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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FD045 it is the complementary color #C02FBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FD045. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FD045 shade: #44D040, #55E253, #66F466, #77FF79 and #88FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FD045. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FD045 shade: #3FD045, #2EBE32, #1DAC1F, #0C9A0C and #008800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FD045 shade: #3ED044, #5FD03E, #87D03E, #AED03E and #D0CB3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FD045 shade: #3ED044, #3ED06C, #3ED093, #3ED0BA and #3EBFD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FD045 shade matches the following richer shades: #3ED044, #2BE432 and #17F721

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FD045 shade: #3ED044, #51BD56, #65A968, #789679 and #8C838B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FD045 shade: #87D03E, #60D03E, #3ED043, #3ED06A and #3ED091

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FD045 shade: #259729, #2DB832, #3ED044, #5FD864 and #80E084

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FD045 shade: #3FD045, #3EAED0 and #D03E74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FD045 shade: #3FD045, #433ED0 and #D0433E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FD045 shade: #3FD045, #3EAED0, #D03ECB and #D0603E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FD045 shade: #3FD045, #3E82D0, #D03ECB and #D08C3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 67 / 18

HEX #3FD045

RGB 63 208 69

HSL 122.48, 0.61%, 0.53%

LAB 73.93, -64.4, 55.89

 

Complementary color

CMYK 0 / 76 / 3 / 25

HEX #C02FBA

RGB 192 47 186

HSL 302.48, 0.61%, 0.47%

LAB 47.99, 70.64, -41.92

 

CMYK 67 / 0 / 69 / 18

HEX #44D040

RGB 68 208 64

HSL 118.33, 0.61%, 0.53%

LAB 74, -63.94, 57.97

 

CMYK 62 / 0 / 63 / 11

HEX #55E253

RGB 85 226 83

HSL 119.16, 0.71%, 0.61%

LAB 80.15, -64.79, 57.11

 

CMYK 58 / 0 / 58 / 4

HEX #66F466

RGB 102 244 102

HSL 120, 0.87%, 0.68%

LAB 86.25, -65.32, 56.04

 

CMYK 53 / 0 / 53 / 0

HEX #77FF79

RGB 119 255 121

HSL 120.88, 1%, 0.73%

LAB 90.24, -63.05, 52.38

 

CMYK 47 / 0 / 45 / 0

HEX #88FF8C

RGB 136 255 140

HSL 122.02, 1%, 0.77%

LAB 91.07, -56.17, 44.64

 

CMYK 70 / 0 / 67 / 18

HEX #3FD045

RGB 63 208 69

HSL 122.48, 0.61%, 0.53%

LAB 73.93, -64.4, 55.89

 

CMYK 76 / 0 / 74 / 25

HEX #2EBE32

RGB 46 190 50

HSL 121.67, 0.61%, 0.46%

LAB 67.75, -63.04, 56.57

 

CMYK 83 / 0 / 82 / 33

HEX #1DAC1F

RGB 29 172 31

HSL 120.84, 0.71%, 0.39%

LAB 61.54, -61.01, 56.56

 

CMYK 92 / 0 / 92 / 40

HEX #0C9A0C

RGB 12 154 12

HSL 120, 0.86%, 0.33%

LAB 55.29, -58.06, 55.3

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 70 / 0 / 67 / 18

HEX #3ED044

RGB 62 208 68

HSL 122.47, 0.61%, 0.53%

LAB 73.9, -64.67, 56.26

 

CMYK 54 / 0 / 70 / 18

HEX #5FD03E

RGB 95 208 62

HSL 106.44, 0.61%, 0.53%

LAB 74.76, -57.93, 59.75

 

CMYK 35 / 0 / 70 / 18

HEX #87D03E

RGB 135 208 62

HSL 90, 0.61%, 0.53%

LAB 76.44, -45.56, 62.01

 

CMYK 16 / 0 / 70 / 18

HEX #AED03E

RGB 174 208 62

HSL 73.97, 0.61%, 0.53%

LAB 78.73, -30.89, 65.06

 

CMYK 0 / 2 / 70 / 18

HEX #D0CB3E

RGB 208 203 62

HSL 57.95, 0.61%, 0.53%

LAB 79.88, -14.45, 67.04

 

CMYK 70 / 0 / 67 / 18

HEX #3ED044

RGB 62 208 68

HSL 122.47, 0.61%, 0.53%

LAB 73.9, -64.67, 56.26

 

CMYK 70 / 0 / 48 / 18

HEX #3ED06C

RGB 62 208 108

HSL 138.9, 0.61%, 0.53%

LAB 74.33, -59.66, 38.62

 

CMYK 70 / 0 / 29 / 18

HEX #3ED093

RGB 62 208 147

HSL 154.93, 0.61%, 0.53%

LAB 74.98, -52.44, 19.41

 

CMYK 70 / 0 / 11 / 18

HEX #3ED0BA

RGB 62 208 186

HSL 170.96, 0.61%, 0.53%

LAB 75.87, -43.15, -0.18

 

CMYK 70 / 8 / 0 / 18

HEX #3EBFD0

RGB 62 191 208

HSL 186.99, 0.61%, 0.53%

LAB 71.45, -29.08, -18.71

 

CMYK 70 / 0 / 67 / 18

HEX #3ED044

RGB 62 208 68

HSL 122.47, 0.61%, 0.53%

LAB 73.9, -64.67, 56.26

 

CMYK 81 / 0 / 78 / 11

HEX #2BE432

RGB 43 228 50

HSL 122.27, 0.77%, 0.53%

LAB 79.74, -74.87, 68.33

 

CMYK 91 / 0 / 87 / 3

HEX #17F721

RGB 23 247 33

HSL 122.68, 0.93%, 0.53%

LAB 85.41, -82.56, 77.51

 

CMYK 70 / 0 / 67 / 18

HEX #3ED044

RGB 62 208 68

HSL 122.47, 0.61%, 0.53%

LAB 73.9, -64.67, 56.26

 

CMYK 57 / 0 / 54 / 26

HEX #51BD56

RGB 81 189 86

HSL 122.78, 0.45%, 0.53%

LAB 68.62, -51.94, 42.44

 

CMYK 40 / 0 / 38 / 34

HEX #65A968

RGB 101 169 104

HSL 122.65, 0.28%, 0.53%

LAB 63.46, -35.26, 26.95

 

CMYK 20 / 0 / 19 / 41

HEX #789679

RGB 120 150 121

HSL 122, 0.13%, 0.53%

LAB 59.15, -16.43, 11.9

 

CMYK 0 / 6 / 1 / 45

HEX #8C838B

RGB 140 131 139

HSL 306.67, 0.04%, 0.53%

LAB 55.76, 4.93, -3.09

 

CMYK 35 / 0 / 70 / 18

HEX #87D03E

RGB 135 208 62

HSL 90, 0.61%, 0.53%

LAB 76.44, -45.56, 62.01

 

CMYK 54 / 0 / 70 / 18

HEX #60D03E

RGB 96 208 62

HSL 106.03, 0.61%, 0.53%

LAB 74.79, -57.66, 59.79

 

CMYK 70 / 0 / 68 / 18

HEX #3ED043

RGB 62 208 67

HSL 122.05, 0.61%, 0.53%

LAB 73.9, -64.76, 56.64

 

CMYK 70 / 0 / 49 / 18

HEX #3ED06A

RGB 62 208 106

HSL 138.08, 0.61%, 0.53%

LAB 74.3, -59.97, 39.57

 

CMYK 70 / 0 / 30 / 18

HEX #3ED091

RGB 62 208 145

HSL 154.11, 0.61%, 0.53%

LAB 74.94, -52.86, 20.41

 

CMYK 75 / 0 / 73 / 41

HEX #259729

RGB 37 151 41

HSL 122.11, 0.61%, 0.37%

LAB 54.75, -52.52, 46.59

 

CMYK 76 / 0 / 73 / 28

HEX #2DB832

RGB 45 184 50

HSL 122.16, 0.61%, 0.45%

LAB 65.8, -61.28, 54.58

 

CMYK 70 / 0 / 67 / 18

HEX #3ED044

RGB 62 208 68

HSL 122.47, 0.61%, 0.53%

LAB 73.9, -64.67, 56.26

 

CMYK 56 / 0 / 54 / 15

HEX #5FD864

RGB 95 216 100

HSL 122.48, 0.61%, 0.61%

LAB 77.56, -56.98, 46.64

 

CMYK 43 / 0 / 41 / 12

HEX #80E084

RGB 128 224 132

HSL 122.5, 0.61%, 0.69%

LAB 81.6, -46.87, 36.38

 

CMYK 70 / 0 / 67 / 18

HEX #3FD045

RGB 63 208 69

HSL 122.48, 0.61%, 0.53%

LAB 73.93, -64.4, 55.89

 

CMYK 70 / 16 / 0 / 18

HEX #3EAED0

RGB 62 174 208

HSL 193.97, 0.61%, 0.53%

LAB 66.41, -20.5, -26.4

 

CMYK 0 / 70 / 44 / 18

HEX #D03E74

RGB 208 62 116

HSL 337.81, 0.61%, 0.53%

LAB 49.64, 60.84, 2.61

 

CMYK 70 / 0 / 67 / 18

HEX #3FD045

RGB 63 208 69

HSL 122.48, 0.61%, 0.53%

LAB 73.93, -64.4, 55.89

 

CMYK 68 / 70 / 0 / 18

HEX #433ED0

RGB 67 62 208

HSL 242.05, 0.61%, 0.53%

LAB 36.35, 47.06, -74.28

 

CMYK 0 / 68 / 70 / 18

HEX #D0433E

RGB 208 67 62

HSL 2.05, 0.61%, 0.53%

LAB 49.22, 55.06, 34.42

 

CMYK 70 / 0 / 67 / 18

HEX #3FD045

RGB 63 208 69

HSL 122.48, 0.61%, 0.53%

LAB 73.93, -64.4, 55.89

 

CMYK 70 / 16 / 0 / 18

HEX #3EAED0

RGB 62 174 208

HSL 193.97, 0.61%, 0.53%

LAB 66.41, -20.5, -26.4

 

CMYK 0 / 70 / 2 / 18

HEX #D03ECB

RGB 208 62 203

HSL 302.05, 0.61%, 0.53%

LAB 53.13, 72.02, -43.45

 

CMYK 0 / 54 / 70 / 18

HEX #D0603E

RGB 208 96 62

HSL 13.97, 0.61%, 0.53%

LAB 54.16, 42.01, 40.12

 

CMYK 70 / 0 / 67 / 18

HEX #3FD045

RGB 63 208 69

HSL 122.48, 0.61%, 0.53%

LAB 73.93, -64.4, 55.89

 

CMYK 70 / 38 / 0 / 18

HEX #3E82D0

RGB 62 130 208

HSL 212.05, 0.61%, 0.53%

LAB 53.54, 4.22, -46.5

 

CMYK 0 / 70 / 2 / 18

HEX #D03ECB

RGB 208 62 203

HSL 302.05, 0.61%, 0.53%

LAB 53.13, 72.02, -43.45

 

CMYK 0 / 33 / 70 / 18

HEX #D08C3E

RGB 208 140 62

HSL 32.05, 0.61%, 0.53%

LAB 63.77, 18.82, 50.66

 

Description

Color code: HEX #3FD045 | qconv.com Color code: HEX #3FD045 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 208 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 208 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 67 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 67% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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