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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FB012 it is the complementary color #C04FED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FB012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FB012 shade: #44B00D, #55C220, #66D433, #77E646 and #88F859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FB012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FB012 shade: #3FB012, #2E9E00, #1D8C00, #0C7A00 and #006800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FB012 shade: #3FAF12, #69AF12, #94AF12, #AFA112 and #AF7612

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FB012 shade: #3FAF12, #15AF12, #12AF3A, #12AF65 and #12AF8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FB012 shade matches the following richer shades: #3FAF12 and #38BF03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FB012 shade: #3FAF12, #46A022, #4D9032, #538041 and #5A7151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FB012 shade: #95AF12, #6BAF12, #42AF12, #18AF12 and #12AF37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FB012 shade: #24650B, #328A0E, #3FAF12, #4DD516 and #61E92C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FB012 shade: #3FB012, #12AFA0 and #AF1280

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FB012 shade: #3FB012, #1242AF and #AF1242

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FB012 shade: #3FB012, #12AFA0, #8012AF and #AF1222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FB012 shade: #3FB012, #1290AF, #8012AF and #AF3212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 90 / 31

HEX #3FB012

RGB 63 176 18

HSL 102.91, 0.81%, 0.38%

LAB 63.47, -57.09, 61.56

 

Complementary color

CMYK 19 / 67 / 0 / 7

HEX #C04FED

RGB 192 79 237

HSL 282.91, 0.81%, 0.62%

LAB 54.98, 68.17, -59.91

 

CMYK 61 / 0 / 93 / 31

HEX #44B00D

RGB 68 176 13

HSL 99.75, 0.86%, 0.37%

LAB 63.6, -56.06, 62.55

 

CMYK 56 / 0 / 84 / 24

HEX #55C220

RGB 85 194 32

HSL 100.37, 0.72%, 0.44%

LAB 69.91, -57.37, 64.42

 

CMYK 52 / 0 / 76 / 17

HEX #66D433

RGB 102 212 51

HSL 100.99, 0.65%, 0.52%

LAB 76.16, -58.26, 65.05

 

CMYK 48 / 0 / 70 / 10

HEX #77E646

RGB 119 230 70

HSL 101.63, 0.76%, 0.59%

LAB 82.36, -58.83, 64.9

 

CMYK 45 / 0 / 64 / 3

HEX #88F859

RGB 136 248 89

HSL 102.26, 0.92%, 0.66%

LAB 88.49, -59.19, 64.31

 

CMYK 64 / 0 / 90 / 31

HEX #3FB012

RGB 63 176 18

HSL 102.91, 0.81%, 0.38%

LAB 63.47, -57.09, 61.56

 

CMYK 71 / 0 / 100 / 38

HEX #2E9E00

RGB 46 158 0

HSL 102.53, 1%, 0.31%

LAB 57.11, -55.2, 58.86

 

CMYK 79 / 0 / 100 / 45

HEX #1D8C00

RGB 29 140 0

HSL 107.57, 1%, 0.27%

LAB 50.71, -52.4, 53.62

 

CMYK 90 / 0 / 100 / 52

HEX #0C7A00

RGB 12 122 0

HSL 114.1, 1%, 0.24%

LAB 44.23, -48.92, 48.34

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 64 / 0 / 90 / 31

HEX #3FAF12

RGB 63 175 18

HSL 102.8, 0.81%, 0.38%

LAB 63.14, -56.75, 61.29

 

CMYK 40 / 0 / 90 / 31

HEX #69AF12

RGB 105 175 18

HSL 86.75, 0.81%, 0.38%

LAB 64.73, -44.43, 63.26

 

CMYK 15 / 0 / 90 / 31

HEX #94AF12

RGB 148 175 18

HSL 70.32, 0.81%, 0.38%

LAB 67.28, -27.64, 66.4

 

CMYK 0 / 8 / 90 / 31

HEX #AFA112

RGB 175 161 18

HSL 54.65, 0.81%, 0.38%

LAB 65.47, -8.74, 65.87

 

CMYK 0 / 33 / 90 / 31

HEX #AF7612

RGB 175 118 18

HSL 38.22, 0.81%, 0.38%

LAB 54.15, 14.83, 56.98

 

CMYK 64 / 0 / 90 / 31

HEX #3FAF12

RGB 63 175 18

HSL 102.8, 0.81%, 0.38%

LAB 63.14, -56.75, 61.29

 

CMYK 88 / 0 / 90 / 31

HEX #15AF12

RGB 21 175 18

HSL 118.85, 0.81%, 0.38%

LAB 62.39, -63.27, 60.34

 

CMYK 90 / 0 / 67 / 31

HEX #12AF3A

RGB 18 175 58

HSL 135.29, 0.81%, 0.38%

LAB 62.59, -60.7, 47.91

 

CMYK 90 / 0 / 42 / 31

HEX #12AF65

RGB 18 175 101

HSL 151.72, 0.81%, 0.38%

LAB 63.12, -54.27, 27.69

 

CMYK 90 / 0 / 18 / 31

HEX #12AF8F

RGB 18 175 143

HSL 167.77, 0.81%, 0.38%

LAB 63.98, -44.69, 5.99

 

CMYK 64 / 0 / 90 / 31

HEX #3FAF12

RGB 63 175 18

HSL 102.8, 0.81%, 0.38%

LAB 63.14, -56.75, 61.29

 

CMYK 71 / 0 / 98 / 25

HEX #38BF03

RGB 56 191 3

HSL 103.09, 0.97%, 0.38%

LAB 68.1, -63.74, 67.35

 

CMYK 64 / 0 / 90 / 31

HEX #3FAF12

RGB 63 175 18

HSL 102.8, 0.81%, 0.38%

LAB 63.14, -56.75, 61.29

 

CMYK 56 / 0 / 79 / 37

HEX #46A022

RGB 70 160 34

HSL 102.86, 0.65%, 0.38%

LAB 58.56, -48.9, 53.18

 

CMYK 47 / 0 / 65 / 44

HEX #4D9032

RGB 77 144 50

HSL 102.77, 0.48%, 0.38%

LAB 53.77, -39.13, 42.12

 

CMYK 35 / 0 / 49 / 50

HEX #538041

RGB 83 128 65

HSL 102.86, 0.33%, 0.38%

LAB 49.08, -28.02, 29.27

 

CMYK 20 / 0 / 28 / 56

HEX #5A7151

RGB 90 113 81

HSL 103.13, 0.16%, 0.38%

LAB 45.05, -15.09, 15.06

 

CMYK 15 / 0 / 90 / 31

HEX #95AF12

RGB 149 175 18

HSL 69.94, 0.81%, 0.38%

LAB 67.35, -27.22, 66.49

 

CMYK 39 / 0 / 90 / 31

HEX #6BAF12

RGB 107 175 18

HSL 85.99, 0.81%, 0.38%

LAB 64.83, -43.73, 63.38

 

CMYK 62 / 0 / 90 / 31

HEX #42AF12

RGB 66 175 18

HSL 101.66, 0.81%, 0.38%

LAB 63.23, -56.05, 61.39

 

CMYK 86 / 0 / 90 / 31

HEX #18AF12

RGB 24 175 18

HSL 117.71, 0.81%, 0.38%

LAB 62.42, -63.01, 60.38

 

CMYK 90 / 0 / 69 / 31

HEX #12AF37

RGB 18 175 55

HSL 134.14, 0.81%, 0.38%

LAB 62.56, -61.01, 49.13

 

CMYK 64 / 0 / 89 / 60

HEX #24650B

RGB 36 101 11

HSL 103.33, 0.8%, 0.22%

LAB 37.31, -37.08, 40.01

 

CMYK 64 / 0 / 90 / 46

HEX #328A0E

RGB 50 138 14

HSL 102.58, 0.82%, 0.3%

LAB 50.55, -47.09, 51.11

 

CMYK 64 / 0 / 90 / 31

HEX #3FAF12

RGB 63 175 18

HSL 102.8, 0.81%, 0.38%

LAB 63.14, -56.75, 61.29

 

CMYK 64 / 0 / 90 / 16

HEX #4DD516

RGB 77 213 22

HSL 102.72, 0.81%, 0.46%

LAB 75.59, -66.1, 71.32

 

CMYK 58 / 0 / 81 / 9

HEX #61E92C

RGB 97 233 44

HSL 103.17, 0.81%, 0.54%

LAB 82.38, -67.3, 72.84

 

CMYK 64 / 0 / 90 / 31

HEX #3FB012

RGB 63 176 18

HSL 102.91, 0.81%, 0.38%

LAB 63.47, -57.09, 61.56

 

CMYK 90 / 0 / 9 / 31

HEX #12AFA0

RGB 18 175 160

HSL 174.27, 0.81%, 0.38%

LAB 64.42, -40.01, -2.81

 

CMYK 0 / 90 / 27 / 31

HEX #AF1280

RGB 175 18 128

HSL 317.96, 0.81%, 0.38%

LAB 39.76, 65.69, -20.18

 

CMYK 64 / 0 / 90 / 31

HEX #3FB012

RGB 63 176 18

HSL 102.91, 0.81%, 0.38%

LAB 63.47, -57.09, 61.56

 

CMYK 90 / 62 / 0 / 31

HEX #1242AF

RGB 18 66 175

HSL 221.66, 0.81%, 0.38%

LAB 32.08, 28.3, -62.01

 

CMYK 0 / 90 / 62 / 31

HEX #AF1242

RGB 175 18 66

HSL 341.66, 0.81%, 0.38%

LAB 37.73, 60.12, 16.21

 

CMYK 64 / 0 / 90 / 31

HEX #3FB012

RGB 63 176 18

HSL 102.91, 0.81%, 0.38%

LAB 63.47, -57.09, 61.56

 

CMYK 90 / 0 / 9 / 31

HEX #12AFA0

RGB 18 175 160

HSL 174.27, 0.81%, 0.38%

LAB 64.42, -40.01, -2.81

 

CMYK 27 / 90 / 0 / 31

HEX #8012AF

RGB 128 18 175

HSL 282.04, 0.81%, 0.38%

LAB 34.23, 64.43, -58.1

 

CMYK 0 / 90 / 81 / 31

HEX #AF1222

RGB 175 18 34

HSL 353.89, 0.81%, 0.38%

LAB 37.23, 58.67, 35.54

 

CMYK 64 / 0 / 90 / 31

HEX #3FB012

RGB 63 176 18

HSL 102.91, 0.81%, 0.38%

LAB 63.47, -57.09, 61.56

 

CMYK 90 / 18 / 0 / 31

HEX #1290AF

RGB 18 144 175

HSL 191.85, 0.81%, 0.38%

LAB 55.25, -20.18, -25.12

 

CMYK 27 / 90 / 0 / 31

HEX #8012AF

RGB 128 18 175

HSL 282.04, 0.81%, 0.38%

LAB 34.23, 64.43, -58.1

 

CMYK 0 / 71 / 90 / 31

HEX #AF3212

RGB 175 50 18

HSL 12.23, 0.81%, 0.38%

LAB 40.31, 49.27, 46.3

 

Description

Color code: HEX #3FB012 | qconv.com Color code: HEX #3FB012 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 176 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 176 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 90 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 90% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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