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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FB015 it is the complementary color #C04FEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FB015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FB015 shade: #44B010, #55C223, #66D436, #77E649 and #88F85C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FB015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FB015 shade: #3FB015, #2E9E02, #1D8C00, #0C7A00 and #006800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FB015 shade: #3FB215, #6AB215, #94B215, #B2A515 and #B27B15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FB015 shade: #3FB215, #15B215, #15B23F, #15B269 and #15B294

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FB015 shade matches the following richer shades: #3FB215 and #38C205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FB015 shade: #3FB215, #47A225, #4E9235, #568245 and #5D7255

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FB015 shade: #95B215, #6BB215, #41B215, #18B215 and #15B23C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FB015 shade: #25680C, #328D11, #3FB215, #4DD719 and #63E732

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FB015 shade: #3FB015, #15B2A5 and #B21580

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FB015 shade: #3FB015, #1541B2 and #B21541

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FB015 shade: #3FB015, #15B2A5, #8515B2 and #B21522

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FB015 shade: #3FB015, #1590B2, #8515B2 and #B23715

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 88 / 31

HEX #3FB015

RGB 63 176 21

HSL 103.74, 0.79%, 0.39%

LAB 63.48, -56.99, 60.99

 

Complementary color

CMYK 18 / 66 / 0 / 8

HEX #C04FEA

RGB 192 79 234

HSL 283.74, 0.79%, 0.61%

LAB 54.8, 67.58, -58.51

 

CMYK 61 / 0 / 91 / 31

HEX #44B010

RGB 68 176 16

HSL 100.5, 0.83%, 0.38%

LAB 63.6, -55.97, 62.09

 

CMYK 56 / 0 / 82 / 24

HEX #55C223

RGB 85 194 35

HSL 101.13, 0.69%, 0.45%

LAB 69.92, -57.23, 63.67

 

CMYK 52 / 0 / 75 / 17

HEX #66D436

RGB 102 212 54

HSL 101.77, 0.65%, 0.52%

LAB 76.18, -58.07, 64.09

 

CMYK 48 / 0 / 68 / 10

HEX #77E649

RGB 119 230 73

HSL 102.42, 0.76%, 0.59%

LAB 82.38, -58.6, 63.81

 

CMYK 45 / 0 / 63 / 3

HEX #88F85C

RGB 136 248 92

HSL 103.08, 0.92%, 0.67%

LAB 88.52, -58.92, 63.13

 

CMYK 64 / 0 / 88 / 31

HEX #3FB015

RGB 63 176 21

HSL 103.74, 0.79%, 0.39%

LAB 63.48, -56.99, 60.99

 

CMYK 71 / 0 / 99 / 38

HEX #2E9E02

RGB 46 158 2

HSL 103.08, 0.98%, 0.31%

LAB 57.11, -55.14, 58.56

 

CMYK 79 / 0 / 100 / 45

HEX #1D8C00

RGB 29 140 0

HSL 107.57, 1%, 0.27%

LAB 50.71, -52.4, 53.62

 

CMYK 90 / 0 / 100 / 52

HEX #0C7A00

RGB 12 122 0

HSL 114.1, 1%, 0.24%

LAB 44.23, -48.92, 48.34

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 65 / 0 / 88 / 30

HEX #3FB215

RGB 63 178 21

HSL 103.95, 0.79%, 0.39%

LAB 64.12, -57.66, 61.55

 

CMYK 40 / 0 / 88 / 30

HEX #6AB215

RGB 106 178 21

HSL 87.52, 0.79%, 0.39%

LAB 65.72, -45.23, 63.54

 

CMYK 17 / 0 / 88 / 30

HEX #94B215

RGB 148 178 21

HSL 71.46, 0.79%, 0.39%

LAB 68.16, -29.01, 66.58

 

CMYK 0 / 7 / 88 / 30

HEX #B2A515

RGB 178 165 21

HSL 55.03, 0.79%, 0.39%

LAB 66.85, -9.44, 66.49

 

CMYK 0 / 31 / 88 / 30

HEX #B27B15

RGB 178 123 21

HSL 38.98, 0.79%, 0.39%

LAB 55.77, 13.45, 57.63

 

CMYK 65 / 0 / 88 / 30

HEX #3FB215

RGB 63 178 21

HSL 103.95, 0.79%, 0.39%

LAB 64.12, -57.66, 61.55

 

CMYK 88 / 0 / 88 / 30

HEX #15B215

RGB 21 178 21

HSL 120, 0.79%, 0.39%

LAB 63.39, -64.03, 60.62

 

CMYK 88 / 0 / 65 / 30

HEX #15B23F

RGB 21 178 63

HSL 136.05, 0.79%, 0.39%

LAB 63.64, -60.86, 46.93

 

CMYK 88 / 0 / 41 / 30

HEX #15B269

RGB 21 178 105

HSL 152.1, 0.79%, 0.39%

LAB 64.18, -54.37, 26.97

 

CMYK 88 / 0 / 17 / 30

HEX #15B294

RGB 21 178 148

HSL 168.54, 0.79%, 0.39%

LAB 65.07, -44.44, 4.8

 

CMYK 65 / 0 / 88 / 30

HEX #3FB215

RGB 63 178 21

HSL 103.95, 0.79%, 0.39%

LAB 64.12, -57.66, 61.55

 

CMYK 71 / 0 / 97 / 24

HEX #38C205

RGB 56 194 5

HSL 103.81, 0.95%, 0.39%

LAB 69.07, -64.63, 67.9

 

CMYK 65 / 0 / 88 / 30

HEX #3FB215

RGB 63 178 21

HSL 103.95, 0.79%, 0.39%

LAB 64.12, -57.66, 61.55

 

CMYK 56 / 0 / 77 / 36

HEX #47A225

RGB 71 162 37

HSL 103.68, 0.63%, 0.39%

LAB 59.26, -49.18, 52.88

 

CMYK 47 / 0 / 64 / 43

HEX #4E9235

RGB 78 146 53

HSL 103.87, 0.47%, 0.39%

LAB 54.49, -39.36, 41.57

 

CMYK 34 / 0 / 47 / 49

HEX #568245

RGB 86 130 69

HSL 103.28, 0.31%, 0.39%

LAB 49.95, -27.33, 28.23

 

CMYK 18 / 0 / 25 / 55

HEX #5D7255

RGB 93 114 85

HSL 103.45, 0.15%, 0.39%

LAB 45.66, -13.75, 13.58

 

CMYK 16 / 0 / 88 / 30

HEX #95B215

RGB 149 178 21

HSL 71.08, 0.79%, 0.39%

LAB 68.23, -28.59, 66.66

 

CMYK 40 / 0 / 88 / 30

HEX #6BB215

RGB 107 178 21

HSL 87.13, 0.79%, 0.39%

LAB 65.76, -44.89, 63.6

 

CMYK 63 / 0 / 88 / 30

HEX #41B215

RGB 65 178 21

HSL 103.18, 0.79%, 0.39%

LAB 64.18, -57.21, 61.62

 

CMYK 87 / 0 / 88 / 30

HEX #18B215

RGB 24 178 21

HSL 118.85, 0.79%, 0.39%

LAB 63.42, -63.77, 60.66

 

CMYK 88 / 0 / 66 / 30

HEX #15B23C

RGB 21 178 60

HSL 134.9, 0.79%, 0.39%

LAB 63.61, -61.19, 48.2

 

CMYK 64 / 0 / 88 / 59

HEX #25680C

RGB 37 104 12

HSL 103.7, 0.79%, 0.23%

LAB 38.41, -37.91, 40.73

 

CMYK 65 / 0 / 88 / 45

HEX #328D11

RGB 50 141 17

HSL 104.03, 0.78%, 0.31%

LAB 51.57, -48.04, 51.32

 

CMYK 65 / 0 / 88 / 30

HEX #3FB215

RGB 63 178 21

HSL 103.95, 0.79%, 0.39%

LAB 64.12, -57.66, 61.55

 

CMYK 64 / 0 / 88 / 16

HEX #4DD719

RGB 77 215 25

HSL 103.58, 0.79%, 0.47%

LAB 76.22, -66.66, 71.34

 

CMYK 57 / 0 / 78 / 9

HEX #63E732

RGB 99 231 50

HSL 103.76, 0.79%, 0.55%

LAB 81.86, -65.83, 70.75

 

CMYK 64 / 0 / 88 / 31

HEX #3FB015

RGB 63 176 21

HSL 103.74, 0.79%, 0.39%

LAB 63.48, -56.99, 60.99

 

CMYK 88 / 0 / 7 / 30

HEX #15B2A5

RGB 21 178 165

HSL 175.03, 0.79%, 0.39%

LAB 65.53, -39.74, -3.96

 

CMYK 0 / 88 / 28 / 30

HEX #B21580

RGB 178 21 128

HSL 319.11, 0.79%, 0.39%

LAB 40.51, 65.85, -18.98

 

CMYK 64 / 0 / 88 / 31

HEX #3FB015

RGB 63 176 21

HSL 103.74, 0.79%, 0.39%

LAB 63.48, -56.99, 60.99

 

CMYK 88 / 63 / 0 / 30

HEX #1541B2

RGB 21 65 178

HSL 223.18, 0.79%, 0.39%

LAB 32.16, 30.31, -63.66

 

CMYK 0 / 88 / 63 / 30

HEX #B21541

RGB 178 21 65

HSL 343.18, 0.79%, 0.39%

LAB 38.52, 60.31, 18.01

 

CMYK 64 / 0 / 88 / 31

HEX #3FB015

RGB 63 176 21

HSL 103.74, 0.79%, 0.39%

LAB 63.48, -56.99, 60.99

 

CMYK 88 / 0 / 7 / 30

HEX #15B2A5

RGB 21 178 165

HSL 175.03, 0.79%, 0.39%

LAB 65.53, -39.74, -3.96

 

CMYK 25 / 88 / 0 / 30

HEX #8515B2

RGB 133 21 178

HSL 282.8, 0.79%, 0.39%

LAB 35.47, 65.14, -57.83

 

CMYK 0 / 88 / 81 / 30

HEX #B21522

RGB 178 21 34

HSL 355.03, 0.79%, 0.39%

LAB 38.05, 58.95, 36.58

 

CMYK 64 / 0 / 88 / 31

HEX #3FB015

RGB 63 176 21

HSL 103.74, 0.79%, 0.39%

LAB 63.48, -56.99, 60.99

 

CMYK 88 / 19 / 0 / 30

HEX #1590B2

RGB 21 144 178

HSL 192.99, 0.79%, 0.39%

LAB 55.4, -18.95, -26.59

 

CMYK 25 / 88 / 0 / 30

HEX #8515B2

RGB 133 21 178

HSL 282.8, 0.79%, 0.39%

LAB 35.47, 65.14, -57.83

 

CMYK 0 / 69 / 88 / 30

HEX #B23715

RGB 178 55 21

HSL 12.99, 0.79%, 0.39%

LAB 41.61, 48.38, 46.32

 

Description

Color code: HEX #3FB015 | qconv.com Color code: HEX #3FB015 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 176 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 176 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 88 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 88% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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