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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FD013 it is the complementary color #C02FEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FD013. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FD013 shade: #44D00E, #55E221, #66F434, #77FF47 and #88FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FD013. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FD013 shade: #3FD013, #2EBE00, #1DAC00, #0C9A00 and #008800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FD013 shade: #40D214, #73D214, #A7D214, #D2CA14 and #D29714

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FD013 shade: #40D214, #14D21B, #14D24E, #14D281 and #14D2B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FD013 shade matches the following richer shades: #40D214 and #36E501

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FD013 shade: #40D214, #4ABF26, #54AD39, #5E9A4B and #68885E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FD013 shade: #A6D214, #73D214, #40D214, #14D21A and #14D24D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FD013 shade: #29860C, #34AC10, #40D214, #52EB24 and #70EE4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FD013 shade: #3FD013, #14D2CC and #D2148C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FD013 shade: #3FD013, #1440D2 and #D21440

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FD013 shade: #3FD013, #14D2CC, #A614D2 and #D2141A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FD013 shade: #3FD013, #149FD2, #A614D2 and #D24614

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 91 / 18

HEX #3FD013

RGB 63 208 19

HSL 106.03, 0.83%, 0.45%

LAB 73.69, -67.4, 70.06

 

Complementary color

CMYK 19 / 80 / 0 / 7

HEX #C02FEC

RGB 192 47 236

HSL 286.03, 0.83%, 0.55%

LAB 51.03, 79.08, -65.71

 

CMYK 67 / 0 / 93 / 18

HEX #44D00E

RGB 68 208 14

HSL 103.3, 0.87%, 0.44%

LAB 73.79, -66.57, 70.87

 

CMYK 62 / 0 / 85 / 11

HEX #55E221

RGB 85 226 33

HSL 103.83, 0.77%, 0.51%

LAB 79.86, -68.21, 73.02

 

CMYK 58 / 0 / 79 / 4

HEX #66F434

RGB 102 244 52

HSL 104.38, 0.9%, 0.58%

LAB 85.89, -69.4, 74.01

 

CMYK 53 / 0 / 72 / 0

HEX #77FF47

RGB 119 255 71

HSL 104.35, 1%, 0.64%

LAB 89.81, -67.82, 72.13

 

CMYK 47 / 0 / 65 / 0

HEX #88FF5A

RGB 136 255 90

HSL 103.27, 1%, 0.68%

LAB 90.55, -61.75, 66.14

 

CMYK 70 / 0 / 91 / 18

HEX #3FD013

RGB 63 208 19

HSL 106.03, 0.83%, 0.45%

LAB 73.69, -67.4, 70.06

 

CMYK 76 / 0 / 100 / 25

HEX #2EBE00

RGB 46 190 0

HSL 105.47, 1%, 0.37%

LAB 67.58, -65.17, 67.2

 

CMYK 83 / 0 / 100 / 33

HEX #1DAC00

RGB 29 172 0

HSL 109.88, 1%, 0.34%

LAB 61.45, -62.1, 62.2

 

CMYK 92 / 0 / 100 / 40

HEX #0C9A00

RGB 12 154 0

HSL 115.32, 1%, 0.3%

LAB 55.27, -58.41, 57.18

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 70 / 0 / 90 / 18

HEX #40D214

RGB 64 210 20

HSL 106.11, 0.83%, 0.45%

LAB 74.34, -67.81, 70.46

 

CMYK 45 / 0 / 90 / 18

HEX #73D214

RGB 115 210 20

HSL 90, 0.83%, 0.45%

LAB 75.94, -54.94, 72.45

 

CMYK 20 / 0 / 90 / 18

HEX #A7D214

RGB 167 210 20

HSL 73.58, 0.83%, 0.45%

LAB 78.67, -36.17, 75.81

 

CMYK 0 / 4 / 90 / 18

HEX #D2CA14

RGB 210 202 20

HSL 57.47, 0.83%, 0.45%

LAB 79.61, -14.42, 77.89

 

CMYK 0 / 28 / 90 / 18

HEX #D29714

RGB 210 151 20

HSL 41.37, 0.83%, 0.45%

LAB 66.43, 12.29, 67.76

 

CMYK 70 / 0 / 90 / 18

HEX #40D214

RGB 64 210 20

HSL 106.11, 0.83%, 0.45%

LAB 74.34, -67.81, 70.46

 

CMYK 90 / 0 / 87 / 18

HEX #14D21B

RGB 20 210 27

HSL 122.21, 0.83%, 0.45%

LAB 73.75, -72.9, 68.48

 

CMYK 90 / 0 / 63 / 18

HEX #14D24E

RGB 20 210 78

HSL 138.32, 0.83%, 0.45%

LAB 74.06, -69.06, 52.12

 

CMYK 90 / 0 / 39 / 18

HEX #14D281

RGB 20 210 129

HSL 154.42, 0.83%, 0.45%

LAB 74.72, -61.13, 28.38

 

CMYK 90 / 0 / 14 / 18

HEX #14D2B5

RGB 20 210 181

HSL 170.84, 0.83%, 0.45%

LAB 75.81, -49.07, 2.35

 

CMYK 70 / 0 / 90 / 18

HEX #40D214

RGB 64 210 20

HSL 106.11, 0.83%, 0.45%

LAB 74.34, -67.81, 70.46

 

CMYK 76 / 0 / 100 / 10

HEX #36E501

RGB 54 229 1

HSL 106.05, 0.99%, 0.45%

LAB 80.08, -75.44, 77.14

 

CMYK 70 / 0 / 90 / 18

HEX #40D214

RGB 64 210 20

HSL 106.11, 0.83%, 0.45%

LAB 74.34, -67.81, 70.46

 

CMYK 61 / 0 / 80 / 25

HEX #4ABF26

RGB 74 191 38

HSL 105.88, 0.67%, 0.45%

LAB 68.65, -58.78, 61.54

 

CMYK 51 / 0 / 67 / 32

HEX #54AD39

RGB 84 173 57

HSL 106.03, 0.5%, 0.45%

LAB 63.4, -48.16, 49.64

 

CMYK 39 / 0 / 51 / 40

HEX #5E9A4B

RGB 94 154 75

HSL 105.57, 0.34%, 0.45%

LAB 58.04, -34.99, 35.2

 

CMYK 24 / 0 / 31 / 47

HEX #68885E

RGB 104 136 94

HSL 105.71, 0.18%, 0.45%

LAB 53.34, -19.77, 18.99

 

CMYK 21 / 0 / 90 / 18

HEX #A6D214

RGB 166 210 20

HSL 73.89, 0.83%, 0.45%

LAB 78.61, -36.57, 75.73

 

CMYK 45 / 0 / 90 / 18

HEX #73D214

RGB 115 210 20

HSL 90, 0.83%, 0.45%

LAB 75.94, -54.94, 72.45

 

CMYK 70 / 0 / 90 / 18

HEX #40D214

RGB 64 210 20

HSL 106.11, 0.83%, 0.45%

LAB 74.34, -67.81, 70.46

 

CMYK 90 / 0 / 88 / 18

HEX #14D21A

RGB 20 210 26

HSL 121.89, 0.83%, 0.45%

LAB 73.75, -72.94, 68.67

 

CMYK 90 / 0 / 63 / 18

HEX #14D24D

RGB 20 210 77

HSL 138, 0.83%, 0.45%

LAB 74.05, -69.17, 52.54

 

CMYK 69 / 0 / 91 / 47

HEX #29860C

RGB 41 134 12

HSL 105.74, 0.84%, 0.29%

LAB 48.94, -47.84, 50.03

 

CMYK 70 / 0 / 91 / 33

HEX #34AC10

RGB 52 172 16

HSL 106.15, 0.83%, 0.37%

LAB 61.89, -58.15, 60.47

 

CMYK 70 / 0 / 90 / 18

HEX #40D214

RGB 64 210 20

HSL 106.11, 0.83%, 0.45%

LAB 74.34, -67.81, 70.46

 

CMYK 65 / 0 / 85 / 8

HEX #52EB24

RGB 82 235 36

HSL 106.13, 0.83%, 0.53%

LAB 82.56, -71.62, 74.73

 

CMYK 53 / 0 / 69 / 7

HEX #70EE4A

RGB 112 238 74

HSL 106.1, 0.83%, 0.61%

LAB 84.53, -63.39, 65.6

 

CMYK 70 / 0 / 91 / 18

HEX #3FD013

RGB 63 208 19

HSL 106.03, 0.83%, 0.45%

LAB 73.69, -67.4, 70.06

 

CMYK 90 / 0 / 3 / 18

HEX #14D2CC

RGB 20 210 204

HSL 178.11, 0.83%, 0.45%

LAB 76.44, -42.69, -9.11

 

CMYK 0 / 90 / 33 / 18

HEX #D2148C

RGB 210 20 140

HSL 322.11, 0.83%, 0.45%

LAB 47.1, 74.26, -15.69

 

CMYK 70 / 0 / 91 / 18

HEX #3FD013

RGB 63 208 19

HSL 106.03, 0.83%, 0.45%

LAB 73.69, -67.4, 70.06

 

CMYK 90 / 70 / 0 / 18

HEX #1440D2

RGB 20 64 210

HSL 226.11, 0.83%, 0.45%

LAB 34.94, 42.94, -77.84

 

CMYK 0 / 90 / 70 / 18

HEX #D21440

RGB 210 20 64

HSL 346.11, 0.83%, 0.45%

LAB 45.04, 68.6, 28.3

 

CMYK 70 / 0 / 91 / 18

HEX #3FD013

RGB 63 208 19

HSL 106.03, 0.83%, 0.45%

LAB 73.69, -67.4, 70.06

 

CMYK 90 / 0 / 3 / 18

HEX #14D2CC

RGB 20 210 204

HSL 178.11, 0.83%, 0.45%

LAB 76.44, -42.69, -9.11

 

CMYK 21 / 90 / 0 / 18

HEX #A614D2

RGB 166 20 210

HSL 286.11, 0.83%, 0.45%

LAB 43.15, 76.17, -63.85

 

CMYK 0 / 90 / 88 / 18

HEX #D2141A

RGB 210 20 26

HSL 358.11, 0.83%, 0.45%

LAB 44.63, 67.42, 49.17

 

CMYK 70 / 0 / 91 / 18

HEX #3FD013

RGB 63 208 19

HSL 106.03, 0.83%, 0.45%

LAB 73.69, -67.4, 70.06

 

CMYK 90 / 24 / 0 / 18

HEX #149FD2

RGB 20 159 210

HSL 196.11, 0.83%, 0.45%

LAB 61.31, -15.79, -35.46

 

CMYK 21 / 90 / 0 / 18

HEX #A614D2

RGB 166 20 210

HSL 286.11, 0.83%, 0.45%

LAB 43.15, 76.17, -63.85

 

CMYK 0 / 67 / 90 / 18

HEX #D24614

RGB 210 70 20

HSL 15.79, 0.83%, 0.45%

LAB 49.66, 53.2, 55.32

 

Description

Color code: HEX #3FD013 | qconv.com Color code: HEX #3FD013 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 208 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 208 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 91 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 91% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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