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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F9C8C it is the complementary color #C06373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F9C8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F9C8C shade: #449C87, #55AE9A, #66C0AD, #77D2C0 and #88E4D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F9C8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F9C8C shade: #3F9C8C, #2E8A79, #1D7866, #0C6653 and #005440

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F9C8C shade: #3F9B8B, #3F9B73, #3F9B5A, #3F9B41 and #569B3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F9C8C shade: #3F9B8B, #3F929B, #3F799B, #3F619B and #3F489B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F9C8C shade matches the following richer shades: #3F9B8B, #2DAD97, #1CBFA3 and #0AD0AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F9C8C shade: #3F9B8B, #518980, #637874, #746668 and #86545D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F9C8C shade: #3F9B59, #3F9B72, #3F9B8A, #3F949B and #3F7B9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F9C8C shade: #276157, #337E71, #3F9B8B, #4DB6A4 and #6BC2B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F9C8C shade: #3F9C8C, #413F9B and #9B653F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F9C8C shade: #3F9C8C, #8A3F9B and #9B8A3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F9C8C shade: #3F9C8C, #413F9B, #9B3F50 and #9A9B3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F9C8C shade: #3F9C8C, #5C3F9B, #9B3F50 and #7E9B3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 10 / 39

HEX #3F9C8C

RGB 63 156 140

HSL 169.68, 0.42%, 0.43%

LAB 58.72, -31.41, 0.17

 

Complementary color

CMYK 0 / 48 / 40 / 25

HEX #C06373

RGB 192 99 115

HSL 349.68, 0.42%, 0.57%

LAB 53.35, 38.82, 8.2

 

CMYK 56 / 0 / 13 / 39

HEX #449C87

RGB 68 156 135

HSL 165.68, 0.39%, 0.44%

LAB 58.75, -31.66, 3.06

 

CMYK 51 / 0 / 11 / 32

HEX #55AE9A

RGB 85 174 154

HSL 166.52, 0.35%, 0.51%

LAB 65.39, -31.66, 2.11

 

CMYK 47 / 0 / 10 / 25

HEX #66C0AD

RGB 102 192 173

HSL 167.33, 0.42%, 0.58%

LAB 71.92, -31.6, 1.24

 

CMYK 43 / 0 / 9 / 18

HEX #77D2C0

RGB 119 210 192

HSL 168.13, 0.5%, 0.65%

LAB 78.36, -31.49, 0.43

 

CMYK 40 / 0 / 7 / 11

HEX #88E4D3

RGB 136 228 211

HSL 168.91, 0.63%, 0.71%

LAB 84.7, -31.36, -0.33

 

CMYK 60 / 0 / 10 / 39

HEX #3F9C8C

RGB 63 156 140

HSL 169.68, 0.42%, 0.43%

LAB 58.72, -31.41, 0.17

 

CMYK 67 / 0 / 12 / 46

HEX #2E8A79

RGB 46 138 121

HSL 168.91, 0.5%, 0.36%

LAB 51.99, -31.13, 1.21

 

CMYK 76 / 0 / 15 / 53

HEX #1D7866

RGB 29 120 102

HSL 168.13, 0.61%, 0.29%

LAB 45.16, -30.58, 2.4

 

CMYK 88 / 0 / 19 / 60

HEX #0C6653

RGB 12 102 83

HSL 167.33, 0.79%, 0.22%

LAB 38.21, -29.56, 3.79

 

CMYK 100 / 0 / 24 / 67

HEX #005440

RGB 0 84 64

HSL 165.71, 1%, 0.16%

LAB 31.14, -27.89, 5.46

 

CMYK 59 / 0 / 10 / 39

HEX #3F9B8B

RGB 63 155 139

HSL 169.57, 0.42%, 0.43%

LAB 58.38, -31.2, 0.24

 

CMYK 59 / 0 / 26 / 39

HEX #3F9B73

RGB 63 155 115

HSL 153.91, 0.42%, 0.43%

LAB 57.79, -37.08, 12.97

 

CMYK 59 / 0 / 42 / 39

HEX #3F9B5A

RGB 63 155 90

HSL 137.61, 0.42%, 0.43%

LAB 57.31, -42.12, 26.12

 

CMYK 59 / 0 / 58 / 39

HEX #3F9B41

RGB 63 155 65

HSL 121.3, 0.42%, 0.43%

LAB 56.96, -45.94, 38.58

 

CMYK 45 / 0 / 59 / 39

HEX #569B3F

RGB 86 155 63

HSL 105, 0.42%, 0.43%

LAB 57.83, -39.55, 40.78

 

CMYK 59 / 0 / 10 / 39

HEX #3F9B8B

RGB 63 155 139

HSL 169.57, 0.42%, 0.43%

LAB 58.38, -31.2, 0.24

 

CMYK 59 / 6 / 0 / 39

HEX #3F929B

RGB 63 146 155

HSL 185.87, 0.42%, 0.43%

LAB 56.07, -22.21, -12.33

 

CMYK 59 / 22 / 0 / 39

HEX #3F799B

RGB 63 121 155

HSL 202.17, 0.42%, 0.43%

LAB 48.38, -8.5, -24.05

 

CMYK 59 / 37 / 0 / 39

HEX #3F619B

RGB 63 97 155

HSL 217.83, 0.42%, 0.43%

LAB 41.17, 6.07, -35.33

 

CMYK 59 / 54 / 0 / 39

HEX #3F489B

RGB 63 72 155

HSL 234.13, 0.42%, 0.43%

LAB 34.1, 22.29, -46.62

 

CMYK 59 / 0 / 10 / 39

HEX #3F9B8B

RGB 63 155 139

HSL 169.57, 0.42%, 0.43%

LAB 58.38, -31.2, 0.24

 

CMYK 74 / 0 / 13 / 32

HEX #2DAD97

RGB 45 173 151

HSL 169.69, 0.59%, 0.43%

LAB 63.9, -39.22, 1.48

 

CMYK 85 / 0 / 15 / 25

HEX #1CBFA3

RGB 28 191 163

HSL 169.69, 0.74%, 0.43%

LAB 69.58, -45.46, 3.07

 

CMYK 95 / 0 / 16 / 18

HEX #0AD0AE

RGB 10 208 174

HSL 169.7, 0.91%, 0.43%

LAB 74.97, -50.47, 4.89

 

CMYK 59 / 0 / 10 / 39

HEX #3F9B8B

RGB 63 155 139

HSL 169.57, 0.42%, 0.43%

LAB 58.38, -31.2, 0.24

 

CMYK 41 / 0 / 7 / 46

HEX #518980

RGB 81 137 128

HSL 170.36, 0.26%, 0.43%

LAB 53.17, -20.71, -0.98

 

CMYK 18 / 0 / 3 / 53

HEX #637874

RGB 99 120 116

HSL 168.57, 0.1%, 0.43%

LAB 48.69, -8.56, -0.38

 

CMYK 0 / 12 / 10 / 55

HEX #746668

RGB 116 102 104

HSL 351.43, 0.06%, 0.43%

LAB 44.54, 5.92, 0.91

 

CMYK 0 / 37 / 31 / 47

HEX #86545D

RGB 134 84 93

HSL 349.2, 0.23%, 0.43%

LAB 41.53, 22.09, 3.51

 

CMYK 59 / 0 / 43 / 39

HEX #3F9B59

RGB 63 155 89

HSL 136.96, 0.42%, 0.43%

LAB 57.29, -42.3, 26.64

 

CMYK 59 / 0 / 26 / 39

HEX #3F9B72

RGB 63 155 114

HSL 153.26, 0.42%, 0.43%

LAB 57.76, -37.3, 13.5

 

CMYK 59 / 0 / 11 / 39

HEX #3F9B8A

RGB 63 155 138

HSL 168.91, 0.42%, 0.43%

LAB 58.35, -31.46, 0.77

 

CMYK 59 / 5 / 0 / 39

HEX #3F949B

RGB 63 148 155

HSL 184.57, 0.42%, 0.43%

LAB 56.69, -23.25, -11.4

 

CMYK 59 / 21 / 0 / 39

HEX #3F7B9B

RGB 63 123 155

HSL 200.87, 0.42%, 0.43%

LAB 48.99, -9.65, -23.11

 

CMYK 60 / 0 / 10 / 62

HEX #276157

RGB 39 97 87

HSL 169.66, 0.43%, 0.27%

LAB 37.24, -21.6, 0.01

 

CMYK 60 / 0 / 10 / 51

HEX #337E71

RGB 51 126 113

HSL 169.6, 0.42%, 0.35%

LAB 48.03, -26.51, 0.13

 

CMYK 59 / 0 / 10 / 39

HEX #3F9B8B

RGB 63 155 139

HSL 169.57, 0.42%, 0.43%

LAB 58.38, -31.2, 0.24

 

CMYK 58 / 0 / 10 / 29

HEX #4DB6A4

RGB 77 182 164

HSL 169.71, 0.42%, 0.51%

LAB 67.81, -34.65, 0.07

 

CMYK 45 / 0 / 8 / 24

HEX #6BC2B3

RGB 107 194 179

HSL 169.66, 0.42%, 0.59%

LAB 72.87, -29.89, -0.63

 

CMYK 60 / 0 / 10 / 39

HEX #3F9C8C

RGB 63 156 140

HSL 169.68, 0.42%, 0.43%

LAB 58.72, -31.41, 0.17

 

CMYK 58 / 59 / 0 / 39

HEX #413F9B

RGB 65 63 155

HSL 241.3, 0.42%, 0.43%

LAB 31.91, 28.54, -50.16

 

CMYK 0 / 35 / 59 / 39

HEX #9B653F

RGB 155 101 63

HSL 24.78, 0.42%, 0.43%

LAB 47.8, 17.72, 30.22

 

CMYK 60 / 0 / 10 / 39

HEX #3F9C8C

RGB 63 156 140

HSL 169.68, 0.42%, 0.43%

LAB 58.72, -31.41, 0.17

 

CMYK 11 / 59 / 0 / 39

HEX #8A3F9B

RGB 138 63 155

HSL 288.91, 0.42%, 0.43%

LAB 40.12, 46.15, -36.54

 

CMYK 0 / 11 / 59 / 39

HEX #9B8A3F

RGB 155 138 63

HSL 48.91, 0.42%, 0.43%

LAB 57.56, -3.25, 41.74

 

CMYK 60 / 0 / 10 / 39

HEX #3F9C8C

RGB 63 156 140

HSL 169.68, 0.42%, 0.43%

LAB 58.72, -31.41, 0.17

 

CMYK 58 / 59 / 0 / 39

HEX #413F9B

RGB 65 63 155

HSL 241.3, 0.42%, 0.43%

LAB 31.91, 28.54, -50.16

 

CMYK 0 / 59 / 48 / 39

HEX #9B3F50

RGB 155 63 80

HSL 348.91, 0.42%, 0.43%

LAB 39.75, 39.97, 9.49

 

CMYK 1 / 0 / 59 / 39

HEX #9A9B3F

RGB 154 155 63

HSL 60.65, 0.42%, 0.43%

LAB 62.23, -12.85, 46.94

 

CMYK 60 / 0 / 10 / 39

HEX #3F9C8C

RGB 63 156 140

HSL 169.68, 0.42%, 0.43%

LAB 58.72, -31.41, 0.17

 

CMYK 41 / 59 / 0 / 39

HEX #5C3F9B

RGB 92 63 155

HSL 258.91, 0.42%, 0.43%

LAB 34.39, 34.38, -46.03

 

CMYK 0 / 59 / 48 / 39

HEX #9B3F50

RGB 155 63 80

HSL 348.91, 0.42%, 0.43%

LAB 39.75, 39.97, 9.49

 

CMYK 19 / 0 / 59 / 39

HEX #7E9B3F

RGB 126 155 63

HSL 78.91, 0.42%, 0.43%

LAB 60.1, -24.69, 43.98

 

Description

Color code: HEX #3F9C8C | qconv.com Color code: HEX #3F9C8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 156 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 156 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 10 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 10% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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