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Color name
HEX #3FC348

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FC348 it is the complementary color #C03CB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FC348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FC348 shade: #44C343, #55D556, #66E769, #77F97C and #88FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FC348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FC348 shade: #3FC348, #2EB135, #1D9F22, #0C8D0F and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FC348 shade: #41C34A, #5BC341, #7EC341, #A1C341 and #C3C241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FC348 shade: #41C34A, #41C36D, #41C390, #41C3B3 and #41B0C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FC348 shade matches the following richer shades: #41C34A, #2DD738 and #19EB27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FC348 shade: #41C34A, #55AF5B, #6A9B6D, #7E867E and #927290

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FC348 shade: #7EC341, #5BC341, #41C34A, #41C36C and #41C38F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FC348 shade: #2B8731, #35A63C, #41C34A, #60CD68 and #80D786

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FC348 shade: #3FC348, #41A0C3 and #C3416C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FC348 shade: #3FC348, #4A41C3 and #C34A41

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FC348 shade: #3FC348, #41A0C3, #C341BA and #C36441

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FC348 shade: #3FC348, #4179C3, #C341BA and #C38B41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 63 / 24

HEX #3FC348

RGB 63 195 72

HSL 124.09, 0.52%, 0.51%

LAB 69.86, -59.72, 50.17

 

Complementary color

CMYK 0 / 69 / 5 / 25

HEX #C03CB7

RGB 192 60 183

HSL 304.09, 0.52%, 0.49%

LAB 49.32, 65.92, -38.06

 

CMYK 65 / 0 / 66 / 24

HEX #44C343

RGB 68 195 67

HSL 119.53, 0.52%, 0.51%

LAB 69.94, -59.25, 52.41

 

CMYK 60 / 0 / 60 / 16

HEX #55D556

RGB 85 213 86

HSL 120.47, 0.6%, 0.58%

LAB 76.19, -59.9, 51.35

 

CMYK 56 / 0 / 55 / 9

HEX #66E769

RGB 102 231 105

HSL 121.4, 0.73%, 0.65%

LAB 82.38, -60.26, 50.14

 

CMYK 52 / 0 / 50 / 2

HEX #77F97C

RGB 119 249 124

HSL 122.31, 0.92%, 0.72%

LAB 88.51, -60.42, 48.89

 

CMYK 47 / 0 / 44 / 0

HEX #88FF8F

RGB 136 255 143

HSL 123.53, 1%, 0.77%

LAB 91.12, -55.75, 43.25

 

CMYK 68 / 0 / 63 / 24

HEX #3FC348

RGB 63 195 72

HSL 124.09, 0.52%, 0.51%

LAB 69.86, -59.72, 50.17

 

CMYK 74 / 0 / 70 / 31

HEX #2EB135

RGB 46 177 53

HSL 123.21, 0.59%, 0.44%

LAB 63.58, -58.6, 51.13

 

CMYK 82 / 0 / 79 / 38

HEX #1D9F22

RGB 29 159 34

HSL 122.31, 0.69%, 0.37%

LAB 57.24, -56.82, 51.57

 

CMYK 91 / 0 / 89 / 45

HEX #0C8D0F

RGB 12 141 15

HSL 121.4, 0.84%, 0.3%

LAB 50.88, -54.1, 50.9

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 67 / 0 / 62 / 24

HEX #41C34A

RGB 65 195 74

HSL 124.15, 0.52%, 0.51%

LAB 69.93, -59.12, 49.38

 

CMYK 53 / 0 / 67 / 24

HEX #5BC341

RGB 91 195 65

HSL 108, 0.52%, 0.51%

LAB 70.62, -53.93, 54.18

 

CMYK 35 / 0 / 67 / 24

HEX #7EC341

RGB 126 195 65

HSL 91.85, 0.52%, 0.51%

LAB 72.13, -42.96, 56.23

 

CMYK 17 / 0 / 67 / 24

HEX #A1C341

RGB 161 195 65

HSL 75.69, 0.52%, 0.51%

LAB 74.18, -29.77, 59.02

 

CMYK 0 / 1 / 67 / 24

HEX #C3C241

RGB 195 194 65

HSL 59.54, 0.52%, 0.51%

LAB 76.42, -15.25, 62.11

 

CMYK 67 / 0 / 62 / 24

HEX #41C34A

RGB 65 195 74

HSL 124.15, 0.52%, 0.51%

LAB 69.93, -59.12, 49.38

 

CMYK 67 / 0 / 44 / 24

HEX #41C36D

RGB 65 195 109

HSL 140.31, 0.52%, 0.51%

LAB 70.36, -54.21, 33.08

 

CMYK 67 / 0 / 26 / 24

HEX #41C390

RGB 65 195 144

HSL 156.46, 0.52%, 0.51%

LAB 70.99, -47.36, 15.48

 

CMYK 67 / 0 / 8 / 24

HEX #41C3B3

RGB 65 195 179

HSL 172.62, 0.52%, 0.51%

LAB 71.83, -38.79, -2.3

 

CMYK 67 / 10 / 0 / 24

HEX #41B0C3

RGB 65 176 195

HSL 188.77, 0.52%, 0.51%

LAB 66.61, -25.14, -18.9

 

CMYK 67 / 0 / 62 / 24

HEX #41C34A

RGB 65 195 74

HSL 124.15, 0.52%, 0.51%

LAB 69.93, -59.12, 49.38

 

CMYK 79 / 0 / 74 / 16

HEX #2DD738

RGB 45 215 56

HSL 123.88, 0.68%, 0.51%

LAB 75.73, -70.4, 62.5

 

CMYK 89 / 0 / 83 / 8

HEX #19EB27

RGB 25 235 39

HSL 124, 0.84%, 0.51%

LAB 81.71, -78.95, 72.98

 

CMYK 67 / 0 / 62 / 24

HEX #41C34A

RGB 65 195 74

HSL 124.15, 0.52%, 0.51%

LAB 69.93, -59.12, 49.38

 

CMYK 51 / 0 / 48 / 31

HEX #55AF5B

RGB 85 175 91

HSL 124, 0.36%, 0.51%

LAB 64.44, -44.63, 34.87

 

CMYK 32 / 0 / 30 / 39

HEX #6A9B6D

RGB 106 155 109

HSL 123.67, 0.2%, 0.51%

LAB 59.54, -26.1, 19.02

 

CMYK 6 / 0 / 6 / 47

HEX #7E867E

RGB 126 134 126

HSL 120, 0.03%, 0.51%

LAB 55.06, -4.54, 3.28

 

CMYK 0 / 22 / 1 / 43

HEX #927290

RGB 146 114 144

HSL 303.75, 0.13%, 0.51%

LAB 52.02, 17.97, -11.51

 

CMYK 35 / 0 / 67 / 24

HEX #7EC341

RGB 126 195 65

HSL 91.85, 0.52%, 0.51%

LAB 72.13, -42.96, 56.23

 

CMYK 53 / 0 / 67 / 24

HEX #5BC341

RGB 91 195 65

HSL 108, 0.52%, 0.51%

LAB 70.62, -53.93, 54.18

 

CMYK 67 / 0 / 62 / 24

HEX #41C34A

RGB 65 195 74

HSL 124.15, 0.52%, 0.51%

LAB 69.93, -59.12, 49.38

 

CMYK 67 / 0 / 45 / 24

HEX #41C36C

RGB 65 195 108

HSL 139.85, 0.52%, 0.51%

LAB 70.34, -54.38, 33.57

 

CMYK 67 / 0 / 27 / 24

HEX #41C38F

RGB 65 195 143

HSL 156, 0.52%, 0.51%

LAB 70.97, -47.58, 15.99

 

CMYK 68 / 0 / 64 / 47

HEX #2B8731

RGB 43 135 49

HSL 123.91, 0.52%, 0.35%

LAB 49.57, -44.92, 37.57

 

CMYK 68 / 0 / 64 / 35

HEX #35A63C

RGB 53 166 60

HSL 123.72, 0.52%, 0.43%

LAB 60.21, -52.87, 44.57

 

CMYK 67 / 0 / 62 / 24

HEX #41C34A

RGB 65 195 74

HSL 124.15, 0.52%, 0.51%

LAB 69.93, -59.12, 49.38

 

CMYK 53 / 0 / 49 / 20

HEX #60CD68

RGB 96 205 104

HSL 124.4, 0.52%, 0.59%

LAB 74.28, -51.96, 40.74

 

CMYK 40 / 0 / 38 / 16

HEX #80D786

RGB 128 215 134

HSL 124.14, 0.52%, 0.67%

LAB 78.99, -42.7, 31.95

 

CMYK 68 / 0 / 63 / 24

HEX #3FC348

RGB 63 195 72

HSL 124.09, 0.52%, 0.51%

LAB 69.86, -59.72, 50.17

 

CMYK 67 / 18 / 0 / 24

HEX #41A0C3

RGB 65 160 195

HSL 196.15, 0.52%, 0.51%

LAB 61.83, -16.83, -26.2

 

CMYK 0 / 67 / 45 / 24

HEX #C3416C

RGB 195 65 108

HSL 340.15, 0.52%, 0.51%

LAB 47.58, 55.05, 4.22

 

CMYK 68 / 0 / 63 / 24

HEX #3FC348

RGB 63 195 72

HSL 124.09, 0.52%, 0.51%

LAB 69.86, -59.72, 50.17

 

CMYK 62 / 67 / 0 / 24

HEX #4A41C3

RGB 74 65 195

HSL 244.15, 0.52%, 0.51%

LAB 36.32, 42.04, -66.75

 

CMYK 0 / 62 / 67 / 24

HEX #C34A41

RGB 195 74 65

HSL 4.15, 0.52%, 0.51%

LAB 48.11, 47.86, 30.82

 

CMYK 68 / 0 / 63 / 24

HEX #3FC348

RGB 63 195 72

HSL 124.09, 0.52%, 0.51%

LAB 69.86, -59.72, 50.17

 

CMYK 67 / 18 / 0 / 24

HEX #41A0C3

RGB 65 160 195

HSL 196.15, 0.52%, 0.51%

LAB 61.83, -16.83, -26.2

 

CMYK 0 / 67 / 5 / 24

HEX #C341BA

RGB 195 65 186

HSL 304.15, 0.52%, 0.51%

LAB 50.6, 65.26, -37.76

 

CMYK 0 / 49 / 67 / 24

HEX #C36441

RGB 195 100 65

HSL 16.15, 0.52%, 0.51%

LAB 53.06, 35.1, 36.73

 

CMYK 68 / 0 / 63 / 24

HEX #3FC348

RGB 63 195 72

HSL 124.09, 0.52%, 0.51%

LAB 69.86, -59.72, 50.17

 

CMYK 67 / 38 / 0 / 24

HEX #4179C3

RGB 65 121 195

HSL 214.15, 0.52%, 0.51%

LAB 50.38, 5.55, -44.11

 

CMYK 0 / 67 / 5 / 24

HEX #C341BA

RGB 195 65 186

HSL 304.15, 0.52%, 0.51%

LAB 50.6, 65.26, -37.76

 

CMYK 0 / 29 / 67 / 24

HEX #C38B41

RGB 195 139 65

HSL 34.15, 0.52%, 0.51%

LAB 62.04, 13.95, 46.93

 

Description

Color code: HEX #3FC348 | qconv.com Color code: HEX #3FC348 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 195 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 195 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 63 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 63% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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