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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FBD2D it is the complementary color #C042D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FBD2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FBD2D shade: #44BD28, #55CF3B, #66E14E, #77F361 and #88FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FBD2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FBD2D shade: #3FBD2D, #2EAB1A, #1D9907, #0C8700 and #007500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FBD2D shade: #3FBE2D, #66BE2D, #8DBE2D, #B4BE2D and #BEA02D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FBD2D shade: #3FBE2D, #2DBE42, #2DBE69, #2DBE90 and #2DBEB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FBD2D shade matches the following richer shades: #3FBE2D, #31D11A and #22E407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FBD2D shade: #3FBE2D, #4DAB40, #5B9853, #698566 and #787278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FBD2D shade: #8EBE2D, #67BE2D, #40BE2D, #2DBE40 and #2DBE67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FBD2D shade: #297B1D, #349D25, #3FBE2D, #53D341 and #72DA63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FBD2D shade: #3FBD2D, #2DB4BE and #BE2D7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FBD2D shade: #3FBD2D, #2D40BE and #BE2D40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FBD2D shade: #3FBD2D, #2DB4BE, #AB2DBE and #BE362D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FBD2D shade: #3FBD2D, #2D89BE, #AB2DBE and #BE622D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 76 / 26

HEX #3FBD2D

RGB 63 189 45

HSL 112.5, 0.62%, 0.46%

LAB 67.76, -60.09, 58.41

 

Complementary color

CMYK 9 / 69 / 0 / 18

HEX #C042D2

RGB 192 66 210

HSL 292.5, 0.62%, 0.54%

LAB 51.56, 68.26, -50.11

 

CMYK 64 / 0 / 79 / 26

HEX #44BD28

RGB 68 189 40

HSL 108.72, 0.65%, 0.45%

LAB 67.86, -59.35, 60.14

 

CMYK 59 / 0 / 71 / 19

HEX #55CF3B

RGB 85 207 59

HSL 109.46, 0.61%, 0.52%

LAB 74.11, -60.33, 60.09

 

CMYK 55 / 0 / 65 / 12

HEX #66E14E

RGB 102 225 78

HSL 110.2, 0.71%, 0.59%

LAB 80.31, -60.94, 59.48

 

CMYK 51 / 0 / 60 / 5

HEX #77F361

RGB 119 243 97

HSL 110.96, 0.86%, 0.67%

LAB 86.45, -61.3, 58.56

 

CMYK 47 / 0 / 55 / 0

HEX #88FF74

RGB 136 255 116

HSL 111.37, 1%, 0.73%

LAB 90.79, -59.19, 55.44

 

CMYK 67 / 0 / 76 / 26

HEX #3FBD2D

RGB 63 189 45

HSL 112.5, 0.62%, 0.46%

LAB 67.76, -60.09, 58.41

 

CMYK 73 / 0 / 85 / 33

HEX #2EAB1A

RGB 46 171 26

HSL 111.72, 0.74%, 0.39%

LAB 61.47, -58.54, 57.93

 

CMYK 81 / 0 / 95 / 40

HEX #1D9907

RGB 29 153 7

HSL 110.96, 0.91%, 0.31%

LAB 55.13, -56.22, 56.03

 

CMYK 91 / 0 / 100 / 47

HEX #0C8700

RGB 12 135 0

HSL 114.67, 1%, 0.26%

LAB 48.77, -52.84, 51.97

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 67 / 0 / 76 / 25

HEX #3FBE2D

RGB 63 190 45

HSL 112.55, 0.62%, 0.46%

LAB 68.07, -60.42, 58.72

 

CMYK 46 / 0 / 76 / 25

HEX #66BE2D

RGB 102 190 45

HSL 96.41, 0.62%, 0.46%

LAB 69.36, -50.28, 60.41

 

CMYK 26 / 0 / 76 / 25

HEX #8DBE2D

RGB 141 190 45

HSL 80.28, 0.62%, 0.46%

LAB 71.34, -36.5, 62.99

 

CMYK 5 / 0 / 76 / 25

HEX #B4BE2D

RGB 180 190 45

HSL 64.14, 0.62%, 0.46%

LAB 74.01, -20.57, 66.44

 

CMYK 0 / 16 / 76 / 25

HEX #BEA02D

RGB 190 160 45

HSL 47.59, 0.62%, 0.46%

LAB 66.73, -0.7, 60.01

 

CMYK 67 / 0 / 76 / 25

HEX #3FBE2D

RGB 63 190 45

HSL 112.55, 0.62%, 0.46%

LAB 68.07, -60.42, 58.72

 

CMYK 76 / 0 / 65 / 25

HEX #2DBE42

RGB 45 190 66

HSL 128.69, 0.62%, 0.46%

LAB 67.86, -61.7, 50.41

 

CMYK 76 / 0 / 45 / 25

HEX #2DBE69

RGB 45 190 105

HSL 144.83, 0.62%, 0.46%

LAB 68.32, -56.23, 32.42

 

CMYK 76 / 0 / 24 / 25

HEX #2DBE90

RGB 45 190 144

HSL 160.97, 0.62%, 0.46%

LAB 69.04, -48.21, 12.69

 

CMYK 76 / 0 / 4 / 25

HEX #2DBEB7

RGB 45 190 183

HSL 177.1, 0.62%, 0.46%

LAB 70.04, -37.99, -7.18

 

CMYK 67 / 0 / 76 / 25

HEX #3FBE2D

RGB 63 190 45

HSL 112.55, 0.62%, 0.46%

LAB 68.07, -60.42, 58.72

 

CMYK 77 / 0 / 88 / 18

HEX #31D11A

RGB 49 209 26

HSL 112.46, 0.78%, 0.46%

LAB 73.76, -69.75, 68.81

 

CMYK 85 / 0 / 97 / 11

HEX #22E407

RGB 34 228 7

HSL 112.67, 0.94%, 0.46%

LAB 79.52, -77.31, 76.05

 

CMYK 67 / 0 / 76 / 25

HEX #3FBE2D

RGB 63 190 45

HSL 112.55, 0.62%, 0.46%

LAB 68.07, -60.42, 58.72

 

CMYK 55 / 0 / 63 / 33

HEX #4DAB40

RGB 77 171 64

HSL 112.71, 0.46%, 0.46%

LAB 62.57, -48.64, 45.62

 

CMYK 40 / 0 / 45 / 40

HEX #5B9853

RGB 91 152 83

HSL 113.04, 0.29%, 0.46%

LAB 57.37, -33.97, 30.17

 

CMYK 21 / 0 / 23 / 48

HEX #698566

RGB 105 133 102

HSL 114.19, 0.13%, 0.46%

LAB 52.66, -16.4, 13.51

 

CMYK 0 / 5 / 0 / 53

HEX #787278

RGB 120 114 120

HSL 300, 0.03%, 0.46%

LAB 48.74, 3.51, -2.49

 

CMYK 25 / 0 / 76 / 25

HEX #8EBE2D

RGB 142 190 45

HSL 79.86, 0.62%, 0.46%

LAB 71.4, -36.12, 63.07

 

CMYK 46 / 0 / 76 / 25

HEX #67BE2D

RGB 103 190 45

HSL 96, 0.62%, 0.46%

LAB 69.4, -49.97, 60.46

 

CMYK 66 / 0 / 76 / 25

HEX #40BE2D

RGB 64 190 45

HSL 112.14, 0.62%, 0.46%

LAB 68.1, -60.22, 58.75

 

CMYK 76 / 0 / 66 / 25

HEX #2DBE40

RGB 45 190 64

HSL 127.86, 0.62%, 0.46%

LAB 67.84, -61.91, 51.23

 

CMYK 76 / 0 / 46 / 25

HEX #2DBE67

RGB 45 190 103

HSL 144, 0.62%, 0.46%

LAB 68.29, -56.58, 33.4

 

CMYK 67 / 0 / 76 / 52

HEX #297B1D

RGB 41 123 29

HSL 112.34, 0.62%, 0.3%

LAB 45.26, -42.93, 41.59

 

CMYK 67 / 0 / 76 / 38

HEX #349D25

RGB 52 157 37

HSL 112.5, 0.62%, 0.38%

LAB 57.05, -52.05, 50.51

 

CMYK 67 / 0 / 76 / 25

HEX #3FBE2D

RGB 63 190 45

HSL 112.55, 0.62%, 0.46%

LAB 68.07, -60.42, 58.72

 

CMYK 61 / 0 / 69 / 17

HEX #53D341

RGB 83 211 65

HSL 112.6, 0.62%, 0.54%

LAB 75.33, -61.71, 59.1

 

CMYK 48 / 0 / 55 / 15

HEX #72DA63

RGB 114 218 99

HSL 112.44, 0.62%, 0.62%

LAB 78.82, -52.87, 48.78

 

CMYK 67 / 0 / 76 / 26

HEX #3FBD2D

RGB 63 189 45

HSL 112.5, 0.62%, 0.46%

LAB 67.76, -60.09, 58.41

 

CMYK 76 / 5 / 0 / 25

HEX #2DB4BE

RGB 45 180 190

HSL 184.14, 0.62%, 0.46%

LAB 67.22, -31.24, -15.26

 

CMYK 0 / 76 / 36 / 25

HEX #BE2D7A

RGB 190 45 122

HSL 328.14, 0.62%, 0.46%

LAB 44.56, 62.23, -8.91

 

CMYK 67 / 0 / 76 / 26

HEX #3FBD2D

RGB 63 189 45

HSL 112.5, 0.62%, 0.46%

LAB 67.76, -60.09, 58.41

 

CMYK 76 / 66 / 0 / 25

HEX #2D40BE

RGB 45 64 190

HSL 232.14, 0.62%, 0.46%

LAB 33.86, 37.36, -67.92

 

CMYK 0 / 76 / 66 / 25

HEX #BE2D40

RGB 190 45 64

HSL 352.14, 0.62%, 0.46%

LAB 43.05, 57.48, 24.96

 

CMYK 67 / 0 / 76 / 26

HEX #3FBD2D

RGB 63 189 45

HSL 112.5, 0.62%, 0.46%

LAB 67.76, -60.09, 58.41

 

CMYK 76 / 5 / 0 / 25

HEX #2DB4BE

RGB 45 180 190

HSL 184.14, 0.62%, 0.46%

LAB 67.22, -31.24, -15.26

 

CMYK 10 / 76 / 0 / 25

HEX #AB2DBE

RGB 171 45 190

HSL 292.14, 0.62%, 0.46%

LAB 44.59, 67.62, -49.87

 

CMYK 0 / 72 / 76 / 25

HEX #BE362D

RGB 190 54 45

HSL 3.72, 0.62%, 0.46%

LAB 43.91, 53.48, 37.21

 

CMYK 67 / 0 / 76 / 26

HEX #3FBD2D

RGB 63 189 45

HSL 112.5, 0.62%, 0.46%

LAB 67.76, -60.09, 58.41

 

CMYK 76 / 28 / 0 / 25

HEX #2D89BE

RGB 45 137 190

HSL 201.93, 0.62%, 0.46%

LAB 54.2, -8.61, -35.27

 

CMYK 10 / 76 / 0 / 25

HEX #AB2DBE

RGB 171 45 190

HSL 292.14, 0.62%, 0.46%

LAB 44.59, 67.62, -49.87

 

CMYK 0 / 48 / 76 / 25

HEX #BE622D

RGB 190 98 45

HSL 21.93, 0.62%, 0.46%

LAB 51.69, 33.12, 45.36

 

Description

Color code: HEX #3FBD2D | qconv.com Color code: HEX #3FBD2D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 189 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 189 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 76 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 76% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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