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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FA277 it is the complementary color #C05D88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FA277. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FA277 shade: #44A272, #55B485, #66C698, #77D8AB and #88EABE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FA277. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FA277 shade: #3FA277, #2E9064, #1D7E51, #0C6C3E and #005A2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FA277 shade: #3FA277, #3FA25C, #3FA241, #57A23F and #71A23F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FA277 shade: #3FA277, #3FA291, #3F97A2, #3F7DA2 and #3F62A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FA277 shade matches the following richer shades: #3FA277, #2DB479, #1BC67B and #08D87E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FA277 shade: #3FA277, #518F74, #637D72, #756B70 and #87596D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FA277 shade: #3FA240, #3FA25B, #3FA275, #3FA28F and #3F99A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FA277 shade: #28664B, #338461, #3FA277, #4FBB8C and #6DC69F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FA277 shade: #3FA277, #3F58A2 and #A24E3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FA277 shade: #3FA277, #753FA2 and #A2753F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FA277 shade: #3FA277, #3F58A2, #A23F6B and #A2893F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FA277 shade: #3FA277, #443FA2, #A23F6B and #9DA23F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 27 / 36

HEX #3FA277

RGB 63 162 119

HSL 153.94, 0.44%, 0.44%

LAB 60.1, -39.28, 13.95

 

Complementary color

CMYK 0 / 52 / 29 / 25

HEX #C05D88

RGB 192 93 136

HSL 333.94, 0.44%, 0.56%

LAB 52.74, 44.49, -5.11

 

CMYK 58 / 0 / 30 / 36

HEX #44A272

RGB 68 162 114

HSL 149.36, 0.41%, 0.45%

LAB 60.14, -39.27, 16.82

 

CMYK 53 / 0 / 26 / 29

HEX #55B485

RGB 85 180 133

HSL 150.32, 0.39%, 0.52%

LAB 66.72, -39.22, 15.58

 

CMYK 48 / 0 / 23 / 22

HEX #66C698

RGB 102 198 152

HSL 151.25, 0.46%, 0.59%

LAB 73.21, -39.08, 14.45

 

CMYK 45 / 0 / 21 / 15

HEX #77D8AB

RGB 119 216 171

HSL 152.16, 0.55%, 0.66%

LAB 79.6, -38.89, 13.41

 

CMYK 42 / 0 / 19 / 8

HEX #88EABE

RGB 136 234 190

HSL 153.06, 0.7%, 0.73%

LAB 85.91, -38.68, 12.44

 

CMYK 61 / 0 / 27 / 36

HEX #3FA277

RGB 63 162 119

HSL 153.94, 0.44%, 0.44%

LAB 60.1, -39.28, 13.95

 

CMYK 68 / 0 / 31 / 44

HEX #2E9064

RGB 46 144 100

HSL 153.06, 0.52%, 0.37%

LAB 53.44, -39.06, 15.31

 

CMYK 77 / 0 / 36 / 51

HEX #1D7E51

RGB 29 126 81

HSL 152.16, 0.63%, 0.3%

LAB 46.68, -38.52, 16.85

 

CMYK 89 / 0 / 43 / 58

HEX #0C6C3E

RGB 12 108 62

HSL 151.25, 0.8%, 0.24%

LAB 39.83, -37.42, 18.61

 

CMYK 100 / 0 / 52 / 65

HEX #005A2B

RGB 0 90 43

HSL 148.67, 1%, 0.18%

LAB 32.89, -35.49, 20.61

 

CMYK 61 / 0 / 27 / 36

HEX #3FA277

RGB 63 162 119

HSL 153.94, 0.44%, 0.44%

LAB 60.1, -39.28, 13.95

 

CMYK 61 / 0 / 43 / 36

HEX #3FA25C

RGB 63 162 92

HSL 137.58, 0.44%, 0.44%

LAB 59.59, -44.65, 28.02

 

CMYK 61 / 0 / 60 / 36

HEX #3FA241

RGB 63 162 65

HSL 121.21, 0.44%, 0.44%

LAB 59.23, -48.63, 41.23

 

CMYK 46 / 0 / 61 / 36

HEX #57A23F

RGB 87 162 63

HSL 105.45, 0.44%, 0.44%

LAB 60.09, -42.2, 43.38

 

CMYK 30 / 0 / 61 / 36

HEX #71A23F

RGB 113 162 63

HSL 89.7, 0.44%, 0.44%

LAB 61.4, -33.16, 45.22

 

CMYK 61 / 0 / 27 / 36

HEX #3FA277

RGB 63 162 119

HSL 153.94, 0.44%, 0.44%

LAB 60.1, -39.28, 13.95

 

CMYK 61 / 0 / 10 / 36

HEX #3FA291

RGB 63 162 145

HSL 169.7, 0.44%, 0.44%

LAB 60.73, -32.94, 0.28

 

CMYK 61 / 7 / 0 / 36

HEX #3F97A2

RGB 63 151 162

HSL 186.67, 0.44%, 0.44%

LAB 57.85, -22.71, -13.65

 

CMYK 61 / 23 / 0 / 36

HEX #3F7DA2

RGB 63 125 162

HSL 202.42, 0.44%, 0.44%

LAB 49.9, -8.51, -25.8

 

CMYK 61 / 40 / 0 / 36

HEX #3F62A2

RGB 63 98 162

HSL 218.79, 0.44%, 0.44%

LAB 41.85, 7.88, -38.43

 

CMYK 61 / 0 / 27 / 36

HEX #3FA277

RGB 63 162 119

HSL 153.94, 0.44%, 0.44%

LAB 60.1, -39.28, 13.95

 

CMYK 75 / 0 / 33 / 29

HEX #2DB479

RGB 45 180 121

HSL 153.78, 0.6%, 0.44%

LAB 65.42, -49.38, 20.13

 

CMYK 86 / 0 / 38 / 22

HEX #1BC67B

RGB 27 198 123

HSL 153.68, 0.76%, 0.44%

LAB 70.91, -57.6, 26.43

 

CMYK 96 / 0 / 42 / 15

HEX #08D87E

RGB 8 216 126

HSL 154.04, 0.93%, 0.44%

LAB 76.48, -64.26, 32.23

 

CMYK 61 / 0 / 27 / 36

HEX #3FA277

RGB 63 162 119

HSL 153.94, 0.44%, 0.44%

LAB 60.1, -39.28, 13.95

 

CMYK 43 / 0 / 19 / 44

HEX #518F74

RGB 81 143 116

HSL 153.87, 0.28%, 0.44%

LAB 54.72, -26.63, 8.17

 

CMYK 21 / 0 / 9 / 51

HEX #637D72

RGB 99 125 114

HSL 154.62, 0.12%, 0.44%

LAB 50.14, -11.81, 2.9

 

CMYK 0 / 9 / 4 / 54

HEX #756B70

RGB 117 107 112

HSL 330, 0.04%, 0.44%

LAB 46.27, 4.88, -1.38

 

CMYK 0 / 34 / 19 / 47

HEX #87596D

RGB 135 89 109

HSL 333.91, 0.21%, 0.44%

LAB 43.36, 22.07, -3.62

 

CMYK 61 / 0 / 60 / 36

HEX #3FA240

RGB 63 162 64

HSL 120.61, 0.44%, 0.44%

LAB 59.22, -48.75, 41.69

 

CMYK 61 / 0 / 44 / 36

HEX #3FA25B

RGB 63 162 91

HSL 136.97, 0.44%, 0.44%

LAB 59.57, -44.82, 28.53

 

CMYK 61 / 0 / 28 / 36

HEX #3FA275

RGB 63 162 117

HSL 152.73, 0.44%, 0.44%

LAB 60.05, -39.72, 15

 

CMYK 61 / 0 / 12 / 36

HEX #3FA28F

RGB 63 162 143

HSL 168.48, 0.44%, 0.44%

LAB 60.68, -33.46, 1.32

 

CMYK 61 / 6 / 0 / 36

HEX #3F99A2

RGB 63 153 162

HSL 185.45, 0.44%, 0.44%

LAB 58.46, -23.74, -12.72

 

CMYK 61 / 0 / 26 / 60

HEX #28664B

RGB 40 102 75

HSL 153.87, 0.44%, 0.28%

LAB 38.66, -27.05, 9.4

 

CMYK 61 / 0 / 27 / 48

HEX #338461

RGB 51 132 97

HSL 154.07, 0.44%, 0.36%

LAB 49.58, -33.42, 11.7

 

CMYK 61 / 0 / 27 / 36

HEX #3FA277

RGB 63 162 119

HSL 153.94, 0.44%, 0.44%

LAB 60.1, -39.28, 13.95

 

CMYK 58 / 0 / 25 / 27

HEX #4FBB8C

RGB 79 187 140

HSL 153.89, 0.44%, 0.52%

LAB 68.82, -42.17, 14.67

 

CMYK 45 / 0 / 20 / 22

HEX #6DC69F

RGB 109 198 159

HSL 153.71, 0.44%, 0.6%

LAB 73.64, -35.81, 11.33

 

CMYK 61 / 0 / 27 / 36

HEX #3FA277

RGB 63 162 119

HSL 153.94, 0.44%, 0.44%

LAB 60.1, -39.28, 13.95

 

CMYK 61 / 46 / 0 / 36

HEX #3F58A2

RGB 63 88 162

HSL 224.85, 0.44%, 0.44%

LAB 38.98, 14.29, -43

 

CMYK 0 / 52 / 61 / 36

HEX #A24E3F

RGB 162 78 63

HSL 9.09, 0.44%, 0.44%

LAB 43.49, 33.45, 25.09

 

CMYK 61 / 0 / 27 / 36

HEX #3FA277

RGB 63 162 119

HSL 153.94, 0.44%, 0.44%

LAB 60.1, -39.28, 13.95

 

CMYK 28 / 61 / 0 / 36

HEX #753FA2

RGB 117 63 162

HSL 272.73, 0.44%, 0.44%

LAB 37.74, 42.31, -44.7

 

CMYK 0 / 28 / 61 / 36

HEX #A2753F

RGB 162 117 63

HSL 32.73, 0.44%, 0.44%

LAB 52.69, 11.66, 36.29

 

CMYK 61 / 0 / 27 / 36

HEX #3FA277

RGB 63 162 119

HSL 153.94, 0.44%, 0.44%

LAB 60.1, -39.28, 13.95

 

CMYK 61 / 46 / 0 / 36

HEX #3F58A2

RGB 63 88 162

HSL 224.85, 0.44%, 0.44%

LAB 38.98, 14.29, -43

 

CMYK 0 / 61 / 34 / 36

HEX #A23F6B

RGB 162 63 107

HSL 333.33, 0.44%, 0.44%

LAB 41.69, 45.4, -4.44

 

CMYK 0 / 15 / 61 / 36

HEX #A2893F

RGB 162 137 63

HSL 44.85, 0.44%, 0.44%

LAB 57.97, 0.41, 42.38

 

CMYK 61 / 0 / 27 / 36

HEX #3FA277

RGB 63 162 119

HSL 153.94, 0.44%, 0.44%

LAB 60.1, -39.28, 13.95

 

CMYK 58 / 61 / 0 / 36

HEX #443FA2

RGB 68 63 162

HSL 243.03, 0.44%, 0.44%

LAB 32.68, 31.45, -53.13

 

CMYK 0 / 61 / 34 / 36

HEX #A23F6B

RGB 162 63 107

HSL 333.33, 0.44%, 0.44%

LAB 41.69, 45.4, -4.44

 

CMYK 3 / 0 / 61 / 36

HEX #9DA23F

RGB 157 162 63

HSL 63.03, 0.44%, 0.44%

LAB 64.46, -15.21, 49.45

 

Description

Color code: HEX #3FA277 | qconv.com Color code: HEX #3FA277 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 162 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 162 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 27 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 27% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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