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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FD075 it is the complementary color #C02F8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FD075. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FD075 shade: #44D070, #55E283, #66F496, #77FFA9 and #88FFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FD075. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FD075 shade: #3FD075, #2EBE62, #1DAC4F, #0C9A3C and #008829

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FD075 shade: #3ED074, #3ED04D, #56D03E, #7ED03E and #A5D03E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FD075 shade: #3ED074, #3ED09C, #3ED0C3, #3EB6D0 and #3E8ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FD075 shade matches the following richer shades: #3ED074, #2BE470 and #17F76B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FD075 shade: #3ED074, #51BD79, #65A97E, #789683 and #8C8388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FD075 shade: #56D03E, #3ED04D, #3ED074, #3ED09B and #3ED0C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FD075 shade: #25974F, #2DB861, #3ED074, #5FD88C and #80E0A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FD075 shade: #3FD075, #3E7DD0 and #D03E43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FD075 shade: #3FD075, #743ED0 and #D0743E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FD075 shade: #3FD075, #3E7DD0, #D03E9B and #D0913E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FD075 shade: #3FD075, #3E52D0, #D03E9B and #D0BD3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 44 / 18

HEX #3FD075

RGB 63 208 117

HSL 142.34, 0.61%, 0.53%

LAB 74.48, -58.03, 34.31

 

Complementary color

CMYK 0 / 76 / 28 / 25

HEX #C02F8A

RGB 192 47 138

HSL 322.34, 0.61%, 0.47%

LAB 45.74, 63.96, -16.86

 

CMYK 67 / 0 / 46 / 18

HEX #44D070

RGB 68 208 112

HSL 138.86, 0.6%, 0.54%

LAB 74.52, -58, 36.9

 

CMYK 62 / 0 / 42 / 11

HEX #55E283

RGB 85 226 131

HSL 139.57, 0.71%, 0.61%

LAB 80.72, -58.37, 35.45

 

CMYK 58 / 0 / 39 / 4

HEX #66F496

RGB 102 244 150

HSL 140.28, 0.87%, 0.68%

LAB 86.86, -58.54, 34.08

 

CMYK 53 / 0 / 34 / 0

HEX #77FFA9

RGB 119 255 169

HSL 142.06, 1%, 0.73%

LAB 90.92, -55.81, 30.06

 

CMYK 47 / 0 / 26 / 0

HEX #88FFBC

RGB 136 255 188

HSL 146.22, 1%, 0.77%

LAB 91.86, -48.27, 21.82

 

CMYK 70 / 0 / 44 / 18

HEX #3FD075

RGB 63 208 117

HSL 142.34, 0.61%, 0.53%

LAB 74.48, -58.03, 34.31

 

CMYK 76 / 0 / 48 / 25

HEX #2EBE62

RGB 46 190 98

HSL 141.67, 0.61%, 0.46%

LAB 68.23, -57.27, 35.87

 

CMYK 83 / 0 / 54 / 33

HEX #1DAC4F

RGB 29 172 79

HSL 140.98, 0.71%, 0.39%

LAB 61.94, -56.06, 37.5

 

CMYK 92 / 0 / 61 / 40

HEX #0C9A3C

RGB 12 154 60

HSL 140.28, 0.86%, 0.33%

LAB 55.6, -54.19, 39.15

 

CMYK 100 / 0 / 70 / 47

HEX #008829

RGB 0 136 41

HSL 138.09, 1%, 0.27%

LAB 49.21, -51.49, 40.62

 

CMYK 70 / 0 / 44 / 18

HEX #3ED074

RGB 62 208 116

HSL 142.19, 0.61%, 0.53%

LAB 74.44, -58.36, 34.77

 

CMYK 70 / 0 / 63 / 18

HEX #3ED04D

RGB 62 208 77

HSL 126.16, 0.61%, 0.53%

LAB 73.98, -63.76, 52.62

 

CMYK 59 / 0 / 70 / 18

HEX #56D03E

RGB 86 208 62

HSL 110.14, 0.61%, 0.53%

LAB 74.47, -60.2, 59.36

 

CMYK 39 / 0 / 70 / 18

HEX #7ED03E

RGB 126 208 62

HSL 93.7, 0.61%, 0.53%

LAB 76, -48.63, 61.43

 

CMYK 21 / 0 / 70 / 18

HEX #A5D03E

RGB 165 208 62

HSL 77.67, 0.61%, 0.53%

LAB 78.15, -34.44, 64.28

 

CMYK 70 / 0 / 44 / 18

HEX #3ED074

RGB 62 208 116

HSL 142.19, 0.61%, 0.53%

LAB 74.44, -58.36, 34.77

 

CMYK 70 / 0 / 25 / 18

HEX #3ED09C

RGB 62 208 156

HSL 158.63, 0.61%, 0.53%

LAB 75.16, -50.46, 14.88

 

CMYK 70 / 0 / 6 / 18

HEX #3ED0C3

RGB 62 208 195

HSL 174.66, 0.61%, 0.53%

LAB 76.12, -40.75, -4.68

 

CMYK 70 / 13 / 0 / 18

HEX #3EB6D0

RGB 62 182 208

HSL 190.68, 0.61%, 0.53%

LAB 68.78, -24.6, -22.77

 

CMYK 70 / 32 / 0 / 18

HEX #3E8ED0

RGB 62 142 208

HSL 207.12, 0.61%, 0.53%

LAB 57, -2.88, -41.03

 

CMYK 70 / 0 / 44 / 18

HEX #3ED074

RGB 62 208 116

HSL 142.19, 0.61%, 0.53%

LAB 74.44, -58.36, 34.77

 

CMYK 81 / 0 / 51 / 11

HEX #2BE470

RGB 43 228 112

HSL 142.38, 0.77%, 0.53%

LAB 80.28, -68.36, 44.02

 

CMYK 91 / 0 / 57 / 3

HEX #17F76B

RGB 23 247 107

HSL 142.5, 0.93%, 0.53%

LAB 85.89, -76.52, 53.07

 

CMYK 70 / 0 / 44 / 18

HEX #3ED074

RGB 62 208 116

HSL 142.19, 0.61%, 0.53%

LAB 74.44, -58.36, 34.77

 

CMYK 57 / 0 / 36 / 26

HEX #51BD79

RGB 81 189 121

HSL 142.22, 0.45%, 0.53%

LAB 69.13, -46.4, 25.3

 

CMYK 40 / 0 / 25 / 34

HEX #65A97E

RGB 101 169 126

HSL 142.06, 0.28%, 0.53%

LAB 63.88, -31.27, 15.56

 

CMYK 20 / 0 / 13 / 41

HEX #789683

RGB 120 150 131

HSL 142, 0.13%, 0.53%

LAB 59.38, -14.49, 6.58

 

CMYK 0 / 6 / 3 / 45

HEX #8C8388

RGB 140 131 136

HSL 326.67, 0.04%, 0.53%

LAB 55.67, 4.34, -1.48

 

CMYK 59 / 0 / 70 / 18

HEX #56D03E

RGB 86 208 62

HSL 110.14, 0.61%, 0.53%

LAB 74.47, -60.2, 59.36

 

CMYK 70 / 0 / 63 / 18

HEX #3ED04D

RGB 62 208 77

HSL 126.16, 0.61%, 0.53%

LAB 73.98, -63.76, 52.62

 

CMYK 70 / 0 / 44 / 18

HEX #3ED074

RGB 62 208 116

HSL 142.19, 0.61%, 0.53%

LAB 74.44, -58.36, 34.77

 

CMYK 70 / 0 / 25 / 18

HEX #3ED09B

RGB 62 208 155

HSL 158.22, 0.61%, 0.53%

LAB 75.14, -50.69, 15.39

 

CMYK 70 / 0 / 7 / 18

HEX #3ED0C2

RGB 62 208 194

HSL 174.25, 0.61%, 0.53%

LAB 76.09, -41.02, -4.18

 

CMYK 75 / 0 / 48 / 41

HEX #25974F

RGB 37 151 79

HSL 142.11, 0.61%, 0.37%

LAB 55.17, -47.55, 29.11

 

CMYK 76 / 0 / 47 / 28

HEX #2DB861

RGB 45 184 97

HSL 142.45, 0.61%, 0.45%

LAB 66.29, -55.44, 33.92

 

CMYK 70 / 0 / 44 / 18

HEX #3ED074

RGB 62 208 116

HSL 142.19, 0.61%, 0.53%

LAB 74.44, -58.36, 34.77

 

CMYK 56 / 0 / 35 / 15

HEX #5FD88C

RGB 95 216 140

HSL 142.31, 0.61%, 0.61%

LAB 78.13, -50.78, 27.5

 

CMYK 43 / 0 / 27 / 12

HEX #80E0A4

RGB 128 224 164

HSL 142.5, 0.61%, 0.69%

LAB 82.15, -41.45, 20.71

 

CMYK 70 / 0 / 44 / 18

HEX #3FD075

RGB 63 208 117

HSL 142.34, 0.61%, 0.53%

LAB 74.48, -58.03, 34.31

 

CMYK 70 / 40 / 0 / 18

HEX #3E7DD0

RGB 62 125 208

HSL 214.11, 0.61%, 0.53%

LAB 52.11, 7.26, -48.77

 

CMYK 0 / 70 / 68 / 18

HEX #D03E43

RGB 208 62 67

HSL 357.95, 0.61%, 0.53%

LAB 48.59, 57.24, 30.76

 

CMYK 70 / 0 / 44 / 18

HEX #3FD075

RGB 63 208 117

HSL 142.34, 0.61%, 0.53%

LAB 74.48, -58.03, 34.31

 

CMYK 44 / 70 / 0 / 18

HEX #743ED0

RGB 116 62 208

HSL 262.19, 0.61%, 0.53%

LAB 40.76, 54.29, -66.9

 

CMYK 0 / 44 / 70 / 18

HEX #D0743E

RGB 208 116 62

HSL 22.19, 0.61%, 0.53%

LAB 58.27, 31.73, 44.72

 

CMYK 70 / 0 / 44 / 18

HEX #3FD075

RGB 63 208 117

HSL 142.34, 0.61%, 0.53%

LAB 74.48, -58.03, 34.31

 

CMYK 70 / 40 / 0 / 18

HEX #3E7DD0

RGB 62 125 208

HSL 214.11, 0.61%, 0.53%

LAB 52.11, 7.26, -48.77

 

CMYK 0 / 70 / 25 / 18

HEX #D03E9B

RGB 208 62 155

HSL 321.78, 0.61%, 0.53%

LAB 50.95, 65.16, -18.85

 

CMYK 0 / 30 / 70 / 18

HEX #D0913E

RGB 208 145 62

HSL 34.11, 0.61%, 0.53%

LAB 64.97, 16.1, 51.93

 

CMYK 70 / 0 / 44 / 18

HEX #3FD075

RGB 63 208 117

HSL 142.34, 0.61%, 0.53%

LAB 74.48, -58.03, 34.31

 

CMYK 70 / 61 / 0 / 18

HEX #3E52D0

RGB 62 82 208

HSL 231.78, 0.61%, 0.53%

LAB 40.59, 34.36, -67.35

 

CMYK 0 / 70 / 25 / 18

HEX #D03E9B

RGB 208 62 155

HSL 321.78, 0.61%, 0.53%

LAB 50.95, 65.16, -18.85

 

CMYK 0 / 9 / 70 / 18

HEX #D0BD3E

RGB 208 189 62

HSL 52.19, 0.61%, 0.53%

LAB 76.16, -7.33, 63.38

 

Description

Color code: HEX #3FD075 | qconv.com Color code: HEX #3FD075 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 208 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 208 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 44 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 44% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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