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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FC319 it is the complementary color #C03CE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FC319. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FC319 shade: #44C314, #55D527, #66E73A, #77F94D and #88FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FC319. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FC319 shade: #3FC319, #2EB106, #1D9F00, #0C8D00 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FC319 shade: #3FC219, #6CC219, #9AC219, #C2BD19 and #C28F19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FC319 shade: #3FC219, #19C221, #19C24F, #19C27C and #19C2AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FC319 shade matches the following richer shades: #3FC219 and #35D407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FC319 shade: #3FC219, #49B02B, #539F3D, #5C8D4E and #667B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FC319 shade: #9BC219, #6EC219, #41C219, #19C21F and #19C24C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FC319 shade: #277910, #339E14, #3FC219, #4DE222 and #6BE747

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FC319 shade: #3FC319, #19C2BC and #C21984

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FC319 shade: #3FC319, #1941C2 and #C21941

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FC319 shade: #3FC319, #19C2BC, #9B19C2 and #C2191F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FC319 shade: #3FC319, #1995C2, #9B19C2 and #C24619

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 87 / 24

HEX #3FC319

RGB 63 195 25

HSL 106.59, 0.77%, 0.43%

LAB 69.58, -63.1, 65.48

 

Complementary color

CMYK 17 / 74 / 0 / 10

HEX #C03CE6

RGB 192 60 230

HSL 286.59, 0.77%, 0.57%

LAB 52.01, 74.03, -60.75

 

CMYK 65 / 0 / 90 / 24

HEX #44C314

RGB 68 195 20

HSL 103.54, 0.81%, 0.42%

LAB 69.69, -62.24, 66.56

 

CMYK 60 / 0 / 82 / 16

HEX #55D527

RGB 85 213 39

HSL 104.14, 0.69%, 0.49%

LAB 75.86, -63.64, 68.05

 

CMYK 56 / 0 / 75 / 9

HEX #66E73A

RGB 102 231 58

HSL 104.74, 0.78%, 0.57%

LAB 81.99, -64.61, 68.48

 

CMYK 52 / 0 / 69 / 2

HEX #77F94D

RGB 119 249 77

HSL 105.35, 0.93%, 0.64%

LAB 88.07, -65.26, 68.26

 

CMYK 47 / 0 / 62 / 0

HEX #88FF60

RGB 136 255 96

HSL 104.91, 1%, 0.69%

LAB 90.6, -61.23, 63.8

 

CMYK 68 / 0 / 87 / 24

HEX #3FC319

RGB 63 195 25

HSL 106.59, 0.77%, 0.43%

LAB 69.58, -63.1, 65.48

 

CMYK 74 / 0 / 97 / 31

HEX #2EB106

RGB 46 177 6

HSL 105.96, 0.93%, 0.36%

LAB 63.37, -61.07, 63.07

 

CMYK 82 / 0 / 100 / 38

HEX #1D9F00

RGB 29 159 0

HSL 109.06, 1%, 0.31%

LAB 57.13, -58.24, 58.75

 

CMYK 91 / 0 / 100 / 45

HEX #0C8D00

RGB 12 141 0

HSL 114.89, 1%, 0.28%

LAB 50.84, -54.62, 53.63

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 68 / 0 / 87 / 24

HEX #3FC219

RGB 63 194 25

HSL 106.51, 0.77%, 0.43%

LAB 69.26, -62.78, 65.2

 

CMYK 44 / 0 / 87 / 24

HEX #6CC219

RGB 108 194 25

HSL 90.53, 0.77%, 0.43%

LAB 70.76, -50.85, 67.08

 

CMYK 21 / 0 / 87 / 24

HEX #9AC219

RGB 154 194 25

HSL 74.2, 0.77%, 0.43%

LAB 73.24, -33.95, 70.16

 

CMYK 0 / 3 / 87 / 24

HEX #C2BD19

RGB 194 189 25

HSL 58.22, 0.77%, 0.43%

LAB 74.78, -14.69, 72.65

 

CMYK 0 / 26 / 87 / 24

HEX #C28F19

RGB 194 143 25

HSL 41.89, 0.77%, 0.43%

LAB 62.66, 9.66, 62.88

 

CMYK 68 / 0 / 87 / 24

HEX #3FC219

RGB 63 194 25

HSL 106.51, 0.77%, 0.43%

LAB 69.26, -62.78, 65.2

 

CMYK 87 / 0 / 83 / 24

HEX #19C221

RGB 25 194 33

HSL 122.84, 0.77%, 0.43%

LAB 68.68, -67.76, 62.6

 

CMYK 87 / 0 / 59 / 24

HEX #19C24F

RGB 25 194 79

HSL 139.17, 0.77%, 0.43%

LAB 69.01, -63.64, 45.91

 

CMYK 87 / 0 / 36 / 24

HEX #19C27C

RGB 25 194 124

HSL 155.15, 0.77%, 0.43%

LAB 69.64, -56.09, 24.21

 

CMYK 87 / 0 / 12 / 24

HEX #19C2AA

RGB 25 194 170

HSL 171.48, 0.77%, 0.43%

LAB 70.66, -45.05, 0.81

 

CMYK 68 / 0 / 87 / 24

HEX #3FC219

RGB 63 194 25

HSL 106.51, 0.77%, 0.43%

LAB 69.26, -62.78, 65.2

 

CMYK 75 / 0 / 97 / 17

HEX #35D407

RGB 53 212 7

HSL 106.54, 0.94%, 0.43%

LAB 74.74, -70.53, 72.26

 

CMYK 68 / 0 / 87 / 24

HEX #3FC219

RGB 63 194 25

HSL 106.51, 0.77%, 0.43%

LAB 69.26, -62.78, 65.2

 

CMYK 59 / 0 / 76 / 31

HEX #49B02B

RGB 73 176 43

HSL 106.47, 0.61%, 0.43%

LAB 63.87, -53.41, 55.36

 

CMYK 48 / 0 / 62 / 38

HEX #539F3D

RGB 83 159 61

HSL 106.53, 0.45%, 0.43%

LAB 58.95, -42.41, 42.96

 

CMYK 35 / 0 / 45 / 45

HEX #5C8D4E

RGB 92 141 78

HSL 106.67, 0.29%, 0.43%

LAB 53.89, -29.2, 28.44

 

CMYK 17 / 0 / 22 / 52

HEX #667B60

RGB 102 123 96

HSL 106.67, 0.12%, 0.43%

LAB 49.3, -13.22, 12.27

 

CMYK 20 / 0 / 87 / 24

HEX #9BC219

RGB 155 194 25

HSL 73.85, 0.77%, 0.43%

LAB 73.3, -33.55, 70.24

 

CMYK 43 / 0 / 87 / 24

HEX #6EC219

RGB 110 194 25

HSL 89.82, 0.77%, 0.43%

LAB 70.85, -50.2, 67.19

 

CMYK 66 / 0 / 87 / 24

HEX #41C219

RGB 65 194 25

HSL 105.8, 0.77%, 0.43%

LAB 69.31, -62.37, 65.26

 

CMYK 87 / 0 / 84 / 24

HEX #19C21F

RGB 25 194 31

HSL 122.13, 0.77%, 0.43%

LAB 68.67, -67.86, 63.09

 

CMYK 87 / 0 / 61 / 24

HEX #19C24C

RGB 25 194 76

HSL 138.11, 0.77%, 0.43%

LAB 68.98, -64.02, 47.23

 

CMYK 68 / 0 / 87 / 53

HEX #277910

RGB 39 121 16

HSL 106.86, 0.77%, 0.27%

LAB 44.44, -43.53, 45.09

 

CMYK 68 / 0 / 87 / 38

HEX #339E14

RGB 51 158 20

HSL 106.52, 0.78%, 0.35%

LAB 57.28, -53.58, 55.67

 

CMYK 68 / 0 / 87 / 24

HEX #3FC219

RGB 63 194 25

HSL 106.51, 0.77%, 0.43%

LAB 69.26, -62.78, 65.2

 

CMYK 66 / 0 / 85 / 11

HEX #4DE222

RGB 77 226 34

HSL 106.56, 0.77%, 0.51%

LAB 79.66, -69.86, 72.56

 

CMYK 54 / 0 / 69 / 9

HEX #6BE747

RGB 107 231 71

HSL 106.5, 0.77%, 0.59%

LAB 82.23, -62.41, 64.28

 

CMYK 68 / 0 / 87 / 24

HEX #3FC319

RGB 63 195 25

HSL 106.59, 0.77%, 0.43%

LAB 69.58, -63.1, 65.48

 

CMYK 87 / 0 / 3 / 24

HEX #19C2BC

RGB 25 194 188

HSL 177.87, 0.77%, 0.43%

LAB 71.16, -39.98, -8.28

 

CMYK 0 / 87 / 32 / 24

HEX #C21984

RGB 194 25 132

HSL 322.01, 0.77%, 0.43%

LAB 43.99, 69.14, -15.84

 

CMYK 68 / 0 / 87 / 24

HEX #3FC319

RGB 63 195 25

HSL 106.59, 0.77%, 0.43%

LAB 69.58, -63.1, 65.48

 

CMYK 87 / 66 / 0 / 24

HEX #1941C2

RGB 25 65 194

HSL 225.8, 0.77%, 0.43%

LAB 33.74, 36.65, -70.5

 

CMYK 0 / 87 / 66 / 24

HEX #C21941

RGB 194 25 65

HSL 345.8, 0.77%, 0.43%

LAB 42.07, 63.73, 23.26

 

CMYK 68 / 0 / 87 / 24

HEX #3FC319

RGB 63 195 25

HSL 106.59, 0.77%, 0.43%

LAB 69.58, -63.1, 65.48

 

CMYK 87 / 0 / 3 / 24

HEX #19C2BC

RGB 25 194 188

HSL 177.87, 0.77%, 0.43%

LAB 71.16, -39.98, -8.28

 

CMYK 20 / 87 / 0 / 24

HEX #9B19C2

RGB 155 25 194

HSL 286.15, 0.77%, 0.43%

LAB 40.51, 70.72, -58.93

 

CMYK 0 / 87 / 84 / 24

HEX #C2191F

RGB 194 25 31

HSL 357.87, 0.77%, 0.43%

LAB 41.63, 62.45, 42.83

 

CMYK 68 / 0 / 87 / 24

HEX #3FC319

RGB 63 195 25

HSL 106.59, 0.77%, 0.43%

LAB 69.58, -63.1, 65.48

 

CMYK 87 / 23 / 0 / 24

HEX #1995C2

RGB 25 149 194

HSL 195.98, 0.77%, 0.43%

LAB 57.65, -15.74, -32.18

 

CMYK 20 / 87 / 0 / 24

HEX #9B19C2

RGB 155 25 194

HSL 286.15, 0.77%, 0.43%

LAB 40.51, 70.72, -58.93

 

CMYK 0 / 64 / 87 / 24

HEX #C24619

RGB 194 70 25

HSL 15.98, 0.77%, 0.43%

LAB 46.87, 47.71, 50.11

 

Description

Color code: HEX #3FC319 | qconv.com Color code: HEX #3FC319 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 195 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 195 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 87 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 87% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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