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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FA7D8 it is the complementary color #C05827. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FA7D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FA7D8 shade: #44A7D3, #55B9E6, #66CBF9, #77DDFF and #88EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FA7D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FA7D8 shade: #3FA7D8, #2E95C5, #1D83B2, #0C719F and #005F8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FA7D8 shade: #41A7D8, #417FD8, #4156D8, #5441D8 and #7D41D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FA7D8 shade: #41A7D8, #417FD8, #4156D8 and #4141D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FA7D8 shade matches the following richer shades: #41A7D8, #2EAEEB and #1BB5FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FA7D8 shade: #41A7D8, #53A1C5, #669AB3, #7893A0 and #8B8D8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FA7D8 shade: #41D8B7, #41D0D8, #41A8D8, #4180D8 and #4157D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FA7D8 shade: #227AA4, #2994C7, #41A7D8, #63B7DF and #85C7E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FA7D8 shade: #3FA7D8, #8F41D8 and #D8CB41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FA7D8 shade: #3FA7D8, #D841A8 and #A8D841

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FA7D8 shade: #3FA7D8, #8F41D8, #D87041 and #8AD841

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FA7D8 shade: #3FA7D8, #BC41D8, #D87041 and #5CD841

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 23 / 0 / 15

HEX #3FA7D8

RGB 63 167 216

HSL 199.22, 0.66%, 0.55%

LAB 64.69, -14.05, -33.48

 

Complementary color

CMYK 0 / 54 / 80 / 25

HEX #C05827

RGB 192 88 39

HSL 19.22, 0.66%, 0.45%

LAB 49.9, 38.84, 46.53

 

CMYK 68 / 21 / 0 / 17

HEX #44A7D3

RGB 68 167 211

HSL 198.46, 0.62%, 0.55%

LAB 64.62, -14.96, -30.8

 

CMYK 63 / 20 / 0 / 10

HEX #55B9E6

RGB 85 185 230

HSL 198.62, 0.74%, 0.62%

LAB 71.11, -15.79, -31.16

 

CMYK 59 / 18 / 0 / 2

HEX #66CBF9

RGB 102 203 249

HSL 198.78, 0.92%, 0.69%

LAB 77.51, -16.44, -31.5

 

CMYK 53 / 13 / 0 / 0

HEX #77DDFF

RGB 119 221 255

HSL 195, 1%, 0.73%

LAB 83.37, -20.64, -25.66

 

CMYK 47 / 6 / 0 / 0

HEX #88EFFF

RGB 136 239 255

HSL 188.07, 1%, 0.77%

LAB 89.01, -25.94, -17.05

 

CMYK 71 / 23 / 0 / 15

HEX #3FA7D8

RGB 63 167 216

HSL 199.22, 0.66%, 0.55%

LAB 64.69, -14.05, -33.48

 

CMYK 77 / 24 / 0 / 23

HEX #2E95C5

RGB 46 149 197

HSL 199.07, 0.62%, 0.48%

LAB 58.14, -12.79, -33.09

 

CMYK 84 / 26 / 0 / 30

HEX #1D83B2

RGB 29 131 178

HSL 198.93, 0.72%, 0.41%

LAB 51.51, -11.16, -32.64

 

CMYK 92 / 29 / 0 / 38

HEX #0C719F

RGB 12 113 159

HSL 198.78, 0.86%, 0.34%

LAB 44.79, -9.02, -32.1

 

CMYK 100 / 32 / 0 / 45

HEX #005F8C

RGB 0 95 140

HSL 199.29, 1%, 0.27%

LAB 37.98, -6.26, -31.47

 

CMYK 70 / 23 / 0 / 15

HEX #41A7D8

RGB 65 167 216

HSL 199.47, 0.66%, 0.55%

LAB 64.74, -13.77, -33.39

 

CMYK 70 / 41 / 0 / 15

HEX #417FD8

RGB 65 127 216

HSL 215.36, 0.66%, 0.55%

LAB 53.23, 9.34, -51.5

 

CMYK 70 / 60 / 0 / 15

HEX #4156D8

RGB 65 86 216

HSL 231.66, 0.66%, 0.55%

LAB 42.36, 35.04, -69.04

 

CMYK 61 / 70 / 0 / 15

HEX #5441D8

RGB 84 65 216

HSL 247.55, 0.66%, 0.55%

LAB 38.94, 50.01, -74.6

 

CMYK 42 / 70 / 0 / 15

HEX #7D41D8

RGB 125 65 216

HSL 263.84, 0.66%, 0.55%

LAB 42.91, 56.48, -67.94

 

CMYK 70 / 23 / 0 / 15

HEX #41A7D8

RGB 65 167 216

HSL 199.47, 0.66%, 0.55%

LAB 64.74, -13.77, -33.39

 

CMYK 70 / 41 / 0 / 15

HEX #417FD8

RGB 65 127 216

HSL 215.36, 0.66%, 0.55%

LAB 53.23, 9.34, -51.5

 

CMYK 70 / 60 / 0 / 15

HEX #4156D8

RGB 65 86 216

HSL 231.66, 0.66%, 0.55%

LAB 42.36, 35.04, -69.04

 

CMYK 70 / 70 / 0 / 15

HEX #4141D8

RGB 65 65 216

HSL 240, 0.66%, 0.55%

LAB 37.59, 47.72, -76.86

 

CMYK 70 / 23 / 0 / 15

HEX #41A7D8

RGB 65 167 216

HSL 199.47, 0.66%, 0.55%

LAB 64.74, -13.77, -33.39

 

CMYK 80 / 26 / 0 / 8

HEX #2EAEEB

RGB 46 174 235

HSL 199.37, 0.83%, 0.55%

LAB 67.17, -13.34, -40.09

 

CMYK 89 / 28 / 0 / 1

HEX #1BB5FD

RGB 27 181 253

HSL 199.12, 0.98%, 0.55%

LAB 69.73, -12.17, -45.87

 

CMYK 70 / 23 / 0 / 15

HEX #41A7D8

RGB 65 167 216

HSL 199.47, 0.66%, 0.55%

LAB 64.74, -13.77, -33.39

 

CMYK 58 / 18 / 0 / 23

HEX #53A1C5

RGB 83 161 197

HSL 198.95, 0.5%, 0.55%

LAB 62.81, -13.51, -25.77

 

CMYK 43 / 14 / 0 / 30

HEX #669AB3

RGB 102 154 179

HSL 199.48, 0.34%, 0.55%

LAB 60.95, -10.59, -18.43

 

CMYK 25 / 8 / 0 / 37

HEX #7893A0

RGB 120 147 160

HSL 199.5, 0.17%, 0.55%

LAB 59.34, -6.43, -9.98

 

CMYK 2 / 1 / 0 / 44

HEX #8B8D8E

RGB 139 141 142

HSL 200, 0.01%, 0.55%

LAB 58.5, -0.53, -0.8

 

CMYK 70 / 0 / 15 / 15

HEX #41D8B7

RGB 65 216 183

HSL 166.89, 0.66%, 0.55%

LAB 78.26, -46.95, 4.9

 

CMYK 70 / 4 / 0 / 15

HEX #41D0D8

RGB 65 208 216

HSL 183.18, 0.66%, 0.55%

LAB 76.8, -34.47, -14.96

 

CMYK 70 / 22 / 0 / 15

HEX #41A8D8

RGB 65 168 216

HSL 199.07, 0.66%, 0.55%

LAB 65.03, -14.31, -32.94

 

CMYK 70 / 41 / 0 / 15

HEX #4180D8

RGB 65 128 216

HSL 214.97, 0.66%, 0.55%

LAB 53.51, 8.73, -51.06

 

CMYK 70 / 60 / 0 / 15

HEX #4157D8

RGB 65 87 216

HSL 231.26, 0.66%, 0.55%

LAB 42.61, 34.41, -68.64

 

CMYK 79 / 26 / 0 / 36

HEX #227AA4

RGB 34 122 164

HSL 199.38, 0.66%, 0.39%

LAB 48.18, -10.6, -29.7

 

CMYK 79 / 26 / 0 / 22

HEX #2994C7

RGB 41 148 199

HSL 199.37, 0.66%, 0.47%

LAB 57.82, -12.08, -34.71

 

CMYK 70 / 23 / 0 / 15

HEX #41A7D8

RGB 65 167 216

HSL 199.47, 0.66%, 0.55%

LAB 64.74, -13.77, -33.39

 

CMYK 56 / 18 / 0 / 13

HEX #63B7DF

RGB 99 183 223

HSL 199.35, 0.66%, 0.63%

LAB 70.77, -14.25, -27.83

 

CMYK 42 / 13 / 0 / 10

HEX #85C7E6

RGB 133 199 230

HSL 199.18, 0.66%, 0.71%

LAB 77.01, -13, -21.95

 

CMYK 71 / 23 / 0 / 15

HEX #3FA7D8

RGB 63 167 216

HSL 199.22, 0.66%, 0.55%

LAB 64.69, -14.05, -33.48

 

CMYK 34 / 70 / 0 / 15

HEX #8F41D8

RGB 143 65 216

HSL 270.99, 0.66%, 0.55%

LAB 45.05, 59.8, -64.37

 

CMYK 0 / 6 / 70 / 15

HEX #D8CB41

RGB 216 203 65

HSL 54.83, 0.66%, 0.55%

LAB 80.57, -10.93, 66.84

 

CMYK 71 / 23 / 0 / 15

HEX #3FA7D8

RGB 63 167 216

HSL 199.22, 0.66%, 0.55%

LAB 64.69, -14.05, -33.48

 

CMYK 0 / 70 / 22 / 15

HEX #D841A8

RGB 216 65 168

HSL 319.07, 0.66%, 0.55%

LAB 53.17, 67.82, -22.98

 

CMYK 22 / 0 / 70 / 15

HEX #A8D841

RGB 168 216 65

HSL 79.07, 0.66%, 0.55%

LAB 80.64, -36.74, 65.75

 

CMYK 71 / 23 / 0 / 15

HEX #3FA7D8

RGB 63 167 216

HSL 199.22, 0.66%, 0.55%

LAB 64.69, -14.05, -33.48

 

CMYK 34 / 70 / 0 / 15

HEX #8F41D8

RGB 143 65 216

HSL 270.99, 0.66%, 0.55%

LAB 45.05, 59.8, -64.37

 

CMYK 0 / 48 / 70 / 15

HEX #D87041

RGB 216 112 65

HSL 18.68, 0.66%, 0.55%

LAB 58.57, 37.18, 43.84

 

CMYK 36 / 0 / 70 / 15

HEX #8AD841

RGB 138 216 65

HSL 90.99, 0.66%, 0.55%

LAB 78.98, -47.67, 63.54

 

CMYK 71 / 23 / 0 / 15

HEX #3FA7D8

RGB 63 167 216

HSL 199.22, 0.66%, 0.55%

LAB 64.69, -14.05, -33.48

 

CMYK 13 / 70 / 0 / 15

HEX #BC41D8

RGB 188 65 216

HSL 288.87, 0.66%, 0.55%

LAB 51.19, 68.87, -54.16

 

CMYK 0 / 48 / 70 / 15

HEX #D87041

RGB 216 112 65

HSL 18.68, 0.66%, 0.55%

LAB 58.57, 37.18, 43.84

 

CMYK 57 / 0 / 70 / 15

HEX #5CD841

RGB 92 216 65

HSL 109.27, 0.66%, 0.55%

LAB 77.14, -61.33, 61.07

 

Description

Color code: HEX #3FA7D8 | qconv.com Color code: HEX #3FA7D8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 167 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 167 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 23 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 23% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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