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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FBCC5 it is the complementary color #C0433A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FBCC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FBCC5 shade: #44BCC0, #55CED3, #66E0E6, #77F2F9 and #88FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FBCC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FBCC5 shade: #3FBCC5, #2EAAB2, #1D989F, #0C868C and #007479

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FBCC5 shade: #3FBCC6, #3F98C6, #3F74C6, #3F4FC6 and #523FC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FBCC5 shade: #3FBCC6, #3F98C6, #3F74C6, #3F4FC6 and #3F3FC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FBCC5 shade matches the following richer shades: #3FBCC6, #2ACEDA and #16DFEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FBCC5 shade: #3FBCC6, #53ABB1, #67999D, #7B8889 and #8F7675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FBCC5 shade: #3FC687, #3FC6AB, #3FBDC6, #3F99C6 and #3F75C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FBCC5 shade: #298289, #32A1A9, #3FBCC6, #5EC7CF and #7ED2D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FBCC5 shade: #3FBCC5, #633FC6 and #C6993F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FBCC5 shade: #3FBCC5, #C63FBD and #BDC63F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FBCC5 shade: #3FBCC5, #633FC6, #C6483F and #A2C63F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FBCC5 shade: #3FBCC5, #8B3FC6, #C6483F and #79C63F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 5 / 0 / 23

HEX #3FBCC5

RGB 63 188 197

HSL 184.03, 0.54%, 0.51%

LAB 70.21, -30.76, -14.56

 

Complementary color

CMYK 0 / 65 / 70 / 25

HEX #C0433A

RGB 192 67 58

HSL 4.03, 0.54%, 0.49%

LAB 46.35, 49.51, 32.64

 

CMYK 65 / 2 / 0 / 25

HEX #44BCC0

RGB 68 188 192

HSL 181.94, 0.5%, 0.51%

LAB 70.18, -31.47, -11.86

 

CMYK 60 / 2 / 0 / 17

HEX #55CED3

RGB 85 206 211

HSL 182.38, 0.59%, 0.58%

LAB 76.54, -31.93, -12.6

 

CMYK 56 / 3 / 0 / 10

HEX #66E0E6

RGB 102 224 230

HSL 182.81, 0.72%, 0.65%

LAB 82.83, -32.26, -13.29

 

CMYK 52 / 3 / 0 / 2

HEX #77F2F9

RGB 119 242 249

HSL 183.23, 0.92%, 0.72%

LAB 89.05, -32.48, -13.92

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 68 / 5 / 0 / 23

HEX #3FBCC5

RGB 63 188 197

HSL 184.03, 0.54%, 0.51%

LAB 70.21, -30.76, -14.56

 

CMYK 74 / 4 / 0 / 30

HEX #2EAAB2

RGB 46 170 178

HSL 183.64, 0.59%, 0.44%

LAB 63.79, -29.94, -13.75

 

CMYK 82 / 4 / 0 / 38

HEX #1D989F

RGB 29 152 159

HSL 183.23, 0.69%, 0.37%

LAB 57.29, -28.81, -12.85

 

CMYK 91 / 4 / 0 / 45

HEX #0C868C

RGB 12 134 140

HSL 182.81, 0.84%, 0.3%

LAB 50.71, -27.26, -11.82

 

CMYK 100 / 4 / 0 / 53

HEX #007479

RGB 0 116 121

HSL 182.48, 1%, 0.24%

LAB 44.05, -25.2, -10.64

 

CMYK 68 / 5 / 0 / 22

HEX #3FBCC6

RGB 63 188 198

HSL 184.44, 0.54%, 0.51%

LAB 70.25, -30.47, -15.05

 

CMYK 68 / 23 / 0 / 22

HEX #3F98C6

RGB 63 152 198

HSL 200.44, 0.54%, 0.51%

LAB 59.52, -11.81, -31.47

 

CMYK 68 / 41 / 0 / 22

HEX #3F74C6

RGB 63 116 198

HSL 216.44, 0.54%, 0.51%

LAB 49.04, 9.37, -47.97

 

CMYK 68 / 60 / 0 / 22

HEX #3F4FC6

RGB 63 79 198

HSL 232.89, 0.54%, 0.51%

LAB 39.12, 32.87, -63.97

 

CMYK 59 / 68 / 0 / 22

HEX #523FC6

RGB 82 63 198

HSL 248.44, 0.54%, 0.51%

LAB 36.79, 45.33, -67.71

 

CMYK 68 / 5 / 0 / 22

HEX #3FBCC6

RGB 63 188 198

HSL 184.44, 0.54%, 0.51%

LAB 70.25, -30.47, -15.05

 

CMYK 68 / 23 / 0 / 22

HEX #3F98C6

RGB 63 152 198

HSL 200.44, 0.54%, 0.51%

LAB 59.52, -11.81, -31.47

 

CMYK 68 / 41 / 0 / 22

HEX #3F74C6

RGB 63 116 198

HSL 216.44, 0.54%, 0.51%

LAB 49.04, 9.37, -47.97

 

CMYK 68 / 60 / 0 / 22

HEX #3F4FC6

RGB 63 79 198

HSL 232.89, 0.54%, 0.51%

LAB 39.12, 32.87, -63.97

 

CMYK 68 / 68 / 0 / 22

HEX #3F3FC6

RGB 63 63 198

HSL 240, 0.54%, 0.51%

LAB 35.38, 42.73, -70.08

 

CMYK 68 / 5 / 0 / 22

HEX #3FBCC6

RGB 63 188 198

HSL 184.44, 0.54%, 0.51%

LAB 70.25, -30.47, -15.05

 

CMYK 81 / 6 / 0 / 15

HEX #2ACEDA

RGB 42 206 218

HSL 184.09, 0.7%, 0.51%

LAB 75.88, -35.35, -17.46

 

CMYK 91 / 6 / 0 / 7

HEX #16DFEE

RGB 22 223 238

HSL 184.17, 0.86%, 0.51%

LAB 81.36, -38.35, -19.89

 

CMYK 68 / 5 / 0 / 22

HEX #3FBCC6

RGB 63 188 198

HSL 184.44, 0.54%, 0.51%

LAB 70.25, -30.47, -15.05

 

CMYK 53 / 3 / 0 / 31

HEX #53ABB1

RGB 83 171 177

HSL 183.83, 0.38%, 0.51%

LAB 65.07, -24.6, -11.17

 

CMYK 34 / 3 / 0 / 38

HEX #67999D

RGB 103 153 157

HSL 184.44, 0.22%, 0.51%

LAB 59.98, -15.6, -7.43

 

CMYK 10 / 1 / 0 / 46

HEX #7B8889

RGB 123 136 137

HSL 184.29, 0.06%, 0.51%

LAB 55.71, -4.5, -2.16

 

CMYK 0 / 17 / 18 / 44

HEX #8F7675

RGB 143 118 117

HSL 2.31, 0.1%, 0.51%

LAB 51.93, 9.56, 4.2

 

CMYK 68 / 0 / 32 / 22

HEX #3FC687

RGB 63 198 135

HSL 152, 0.54%, 0.51%

LAB 71.69, -50.84, 21.25

 

CMYK 68 / 0 / 14 / 22

HEX #3FC6AB

RGB 63 198 171

HSL 168, 0.54%, 0.51%

LAB 72.49, -42.51, 3

 

CMYK 68 / 5 / 0 / 22

HEX #3FBDC6

RGB 63 189 198

HSL 184, 0.54%, 0.51%

LAB 70.55, -30.95, -14.6

 

CMYK 68 / 23 / 0 / 22

HEX #3F99C6

RGB 63 153 198

HSL 200, 0.54%, 0.51%

LAB 59.81, -12.37, -31.01

 

CMYK 68 / 41 / 0 / 22

HEX #3F75C6

RGB 63 117 198

HSL 216, 0.54%, 0.51%

LAB 49.32, 8.75, -47.51

 

CMYK 70 / 5 / 0 / 46

HEX #298289

RGB 41 130 137

HSL 184.38, 0.54%, 0.35%

LAB 49.79, -23.26, -11.41

 

CMYK 70 / 5 / 0 / 34

HEX #32A1A9

RGB 50 161 169

HSL 184.03, 0.54%, 0.43%

LAB 60.81, -27.75, -13.18

 

CMYK 68 / 5 / 0 / 22

HEX #3FBCC6

RGB 63 188 198

HSL 184.44, 0.54%, 0.51%

LAB 70.25, -30.47, -15.05

 

CMYK 55 / 4 / 0 / 19

HEX #5EC7CF

RGB 94 199 207

HSL 184.25, 0.54%, 0.59%

LAB 74.66, -27.98, -13.24

 

CMYK 42 / 3 / 0 / 15

HEX #7ED2D9

RGB 126 210 217

HSL 184.62, 0.54%, 0.67%

LAB 79.35, -23.69, -11.47

 

CMYK 68 / 5 / 0 / 23

HEX #3FBCC5

RGB 63 188 197

HSL 184.03, 0.54%, 0.51%

LAB 70.21, -30.76, -14.56

 

CMYK 50 / 68 / 0 / 22

HEX #633FC6

RGB 99 63 198

HSL 256, 0.54%, 0.51%

LAB 38.35, 48.09, -65.1

 

CMYK 0 / 23 / 68 / 22

HEX #C6993F

RGB 198 153 63

HSL 40, 0.54%, 0.51%

LAB 65.86, 7.48, 52.09

 

CMYK 68 / 5 / 0 / 23

HEX #3FBCC5

RGB 63 188 197

HSL 184.03, 0.54%, 0.51%

LAB 70.21, -30.76, -14.56

 

CMYK 0 / 68 / 5 / 22

HEX #C63FBD

RGB 198 63 189

HSL 304, 0.54%, 0.51%

LAB 50.96, 67.18, -38.9

 

CMYK 5 / 0 / 68 / 22

HEX #BDC63F

RGB 189 198 63

HSL 64, 0.54%, 0.51%

LAB 77.02, -19.88, 63.34

 

CMYK 68 / 5 / 0 / 23

HEX #3FBCC5

RGB 63 188 197

HSL 184.03, 0.54%, 0.51%

LAB 70.21, -30.76, -14.56

 

CMYK 50 / 68 / 0 / 22

HEX #633FC6

RGB 99 63 198

HSL 256, 0.54%, 0.51%

LAB 38.35, 48.09, -65.1

 

CMYK 0 / 64 / 68 / 22

HEX #C6483F

RGB 198 72 63

HSL 4, 0.54%, 0.51%

LAB 48.26, 49.68, 32.28

 

CMYK 18 / 0 / 68 / 22

HEX #A2C63F

RGB 162 198 63

HSL 76, 0.54%, 0.51%

LAB 75.09, -30.91, 60.76

 

CMYK 68 / 5 / 0 / 23

HEX #3FBCC5

RGB 63 188 197

HSL 184.03, 0.54%, 0.51%

LAB 70.21, -30.76, -14.56

 

CMYK 30 / 68 / 0 / 22

HEX #8B3FC6

RGB 139 63 198

HSL 273.78, 0.54%, 0.51%

LAB 42.95, 55.77, -57.43

 

CMYK 0 / 64 / 68 / 22

HEX #C6483F

RGB 198 72 63

HSL 4, 0.54%, 0.51%

LAB 48.26, 49.68, 32.28

 

CMYK 39 / 0 / 68 / 22

HEX #79C63F

RGB 121 198 63

HSL 94.22, 0.54%, 0.51%

LAB 72.77, -46.1, 57.63

 

Description

Color code: HEX #3FBCC5 | qconv.com Color code: HEX #3FBCC5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 188 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 188 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 5 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 5% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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