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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FD474 it is the complementary color #C02B8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FD474. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FD474 shade: #44D46F, #55E682, #66F895, #77FFA8 and #88FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FD474. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FD474 shade: #3FD474, #2EC261, #1DB04E, #0C9E3B and #008C28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FD474 shade: #40D474, #40D44D, #5BD440, #83D440 and #ABD440

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FD474 shade: #40D474, #40D49C, #40D4C4, #40BBD4 and #4093D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FD474 shade matches the following richer shades: #40D474, #2DE76F and #1AFA69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FD474 shade: #40D474, #53C17A, #66AE7F, #799B85 and #8C888A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FD474 shade: #5BD440, #40D44C, #40D474, #40D49B and #40D4C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FD474 shade: #249D4F, #2BBF60, #40D474, #61DB8D and #83E3A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FD474 shade: #3FD474, #4082D4 and #D44047

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FD474 shade: #3FD474, #7440D4 and #D47440

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FD474 shade: #3FD474, #4082D4, #D440A0 and #D49140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FD474 shade: #3FD474, #4056D4, #D440A0 and #D4BD40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 45 / 17

HEX #3FD474

RGB 63 212 116

HSL 141.34, 0.63%, 0.54%

LAB 75.7, -59.65, 36.39

 

Complementary color

CMYK 0 / 78 / 28 / 25

HEX #C02B8B

RGB 192 43 139

HSL 321.34, 0.63%, 0.46%

LAB 45.36, 65.28, -18.05

 

CMYK 68 / 0 / 48 / 17

HEX #44D46F

RGB 68 212 111

HSL 137.92, 0.63%, 0.55%

LAB 75.74, -59.61, 38.94

 

CMYK 63 / 0 / 43 / 10

HEX #55E682

RGB 85 230 130

HSL 138.62, 0.74%, 0.62%

LAB 81.91, -60.03, 37.49

 

CMYK 59 / 0 / 40 / 3

HEX #66F895

RGB 102 248 149

HSL 139.32, 0.91%, 0.69%

LAB 88.03, -60.24, 36.11

 

CMYK 53 / 0 / 34 / 0

HEX #77FFA8

RGB 119 255 168

HSL 141.62, 1%, 0.73%

LAB 90.9, -55.99, 30.54

 

CMYK 47 / 0 / 27 / 0

HEX #88FFBB

RGB 136 255 187

HSL 145.71, 1%, 0.77%

LAB 91.84, -48.46, 22.3

 

CMYK 70 / 0 / 45 / 17

HEX #3FD474

RGB 63 212 116

HSL 141.34, 0.63%, 0.54%

LAB 75.7, -59.65, 36.39

 

CMYK 76 / 0 / 50 / 24

HEX #2EC261

RGB 46 194 97

HSL 140.68, 0.62%, 0.47%

LAB 69.49, -58.84, 37.94

 

CMYK 84 / 0 / 56 / 31

HEX #1DB04E

RGB 29 176 78

HSL 140, 0.72%, 0.4%

LAB 63.23, -57.56, 39.55

 

CMYK 92 / 0 / 63 / 38

HEX #0C9E3B

RGB 12 158 59

HSL 139.32, 0.86%, 0.33%

LAB 56.93, -55.62, 41.14

 

CMYK 100 / 0 / 71 / 45

HEX #008C28

RGB 0 140 40

HSL 137.14, 1%, 0.27%

LAB 50.58, -52.84, 42.5

 

CMYK 70 / 0 / 45 / 17

HEX #40D474

RGB 64 212 116

HSL 141.08, 0.63%, 0.54%

LAB 75.72, -59.49, 36.42

 

CMYK 70 / 0 / 64 / 17

HEX #40D44D

RGB 64 212 77

HSL 125.27, 0.63%, 0.54%

LAB 75.27, -64.74, 54.07

 

CMYK 57 / 0 / 70 / 17

HEX #5BD440

RGB 91 212 64

HSL 109.05, 0.63%, 0.54%

LAB 75.87, -60.24, 60.11

 

CMYK 38 / 0 / 70 / 17

HEX #83D440

RGB 131 212 64

HSL 92.84, 0.63%, 0.54%

LAB 77.45, -48.46, 62.24

 

CMYK 19 / 0 / 70 / 17

HEX #ABD440

RGB 171 212 64

HSL 76.62, 0.63%, 0.54%

LAB 79.68, -33.81, 65.22

 

CMYK 70 / 0 / 45 / 17

HEX #40D474

RGB 64 212 116

HSL 141.08, 0.63%, 0.54%

LAB 75.72, -59.49, 36.42

 

CMYK 70 / 0 / 26 / 17

HEX #40D49C

RGB 64 212 156

HSL 157.3, 0.63%, 0.54%

LAB 76.42, -51.78, 16.65

 

CMYK 70 / 0 / 8 / 17

HEX #40D4C4

RGB 64 212 196

HSL 173.51, 0.63%, 0.54%

LAB 77.38, -42, -3.35

 

CMYK 70 / 12 / 0 / 17

HEX #40BBD4

RGB 64 187 212

HSL 190.14, 0.63%, 0.54%

LAB 70.44, -25.61, -22.41

 

CMYK 70 / 31 / 0 / 17

HEX #4093D4

RGB 64 147 212

HSL 206.35, 0.63%, 0.54%

LAB 58.71, -4.09, -40.59

 

CMYK 70 / 0 / 45 / 17

HEX #40D474

RGB 64 212 116

HSL 141.08, 0.63%, 0.54%

LAB 75.72, -59.49, 36.42

 

CMYK 81 / 0 / 52 / 9

HEX #2DE76F

RGB 45 231 111

HSL 141.29, 0.79%, 0.54%

LAB 81.21, -69.29, 45.66

 

CMYK 90 / 0 / 58 / 2

HEX #1AFA69

RGB 26 250 105

HSL 141.16, 0.96%, 0.54%

LAB 86.81, -77.51, 55.04

 

CMYK 70 / 0 / 45 / 17

HEX #40D474

RGB 64 212 116

HSL 141.08, 0.63%, 0.54%

LAB 75.72, -59.49, 36.42

 

CMYK 57 / 0 / 37 / 24

HEX #53C17A

RGB 83 193 122

HSL 141.27, 0.47%, 0.54%

LAB 70.44, -47.41, 26.54

 

CMYK 41 / 0 / 27 / 32

HEX #66AE7F

RGB 102 174 127

HSL 140.83, 0.31%, 0.54%

LAB 65.46, -33.14, 17.21

 

CMYK 22 / 0 / 14 / 39

HEX #799B85

RGB 121 155 133

HSL 141.18, 0.15%, 0.54%

LAB 60.96, -16.39, 7.71

 

CMYK 0 / 3 / 1 / 45

HEX #8C888A

RGB 140 136 138

HSL 330, 0.02%, 0.54%

LAB 57.09, 1.88, -0.55

 

CMYK 57 / 0 / 70 / 17

HEX #5BD440

RGB 91 212 64

HSL 109.05, 0.63%, 0.54%

LAB 75.87, -60.24, 60.11

 

CMYK 70 / 0 / 64 / 17

HEX #40D44C

RGB 64 212 76

HSL 124.86, 0.63%, 0.54%

LAB 75.26, -64.85, 54.48

 

CMYK 70 / 0 / 45 / 17

HEX #40D474

RGB 64 212 116

HSL 141.08, 0.63%, 0.54%

LAB 75.72, -59.49, 36.42

 

CMYK 70 / 0 / 27 / 17

HEX #40D49B

RGB 64 212 155

HSL 156.89, 0.63%, 0.54%

LAB 76.4, -52, 17.15

 

CMYK 70 / 0 / 8 / 17

HEX #40D4C2

RGB 64 212 194

HSL 172.7, 0.63%, 0.54%

LAB 77.32, -42.53, -2.36

 

CMYK 77 / 0 / 50 / 38

HEX #249D4F

RGB 36 157 79

HSL 141.32, 0.63%, 0.38%

LAB 57.13, -49.92, 31.59

 

CMYK 77 / 0 / 50 / 25

HEX #2BBF60

RGB 43 191 96

HSL 141.49, 0.63%, 0.46%

LAB 68.47, -58.34, 37.17

 

CMYK 70 / 0 / 45 / 17

HEX #40D474

RGB 64 212 116

HSL 141.08, 0.63%, 0.54%

LAB 75.72, -59.49, 36.42

 

CMYK 56 / 0 / 36 / 14

HEX #61DB8D

RGB 97 219 141

HSL 141.64, 0.63%, 0.62%

LAB 79.11, -51.36, 28.32

 

CMYK 42 / 0 / 27 / 11

HEX #83E3A5

RGB 131 227 165

HSL 141.25, 0.63%, 0.7%

LAB 83.17, -41.77, 21.61

 

CMYK 70 / 0 / 45 / 17

HEX #3FD474

RGB 63 212 116

HSL 141.34, 0.63%, 0.54%

LAB 75.7, -59.65, 36.39

 

CMYK 70 / 39 / 0 / 17

HEX #4082D4

RGB 64 130 212

HSL 213.24, 0.63%, 0.54%

LAB 53.82, 5.94, -48.31

 

CMYK 0 / 70 / 67 / 17

HEX #D44047

RGB 212 64 71

HSL 357.16, 0.63%, 0.54%

LAB 49.64, 57.96, 29.86

 

CMYK 70 / 0 / 45 / 17

HEX #3FD474

RGB 63 212 116

HSL 141.34, 0.63%, 0.54%

LAB 75.7, -59.65, 36.39

 

CMYK 45 / 70 / 0 / 17

HEX #7440D4

RGB 116 64 212

HSL 261.08, 0.63%, 0.54%

LAB 41.43, 54.35, -68.11

 

CMYK 0 / 45 / 70 / 17

HEX #D47440

RGB 212 116 64

HSL 21.08, 0.63%, 0.54%

LAB 58.84, 33.46, 44.49

 

CMYK 70 / 0 / 45 / 17

HEX #3FD474

RGB 63 212 116

HSL 141.34, 0.63%, 0.54%

LAB 75.7, -59.65, 36.39

 

CMYK 70 / 39 / 0 / 17

HEX #4082D4

RGB 64 130 212

HSL 213.24, 0.63%, 0.54%

LAB 53.82, 5.94, -48.31

 

CMYK 0 / 70 / 25 / 17

HEX #D440A0

RGB 212 64 160

HSL 321.08, 0.63%, 0.54%

LAB 52.06, 66.12, -20.03

 

CMYK 0 / 32 / 70 / 17

HEX #D49140

RGB 212 145 64

HSL 32.84, 0.63%, 0.54%

LAB 65.45, 17.92, 51.67

 

CMYK 70 / 0 / 45 / 17

HEX #3FD474

RGB 63 212 116

HSL 141.34, 0.63%, 0.54%

LAB 75.7, -59.65, 36.39

 

CMYK 70 / 59 / 0 / 17

HEX #4056D4

RGB 64 86 212

HSL 231.08, 0.63%, 0.54%

LAB 42, 33.51, -67.35

 

CMYK 0 / 70 / 25 / 17

HEX #D440A0

RGB 212 64 160

HSL 321.08, 0.63%, 0.54%

LAB 52.06, 66.12, -20.03

 

CMYK 0 / 11 / 70 / 17

HEX #D4BD40

RGB 212 189 64

HSL 50.68, 0.63%, 0.54%

LAB 76.53, -5.51, 63.1

 

Description

Color code: HEX #3FD474 | qconv.com Color code: HEX #3FD474 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 212 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 212 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 45 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 45% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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