 75.55, -75.76, 73.13

 

CMYK 99 / 0 / 73 / 15

HEX #03D83A

RGB 3 216 58

HSL 135.49, 0.97%, 0.43%

LAB 75.72, -73.48, 61.7

 

CMYK 99 / 0 / 47 / 15

HEX #03D873

RGB 3 216 115

HSL 151.55, 0.97%, 0.43%

LAB 76.3, -66.37, 37.51

 

CMYK 99 / 0 / 20 / 15

HEX #03D8AC

RGB 3 216 172

HSL 167.61, 0.97%, 0.43%

LAB 77.35, -54.38, 9.36

 

CMYK 70 / 0 / 99 / 15

HEX #40D803

RGB 64 216 3

HSL 102.82, 0.97%, 0.43%

LAB 76.2, -69.99, 73.92

 

CMYK 70 / 0 / 99 / 15

HEX #40D803

RGB 64 216 3

HSL 102.82, 0.97%, 0.43%

LAB 76.2, -69.99, 73.92

 

CMYK 64 / 0 / 89 / 22

HEX #47C615

RGB 71 198 21

HSL 103.05, 0.81%, 0.43%

LAB 70.72, -62.54, 67.29

 

CMYK 56 / 0 / 78 / 29

HEX #4FB527

RGB 79 181 39

HSL 103.1, 0.65%, 0.43%

LAB 65.64, -53.92, 58.45

 

CMYK 47 / 0 / 65 / 36

HEX #57A339

RGB 87 163 57

HSL 103.02, 0.48%, 0.43%

LAB 60.35, -43.22, 46.37

 

CMYK 35 / 0 / 49 / 43

HEX #5E914A

RGB 94 145 74

HSL 103.1, 0.32%, 0.43%

LAB 55.2, -30.95, 32.22

 

CMYK 16 / 0 / 99 / 15

HEX #B5D803

RGB 181 216 3

HSL 69.86, 0.97%, 0.43%

LAB 81.26, -33.53, 80.04

 

CMYK 43 / 0 / 99 / 15

HEX #7CD803

RGB 124 216 3

HSL 85.92, 0.97%, 0.43%

LAB 78.11, -54.65, 76.25

 

CMYK 69 / 0 / 99 / 15

HEX #43D803

RGB 67 216 3

HSL 101.97, 0.97%, 0.43%

LAB 76.26, -69.45, 74

 

CMYK 95 / 0 / 99 / 15

HEX #0AD803

RGB 10 216 3

HSL 118.03, 0.97%, 0.43%

LAB 75.56, -75.61, 73.15

 

CMYK 99 / 0 / 75 / 15

HEX #03D835

RGB 3 216 53

HSL 134.08, 0.97%, 0.43%

LAB 75.69, -73.86, 63.36

 

CMYK 70 / 0 / 99 / 47

HEX #288702

RGB 40 135 2

HSL 102.86, 0.97%, 0.27%

LAB 49.23, -48.73, 52.15

 

CMYK 70 / 0 / 98 / 31

HEX #34AF03

RGB 52 175 3

HSL 102.91, 0.97%, 0.35%

LAB 62.84, -59.44, 63.08

 

CMYK 70 / 0 / 99 / 15

HEX #40D803

RGB 64 216 3

HSL 102.82, 0.97%, 0.43%

LAB 76.2, -69.99, 73.92

 

CMYK 69 / 0 / 96 / 2

HEX #4EFB09

RGB 78 251 9

HSL 102.89, 0.97%, 0.51%

LAB 87.31, -77.96, 82.48

 

CMYK 58 / 0 / 80 / 1

HEX #6BFC32

RGB 107 252 50

HSL 103.07, 0.97%, 0.59%

LAB 88.44, -70.99, 76.96

 

CMYK 71 / 0 / 99 / 16

HEX #3FD603

RGB 63 214 3

HSL 102.94, 0.97%, 0.43%

LAB 75.55, -69.56, 73.39

 

CMYK 99 / 0 / 10 / 15

HEX #03D8C3

RGB 3 216 195

HSL 174.08, 0.97%, 0.43%

LAB 77.92, -48.34, -2.1

 

CMYK 0 / 99 / 30 / 15

HEX #D80398

RGB 216 3 152

HSL 318.03, 0.97%, 0.43%

LAB 48.17, 78.39, -21.18

 

CMYK 71 / 0 / 99 / 16

HEX #3FD603

RGB 63 214 3

HSL 102.94, 0.97%, 0.43%

LAB 75.55, -69.56, 73.39

 

CMYK 99 / 69 / 0 / 15

HEX #0343D8

RGB 3 67 216

HSL 221.97, 0.97%, 0.43%

LAB 35.97, 42.79, -79.61

 

CMYK 0 / 99 / 69 / 15

HEX #D80343

RGB 216 3 67

HSL 341.97, 0.97%, 0.43%

LAB 45.73, 71.94, 27.58

 

CMYK 71 / 0 / 99 / 16

HEX #3FD603

RGB 63 214 3

HSL 102.94, 0.97%, 0.43%

LAB 75.55, -69.56, 73.39

 

CMYK 99 / 0 / 10 / 15

HEX #03D8C3

RGB 3 216 195

HSL 174.08, 0.97%, 0.43%

LAB 77.92, -48.34, -2.1

 

CMYK 30 / 99 / 0 / 15

HEX #9803D8

RGB 152 3 216

HSL 281.97, 0.97%, 0.43%

LAB 40.73, 77.42, -71.35

 

CMYK 0 / 99 / 88 / 15

HEX #D80319

RGB 216 3 25

HSL 353.8, 0.97%, 0.43%

LAB 45.27, 70.68, 50.67

 

CMYK 71 / 0 / 99 / 16

HEX #3FD603

RGB 63 214 3

HSL 102.94, 0.97%, 0.43%

LAB 75.55, -69.56, 73.39

 

CMYK 99 / 20 / 0 / 15

HEX #03ADD8

RGB 3 173 216

HSL 192.11, 0.97%, 0.43%

LAB 65.64, -21.71, -32.06

 

CMYK 30 / 99 / 0 / 15

HEX #9803D8

RGB 152 3 216

HSL 281.97, 0.97%, 0.43%

LAB 40.73, 77.42, -71.35

 

CMYK 0 / 79 / 99 / 15

HEX #D82E03

RGB 216 46 3

HSL 12.11, 0.97%, 0.43%

LAB 47.7, 63.24, 59.48

 

Description

Color code: HEX #3FD603 | qconv.com Color code: HEX #3FD603 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 214 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 214 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 99 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 99% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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